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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3251
    JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • #3252
    1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • #3253
    rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • #3254
    Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • #3255
    JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • #3256
    DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • #3257
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3258
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3259
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3260
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by bob t on Sun, 10/04/2020 - 09:20

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Hi everyone, well I am back from my virtual Sept 1972 tour.... Why I am booing.. Not because of the tour it was awesome!!! When i returned to 2020 i found out that someone tried to open a Home Depot credit card in my name very similar to my friend Jim in MD.... However i was fortunate enough to have a credit freeze on at the 3 credit bureaus to prevent such things... So i got the Lifelock text last night at 11:30.. Contacted Home Depot credit this morning, after a couple of calls found out they were not able to get the credit because of my freeze!!!! Here is the kicker, if the card had been issued it was coming to my address!!! But guess what, Home Depot will let you use the card before you actually receive the physical card once you are approved.. Coincidence that Home Depot has been used twice now by 2 posters??? So if you don't use paypal, like myself pay attention..... bob t

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Submitted by icecrmcnkd on Sun, 10/04/2020 - 09:20

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Did Set 1 last night, Set 2 starting now.

After that I think I’ll do 7-12-87 from the GS Box for a little taste of 87 in honor of the upcoming DaP36.
Wonder how fast DaP36 ala carte’s will sell out.
Wonder if we’ll get a cassette master SBD or a matrix.

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Submitted by icecrmcnkd on Sun, 10/04/2020 - 09:35

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Good thing that got stopped BobT.

I’ve received notices of my name possibly being included in data breaches 3-4 times in less than 2 years.
And where’s that 3 free years of credit monitoring that I was supposed to receive as a result of the Equifax settlement?

Time the check my free credit report.

https://www.consumer.ftc.gov/articles/0155-free-credit-reports

Note: you can get it free once per year from each of the 3 agencies, but it doesn’t have to be at the same time. So, space it out and do a single agency at a time, once every 4 months, but don’t use the same agency for another 12 months. That way you can get a free report every 4 months.

Edit:
Oh yeah, the irony is that Equifax, one of the credit reporting agencies, got hacked and lost a lot of info, which is why they are supposed to be giving me (and millions of others) free credit monitoring.
I registered more than a year ago but never got anything. I’m going to look into that.

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Submitted by Oroborous on Sun, 10/04/2020 - 09:47

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So after a brief diversion to FAC rock out to DaP 35, really dig the first set. The seconds starting to lose that new car smell...later, went to 7/12/87 after all the 87 hoopla, nice little show.
Meanwhile I had planned on trying to get a good listen in on DP 11 from 9/27/72, but ended up back at the fall 73 tour since I have a tour buddy now.
9/18/73 I was not able to find a source and DB 50 suggests it might of been cancelled?
9/20/73 seemed a tad below the mark comparatively, perhaps that’s why they didn’t break out all the new jazzy stuff? Cool nobody's jam outta truckin’ though. Tape didn’t help my vibe on this one.
9/21/73 seems to pick up where they left off with a status quo (meaning good) first with the stand out being a sweet HCSS! The second se5 was another beauty eh! And though the tape was decent the mix turned out to be lacking as the horns were sometimes inaudible. I even tried different versions but same problem, noticed some vocals and other drop outs occasionally...the only blemish musically was Let Me Sing as Kieth is also hard to hear sing, or may even be struggling as it seems like JG is much more prevelant, perhaps trying to compensate? Don’t think this can totally be attributed to the mix?
It’s a bummer that this was I believe the last version as it was a good song and he sang it well early on.
Feel like the jam on 9/11 had potential, but that was it...unless they did it on 9/8? Probably should have started with that one even sans horns...
But listening to this version it kinda feels over...
But no biggie as the majority of the second set kicks ass audio anomaly’s and all.
That whole Truckin’ through Rat, followed by a great Row Jimmy, and THEN the whole jazzy horn sequence of the show which would of been top notch except for the mix...I’ll need to go back and hear that post Truckin jam into the other one or maybe it’s the post TOO that I really dug, though I was actually in a fog groovin’ on the couch lol. Hey, it was Saturday I deserved a little couch time dammit!
Today I want to try and get DP 11 in, but those last 2 horn shows are calling, so who knows!
Think next week I’m going to try and do fall 89 in order though I doubt I’ll get to them all on the anniversary date.

That is a bummer Bob t, for you and the rest of the people on this site.
Hope they get this taken care of for all.

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Submitted by KeithFan2112 on Mon, 10/05/2020 - 03:01

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Sorry about your experience. I got nailed by someone in July, but my bank declined them, so I was lucky. I also received a letter from a vendor I spend at indicating they had a data breach in that period. I assume that's how my info got out there to be replicated in fake card form. So much for those security chips in the card.

So what does Lifelock do?

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Submitted by bob t on Mon, 10/05/2020 - 06:00

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Thanks for the kind words and sorry you had it happen also. Lifelock texts me anytime anyone attempts to open a line of credit, or anything similar like a payroll advance, or opening up a checking or savings account, in real time. So i received a text to my phone and an email the same day on Saturday that they tried to open the account. I have nothing to do with Lifelock also. They are the ones that told me about putting the credit freeze on at the credit bureaus, (by the way you can do that on line for free)... Also on a side note, I have my Visa set up to get alerts anytime any purchase is made on line or on phone, or internationally, which is another helpful tip!! Bob t

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Submitted by icecrmcnkd on Mon, 10/05/2020 - 08:15

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Their ad says:
“ Our Travel agency offers:
Transparency.
Exceptional customer service.”

Transparency and exceptional customer service are certainly more than Rhino offers.

“Mind-blogging deals and offers.”

Mind-blogging?
Uh, ok.....

“Inconceivable deals on refunds and advance bookings.”

Inconceivable?
I’m not sure that means what you think it means....

Well, maybe they’re not so good.
Don’t give them your credit card number.

So I clicked on their link and my screen went completely blank. So transparency is the first thing you see when you do business with these guys. No doubt a good sign as honesty seems front and central in dealing with them.

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Submitted by bob t on Mon, 10/05/2020 - 16:12

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We have a great first set from 4/23/77 in Springfield, Great Row Jimmy and Scarlet>Fire, (third one ever), a good 78 and and 86 with the 4th ever Desolation Row and a Brother Essau... Complimentary head sets and snacks served also.... Bob t

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Submitted by DeadVikes on Tue, 10/06/2020 - 08:39

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How does the 5/11/77 show from the St. Paul Civic Center sound to you all?

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Submitted by JimInMD on Tue, 10/06/2020 - 09:21

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Been a while since I gave this a spin. You caught me just in time, heading out the door with my favorite device in hand.

Move me brightly..

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Submitted by wilfredtjones on Tue, 10/06/2020 - 12:43

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Don't miss Phil dropping a snatch of China Doll pre-Wharf Rat. This is prior to the post-hiatus breakout a week later in Atlanta at the Fox. Anyone know if they played Big River in St.Paul? I suppose I can check, too. It's a nice show that pretty much has it all. Oh, except a Dark Star, although there is a Space...Be well and be grateful all! :-)

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Submitted by DeadVikes on Tue, 10/06/2020 - 13:26

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Yes, WTJ, this show they played Big River in the first set.

And I agree, great show. Really like the Jack Straw Peggy O. That Jack Straw just keeps building. As you said great Scarlet-Fire, love the UJB, Jam or Space into Wharf Rat. Love that Brokedown Palace encore.

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Submitted by icecrmcnkd on Tue, 10/06/2020 - 17:55

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Take this for a test drive.
https://archive.org/details/gd1969-03-28.sbd.bear.motb.108057.flac16

Have listened to this several times over that past 2 weeks as I try to wrap my mind Around & Around it and anticipate if/when this will be released on CD and vinyl in Plangentized and Normanized glory.

The time is now Dave.
DaP37.
With a follow-up RSD vinyl.

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Submitted by burgerskelly on Tue, 10/06/2020 - 21:56

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It is necessary to discuss about having a healthy lifestyle. Health is important to all. There are many health related queries that needs to be discussed about. For further health related queries check in here. https://www.healthmatter.co/

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Submitted by JimInMD on Wed, 10/07/2020 - 05:34

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Clearly in Kelly's post (below), her user name is in reference to the Hot Tuna album Burgers, not the fatty, cholesterol laden sandwich. After all, she's a self proclaimed health and lifestyle freak.

I have it on good advisement that Kelly is Hippie Chicks younger, hotter sister, a rabid dead fan and not a cereal spammer.

Update: Scratch that.., apparently my advisor uses a Ouija Board.

Kelly is actually a 450 lb grotesque cereal spammer living in the top level of a rat infested favela outside Rio. On the bright side, this new spamming habit has almost eliminated his desire for chronic pick-pocketing and the mugging of foreign tourists.

I very much enjoyed 5/11 yesterday. A wonderful palate cleanse - it has been a while since I listened to a full May 77 show. Today I am following Cone Kid down the phosphorescent 1969 rabbit hole and have set the dials to the wayback to 3/28/69. Getting the tractor up to 8.8 mph and holding on tight, here I go..

Any interest in taking a Warlocks tour to the Hampton Coliseum tomorrow and Friday ala 10/8 and 10/9/89?

My ReCRAPTCHA this morning read, "Select all pictures with time machines."

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Submitted by The Good Ole G… on Wed, 10/07/2020 - 06:09

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May '77.. nuff said.
That was fun.

Sugaree in the closer spot. Rippin'

3/28/69 is a favorite.

Hampton Coliseum was a cool place.

Tractor Avatar is activated.

Brain is not.
Traffic Lights & Crosswalks.

GD Hour with David Gans to start my morning.
One more day I find myself alive...

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Submitted by Gollum on Wed, 10/07/2020 - 09:24

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I like these picks! Modesto- 1969 Dead in a dusty cowtown. Then the Warlocks. I'm a little embarrassed to admit I've never heard the Warlocks shows, other than the Dark Star, I guess. Let's do this!

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Submitted by Oroborous on Wed, 10/07/2020 - 11:18

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Oh yeah, I’m going to Hampton tomorrow and try and do the whole tour in order as I have not heard them all YET!

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Submitted by KeithFan2112 on Wed, 10/07/2020 - 16:32

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I've recently done St. Paul. Obviously the Uncle John's Band Space Wharf Rat and Brokedown Palace is a knockout punch. The Scarlet Fire may be a tad underrated. Probably in my top 5.

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Submitted by DeadVikes on Wed, 10/07/2020 - 20:16

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Welcome Keithfan, this is a fun spot.

So, 10/8/89 tomorrow and 10/9/89 on Friday. The big enchiladas of the 89 shows released so far.

I think about this box sitting on this site for sale from 2010 to at least 2016 for $69. What a bargain!

Looking forward to going through these two again.

Everybody hang loose.

Edit-Gollum, you have never heard these shows? Let us know your thoughts.

Beats the hell out of me. Ask Butch I guess.

Ticket number 8109, Sunday 7:30 PM October 8, 1989. Sunday was the purple ticket. The East Coast breakout of Help>Slip!>Franklins. The second set was hot, or as Brent and Phil recanted "...but you better take it easy 'cause this place is hot." I'm so glad I made it.

To get my tickets I was supposed to meet a friend.. who got the flu and didn't show up. I am meeting people I did not know at the Holiday Inn in the days before cell phones, texts, emails, etc.. I was basically stumbling around the parking lot for a long time with no plan and someone I did not know came out their room and said, hey.. are you Jim? Strangers stopping strangers...

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Submitted by Gollum on Thu, 10/08/2020 - 10:42

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Finished set 1 and loved it. I really like the sound of the band here. Phil, Bob and Jerry upfront and in good balance and Brent a bit more subdued than Spring 90, filling in holes tastefully. I really like this blend. And I've always liked the MIDI.
Oct 89 > Spring90? (maybe, for Gollum) but on to set 2...

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Submitted by bob t on Thu, 10/08/2020 - 14:25

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So happy they did those shows!!! Haven't listened to them in a while!! Good call... Gonna listen to my favorite 82 show tomorrow... Frost Amphitheatre 10/9/82.... This is one of those shows i like better on audience!!! Really like the second set!!! Have a good day all. Bobt

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Submitted by DeadVikes on Thu, 10/08/2020 - 18:46

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You finished both today Bob t. You are an overachiever for sure.
10/9/89 for me tomorrow.

Can't imagine how great these shows would have been to see in person. You must have had a blast Jim on both days. Must have been weird to not have the scene outside.
10/9 of course gets a lot of praise due to the Dark Star and Death Don't Have No Mercy, but, 10/8 is no slouch.
Really great show. These recordings are so good.

Why don't people like them, who knows, but they are missing out.

89 has a lot to offer Gollum, they were really on fire until Brent passed.

Be well all.

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Submitted by JimInMD on Fri, 10/09/2020 - 05:44

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The Hampton Roads space ship had achieved lift off for sure.. 31 years ago today.

What I don't remember about these shows is stunning, especially because for the most part I was sober.. perhaps a little shrubbery at most. There was a ton going on in my life at the time.. the beginning of real responsibilities that unfortunately I have not been able to shed to this day. I guess you can only stay a carefree kid for so long and life begins.. ready or not.

What I do remember was the return of the newly modified Wolf and just how good they were sounding. It made me think through the of shows I had seen and compare this to how they were playing these two nights. I saw some good ones early on, but pre coma there was a consistency and stamina problem. These two shows were solid, inspired and a huge improvement over what I had seen recently.. well.. probably ever. The boys were back in a big way. That is my strongest memory.

I knew they had pulled out Death Don't Have No Mercy the week before at Shoreline, the warm up for the fall tour shows. But I had no idea what was in store. I had those pre-show jitters, was there stag this time, somewhat unusual for me.. finding my place, fitting in with the complete strangers left, right and center.. then Stranger and that "Long Long Crazy Tour" line. The jitters were gone and the spaceship did not disappoint. I drove home right after the shows.. something like a six hour drive, I had class bright and early the next morning and started my week feeling rough but at peace with the world.

Were they the best shows ever, of course not.. but these shows represented a spark and the beginning of their last truly great run. So glad they recorded it multi-track. We are a lucky, spoiled bunch..

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Submitted by bluecrow on Fri, 10/09/2020 - 06:26

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I was out in the northwest when word of these shows reached me - first heard tapes at the Blue Moon. holy guacamole news. so time to pull out the old cigar box and spin 10/9 today (streamed 10/8 at work yesterday). so much goodness, and that Dew was something else. And Bid you Goodnight??!! these shows inspired me to drive down the coast to LA for the Forum shows (only shows I saw in '89.)

St Paul 5/11/77 is one of my favorite from the spring tour. whole show smokes with one of my personal favorite Scarlet>Fires.

Oro - the eagle has landed.

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Submitted by The Good Ole G… on Fri, 10/09/2020 - 06:48

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“when you see 8,000 kids all going up in the air together … Listen, this is powerful stuff!”
- Joseph Campbell re: Grateful Dead

Hampton was special.
Looking at the place you might not think so, but I saw things there that I've never seen anywhere else.
Things happened there, powerful things.

Now you could point to substances or drugs.. but we could play that parlor game all day.

But if you listen to shows from Hampton Coliseum, you can hear what I'm talking about.
Especially if there's some ambience mixed in.
The crowd at Hampton came alive.
Energy connected everyone in that building and it was a spaceship to another place.
A really really cool place.

I think an exploration into the band's connection with Hampton would be illuminating.

Maybe it's because it's where they'd kick off Spring Tour, or a show somebody saw there, or they liked the hotel they stayed at.

Whatever it was things happened there, powerful things.

I think it has something to do with the crowd.

I've never been a part of a crowd like the one during the 3 nights I spent there, we made that place take flight. You could actually see the energy zooming around, connecting us, uniting us, lifting us up, making us scream out. It was a party the likes of which I've searched for, but have never quite found again.

"It" was, in fact, what I'd set out looking for in the first place and had always hoped to find.
"It" was at Hampton.

I wasn't there in '89 but of course these shows are legend.
There's a certain edge to the band when they're on at Hampton, you can hear it on night 1.
I'm looking forward to night 2.
Fun stuff

Cool story Jim thanks for sharing.
It totally did look like a spaceship.
And that puppy could fly!

Happy Friday, hope it's a silky silky crazy crazy night for you all!

EDIT: PS - 10/9/82 = Good Call! Glad you mentioned it.

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Submitted by Oroborous on Fri, 10/09/2020 - 10:27

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Y’all have covered much of the mystique and vibe of that magical place! I’ll add my two shillings later as I have to get some stuff done, but yeah, shows like these are why my mind gets blown by folks who write them off, my favorite being “there’s nothing worth listening to after 78”....to each their own I guess.....10/8, like DV said, doesn’t have quite the bling as 10/9 but “it’s no slouch” amen brother!
In some ways overall it might be better? Are one of these the best show of the tour???, not sure, it’s hard to not be biased after such an experience, (came out feeling like I’d been mildly dosed! just from the energy etc)..but I’ve kinda felt maybe Nightfall of Diamonds is a touch above overall? And there’s still so many other great shows on this tour that are up there, like Philly anyone? Going to finally take the Pepsi/BobT challenge and do this whole tour since there’s several shows I’ve not heard yet and really want to go in order and do so...been loving that approach as it’s fascinating following the changes and nuances.
Gotta believe that we’ll get more or hopefully most of this tour someday, multitracks of great shows, need I say more!

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Submitted by billy the kid on Fri, 10/09/2020 - 11:57

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38 years ago today I was at the Frost seeing the Dead, it was my favorite show that I saw there, they played a lot of good shows there. 10/9 & 10/10/ 82 would make a nice release together. We all dosed and got really high. One of my top 3 Dead shows I attended.

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Submitted by billy the kid on Fri, 10/09/2020 - 14:00

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You are correct sir.

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Submitted by The Good Ole G… on Fri, 10/09/2020 - 14:32

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Dope!
Everybody Say Primate!
Silence...
Say What?
Everybody Say What!
What!
Hey, that was good, that was good.
Are we all here together...

I'm gonna go listen to #3

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Submitted by Gollum on Fri, 10/09/2020 - 15:24

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It's been great reading all these Hampton memories. I saw three Hampton shows (my favorite was 4/14/84). I've always avoided these Warlocks shows. I guess I figured they were probably overhyped and overrated, because of the surprise billing and the breakouts. Maybe I was a little jealous I missed these shows! :o I see now they stand on their own as great shows. They seem grittier and less polished than Spring 90, in a good way. Right now, I'm preferring them to Spring 90!

I expect I'll be wallowing in these shows all weekend and I also still have Modesto '69 on tap. And maybe some others y'all come up with. An '82 Frost audience sounds pretty cool!

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Submitted by bob t on Fri, 10/09/2020 - 15:33

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10/9/82 Frost Audience is finished.... the second set rocks... going to listen to 10/9/77 McNichols which I don't think I have played in at least 25 years.... I do remember the Sugaree and the Scarlet Fire..... For some reason i tend to skip over the early 1977 October tour after the Paramount shows.... I wonder why......Have a good weekend everyone.. Bob t

Love the tickets. Good stuff.
I have had an absolute blast with the Pick of the Day, since this all started in I think March. My god, just thought this would be a few months.
Anyway, listening to the shows and then hearing from this great group. You all make my day. Thank you!

And yes Oroborous, fall 89, so much to offer. Give us some more.

At some point I would love to see them release some Shoreline shows. East coast is great, but there are so many Shoreline shows.

And where is Bolo?? Who got this started?? Thank you.

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Submitted by Gollum on Fri, 10/09/2020 - 23:04

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Wow that Playin' through Space sure went down smooth - and then there's another half hour of magic! Awesome show. The Veneta of the late 80's?!?! Sounds right to me. Now I need to revisit the 10/26 Miami show, another one I've neglected.

Yes, thanks to bolo for the great "pick of the day" idea. So here we are 6 months later and still locked down, more or less, with no clear light at the end of the tunnel. We may as well try to keep this ball rolling!