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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • 1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Good call for today!! Just got done biking. Trees here in Rhode Island are looking like the cover of Dick's Pick that has the Landover and Syracuse September 76 shows!! We'll see summer come again.... Feel ambitious also am going to put on the LSU birthday show after from 77... enjoy the weekend everyone Bob t

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Though Donna Summer does have many fine tunes, I’m specifically referring to I Feel Love.
Smoke a fatty, or perhaps just as the trip is starting to take hold, sit dead center with a good system and crank THAT song.....it’s a stoners delight I tell ya, Healy would be proud of all that auto panning goodness, lol......seriously, this tune is sixteen seventies stoned in your room with your black light and posters groovy cool!

Polished Jim, that’s the word. The Hampton shows from my POV are better, say as a concert going DH freak, but as a finished, professionally produced product for market, I think Nightfalls is better. The song list, the flow, tightness,(perhaps their playing more to the recording so a tad safer?), and yes, as good as Hampton sounds, it’s yet another one that frustratingly just doesn’t come through on tape and do the shows justice. We’ve touched on this before about similar feelings with 10/14/83, and 3/27/88 for starters. 10/16 does seem to breath better and is perhaps mastered better? Again, this is probably splitting hairs as all four 89 fall releases sound good, just not the same...
So big 10/16/89 tonight, need to wait for proper conditions to manifest and align with the flux capacitor etc. Maybe I’ll go for that 84 show, or sometime this WE I’ll have to spin some of that awesome Acoustic Warfield stuff from last year. Still have some killer 74 someone generously sent me to rip and crank, need to find that Dico 78 Dead that was the impetus for this ramble, and probably will start the Spectrum 89 shows to keep on the path....
Speaking of, spent a couple rotations with 10/15/89 yesterday whilst continuing my Swiss madness in the basement. Another perfectly good 89 show, but it didn’t move me as much as 10/14, which is funny cause that one had to grow on me a bit. Some of it is probably just set lists, but 10/14 seemed to build up nicely overall. 10/15 has some notable tunes for the time; Standing on the Moon, Just a Little Light, Crazy Fingers, Victum, Stella, Box oRain, and even a Far From Me! Like I say, good show, just didn’t flow for me? Probably just me....
GOLLUM, you still along for this ride? What say you old chap? And I think Jim needs to fire up the Deer and head back to fall 73 as we appear to have lost ole Bluecorn chasing some minx in the parking lot after the Syracuse show???
Ok, ONWARD!

Jim, I’m still laughing hours later after going to 36 and then rereading your hilarious but unfortunately accurate description of said stench. Oh if only Jim Lehey was still around to critique and categorize the Winds of Shit that only seem to strengthen with time throughout 2020!

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In reply to by The Good Ole G…

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Chortled my coffee on that one. Too funny.

Living in Appalachia.., four miles from the WV border.. well, I can say is I run into Mr. Lahey (or a guy just like him) all the time at the corner beer store.

Q: What does a tornado and a redneck divorce have in common?
A: In the end.. someone is going to lose a trailer.

I need to check out 10/14/89 Oroborous, so many great shows, so little time, or maybe too much time.

Finished up this wonderful show of 10/16/89. Sound quality is A+ and I have to say for a 2001 release, unbelievably good.

I still will give the slight nod to the Hampton shows, but all three are top notch.

If you don't have NFOD, do yourself a favor and get a copy, they are still cheap on the secondary market.

I guess the Eyes have it based on the sell out speed of Dave's 36.

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In reply to by DeadVikes

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Listened to 10-16-89 in the car this week, started Tuesday and since my commute is usually about 20 min each way it took until Thursday to finish the show. Yeah, I didn’t get to listen to it uninterrupted but I have listened to that show many times since getting it when it was released. At that time I was disappointed that they didn’t release 10-9-89, since I already had that on cassette. Of course, when they did release Hampton I was disappointed that I paid $60 for a release that didn’t sound better than the CD-R copies I had.
Anyway, 10-16 sounds better than Hampton but Hampton has the aura going for it. Both worthy listens in my book.
Of note, after listening on 10/9 I jumped to 3-15-90 for comparison and that made Hampton seem like training camp, performance and sound quality wise.
I didn’t make it to Hampton but my friend did and he said that there were tickets taped to the outside doors of the venue and he just grabbed one and walked in. They didn’t tear the ticket as he entered so it is still whole like the one in Oroborous’ picture.

So, I’m ahead of schedule again for an anniversary listen because I’ve got 10-19-73 playing.
Then I come here and Oro mentions Fall ‘73.....

And Jim mentions stink bombs.....

That board is actually entertaining.

Great show. I can't say any of the three we are comparing are better than any of the others. Perhaps we are splitting hairs. I am a bit biased, but that aside NFOD has a better mix.

What are we listening to tomorrow? I am going to hit DaP 35 again tonight before I probably put it down for a while. Wouldn't mind setting the wayback.. well, way back.

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hey Oro! I'm still here. I'm trying to keep up with you guys but dragging ass again. I missed 10/14/80 but will catch up to it soon. I'm still focused on the 4 released Oct '89 shows. It IS hard to pick a fave they are all so good. Hampton has the best sound for my ears. Phil's bass sounds so rich, I can just imagine it rumbling the walls of the Hampton coliseum. I'll say I prefer all of these shows to Spring 90, for the reasons we've talked about. The band sounds less polished and the jams looser and more psychedelic. I have a sneaking suspicion my favorite might wind up being 10/26, with that mind bending 45 minute Dark Star- Space. I'm still getting acquainted with it!

Ain't it grand that we have all 3 Fall '89 Dark Stars in great sound quality and they are all inspired!

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....ill spell it out because acronyms are for the lazy. FFS.
The next skull on your necklace is mine.

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10/15/84 ✔️
4/24/78 ✔️
10/16/77 (part of ) ✔️
10/16/89 ✔️
RT 2.3 Bonus 😉 ✔️
My ears are bleeding.....but in a good way!

Yeah I’d say we’re all on the same page with 10/16 “versus” Hampton.
10/16 great show, but didn’t move me as much as Hampton either night.

Manana: I think I’m going to work in those Warfield acoustic shows from last year, start early on Philly 89, and see what pops up here...

GOLLUM: glad your ok, last we saw ya you were at some rest area on the Jersey pike, “what exit“ I’m not sure...

....that reminds me. We need to start a bracket system for shows. Ala sports.
Just a random thought.
I hope I didn't start something I cant finish.

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“LADIES AND GENTLEMEN, IN THIS CORNER FROM THE YEAR 1972 we have.....“.

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yep Oro, i was with my sweet mountain wildflower, far from the maddening crowds (and the DaP 36 thread.) now back in my cave in the hills. lately been diving in to the Grateful Deadcasts on Workingmans and American Beauty. I'm into that style of deep history and every episode is chock full of cool and crazy stuff. still haven't downloaded the Angel's Share for either but maybe after work today. mention here of that 1st set closing sequence for 10/14/80 piqued my interest. Jed > Let It Grow > Wheel > Music??!! that is simply amazing!!
My friend's ex (who wasn't a head like him) phoned him (he had moved to AZ) after 10/16/89 to let him know that she heard a Dark Star and that it started to snow in the Meadowlands when they were playing it.
One of the reigning champions in my corner is 10/19/73 - that'll get a deep listen later this weekend. have to put in some work hours today first.
have a great weekend everybody.

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Are The Grateful Dead Mainstream in 1989?
We’ll see, if this record does really well… - Jerry 10/13/89

Dug into some supplemental stuff while digging the Nightfall of Diamonds and there’s some pretty interesting things to check out.

As you all probably know 10/16 is the last night of the Dead’s five night run at Meadowlands, the longest run of the year, with one day off on 10/13/89.

But 10/13 was not a day of rest for Jerry.
1. Jerry does an interview for CBS This Morning with Mark McEwen in a NYC Hotel Room. He graciously sits through and thoughtfully answers questions he must’ve had to answer 100s of times over the years, nothing really new or revealing here, but it’s fun to watch & listen to Jerry. The interviewer is total cheese (sorry Mark). Jerry seems a little miffed that the Album hadn’t been released already, and says “It’s pretty good.”

2. Jerry and Bob appear on David Letterman and play Second That Emotion with Paul Schaffer and band. Odd song choice, last time played 4/29/71. They briefly mention a tour of Russia in May ’90 that obviously never happened. Dave asks “How long will you be there?” Answer “Until they let us out” - Jerry

There’s also a little 5 minute clip of the Today Show from possibly 10/13 or 14 with Bob & Jerry with Rona Elliot, typical of the time, focuses on the Dead Heads and why the Dead are still touring.

I believe the Foolish Heart Official Video had been released already, so I watched that too. Interesting.

And lastly and possibly most telling, Jerry makes an appearance on WNEW on 10/16 and answers questions from callers.
Fan Question - “You thinking of pulling Dark Star or Death Don’t or any of that out of your hat tonight?”
Answer - “Probably, those are kinda going into an active rotation.” - Jerry on WNEW 10/16/89

Fans hearing that, had to be pretty stoked about this final night of the run.

Anybody got a line on the full WNEW interview?
I could only find a short excerpt of the questions.
All the above is on YouTube if you want to check it out.

I dig this show, not sure I can make a worthwhile comparison to Hampton shows, other than they’re both hot and fun to listen too. But I think I like this set lists’ flow better. Dark Star opening the set seems to keep it light and peppy and then the Playing > UJB > Playing sequence is killer. Great Pre-drums sequence and the post drums return to Dark Star > Attics > Playing and WBYGN encore, I’ll take that any day over Dr. Mr. Fantasy > Throwing > Good Lovin’. Now if they’d only played Death Don’t out of space instead of I Will Take You Home > Miracle..

I had to check out Miami 10/25 Playing > UJB > Playing after hearing this. Good stuff there too. The Set list heads in the audience of 10/25 had to be holding their breath after that, hopefully they stuck around for the next night. 10/25 is real good. Thinkin’ I’ma gonna spend some time with it today

For you Tour heads any other stand outs you want to give a shout out for at the Meadowlands? I can’t remember any in particular, you all mentioned digging 10/15?

I agree with Gollum, it's pretty dope that they've officially released all 3 versions of the return of Dark Star from October. 30 Trips boxset sure was good for filling in some holes.
Just need the 12/31/89 Dark Star to complete the year officially. '81 & '84 Dark Stars should get that treatment as well IMO. But I guess the tapes are good for now. Speaking of '81, I knew that date was in the cosmos yesterday.. 10/16/81!! How could I not remember that connection.

I like this 1989 trip... pretty neat.
Bluecrow I’m with you on the Deadcast, check out the supplemental material, highly illuminating. Sounds like 10/19/73 is getting some play and icecremcnkd you are correct it is entertaining!
Good stuff you all.

Be Well and Enjoy Your Weekend.

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So far I’ve done every show through the 16th in order. Though their all good shows, the 14th is the one that I liked best so far (other than the 3 big dogs obviously). Really looking forward to Philly and then the 3 shows I’ve never heard.
Really curious about 10/25 as I had tickets and was originally going to Philly then Miami since we had such a good time at the 88 shows down there. But when Hampton popped up, especially as “the Warlocks” I knew I HAD to get there, which is a whole other 2 stories, one for each ticket lol. But I had been working less than a year at my job and just couldn’t swing all three. Looking back on the overall situation 31 years later I should of just gone....sigh...but given the choice, I’d still take Hampton!
So I did all three Dark Stars in a row last week and I like Hampton best. Jersey is tight, short and sweet, while Miami is a bit ruff until about ten minutes in, but as soon as the vocals are finished its like a hard left turn into amazing groovy psychedelic madness!
What’s on tap today? Bluecrow brought up 10/19/73, perhaps my favorite DPs and a top Dark Star for sure. Have to fit that in sometime soon, but when I can give it a sit good sit down. Need to finish paint & patch then straighten up the garage so want to hit some 8os acoustic, but I think y’all already went there....going to start the Philly run later as I’ve been trying to give some of these multiple plays, especially the shows I’m not familiar with. But need something short and sweet, perhaps some primal dead just to mix it up?

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In reply to by Oroborous

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OB - 10/14 you say.. all right, loading it up on the phone for some exploration. Taper's Compendium mentioned that one as well, I think DV too, so it's confirmed.

I'd say 10/14/80 for you, make an acoustic set out of the SBD of first two tracks, 4 songs on Reckoning and 4 songs from Audience, or just do the audience tape. Unless you want the whole meal deal, which is good or did you already listen to it the other day? If that's the case dive into 10/9 & 10/10. Or yeah, primal is never a bad option.

Alright my friend. Miami 10/25 sounded pretty hot from what I heard yesterday, the 10/26 Dark Star is a dark monster. Hampton was historic, so you made the right pick between the two, but yeah you probably should've gone to see them all ;)

Who am I kidding, I didn't see any shows in 1989!
Found out they were playing Dark Star again right before the show on 10/22/90. Talking to this American head who said, yeah man they played Dark Star the other night in Berlin. What have I been missing I thought?!?! Ah pre-internet days... I kinda miss them, then again, what would I do without all my time?!?!

What a trip to think about!

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For those who do torrents the 1980 project folders were recently put up on etree.
There were a couple of 79 folders too.
That was last week, haven’t checked back to see what came this week.

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I have the project folders if anyone is interested...

Have we done Two From the Vault here yet?

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Come in JiminMD

That'd be a negative on TFTV, repeat that has not been listened to yet, over.

Eyes on... and it appears to be a go.

What's your 20?
Do you copy?

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7 years 10 months

In reply to by JimInMD

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Yes, let's do it. Another Pearson Healy masterpiece. I need to find my copy from 1993. Have not listened to this one in a while.

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8 years 8 months

In reply to by DeadVikes

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Sounds like a well rehearsed Grateful Dead on a mission here.. over.

Might need to include the Anthem Bonus Material from 8/23/68 as some extra credit.

Primal Sunday Morning.

so....
two from the vault
aoxomoxoa bonus
10/19/73 knocking on the door with its amazing soft moon, mist, fog, spirit-filled fields of Dark Star > Mind Left Body > Morning Dew, Sugar Mag, Eyes > Stella Blue
and . . . .
thinking this morning that in the midst of anniversary for Winterland '74 shows - so spun that always sweet first disc of GD Movie Soundtrack 'cause its starts with exuberant and joyous US Blues from 10/18 and finishes with cherry Playing in the Band from 10/16.
and then ...
1st disc from that sweet little Warfield acoustic release
and...
yesterday totally digging the latest Grateful Deadcast on Warfield '80
and....
can't say enough about Deadcast deep dives into Workingmans and American Beauty - bringing even stronger appreciation to already sacred albums
and...
typing this while listening to the listening party for Daves 36 yeefreakinghaw - Esau, Birdsong, Touch - arriving at the doorstep shortly

Ken Nordine before 8/21/93 Eugene - "you are the cinematographer"

here comes sunshine, here comes sunshine!!

I had to moooooovvvvveee,
Dooah, went from Hatrick plus on Friday to basically the bench yesterday, only got to listen to part of acoustic Warfield.
Did watch awesome documentary Marley on Bluray so great audio. Really interesting doc if you haven’t seen it.
But now I have to get going as I’m way behind. Prolly have to skip vault dos which blows cause I love that one and haven’t heard in a while. Ok, hup, hup off to it.....

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8 years 8 months

In reply to by Oroborous

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Bill Graham pulling the GD crew out on stage Winterland '74 = classic.

Nice call on the GD Movie Soundtrack. Possibly my favorite GD compilation.

Such a distinct sound to these shows.

Strider we need an October '74 at Winterland story to go along with these tunes.

Bonus Anthem / TFTV material on hold until after 4:20 ;)
8/24 is just plain great, I might give it another spin too.
And 10/19/73 tomorrow!

This GD Movie soundtrack is sounding amazing!

It's gonna be a good day.

Putting that on the docket for next Saturday.

Went to etree today and the 1981 and 1982 project folders are there.
Also a few more Millers, including a cassette master of 6-22-91 which says that tape flips were patched with the DAT SBD. Why not just put out the DAT SBD?

ICECRMCNKD: Yeah, that SBD > Cassette Master recorded by Pearson & Healy is dope, the SBD > Dat patch source has been circulating since like 2011, but this new source sounds better to me.

Maybe it's something to do with the Transfer equipment upgrades in the 9 years since that SBD > Dat source originated. I know Gans mentioned he'd just go in there and try and get as much as he could transferred and probably didn't have the super dope equipment.

Or maybe I just like the Analog gen sound, but again to me this new one sounds like an upgrade and I dig it!

Check em out and let's hear the feedback:
(NEW) SBD > Cassette - https://archive.org/details/gd1991-06-22.150648.sbd.pearson-healy.mille…
(OLD) SBD > Dat - https://archive.org/details/gd1991-06-22.sbd.gans.miller.112775.flac16

I vote Cassette Master.

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9 years

In reply to by JimInMD

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back when they first released the Grateful Dead Movie on dvd they included as bonus material honest to god ~5" section from original copies of the film in a generic small postal envelope. which strikes me now as a completely crazy dead thing. I received a section (7 complete frames, 2 partials) that is a tight close-up sequence of Jerry's hand, emphasis on hand, playing the Wolf. years ago I studied the movie long and hard trying to figure out what song it was from and as far I can tell its from the jam out of Eyes (!!)
did any of you folks out there get a snip of the film, and if so, from where in the movie?

I’ll have to compare my copies sometime. Before this new one I know I had more than one copy on a HD and the CD-R copy in my living room is around 10 yeas old.

Edit:
Hah!
Stupid reCRAPTCHA thinks that a mailbox is a parking meter.

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8 years 8 months

In reply to by icecrmcnkd

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Luckies!

Cool collector head bonus.

Take some pics. I wanna see.

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8 years 11 months

In reply to by The Good Ole G…

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I’ll try to figure out the scene I have next week when I watch the Movie.

Mine has pink/purple lighting and is a shot of the stage that shows part of the crowd, the front end of Keith’s piano, and several people on the stage. It looks like they are tuning up because Phil is facing his equipment and it looks like a crew member is doing something to a microphone. It’s hard to tell, I had to use a magnifying glass and a white paper background.

Note that these strips came from the film reels that were sent out to theaters when the movie was released. They’re not scraps from the cutting room floor.

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8 years 11 months

In reply to by icecrmcnkd

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If you haven’t noticed it before, sometimes there is a SYF flag draped over Keith’s piano, and it gets rotated by 90 degrees.
I always wondered if they used that as a way to know which night the film was from.

On my film strip I can’t see enough of the piano to know if the SYF flag is there.

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13 years 2 months

In reply to by bluecrow

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Ended up playing family peacemaker today.. which involved extracting my teenage son from the grips of his foaming from the mouth mom before one of them killed the other.. decided to drop what I was doing and do some fly fishing upstream with the boy, basically get him out of the house pronto.. took the mountain bike, ebike for the kid, my mac daddy device and began the bike ride upstream to where the rapids start (really end as you come downstream). Low and behold.. no Two From the Vault loaded!! argh, thought I had that one with me.. by the time I realized this we were miles from home so no turning around.

Also had my waterproof device with me and since we were wading anyway, used that in case I slipped and fell in. It's an unlabled IPod shuffle.. I have several, so what will play is always a pleasant surprise and takes a little guesswork. They are essentially river tunes.

It took me until Bobby set a cluster of tarantulas loose on the crowded folks in the front row to figure out the show for sure.. but I knew it was 73, it was an excellent recording and I had a strong hunch it was 4/2 Boston.. and yes.. it has pleasant Bobby McGee out of space so there's that.

My favorite Bobby cover might just be Desolation Row. Haven't given that much thought but that song comes to mind.

Beautiful fall day.. got a few bites but no keepers, most importantly everyone is safe and sound.. egos restored, blood pressure down, power tools away.. knives carefully stored.. hair unclenched from the grips of the others hands.. I'm calling it a win.

So I am doing Two From the Vault tomorrow. My day was shot before it even got started. At least I got to test out some new flies and found a new absolutely gorgeous deep hole to fish next year...

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11 years 8 months

In reply to by JimInMD

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...Cowboy Bob...especially on El Paso...

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8 years 8 months

In reply to by nappyrags

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Me & Bobby McGee is a good one for sure.

If I had to pick an all time favorite Bob Cover it'd be Me And My Uncle, probably for nostalgic reasons.
1st GD Album I had was WALSTIB and I remember vividly playing LP 3 and going from the worlds of St. Stephen, Jack Straw to Me & My Uncle. And within those 3 songs I'd traveled to more places than my 15 year old pointed head could've dreamed up on my own. I guess riding the plains that day with Bob's Character & his Uncle made a profound impression on me. Too bad... he taught me so well that I grabbed that gold and left his dead ass there by the side of the road.

Doesn't get much better than that!

Fun to think / muse about.

And wow Wee wow wow... That GD Movie Soundtrack is awesome!
Hadn't listened to that in forever, speaking of forever... Tomorrow is Forever, I dig Jerry & Donna's version.
Jerry was a big Dolly Parton fan!
That He's Gone > Caution Jam > Truckin' is sick!!
And both PITB on that there gem are top notch.

And yeah TFTV continues to be awesome.

So it sounds like 10/19/73 today?
Looks like we dusted this puppy off about 5 months ago on 5/23/20 so yes.. it's due for it's Anniversary Trip!

PS - BlueCrow you all are peaking my interest in checking out that August '87 Telluride run through Utah, I don't think I've spent much time with those tapes. Sounds like you dig 'em? Might have to make some room for those this week. Spent a lot of time in Calaveras County with Carlos, but not so much in the Majestic Mountains.

This release kills it. Disc 4 is super hot. Probably one of the best UJB I have ever heard. The energy is so high. The He's Gone, into a Truckin tease, to Caution, then weaving back into Truckin, Black Peter! Some of the best performances I have ever heard.
And of course this is 74 Multi Track. I listen to this release quite a bit. That disc 4 is great for work outs.
As others have mentioned put the whole run out with video as a box set, it would be mind blowing. Dave has indicated they have even more video for future releases. It is time.

DV - Definitely agree on the GD Movie Soundtrack. Kills it!
Made for a great listen yesterday. Could probably stay there all week.

Not sure how that got so buried in my collection... oh yeah, they keep releasing stuff every other month and there's upgrades and new stuff all the time!!

I've said it before, but if there's one good thing about the current times we live in, it's that it's the Golden Age of Collecting The Dead.

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8 years 11 months

In reply to by The Good Ole G…

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I split mine up by date, so it’s 10-19% today. Sounds mighty fine.
(I did 10-19-73 on Friday and then redid Dark Star to end on Saturday for good measure).

Winterland in October....
Got to get the From Egypt With Love anniversary in too.
It’s not a bad predicament to be in.

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9 years

In reply to by icecrmcnkd

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GOGD - somewhere in my vault is a cassette of Set II from the Park City show. Might just have been my favorite tape from '87. Super big rich sound and a great set of music. Not sure of the source, not even sure if it's been uploaded, but I think possibly one of the FOB sources, not the ultramatrix.

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7 years 10 months

In reply to by bluecrow

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Okay, how does 5/6/81, Dick's picks #13 strike you all?

The hidden bonus tracks on disc 2 are wild.

Everybody hang loose.

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8 years 8 months

In reply to by DeadVikes

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POD first "official" pick from 1981. I'm hip, DL been playing some May '81 on Taper's Section recently.

1st night of three nights at Nassau with the off night Tom Snyder show appearance on 5/7/81.
Saw an interview with Jerry in '81 and he was talking about Snyder and appearing on the show. It's rich.

BlueCrow: Park City 8/20/87 you say? Best of '87, back in the day huh?
Alright, I'm gonna get that playing this week, maybe we can make that a pick this week or like tomorrow?

Good stuff!

Playing the Snyder '81 as we speak to give me a little '81 acoustic palette cleanse. Plus acoustic Dead at 6:20am is good ;)

EDIT: For any stat geeks out there keeping track, 9/10/81 was floated on 5/19/20 but I think the "official" pick was 5/19/77 that day.

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13 years 2 months

In reply to by Slow Dog Noodle

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Still on 10/19. Just getting to the DS now.