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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Oroborous
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    Moving right along, 2/21/71

    2/21
    Overall, Relaxed, but in a good way..

    The question with these 71 shows for some of us less initiated is; why? Why no more jams, short country or country like songs, etc....why did they stop doing what the proverbial “I” liked (think early 69).
    Why, because it’s actually what they need and wanted to do! Lesson here perhaps is to not compare too much between different “dead’s”, but consider what dead THEY were at or after, at that time? The tunes, the length, the tone and style, the AUTHENTICITY they seemed to continually be after with most different styles, sometimes completely so.
    So the trap is to not compare styles, or apples to oranges, but rather concentrating on how well they assimulated and perfected the style du jour! Of course it all ended up gumbo style, flavoring the whole.
    What ever their current focus, identity or style, without being over the top, they would throw themselves totally into, while always maintaining just a bit of the “old” former styles, until it was time to go furthur, and try something else. That trying to avoid the whole closed in thing JG speaks of...think how much they, especially JG, would delve/deep dive into some of these styles;
    Blues
    Psychedelic
    Folk, Americana
    Jazz, free form, just to name a few...and now shoot em up, straight ahead Bakersfield country bar rock. Yee haw pass me a longneck and let’s get rocking!

    Cold Rain &Snow opener, followed by a Bobby McGee; tight, but JG hits a few clams, though he has nice feel.
    Loser: well played, already not like a new song, except JG solo, still searching for the sound there...
    Easy Wind: prime grease, and though he flubs, he actually recovers nicely and improvs outta it. Nice solid, relaxed jam, no ones in a hurry, JGs on now, nothing stratospheric, just G.O. 71 GD!
    Playing in the Band: progressing, Phil better every version? See now why they didn’t use any of these shows for Skull Fuck; probably wanted some of the new material on the live album but most of these just weren’t there yet compared to the versions they did use from April...
    Luckily we get the multi-track snapshots of this historic little run anyways...Sure we’ll get more... : )
    Bertha: progressing nicely. more of the nice relaxed energy versus forced. ....and then....damn tuning.
    Eventually, the advent of tuners was a blessed event for them as well as us!
    But in the mean time, ahem.
    Nice if perhaps apprehensive electric version of Ripple with nice harmonies, including Phil, whom I haven’t noticed so much this run? You can feel the confidence build with the music and with the energy of the crowd.
    Lied Cheated: : after perhaps stepping outta their comfort zone a tad, it’s back with some solid straight up, bacon, no chaser! Again that relaxed, confident, comfortable, we own this shit and thus are in no hurry vibe.
    Same with another nice countrified Sugar Mag.
    Greatest Story: still not fully entraining on this one. Not bad for a new tune though, but another example of the infancy of some of these tunes..
    Interestingly, it seems like Garcia’s songs are a bit tighter and more formulated with the band then Bobs new songs...
    Nice one 2 punch with rocking JBG to close the set. Rocking, but still that nice in control, what I’ve been calling relaxed vibe, not the frantic, slightly unsteadiness sometimes found

    China Cat/Rider: Phun Phil messing with the intro! before they slid into by now an old regular, Really feeling like this version of the band is better served by one drummer. Just as I believe the psychedelic stuff was better with 2 drummers. Nice solid, familiar versions of these including nice Phil harmonies.
    Bird Song: smooth and getting smoother by the version.Blows me away that this is only the fourth version!
    And it’s got a Cumberland, a second set Cumberland!, though that wasn’t really a thing back then, but boy it’s just right for typing! More settled in/relaxed vibe.PROPER!
    King Bee: please pass the napkins cuss there’s a grease hog buzzin’ around my brain! And just like that they tap back into the blues band of yore. And the folk band with, BIODTL by request? is another by now fun, old chestnut. It’s like they’ve done the heavy lifting by this point on a “Sunday” and are just having fun cruising now on some familiar, so easier terrain toward their day off?
    RAT; well, maybe not just yet..though by this point it doesn’t sound new. Besides Bob being a little outta tune, it’s pretty damn tight! Another that blows me away knowing this is only the fourth version. Diggin the stand alone versions too.
    Trucking: amusingly starts a little slow but they quickly bring up to the M.O. that is this evenings nice relaxed, smooth vibe. A band comfortable with who they are and where there going.
    Cool to think several of these Working Mans/AB tunes aren’t really all that old on this night, but already sound like tight old classics.
    HA! New York’s got the ways and means, but just won’t let you be, makes me think of ole Strider able to have the means to just hop on the subway, and no big deal head down to the Capitol, but almost gets jumped in the alley!
    More of the nice “status quo” of many of the above, on Casey J., and of course got ta keep on moving on up and pushing’ on. Pig Fest!
    Like y’all have had your drinks, appts.,soups and salads, but now it’s time for the main corse..the greasy BBQ simmered to fine perfection by this point in time! (I can see BTK drooling out there ; ) ready for some Cherry pie now!
    And then, like a 80s brokedown to close a run on a Sunday, a nice UJB, unfortunately marred by the damn tuning issues. It must of been really frustrating to be so hampered, but such was life back then. Guess that’s downside of not hiding behind a wall of distortion like many other guitarist of the time.
    When I first heard this show when released last year, I hadn’t heard any of these shows except the 19th. But now that we’re going in order, it fits in just right in the overall flow. Nice Sunday, relaxed, confident, feeling of achievement? Like we did what we had to do, now we get a day off, then 1,2, end of the run and onward.
    I’d have a tough time picking wether I liked this one better than the 18th, but I liked it more than the 20, but not as much as the 19th? So far...
    Like the band, I’m ready for a day off. Might not listen to any dead at all tomorrow to keep my reference inside this run, but allow a cleanse elsewhere...
    But really looking forward to the last 2 on Tuesday and Wednesday as I’ve never heard either.
    Until then amigos!

  • proudfoot
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    Agreed Oro

    2 20 is ok, not stratospheric

    2 23 71 is stratospheric

  • Oroborous
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    2/20/71

    Another fine show but it didn’t quite...? It seemed just a pinch....less? Words aren’t working, it’s a feeling...maybe I was influenced by Bobs opening Hangover comments, cause that’s how it felt (projecting my own experiences); they killed it the night before, now settled in after two big shows, breaking out 7 new tunes, whilst dealing with inter organizational turmoil, it’s Friday night, their in NY, after the big show they relax a tad and blow off steam, perhaps a lot of steam, only to find themselves right back up there before ya know it in a mere few hours and well, time to go to work boys!
    It’s subtle, but they seem to have to ease into it slightly, versus turbo charged on all cylinders out the gate?
    They start out ok, but the first part of the first set their not quite there yet, good, but not great; a little slop, more tuning issues I.e., Bob in Loser...Bertha and Playin perhaps sound more like new songs then the first two versions. Hard to Handle, similarly to 2/18 is again good, but not quite the preacher come to meetin’ fire and brimstone compared to say some 70 versions?
    But by Bird Song they seem to be settling in, like after that first drink/joint and a few tunes under the belt, and away we go. Big Boss then into a nice Cryptical suite, if not the big launchpad it would become, a good rendition of the times I.e., Skull Fuck etc, and they seem to have shook off the cob webs. Another good rookie outing of the Rat, followed by a nice Maggy closer. In some ways I like these Sugar Mags not being the full drawn out beast it could become. They have that more country flavor and like many of these songs, that sorta short and sweet vibe. Like Doc says of these early Bird Songs.
    I guess I’d call the second set “status quo”, not in a bad way, just typical songs, played according to the times.
    Perhaps some of my feelings about this are situational? Though i might of been influenced by the drop in audio quality from those first two official releases with all that voodoo, I did listen to most of this on the big system versus the first 2 we’re mostly on the lesser living room zone.
    Not sure why it’s nagging me to come up with “words” but I can’t, just a feeling. A good show, but I’d take the bling and set list of the first night, and 2/19 overall, so far...
    This is where doing the whole run comes in. If I hadn’t moved in order, I might have felt different about this one, so I’m sure much of my “feeling” was influenced by the previous two...
    2/21/71: back to the multitrack full treatment goodness!
    Onward!

  • Strider 808808
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    2/20/71

    It was as high energy as I remember being there. I do remember during the end of the New Riders set while they were playing Honky Tonk Woman the crowd was going wild, Bob Weir, Pigpen and Veronica Barnard ( Pigs girlfriend) stood backstage on the right side checking out scene. Bobby was shaking his head in the affirmative. The balcony used to shake during the more rocking songs. 2/21/71 tonight.

  • JimInMD
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    Re:

    Much like George Foreman.. all my kids (and turtles) are named Charlie Miller.

  • bob t
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    Capitol Theatre- How cool does Phil's bass sound

    That's all. Bob t

  • Vguy72
    Joined:
    2.20 relisten options....

    ... I just closed my eyes and picked one.
    Shall we go??

  • Oroborous
    Joined:
    Miller High Life

    Both seem ok? I listened to parts of Loser from all four, think the fourth is better than the first, and the third is better still, but the levels are low so I’m going with the Miller. It seems to breath a bit more in the High end like you said, more clear/transparent, the ole difference between a clean window and a dirty window...I.e., you can hear the crowd trying to clap along at the start of Loser better...though the Miller does have some artifacts, but as you say it hsas the Mark just as plain as day, so will hedge our proverbial bets on that horse!
    Sounds like somebodies still hungover LOL

  • The Good Ole G…
    Joined:
    What's Become Of The Betty's

    Speculating:
    To my ears the 2006 Betty's circulating sound like some Dolby application happened (says Dolby A)
    the 2011 CM doesn't mention any Dolby info.
    Possibly same original source just different transfers.
    Charlie would know for sure ;)

    EDIT: Could be a personal pref thing, comparably they both sound good. I'm not sure I have the pro jargon for what I'm hearing. But I guess I would say, Miller has more high end / dynamics. But curious how would you describe it?

    EDIT2: Now I'm worm holing, but almost sounds like the 2006 is close to clipping as well and potentially a pitch correction needed. Now I'm really curious to hear what you hear ;)

  • Oroborous
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    GOGD

    What’s up with those 7” Beatty reels?

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Good call for today!! Just got done biking. Trees here in Rhode Island are looking like the cover of Dick's Pick that has the Landover and Syracuse September 76 shows!! We'll see summer come again.... Feel ambitious also am going to put on the LSU birthday show after from 77... enjoy the weekend everyone Bob t

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Though Donna Summer does have many fine tunes, I’m specifically referring to I Feel Love.
Smoke a fatty, or perhaps just as the trip is starting to take hold, sit dead center with a good system and crank THAT song.....it’s a stoners delight I tell ya, Healy would be proud of all that auto panning goodness, lol......seriously, this tune is sixteen seventies stoned in your room with your black light and posters groovy cool!

Polished Jim, that’s the word. The Hampton shows from my POV are better, say as a concert going DH freak, but as a finished, professionally produced product for market, I think Nightfalls is better. The song list, the flow, tightness,(perhaps their playing more to the recording so a tad safer?), and yes, as good as Hampton sounds, it’s yet another one that frustratingly just doesn’t come through on tape and do the shows justice. We’ve touched on this before about similar feelings with 10/14/83, and 3/27/88 for starters. 10/16 does seem to breath better and is perhaps mastered better? Again, this is probably splitting hairs as all four 89 fall releases sound good, just not the same...
So big 10/16/89 tonight, need to wait for proper conditions to manifest and align with the flux capacitor etc. Maybe I’ll go for that 84 show, or sometime this WE I’ll have to spin some of that awesome Acoustic Warfield stuff from last year. Still have some killer 74 someone generously sent me to rip and crank, need to find that Dico 78 Dead that was the impetus for this ramble, and probably will start the Spectrum 89 shows to keep on the path....
Speaking of, spent a couple rotations with 10/15/89 yesterday whilst continuing my Swiss madness in the basement. Another perfectly good 89 show, but it didn’t move me as much as 10/14, which is funny cause that one had to grow on me a bit. Some of it is probably just set lists, but 10/14 seemed to build up nicely overall. 10/15 has some notable tunes for the time; Standing on the Moon, Just a Little Light, Crazy Fingers, Victum, Stella, Box oRain, and even a Far From Me! Like I say, good show, just didn’t flow for me? Probably just me....
GOLLUM, you still along for this ride? What say you old chap? And I think Jim needs to fire up the Deer and head back to fall 73 as we appear to have lost ole Bluecorn chasing some minx in the parking lot after the Syracuse show???
Ok, ONWARD!

Jim, I’m still laughing hours later after going to 36 and then rereading your hilarious but unfortunately accurate description of said stench. Oh if only Jim Lehey was still around to critique and categorize the Winds of Shit that only seem to strengthen with time throughout 2020!

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In reply to by The Good Ole G…

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Chortled my coffee on that one. Too funny.

Living in Appalachia.., four miles from the WV border.. well, I can say is I run into Mr. Lahey (or a guy just like him) all the time at the corner beer store.

Q: What does a tornado and a redneck divorce have in common?
A: In the end.. someone is going to lose a trailer.

I need to check out 10/14/89 Oroborous, so many great shows, so little time, or maybe too much time.

Finished up this wonderful show of 10/16/89. Sound quality is A+ and I have to say for a 2001 release, unbelievably good.

I still will give the slight nod to the Hampton shows, but all three are top notch.

If you don't have NFOD, do yourself a favor and get a copy, they are still cheap on the secondary market.

I guess the Eyes have it based on the sell out speed of Dave's 36.

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In reply to by DeadVikes

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Listened to 10-16-89 in the car this week, started Tuesday and since my commute is usually about 20 min each way it took until Thursday to finish the show. Yeah, I didn’t get to listen to it uninterrupted but I have listened to that show many times since getting it when it was released. At that time I was disappointed that they didn’t release 10-9-89, since I already had that on cassette. Of course, when they did release Hampton I was disappointed that I paid $60 for a release that didn’t sound better than the CD-R copies I had.
Anyway, 10-16 sounds better than Hampton but Hampton has the aura going for it. Both worthy listens in my book.
Of note, after listening on 10/9 I jumped to 3-15-90 for comparison and that made Hampton seem like training camp, performance and sound quality wise.
I didn’t make it to Hampton but my friend did and he said that there were tickets taped to the outside doors of the venue and he just grabbed one and walked in. They didn’t tear the ticket as he entered so it is still whole like the one in Oroborous’ picture.

So, I’m ahead of schedule again for an anniversary listen because I’ve got 10-19-73 playing.
Then I come here and Oro mentions Fall ‘73.....

And Jim mentions stink bombs.....

That board is actually entertaining.

Great show. I can't say any of the three we are comparing are better than any of the others. Perhaps we are splitting hairs. I am a bit biased, but that aside NFOD has a better mix.

What are we listening to tomorrow? I am going to hit DaP 35 again tonight before I probably put it down for a while. Wouldn't mind setting the wayback.. well, way back.

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hey Oro! I'm still here. I'm trying to keep up with you guys but dragging ass again. I missed 10/14/80 but will catch up to it soon. I'm still focused on the 4 released Oct '89 shows. It IS hard to pick a fave they are all so good. Hampton has the best sound for my ears. Phil's bass sounds so rich, I can just imagine it rumbling the walls of the Hampton coliseum. I'll say I prefer all of these shows to Spring 90, for the reasons we've talked about. The band sounds less polished and the jams looser and more psychedelic. I have a sneaking suspicion my favorite might wind up being 10/26, with that mind bending 45 minute Dark Star- Space. I'm still getting acquainted with it!

Ain't it grand that we have all 3 Fall '89 Dark Stars in great sound quality and they are all inspired!

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In reply to by Gollum

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....ill spell it out because acronyms are for the lazy. FFS.
The next skull on your necklace is mine.

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10/15/84 ✔️
4/24/78 ✔️
10/16/77 (part of ) ✔️
10/16/89 ✔️
RT 2.3 Bonus 😉 ✔️
My ears are bleeding.....but in a good way!

Yeah I’d say we’re all on the same page with 10/16 “versus” Hampton.
10/16 great show, but didn’t move me as much as Hampton either night.

Manana: I think I’m going to work in those Warfield acoustic shows from last year, start early on Philly 89, and see what pops up here...

GOLLUM: glad your ok, last we saw ya you were at some rest area on the Jersey pike, “what exit“ I’m not sure...

....that reminds me. We need to start a bracket system for shows. Ala sports.
Just a random thought.
I hope I didn't start something I cant finish.

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“LADIES AND GENTLEMEN, IN THIS CORNER FROM THE YEAR 1972 we have.....“.

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yep Oro, i was with my sweet mountain wildflower, far from the maddening crowds (and the DaP 36 thread.) now back in my cave in the hills. lately been diving in to the Grateful Deadcasts on Workingmans and American Beauty. I'm into that style of deep history and every episode is chock full of cool and crazy stuff. still haven't downloaded the Angel's Share for either but maybe after work today. mention here of that 1st set closing sequence for 10/14/80 piqued my interest. Jed > Let It Grow > Wheel > Music??!! that is simply amazing!!
My friend's ex (who wasn't a head like him) phoned him (he had moved to AZ) after 10/16/89 to let him know that she heard a Dark Star and that it started to snow in the Meadowlands when they were playing it.
One of the reigning champions in my corner is 10/19/73 - that'll get a deep listen later this weekend. have to put in some work hours today first.
have a great weekend everybody.

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Are The Grateful Dead Mainstream in 1989?
We’ll see, if this record does really well… - Jerry 10/13/89

Dug into some supplemental stuff while digging the Nightfall of Diamonds and there’s some pretty interesting things to check out.

As you all probably know 10/16 is the last night of the Dead’s five night run at Meadowlands, the longest run of the year, with one day off on 10/13/89.

But 10/13 was not a day of rest for Jerry.
1. Jerry does an interview for CBS This Morning with Mark McEwen in a NYC Hotel Room. He graciously sits through and thoughtfully answers questions he must’ve had to answer 100s of times over the years, nothing really new or revealing here, but it’s fun to watch & listen to Jerry. The interviewer is total cheese (sorry Mark). Jerry seems a little miffed that the Album hadn’t been released already, and says “It’s pretty good.”

2. Jerry and Bob appear on David Letterman and play Second That Emotion with Paul Schaffer and band. Odd song choice, last time played 4/29/71. They briefly mention a tour of Russia in May ’90 that obviously never happened. Dave asks “How long will you be there?” Answer “Until they let us out” - Jerry

There’s also a little 5 minute clip of the Today Show from possibly 10/13 or 14 with Bob & Jerry with Rona Elliot, typical of the time, focuses on the Dead Heads and why the Dead are still touring.

I believe the Foolish Heart Official Video had been released already, so I watched that too. Interesting.

And lastly and possibly most telling, Jerry makes an appearance on WNEW on 10/16 and answers questions from callers.
Fan Question - “You thinking of pulling Dark Star or Death Don’t or any of that out of your hat tonight?”
Answer - “Probably, those are kinda going into an active rotation.” - Jerry on WNEW 10/16/89

Fans hearing that, had to be pretty stoked about this final night of the run.

Anybody got a line on the full WNEW interview?
I could only find a short excerpt of the questions.
All the above is on YouTube if you want to check it out.

I dig this show, not sure I can make a worthwhile comparison to Hampton shows, other than they’re both hot and fun to listen too. But I think I like this set lists’ flow better. Dark Star opening the set seems to keep it light and peppy and then the Playing > UJB > Playing sequence is killer. Great Pre-drums sequence and the post drums return to Dark Star > Attics > Playing and WBYGN encore, I’ll take that any day over Dr. Mr. Fantasy > Throwing > Good Lovin’. Now if they’d only played Death Don’t out of space instead of I Will Take You Home > Miracle..

I had to check out Miami 10/25 Playing > UJB > Playing after hearing this. Good stuff there too. The Set list heads in the audience of 10/25 had to be holding their breath after that, hopefully they stuck around for the next night. 10/25 is real good. Thinkin’ I’ma gonna spend some time with it today

For you Tour heads any other stand outs you want to give a shout out for at the Meadowlands? I can’t remember any in particular, you all mentioned digging 10/15?

I agree with Gollum, it's pretty dope that they've officially released all 3 versions of the return of Dark Star from October. 30 Trips boxset sure was good for filling in some holes.
Just need the 12/31/89 Dark Star to complete the year officially. '81 & '84 Dark Stars should get that treatment as well IMO. But I guess the tapes are good for now. Speaking of '81, I knew that date was in the cosmos yesterday.. 10/16/81!! How could I not remember that connection.

I like this 1989 trip... pretty neat.
Bluecrow I’m with you on the Deadcast, check out the supplemental material, highly illuminating. Sounds like 10/19/73 is getting some play and icecremcnkd you are correct it is entertaining!
Good stuff you all.

Be Well and Enjoy Your Weekend.

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So far I’ve done every show through the 16th in order. Though their all good shows, the 14th is the one that I liked best so far (other than the 3 big dogs obviously). Really looking forward to Philly and then the 3 shows I’ve never heard.
Really curious about 10/25 as I had tickets and was originally going to Philly then Miami since we had such a good time at the 88 shows down there. But when Hampton popped up, especially as “the Warlocks” I knew I HAD to get there, which is a whole other 2 stories, one for each ticket lol. But I had been working less than a year at my job and just couldn’t swing all three. Looking back on the overall situation 31 years later I should of just gone....sigh...but given the choice, I’d still take Hampton!
So I did all three Dark Stars in a row last week and I like Hampton best. Jersey is tight, short and sweet, while Miami is a bit ruff until about ten minutes in, but as soon as the vocals are finished its like a hard left turn into amazing groovy psychedelic madness!
What’s on tap today? Bluecrow brought up 10/19/73, perhaps my favorite DPs and a top Dark Star for sure. Have to fit that in sometime soon, but when I can give it a sit good sit down. Need to finish paint & patch then straighten up the garage so want to hit some 8os acoustic, but I think y’all already went there....going to start the Philly run later as I’ve been trying to give some of these multiple plays, especially the shows I’m not familiar with. But need something short and sweet, perhaps some primal dead just to mix it up?

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In reply to by Oroborous

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OB - 10/14 you say.. all right, loading it up on the phone for some exploration. Taper's Compendium mentioned that one as well, I think DV too, so it's confirmed.

I'd say 10/14/80 for you, make an acoustic set out of the SBD of first two tracks, 4 songs on Reckoning and 4 songs from Audience, or just do the audience tape. Unless you want the whole meal deal, which is good or did you already listen to it the other day? If that's the case dive into 10/9 & 10/10. Or yeah, primal is never a bad option.

Alright my friend. Miami 10/25 sounded pretty hot from what I heard yesterday, the 10/26 Dark Star is a dark monster. Hampton was historic, so you made the right pick between the two, but yeah you probably should've gone to see them all ;)

Who am I kidding, I didn't see any shows in 1989!
Found out they were playing Dark Star again right before the show on 10/22/90. Talking to this American head who said, yeah man they played Dark Star the other night in Berlin. What have I been missing I thought?!?! Ah pre-internet days... I kinda miss them, then again, what would I do without all my time?!?!

What a trip to think about!

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In reply to by The Good Ole G…

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For those who do torrents the 1980 project folders were recently put up on etree.
There were a couple of 79 folders too.
That was last week, haven’t checked back to see what came this week.

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In reply to by icecrmcnkd

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I have the project folders if anyone is interested...

Have we done Two From the Vault here yet?

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Come in JiminMD

That'd be a negative on TFTV, repeat that has not been listened to yet, over.

Eyes on... and it appears to be a go.

What's your 20?
Do you copy?

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In reply to by JimInMD

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Yes, let's do it. Another Pearson Healy masterpiece. I need to find my copy from 1993. Have not listened to this one in a while.

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Sounds like a well rehearsed Grateful Dead on a mission here.. over.

Might need to include the Anthem Bonus Material from 8/23/68 as some extra credit.

Primal Sunday Morning.

so....
two from the vault
aoxomoxoa bonus
10/19/73 knocking on the door with its amazing soft moon, mist, fog, spirit-filled fields of Dark Star > Mind Left Body > Morning Dew, Sugar Mag, Eyes > Stella Blue
and . . . .
thinking this morning that in the midst of anniversary for Winterland '74 shows - so spun that always sweet first disc of GD Movie Soundtrack 'cause its starts with exuberant and joyous US Blues from 10/18 and finishes with cherry Playing in the Band from 10/16.
and then ...
1st disc from that sweet little Warfield acoustic release
and...
yesterday totally digging the latest Grateful Deadcast on Warfield '80
and....
can't say enough about Deadcast deep dives into Workingmans and American Beauty - bringing even stronger appreciation to already sacred albums
and...
typing this while listening to the listening party for Daves 36 yeefreakinghaw - Esau, Birdsong, Touch - arriving at the doorstep shortly

Ken Nordine before 8/21/93 Eugene - "you are the cinematographer"

here comes sunshine, here comes sunshine!!

I had to moooooovvvvveee,
Dooah, went from Hatrick plus on Friday to basically the bench yesterday, only got to listen to part of acoustic Warfield.
Did watch awesome documentary Marley on Bluray so great audio. Really interesting doc if you haven’t seen it.
But now I have to get going as I’m way behind. Prolly have to skip vault dos which blows cause I love that one and haven’t heard in a while. Ok, hup, hup off to it.....

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8 years 9 months

In reply to by Oroborous

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Bill Graham pulling the GD crew out on stage Winterland '74 = classic.

Nice call on the GD Movie Soundtrack. Possibly my favorite GD compilation.

Such a distinct sound to these shows.

Strider we need an October '74 at Winterland story to go along with these tunes.

Bonus Anthem / TFTV material on hold until after 4:20 ;)
8/24 is just plain great, I might give it another spin too.
And 10/19/73 tomorrow!

This GD Movie soundtrack is sounding amazing!

It's gonna be a good day.

Putting that on the docket for next Saturday.

Went to etree today and the 1981 and 1982 project folders are there.
Also a few more Millers, including a cassette master of 6-22-91 which says that tape flips were patched with the DAT SBD. Why not just put out the DAT SBD?

ICECRMCNKD: Yeah, that SBD > Cassette Master recorded by Pearson & Healy is dope, the SBD > Dat patch source has been circulating since like 2011, but this new source sounds better to me.

Maybe it's something to do with the Transfer equipment upgrades in the 9 years since that SBD > Dat source originated. I know Gans mentioned he'd just go in there and try and get as much as he could transferred and probably didn't have the super dope equipment.

Or maybe I just like the Analog gen sound, but again to me this new one sounds like an upgrade and I dig it!

Check em out and let's hear the feedback:
(NEW) SBD > Cassette - https://archive.org/details/gd1991-06-22.150648.sbd.pearson-healy.mille…
(OLD) SBD > Dat - https://archive.org/details/gd1991-06-22.sbd.gans.miller.112775.flac16

I vote Cassette Master.

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9 years

In reply to by JimInMD

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back when they first released the Grateful Dead Movie on dvd they included as bonus material honest to god ~5" section from original copies of the film in a generic small postal envelope. which strikes me now as a completely crazy dead thing. I received a section (7 complete frames, 2 partials) that is a tight close-up sequence of Jerry's hand, emphasis on hand, playing the Wolf. years ago I studied the movie long and hard trying to figure out what song it was from and as far I can tell its from the jam out of Eyes (!!)
did any of you folks out there get a snip of the film, and if so, from where in the movie?

I’ll have to compare my copies sometime. Before this new one I know I had more than one copy on a HD and the CD-R copy in my living room is around 10 yeas old.

Edit:
Hah!
Stupid reCRAPTCHA thinks that a mailbox is a parking meter.

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8 years 9 months

In reply to by icecrmcnkd

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Luckies!

Cool collector head bonus.

Take some pics. I wanna see.

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8 years 11 months

In reply to by The Good Ole G…

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I’ll try to figure out the scene I have next week when I watch the Movie.

Mine has pink/purple lighting and is a shot of the stage that shows part of the crowd, the front end of Keith’s piano, and several people on the stage. It looks like they are tuning up because Phil is facing his equipment and it looks like a crew member is doing something to a microphone. It’s hard to tell, I had to use a magnifying glass and a white paper background.

Note that these strips came from the film reels that were sent out to theaters when the movie was released. They’re not scraps from the cutting room floor.

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In reply to by icecrmcnkd

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If you haven’t noticed it before, sometimes there is a SYF flag draped over Keith’s piano, and it gets rotated by 90 degrees.
I always wondered if they used that as a way to know which night the film was from.

On my film strip I can’t see enough of the piano to know if the SYF flag is there.

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13 years 3 months

In reply to by bluecrow

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Ended up playing family peacemaker today.. which involved extracting my teenage son from the grips of his foaming from the mouth mom before one of them killed the other.. decided to drop what I was doing and do some fly fishing upstream with the boy, basically get him out of the house pronto.. took the mountain bike, ebike for the kid, my mac daddy device and began the bike ride upstream to where the rapids start (really end as you come downstream). Low and behold.. no Two From the Vault loaded!! argh, thought I had that one with me.. by the time I realized this we were miles from home so no turning around.

Also had my waterproof device with me and since we were wading anyway, used that in case I slipped and fell in. It's an unlabled IPod shuffle.. I have several, so what will play is always a pleasant surprise and takes a little guesswork. They are essentially river tunes.

It took me until Bobby set a cluster of tarantulas loose on the crowded folks in the front row to figure out the show for sure.. but I knew it was 73, it was an excellent recording and I had a strong hunch it was 4/2 Boston.. and yes.. it has pleasant Bobby McGee out of space so there's that.

My favorite Bobby cover might just be Desolation Row. Haven't given that much thought but that song comes to mind.

Beautiful fall day.. got a few bites but no keepers, most importantly everyone is safe and sound.. egos restored, blood pressure down, power tools away.. knives carefully stored.. hair unclenched from the grips of the others hands.. I'm calling it a win.

So I am doing Two From the Vault tomorrow. My day was shot before it even got started. At least I got to test out some new flies and found a new absolutely gorgeous deep hole to fish next year...

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11 years 8 months

In reply to by JimInMD

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...Cowboy Bob...especially on El Paso...

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In reply to by nappyrags

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Me & Bobby McGee is a good one for sure.

If I had to pick an all time favorite Bob Cover it'd be Me And My Uncle, probably for nostalgic reasons.
1st GD Album I had was WALSTIB and I remember vividly playing LP 3 and going from the worlds of St. Stephen, Jack Straw to Me & My Uncle. And within those 3 songs I'd traveled to more places than my 15 year old pointed head could've dreamed up on my own. I guess riding the plains that day with Bob's Character & his Uncle made a profound impression on me. Too bad... he taught me so well that I grabbed that gold and left his dead ass there by the side of the road.

Doesn't get much better than that!

Fun to think / muse about.

And wow Wee wow wow... That GD Movie Soundtrack is awesome!
Hadn't listened to that in forever, speaking of forever... Tomorrow is Forever, I dig Jerry & Donna's version.
Jerry was a big Dolly Parton fan!
That He's Gone > Caution Jam > Truckin' is sick!!
And both PITB on that there gem are top notch.

And yeah TFTV continues to be awesome.

So it sounds like 10/19/73 today?
Looks like we dusted this puppy off about 5 months ago on 5/23/20 so yes.. it's due for it's Anniversary Trip!

PS - BlueCrow you all are peaking my interest in checking out that August '87 Telluride run through Utah, I don't think I've spent much time with those tapes. Sounds like you dig 'em? Might have to make some room for those this week. Spent a lot of time in Calaveras County with Carlos, but not so much in the Majestic Mountains.

This release kills it. Disc 4 is super hot. Probably one of the best UJB I have ever heard. The energy is so high. The He's Gone, into a Truckin tease, to Caution, then weaving back into Truckin, Black Peter! Some of the best performances I have ever heard.
And of course this is 74 Multi Track. I listen to this release quite a bit. That disc 4 is great for work outs.
As others have mentioned put the whole run out with video as a box set, it would be mind blowing. Dave has indicated they have even more video for future releases. It is time.

DV - Definitely agree on the GD Movie Soundtrack. Kills it!
Made for a great listen yesterday. Could probably stay there all week.

Not sure how that got so buried in my collection... oh yeah, they keep releasing stuff every other month and there's upgrades and new stuff all the time!!

I've said it before, but if there's one good thing about the current times we live in, it's that it's the Golden Age of Collecting The Dead.

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8 years 11 months

In reply to by The Good Ole G…

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I split mine up by date, so it’s 10-19% today. Sounds mighty fine.
(I did 10-19-73 on Friday and then redid Dark Star to end on Saturday for good measure).

Winterland in October....
Got to get the From Egypt With Love anniversary in too.
It’s not a bad predicament to be in.

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In reply to by icecrmcnkd

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GOGD - somewhere in my vault is a cassette of Set II from the Park City show. Might just have been my favorite tape from '87. Super big rich sound and a great set of music. Not sure of the source, not even sure if it's been uploaded, but I think possibly one of the FOB sources, not the ultramatrix.

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7 years 11 months

In reply to by bluecrow

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Okay, how does 5/6/81, Dick's picks #13 strike you all?

The hidden bonus tracks on disc 2 are wild.

Everybody hang loose.

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8 years 9 months

In reply to by DeadVikes

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POD first "official" pick from 1981. I'm hip, DL been playing some May '81 on Taper's Section recently.

1st night of three nights at Nassau with the off night Tom Snyder show appearance on 5/7/81.
Saw an interview with Jerry in '81 and he was talking about Snyder and appearing on the show. It's rich.

BlueCrow: Park City 8/20/87 you say? Best of '87, back in the day huh?
Alright, I'm gonna get that playing this week, maybe we can make that a pick this week or like tomorrow?

Good stuff!

Playing the Snyder '81 as we speak to give me a little '81 acoustic palette cleanse. Plus acoustic Dead at 6:20am is good ;)

EDIT: For any stat geeks out there keeping track, 9/10/81 was floated on 5/19/20 but I think the "official" pick was 5/19/77 that day.

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13 years 3 months

In reply to by Slow Dog Noodle

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Still on 10/19. Just getting to the DS now.