• 8,084 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Vguy72
    Joined:
    Football....

    ....i had a 4 team $20 parlay bet going into the Saints/Bucs game. Brady cost me $240. Even when he's out of my division, he still haunts me.

  • Oroborous
    Joined:
    DV: 89 vs 90

    I think it’s that searchin’ for the sound, trying to reach the summit, the whole forward progress, coming together, versus spring 90 is like they reached the top of that path, like sitting on top the summit and smoking a fatty, 420 @ 14K as we say out here! 89 was the climb, but spring 90 was the summit, if that makes sense?
    Spring 90 is almost like too pristine, too clean? Don’t get me wrong, imho it ranks with most of the biggins, but there’s something about 89?

  • Oroborous
    Joined:
    Yaaassss, yassss, yaasss,

    I do like me sum 89...AND Cal Expo! Only made the June 90 run, and did Merch there on 96 Furthur tour, but it left a smoking crater on my mind. Some might call it a dump, but the layout was awesome for sound and good sight lines. Laid back vibe and a great lawn too, especially with GA so folks could go where they want. And yes, the beer was a amazing surprise; Anchor on tap and not east coast stadium mob priced. I had truly, finally, made it too the promised land! If only I had made it to the Frost and Greek : ( Shorline was nice, but I really dug the X! Maybe it was the x lol.
    Irvine would of been a nice place to see um, but unfortunately I only did Furthur fest there...
    So haven’t hit this yet but sounds like that’s what’s up next!

    Rock Thing, welcome aboard, so glad ya made it...as your senator from the great deadnet state of altered consciousness, I can assure you there are very few rules to guide. Generally no politics or any of that kinda heavy shit, and be polite, don’t be a douche! Remember, we all have our opinions, which is nice, but we’re all confused, which is nice, and we’re all wrong on some plain or another, which is nice!
    That’s about it, so Rock On Rock Thing!
    Oh, I’m with you about sources. I’ll take a really good Aud over many SBs, and I really like a good matrix, but I mean really good, like some of the video mixes I believe have actual, ambient mics used with appropriate time alignment etc.
    I get why the majority like SBs, and the historic technical reasons why they became en Vogue. But the tech changed so much and with the eventual gray area removed by the tapers section etc, there are some really amazing sounding Auds.
    I’ll concede that it has to be done just right, but if so I really dig a great matrix; you get the (usually) clean direct feed of the instruments etc, plus the more natural room ambience. Of course like a SB, the mix is crucial, and unfortunately in the case of the “cassette years,” is often mixed so prominently for the house. But when 2 great sources are blended just so it is really amazing how good they can sound.
    The ultimate imho is when the “Dead” did it purposefully like on many of the official releases, like some of the video mixes...EDIT: I believe that 3/15/90 show is a good example that has some really nice “liveness” ambience...
    I like Dave’s Pick 8 and 36, but 8 seems a tad too dry and 36 at times is perhaps to much, but hey, that’s just me.

    Ok, onward....8/5/89 woo, woo!
    GO BILLS!
    KCJ, where you be? I’d trash talk with ya but I don’t think we’re gonna do it, but hey, as Boomer would say
    “That’s why they play the game”

  • DeadVikes
    Joined:
    1989

    Yes, so many great shows in 89 and Cal Expo is no slouch. Lately, I have been thinking 89 might edge out 1990? It is close anyway. Really high level stuff with Jerry fully engaged. Things changed after Brent died, but there was still some great music. Fall 1990 still doesn't grab me. Not like 1991, where they seem to get the Mojo going again.

    Stay well out there people.

  • JimInMD
    Joined:
    Sweet Run

    This one's for our 89 loving Oroborous. (knowing that most in this group seem to be 80's fans)

  • Vguy72
    Joined:
    Cal Expo '89....

    ....was present and camped at all three. Awesome venue. The only time I caught them there. Very beer friendly.

  • JimInMD
    Joined:
    Rockthing

    Right on, Bring it..

    I think you are doing this exactly right. Great show, VGuy, good choice. And an excellent show to have attended. Did you catch the entire run?

    It's keeping us honest.

  • daverock
    Joined:
    Infrared Roses

    Rockthing-your post reminded me of the cd compilation called "Infrared Roses" that came out in the 90s. An album exclusively made up of drum and space segments, each track given the added status of being named individually. I was lucky enough to experience one of them-the so called "Silver Apples of the Moon" which I think came from London 11/1/90. One of the highlights of the show.

    When drums and space come out of Dark Star- I tend to think of them as being extensions of Star, rather than as separate entities.

  • rockthing
    Joined:
    gd1989-08-05 impressions Second Set

    Am I doin' this right? Sorry if I'm kinda goin' overboard. That's my thing.

    Continuing to listen to the Schoeps MK2 source.

    Hey Pocky Way: This song did not get performed enough. Just some light fun with a little cheesy keyboard sound.

    Playin': Nice and spacey jam. Sparse. Chill. Percussion taking the back seat in the mix. Jerry really challenging the others to find the trail he's blazing. Catch me if you can! Whoa, what's he hintin' at? No way! So THIS is the standalone I Know You Rider. More like a Playin' Rider. THAT really came outa nowhere. People musta been goin' nuts. Can't really hear too much reaction from the crowd, even though this is an audience pull. Up up tempo. Really flying. Headlight ¡GONG! on a northbound train. Nice. :)

    Terrapin: Are you serious? Third song into the second set is Terrapin?! Pretty solid.

    Drums/Space: At some point I really began to dislike the generic titles for drums and space. It's canon. I know. Can't fight city hall. Never gonna change four decades of precedent, but when I track my old tapes for my own personal use, I include drums and space in the song either before or after them. I like to think of them as a drum solo and free form jam into or out of a composition. I realize they rarely have much of anything to do with the tunes around them, but some of the early stuff would go out so far you had no idea what song they were playing, I kinda like to stay in that frame of mind. So, to me, this is the drum solo for Terrapin. ^^; Is there a cut, or was that just the world's shortest "drums"? Some wacky MIDI stuff to start off space. Everyone playing everyone else's instruments, virtually.

    Gotta run. Catch up with the rest of the second half later.

    EDIT:

    Sorry, Terrapin wasn't the third song. Maybe Pocky Way felt like such a throw away that subconsciously I didn't even count it. At any rate, seemed to arrive at Terrapin awfully quickly. Time flies when you're having fun? :)

  • rockthing
    Joined:
    gd1989-08-05 impressions First Set

    Hey now. Is it ok if a newcomer jumps in on this? Never need an excuse to cue up a show I've never heard. Wish I had time to do it more often. Easily lead into rabbit holes, so hafta stick with my old favorites when things are busy. Nice to have someone to share the impressions with. I apologize in advance. I am notorious among all my correspondents for writing the sequel to Ulysses in every email.

    I don't have any hard and fast policies, but generally I prefer to find a good audience pull over soundboards. There are plenty of boards I love, though, so as I say it's not a rule. Being a minor taping enthusiast informs that tendency, but often I actually like having the crowd in the mix. Sometimes the audience can be as entertaining as the band, like the dudes calling out for Casey Jones during Seastones. Hilarious. Idle chatter drives me up a wall, though.

    Introductions out of the way, please allow me to share my experience listening to this Cal Expo gig.

    First impressions:
    Wow. Bobby's vocals are really loud. This is something I often find distracting about boards. The vocal balance is way too high in the mix compared with the instruments. It's inevitable, I guess. Usually the instruments don't need to be amplified as much as the vocals. I gather that we're supposed to be listening to the same releases, but I decided to see what the other sources sounded like.

    I switched from the Miller SBD to Mattes Schoeps CMC 44 pull. I've heard some Mattes tapes I like. The Schoeps are top of the line mics and can't be faulted technically, but I often find Schoeps pulls to favor the lower frequencies in a way that seems to muffle the overall experience. In this case my first thought was, where's the band? Had to really crank it to even notice OMSN had started.

    Next it was a switch to the Casey Coniff Sennheiser 441 pull. Starts off promising. Instruments loud and clear, but then I WENT UP TO THE MOUNTAIN, wow, the vocals were blasting into the audience, too. Yes, you can hear Dan Healy, I presume, immediately pull the volume back, but Bobby's vocals are really dominating the mix.

    The Schoeps MK2 pull seems to offer a frequency balance I like best of these sources. The vocals are still really high, but they would be since everyone's taping the same show. Let it be said, however, that the focus and clarity of both this and the Coniff audience pulls are right up there with soundboards. No need to search for the show in the recording.

    Cold Rain and Snow: Poor old Jer. Love that old silvery elf voice of his and I know it won't be there in '89, but he sounds kinda tired to me at the beginning. Kick drums kinda have that slappy festival sound quality. Phil's bass sounds great. Low end is powerful, but well-defined, and his upper register runs are right there too, but not harsh. Big smile for that little hiccup/accent around 4 and a half minutes in. Love this tune. This probably won't rocket to the top of my list of favorites.

    We Can Run: As much as I love Brent's keyboard work with the Dead, I rarely get into his songwriting.

    Stagger Lee: Nothing in particular to say about this.

    Stuck Inside of Mobile: Nothing to write home about. Everyone seems to be getting a little more warmed up. The buildups for the choruses each seem to grow in intensity.

    Row Jimmy: Whoa! WTH was that atonal weirdness. That was brilliant, whatever it was. lol. Sounds like someone accidentally dropped something on The Beam. Unfortunately no one had the presence of mind or inclination to try to incorporate it into the song, or improvise off of it. It just happens and sounds like a mistake. Jimmy plods along as usual. Gonna get there? I don't know.

    Let It Grow: Oh, some of those crazy Healy vocal/etc. effects. I usually liked it when he added stuff like that, but I guess others didn't. As is often the case with this tune in the second half of the 80s and onward, we get our first taste of the band firing on all cylinders for one quick hot lap before the set break. This one doesn't get too far out during the first jam, though, before Bobby brings it back and seems to miss his own cue. lol. Nice fills from Jer and Brent in the outro. Could've stood a bit more of that, tbh.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Good call for today!! Just got done biking. Trees here in Rhode Island are looking like the cover of Dick's Pick that has the Landover and Syracuse September 76 shows!! We'll see summer come again.... Feel ambitious also am going to put on the LSU birthday show after from 77... enjoy the weekend everyone Bob t

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Though Donna Summer does have many fine tunes, I’m specifically referring to I Feel Love.
Smoke a fatty, or perhaps just as the trip is starting to take hold, sit dead center with a good system and crank THAT song.....it’s a stoners delight I tell ya, Healy would be proud of all that auto panning goodness, lol......seriously, this tune is sixteen seventies stoned in your room with your black light and posters groovy cool!

Polished Jim, that’s the word. The Hampton shows from my POV are better, say as a concert going DH freak, but as a finished, professionally produced product for market, I think Nightfalls is better. The song list, the flow, tightness,(perhaps their playing more to the recording so a tad safer?), and yes, as good as Hampton sounds, it’s yet another one that frustratingly just doesn’t come through on tape and do the shows justice. We’ve touched on this before about similar feelings with 10/14/83, and 3/27/88 for starters. 10/16 does seem to breath better and is perhaps mastered better? Again, this is probably splitting hairs as all four 89 fall releases sound good, just not the same...
So big 10/16/89 tonight, need to wait for proper conditions to manifest and align with the flux capacitor etc. Maybe I’ll go for that 84 show, or sometime this WE I’ll have to spin some of that awesome Acoustic Warfield stuff from last year. Still have some killer 74 someone generously sent me to rip and crank, need to find that Dico 78 Dead that was the impetus for this ramble, and probably will start the Spectrum 89 shows to keep on the path....
Speaking of, spent a couple rotations with 10/15/89 yesterday whilst continuing my Swiss madness in the basement. Another perfectly good 89 show, but it didn’t move me as much as 10/14, which is funny cause that one had to grow on me a bit. Some of it is probably just set lists, but 10/14 seemed to build up nicely overall. 10/15 has some notable tunes for the time; Standing on the Moon, Just a Little Light, Crazy Fingers, Victum, Stella, Box oRain, and even a Far From Me! Like I say, good show, just didn’t flow for me? Probably just me....
GOLLUM, you still along for this ride? What say you old chap? And I think Jim needs to fire up the Deer and head back to fall 73 as we appear to have lost ole Bluecorn chasing some minx in the parking lot after the Syracuse show???
Ok, ONWARD!

Jim, I’m still laughing hours later after going to 36 and then rereading your hilarious but unfortunately accurate description of said stench. Oh if only Jim Lehey was still around to critique and categorize the Winds of Shit that only seem to strengthen with time throughout 2020!

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In reply to by The Good Ole G…

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Chortled my coffee on that one. Too funny.

Living in Appalachia.., four miles from the WV border.. well, I can say is I run into Mr. Lahey (or a guy just like him) all the time at the corner beer store.

Q: What does a tornado and a redneck divorce have in common?
A: In the end.. someone is going to lose a trailer.

I need to check out 10/14/89 Oroborous, so many great shows, so little time, or maybe too much time.

Finished up this wonderful show of 10/16/89. Sound quality is A+ and I have to say for a 2001 release, unbelievably good.

I still will give the slight nod to the Hampton shows, but all three are top notch.

If you don't have NFOD, do yourself a favor and get a copy, they are still cheap on the secondary market.

I guess the Eyes have it based on the sell out speed of Dave's 36.

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In reply to by DeadVikes

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Listened to 10-16-89 in the car this week, started Tuesday and since my commute is usually about 20 min each way it took until Thursday to finish the show. Yeah, I didn’t get to listen to it uninterrupted but I have listened to that show many times since getting it when it was released. At that time I was disappointed that they didn’t release 10-9-89, since I already had that on cassette. Of course, when they did release Hampton I was disappointed that I paid $60 for a release that didn’t sound better than the CD-R copies I had.
Anyway, 10-16 sounds better than Hampton but Hampton has the aura going for it. Both worthy listens in my book.
Of note, after listening on 10/9 I jumped to 3-15-90 for comparison and that made Hampton seem like training camp, performance and sound quality wise.
I didn’t make it to Hampton but my friend did and he said that there were tickets taped to the outside doors of the venue and he just grabbed one and walked in. They didn’t tear the ticket as he entered so it is still whole like the one in Oroborous’ picture.

So, I’m ahead of schedule again for an anniversary listen because I’ve got 10-19-73 playing.
Then I come here and Oro mentions Fall ‘73.....

And Jim mentions stink bombs.....

That board is actually entertaining.

Great show. I can't say any of the three we are comparing are better than any of the others. Perhaps we are splitting hairs. I am a bit biased, but that aside NFOD has a better mix.

What are we listening to tomorrow? I am going to hit DaP 35 again tonight before I probably put it down for a while. Wouldn't mind setting the wayback.. well, way back.

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hey Oro! I'm still here. I'm trying to keep up with you guys but dragging ass again. I missed 10/14/80 but will catch up to it soon. I'm still focused on the 4 released Oct '89 shows. It IS hard to pick a fave they are all so good. Hampton has the best sound for my ears. Phil's bass sounds so rich, I can just imagine it rumbling the walls of the Hampton coliseum. I'll say I prefer all of these shows to Spring 90, for the reasons we've talked about. The band sounds less polished and the jams looser and more psychedelic. I have a sneaking suspicion my favorite might wind up being 10/26, with that mind bending 45 minute Dark Star- Space. I'm still getting acquainted with it!

Ain't it grand that we have all 3 Fall '89 Dark Stars in great sound quality and they are all inspired!

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In reply to by Gollum

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....ill spell it out because acronyms are for the lazy. FFS.
The next skull on your necklace is mine.

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In reply to by JimInMD

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10/15/84 ✔️
4/24/78 ✔️
10/16/77 (part of ) ✔️
10/16/89 ✔️
RT 2.3 Bonus 😉 ✔️
My ears are bleeding.....but in a good way!

Yeah I’d say we’re all on the same page with 10/16 “versus” Hampton.
10/16 great show, but didn’t move me as much as Hampton either night.

Manana: I think I’m going to work in those Warfield acoustic shows from last year, start early on Philly 89, and see what pops up here...

GOLLUM: glad your ok, last we saw ya you were at some rest area on the Jersey pike, “what exit“ I’m not sure...

....that reminds me. We need to start a bracket system for shows. Ala sports.
Just a random thought.
I hope I didn't start something I cant finish.

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In reply to by Vguy72

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“LADIES AND GENTLEMEN, IN THIS CORNER FROM THE YEAR 1972 we have.....“.

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In reply to by Oroborous

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yep Oro, i was with my sweet mountain wildflower, far from the maddening crowds (and the DaP 36 thread.) now back in my cave in the hills. lately been diving in to the Grateful Deadcasts on Workingmans and American Beauty. I'm into that style of deep history and every episode is chock full of cool and crazy stuff. still haven't downloaded the Angel's Share for either but maybe after work today. mention here of that 1st set closing sequence for 10/14/80 piqued my interest. Jed > Let It Grow > Wheel > Music??!! that is simply amazing!!
My friend's ex (who wasn't a head like him) phoned him (he had moved to AZ) after 10/16/89 to let him know that she heard a Dark Star and that it started to snow in the Meadowlands when they were playing it.
One of the reigning champions in my corner is 10/19/73 - that'll get a deep listen later this weekend. have to put in some work hours today first.
have a great weekend everybody.

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Are The Grateful Dead Mainstream in 1989?
We’ll see, if this record does really well… - Jerry 10/13/89

Dug into some supplemental stuff while digging the Nightfall of Diamonds and there’s some pretty interesting things to check out.

As you all probably know 10/16 is the last night of the Dead’s five night run at Meadowlands, the longest run of the year, with one day off on 10/13/89.

But 10/13 was not a day of rest for Jerry.
1. Jerry does an interview for CBS This Morning with Mark McEwen in a NYC Hotel Room. He graciously sits through and thoughtfully answers questions he must’ve had to answer 100s of times over the years, nothing really new or revealing here, but it’s fun to watch & listen to Jerry. The interviewer is total cheese (sorry Mark). Jerry seems a little miffed that the Album hadn’t been released already, and says “It’s pretty good.”

2. Jerry and Bob appear on David Letterman and play Second That Emotion with Paul Schaffer and band. Odd song choice, last time played 4/29/71. They briefly mention a tour of Russia in May ’90 that obviously never happened. Dave asks “How long will you be there?” Answer “Until they let us out” - Jerry

There’s also a little 5 minute clip of the Today Show from possibly 10/13 or 14 with Bob & Jerry with Rona Elliot, typical of the time, focuses on the Dead Heads and why the Dead are still touring.

I believe the Foolish Heart Official Video had been released already, so I watched that too. Interesting.

And lastly and possibly most telling, Jerry makes an appearance on WNEW on 10/16 and answers questions from callers.
Fan Question - “You thinking of pulling Dark Star or Death Don’t or any of that out of your hat tonight?”
Answer - “Probably, those are kinda going into an active rotation.” - Jerry on WNEW 10/16/89

Fans hearing that, had to be pretty stoked about this final night of the run.

Anybody got a line on the full WNEW interview?
I could only find a short excerpt of the questions.
All the above is on YouTube if you want to check it out.

I dig this show, not sure I can make a worthwhile comparison to Hampton shows, other than they’re both hot and fun to listen too. But I think I like this set lists’ flow better. Dark Star opening the set seems to keep it light and peppy and then the Playing > UJB > Playing sequence is killer. Great Pre-drums sequence and the post drums return to Dark Star > Attics > Playing and WBYGN encore, I’ll take that any day over Dr. Mr. Fantasy > Throwing > Good Lovin’. Now if they’d only played Death Don’t out of space instead of I Will Take You Home > Miracle..

I had to check out Miami 10/25 Playing > UJB > Playing after hearing this. Good stuff there too. The Set list heads in the audience of 10/25 had to be holding their breath after that, hopefully they stuck around for the next night. 10/25 is real good. Thinkin’ I’ma gonna spend some time with it today

For you Tour heads any other stand outs you want to give a shout out for at the Meadowlands? I can’t remember any in particular, you all mentioned digging 10/15?

I agree with Gollum, it's pretty dope that they've officially released all 3 versions of the return of Dark Star from October. 30 Trips boxset sure was good for filling in some holes.
Just need the 12/31/89 Dark Star to complete the year officially. '81 & '84 Dark Stars should get that treatment as well IMO. But I guess the tapes are good for now. Speaking of '81, I knew that date was in the cosmos yesterday.. 10/16/81!! How could I not remember that connection.

I like this 1989 trip... pretty neat.
Bluecrow I’m with you on the Deadcast, check out the supplemental material, highly illuminating. Sounds like 10/19/73 is getting some play and icecremcnkd you are correct it is entertaining!
Good stuff you all.

Be Well and Enjoy Your Weekend.

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So far I’ve done every show through the 16th in order. Though their all good shows, the 14th is the one that I liked best so far (other than the 3 big dogs obviously). Really looking forward to Philly and then the 3 shows I’ve never heard.
Really curious about 10/25 as I had tickets and was originally going to Philly then Miami since we had such a good time at the 88 shows down there. But when Hampton popped up, especially as “the Warlocks” I knew I HAD to get there, which is a whole other 2 stories, one for each ticket lol. But I had been working less than a year at my job and just couldn’t swing all three. Looking back on the overall situation 31 years later I should of just gone....sigh...but given the choice, I’d still take Hampton!
So I did all three Dark Stars in a row last week and I like Hampton best. Jersey is tight, short and sweet, while Miami is a bit ruff until about ten minutes in, but as soon as the vocals are finished its like a hard left turn into amazing groovy psychedelic madness!
What’s on tap today? Bluecrow brought up 10/19/73, perhaps my favorite DPs and a top Dark Star for sure. Have to fit that in sometime soon, but when I can give it a sit good sit down. Need to finish paint & patch then straighten up the garage so want to hit some 8os acoustic, but I think y’all already went there....going to start the Philly run later as I’ve been trying to give some of these multiple plays, especially the shows I’m not familiar with. But need something short and sweet, perhaps some primal dead just to mix it up?

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In reply to by Oroborous

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OB - 10/14 you say.. all right, loading it up on the phone for some exploration. Taper's Compendium mentioned that one as well, I think DV too, so it's confirmed.

I'd say 10/14/80 for you, make an acoustic set out of the SBD of first two tracks, 4 songs on Reckoning and 4 songs from Audience, or just do the audience tape. Unless you want the whole meal deal, which is good or did you already listen to it the other day? If that's the case dive into 10/9 & 10/10. Or yeah, primal is never a bad option.

Alright my friend. Miami 10/25 sounded pretty hot from what I heard yesterday, the 10/26 Dark Star is a dark monster. Hampton was historic, so you made the right pick between the two, but yeah you probably should've gone to see them all ;)

Who am I kidding, I didn't see any shows in 1989!
Found out they were playing Dark Star again right before the show on 10/22/90. Talking to this American head who said, yeah man they played Dark Star the other night in Berlin. What have I been missing I thought?!?! Ah pre-internet days... I kinda miss them, then again, what would I do without all my time?!?!

What a trip to think about!

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In reply to by The Good Ole G…

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For those who do torrents the 1980 project folders were recently put up on etree.
There were a couple of 79 folders too.
That was last week, haven’t checked back to see what came this week.

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In reply to by icecrmcnkd

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I have the project folders if anyone is interested...

Have we done Two From the Vault here yet?

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Come in JiminMD

That'd be a negative on TFTV, repeat that has not been listened to yet, over.

Eyes on... and it appears to be a go.

What's your 20?
Do you copy?

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In reply to by JimInMD

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Yes, let's do it. Another Pearson Healy masterpiece. I need to find my copy from 1993. Have not listened to this one in a while.

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Sounds like a well rehearsed Grateful Dead on a mission here.. over.

Might need to include the Anthem Bonus Material from 8/23/68 as some extra credit.

Primal Sunday Morning.

so....
two from the vault
aoxomoxoa bonus
10/19/73 knocking on the door with its amazing soft moon, mist, fog, spirit-filled fields of Dark Star > Mind Left Body > Morning Dew, Sugar Mag, Eyes > Stella Blue
and . . . .
thinking this morning that in the midst of anniversary for Winterland '74 shows - so spun that always sweet first disc of GD Movie Soundtrack 'cause its starts with exuberant and joyous US Blues from 10/18 and finishes with cherry Playing in the Band from 10/16.
and then ...
1st disc from that sweet little Warfield acoustic release
and...
yesterday totally digging the latest Grateful Deadcast on Warfield '80
and....
can't say enough about Deadcast deep dives into Workingmans and American Beauty - bringing even stronger appreciation to already sacred albums
and...
typing this while listening to the listening party for Daves 36 yeefreakinghaw - Esau, Birdsong, Touch - arriving at the doorstep shortly

Ken Nordine before 8/21/93 Eugene - "you are the cinematographer"

here comes sunshine, here comes sunshine!!

I had to moooooovvvvveee,
Dooah, went from Hatrick plus on Friday to basically the bench yesterday, only got to listen to part of acoustic Warfield.
Did watch awesome documentary Marley on Bluray so great audio. Really interesting doc if you haven’t seen it.
But now I have to get going as I’m way behind. Prolly have to skip vault dos which blows cause I love that one and haven’t heard in a while. Ok, hup, hup off to it.....

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8 years 10 months

In reply to by Oroborous

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Bill Graham pulling the GD crew out on stage Winterland '74 = classic.

Nice call on the GD Movie Soundtrack. Possibly my favorite GD compilation.

Such a distinct sound to these shows.

Strider we need an October '74 at Winterland story to go along with these tunes.

Bonus Anthem / TFTV material on hold until after 4:20 ;)
8/24 is just plain great, I might give it another spin too.
And 10/19/73 tomorrow!

This GD Movie soundtrack is sounding amazing!

It's gonna be a good day.

Putting that on the docket for next Saturday.

Went to etree today and the 1981 and 1982 project folders are there.
Also a few more Millers, including a cassette master of 6-22-91 which says that tape flips were patched with the DAT SBD. Why not just put out the DAT SBD?

ICECRMCNKD: Yeah, that SBD > Cassette Master recorded by Pearson & Healy is dope, the SBD > Dat patch source has been circulating since like 2011, but this new source sounds better to me.

Maybe it's something to do with the Transfer equipment upgrades in the 9 years since that SBD > Dat source originated. I know Gans mentioned he'd just go in there and try and get as much as he could transferred and probably didn't have the super dope equipment.

Or maybe I just like the Analog gen sound, but again to me this new one sounds like an upgrade and I dig it!

Check em out and let's hear the feedback:
(NEW) SBD > Cassette - https://archive.org/details/gd1991-06-22.150648.sbd.pearson-healy.mille…
(OLD) SBD > Dat - https://archive.org/details/gd1991-06-22.sbd.gans.miller.112775.flac16

I vote Cassette Master.

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9 years 1 month

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back when they first released the Grateful Dead Movie on dvd they included as bonus material honest to god ~5" section from original copies of the film in a generic small postal envelope. which strikes me now as a completely crazy dead thing. I received a section (7 complete frames, 2 partials) that is a tight close-up sequence of Jerry's hand, emphasis on hand, playing the Wolf. years ago I studied the movie long and hard trying to figure out what song it was from and as far I can tell its from the jam out of Eyes (!!)
did any of you folks out there get a snip of the film, and if so, from where in the movie?

I’ll have to compare my copies sometime. Before this new one I know I had more than one copy on a HD and the CD-R copy in my living room is around 10 yeas old.

Edit:
Hah!
Stupid reCRAPTCHA thinks that a mailbox is a parking meter.

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8 years 10 months

In reply to by icecrmcnkd

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Luckies!

Cool collector head bonus.

Take some pics. I wanna see.

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9 years

In reply to by The Good Ole G…

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I’ll try to figure out the scene I have next week when I watch the Movie.

Mine has pink/purple lighting and is a shot of the stage that shows part of the crowd, the front end of Keith’s piano, and several people on the stage. It looks like they are tuning up because Phil is facing his equipment and it looks like a crew member is doing something to a microphone. It’s hard to tell, I had to use a magnifying glass and a white paper background.

Note that these strips came from the film reels that were sent out to theaters when the movie was released. They’re not scraps from the cutting room floor.

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In reply to by icecrmcnkd

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If you haven’t noticed it before, sometimes there is a SYF flag draped over Keith’s piano, and it gets rotated by 90 degrees.
I always wondered if they used that as a way to know which night the film was from.

On my film strip I can’t see enough of the piano to know if the SYF flag is there.

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13 years 4 months

In reply to by bluecrow

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Ended up playing family peacemaker today.. which involved extracting my teenage son from the grips of his foaming from the mouth mom before one of them killed the other.. decided to drop what I was doing and do some fly fishing upstream with the boy, basically get him out of the house pronto.. took the mountain bike, ebike for the kid, my mac daddy device and began the bike ride upstream to where the rapids start (really end as you come downstream). Low and behold.. no Two From the Vault loaded!! argh, thought I had that one with me.. by the time I realized this we were miles from home so no turning around.

Also had my waterproof device with me and since we were wading anyway, used that in case I slipped and fell in. It's an unlabled IPod shuffle.. I have several, so what will play is always a pleasant surprise and takes a little guesswork. They are essentially river tunes.

It took me until Bobby set a cluster of tarantulas loose on the crowded folks in the front row to figure out the show for sure.. but I knew it was 73, it was an excellent recording and I had a strong hunch it was 4/2 Boston.. and yes.. it has pleasant Bobby McGee out of space so there's that.

My favorite Bobby cover might just be Desolation Row. Haven't given that much thought but that song comes to mind.

Beautiful fall day.. got a few bites but no keepers, most importantly everyone is safe and sound.. egos restored, blood pressure down, power tools away.. knives carefully stored.. hair unclenched from the grips of the others hands.. I'm calling it a win.

So I am doing Two From the Vault tomorrow. My day was shot before it even got started. At least I got to test out some new flies and found a new absolutely gorgeous deep hole to fish next year...

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11 years 9 months

In reply to by JimInMD

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...Cowboy Bob...especially on El Paso...

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Me & Bobby McGee is a good one for sure.

If I had to pick an all time favorite Bob Cover it'd be Me And My Uncle, probably for nostalgic reasons.
1st GD Album I had was WALSTIB and I remember vividly playing LP 3 and going from the worlds of St. Stephen, Jack Straw to Me & My Uncle. And within those 3 songs I'd traveled to more places than my 15 year old pointed head could've dreamed up on my own. I guess riding the plains that day with Bob's Character & his Uncle made a profound impression on me. Too bad... he taught me so well that I grabbed that gold and left his dead ass there by the side of the road.

Doesn't get much better than that!

Fun to think / muse about.

And wow Wee wow wow... That GD Movie Soundtrack is awesome!
Hadn't listened to that in forever, speaking of forever... Tomorrow is Forever, I dig Jerry & Donna's version.
Jerry was a big Dolly Parton fan!
That He's Gone > Caution Jam > Truckin' is sick!!
And both PITB on that there gem are top notch.

And yeah TFTV continues to be awesome.

So it sounds like 10/19/73 today?
Looks like we dusted this puppy off about 5 months ago on 5/23/20 so yes.. it's due for it's Anniversary Trip!

PS - BlueCrow you all are peaking my interest in checking out that August '87 Telluride run through Utah, I don't think I've spent much time with those tapes. Sounds like you dig 'em? Might have to make some room for those this week. Spent a lot of time in Calaveras County with Carlos, but not so much in the Majestic Mountains.

This release kills it. Disc 4 is super hot. Probably one of the best UJB I have ever heard. The energy is so high. The He's Gone, into a Truckin tease, to Caution, then weaving back into Truckin, Black Peter! Some of the best performances I have ever heard.
And of course this is 74 Multi Track. I listen to this release quite a bit. That disc 4 is great for work outs.
As others have mentioned put the whole run out with video as a box set, it would be mind blowing. Dave has indicated they have even more video for future releases. It is time.

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In reply to by DeadVikes

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DV - Definitely agree on the GD Movie Soundtrack. Kills it!
Made for a great listen yesterday. Could probably stay there all week.

Not sure how that got so buried in my collection... oh yeah, they keep releasing stuff every other month and there's upgrades and new stuff all the time!!

I've said it before, but if there's one good thing about the current times we live in, it's that it's the Golden Age of Collecting The Dead.

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9 years

In reply to by The Good Ole G…

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I split mine up by date, so it’s 10-19% today. Sounds mighty fine.
(I did 10-19-73 on Friday and then redid Dark Star to end on Saturday for good measure).

Winterland in October....
Got to get the From Egypt With Love anniversary in too.
It’s not a bad predicament to be in.

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9 years 1 month

In reply to by icecrmcnkd

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GOGD - somewhere in my vault is a cassette of Set II from the Park City show. Might just have been my favorite tape from '87. Super big rich sound and a great set of music. Not sure of the source, not even sure if it's been uploaded, but I think possibly one of the FOB sources, not the ultramatrix.

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8 years

In reply to by bluecrow

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Okay, how does 5/6/81, Dick's picks #13 strike you all?

The hidden bonus tracks on disc 2 are wild.

Everybody hang loose.

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In reply to by DeadVikes

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POD first "official" pick from 1981. I'm hip, DL been playing some May '81 on Taper's Section recently.

1st night of three nights at Nassau with the off night Tom Snyder show appearance on 5/7/81.
Saw an interview with Jerry in '81 and he was talking about Snyder and appearing on the show. It's rich.

BlueCrow: Park City 8/20/87 you say? Best of '87, back in the day huh?
Alright, I'm gonna get that playing this week, maybe we can make that a pick this week or like tomorrow?

Good stuff!

Playing the Snyder '81 as we speak to give me a little '81 acoustic palette cleanse. Plus acoustic Dead at 6:20am is good ;)

EDIT: For any stat geeks out there keeping track, 9/10/81 was floated on 5/19/20 but I think the "official" pick was 5/19/77 that day.

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13 years 4 months

In reply to by Slow Dog Noodle

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Still on 10/19. Just getting to the DS now.