• 8,062 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • wilfredtjones
    Joined:
    OK

    OK

  • 1stshow70878
    Joined:
    On To Germany

    Starting Beat Club Bremen as I write. Is that Bob doing their own introduction?
    Some omissions in my Deadbase X in these first 6 shows I've done:
    4-11 list omits 2nd encore of One More Sat. Night.
    4-14 list omits a Ramble On Rose between Good Lovin' and NFA.
    4-16 list calls a Me & My Uncle "Uncle John" and omits the TOO jam before that song and after the Caution.
    And now I see Bremen does not list the duplicates omitted in the TV show airing? A studio recording session rather than a concert so it's interesting to hear the restarts and banter.
    This Deadbase was copyright 1997.
    Cheers
    Edit: And one more; 4-24 second set list is out of order and omits the great Jam between Me & My Uncle and Wharf Rat. Now I'm wondering if BITD the available tapes had these mistakes or were some from reordering to fit on CDs later.

  • daverock
    Joined:
    Heads

    I thought that Jesse Jarnow book was excellent - one of the best books I've read on the subject.
    There were a few good books on Psychedelia that came out about 5 years ago. A British equivalent to "Heads" might be "Albion Dreaming" by Andy Roberts. "Psychedelia and Other Colours" by Rob Chapman is also excellent, covering both America and Britain.

  • Oroborous
    Joined:
    Yeah

    Can you imagine: not only playing for folks who have little or no idea what your about, but also many/most who don’t speak the language! Yet after almost every set and especially at the end, you can hear the crowds love it!
    The power of music, the real language, the real form of communication!
    Amazing!

    EDIT: Heads, is that book any good?
    I have it but haven’t read it yet?

  • JimInMD
    Joined:
    Re:

    Oro.. good job, you must not sleep much.

    DRock, I'm sure you are right. Beyond the few Americans that ventured East for that tour.. most did not fully understand what their tickets brought them. SimonRob was at Bickershaw, not sure if he reads this thread though. I also wonder how prevalent the psychedelic scene was. Jessie Jarnaw speaks a bit about the travelling circus and when / how it evolved in his book, "Heads." Beyond the few that were exposed early on and could afford the travel with no work, it wasn't until a little self-sustaining economy emerged before it became widespread. By 81, a few, but 90 quite a few.. we probably all know one (Lemieux for starters.. still in college)

  • daverock
    Joined:
    No Deadheads ?

    One thing about the European tour in 1972, was that they weren't, as far as I know, playing to Deadheads. I seem to remember one of band said in print that the Newcastle crowd was the coldest one they had ever played to. I would think that most of the people who saw then that night lived in, or fairly near Newcastle itself. Didn't the crowd at one of the shows head for the exit after the first set, assuming that the gig was over? That also suggest an unfamiliarity with The band and their way of doing things.
    If this is true - it certainly didn't harm the music. It may have affected the way they played - and for the better.
    Having said that, I don't know when the Deadhead culture started in America - by which I mean when people travelled the land to see them. Up to a certain point they must have been playing to new people in The States,too. People who had no pre conceived idea of what they were like, but just went along because it was a rock gig. By 1990 everyone at Wembley seemed to be a Deadhead. I can't remember 1981 being quite like that.

  • Oroborous
    Joined:
    “Oh ooo, half way there,

    Oh ooo smell my underwear” 🎶

    Yep, just finishing 5/3 for the first time ever, and I still don’t have any damn time.
    So I’ve been listening, sometimes multiple times, in order, but I haven’t had time to keep track.
    Oh well, guess that would be more like actually being on tour.
    4/11 was a first time listen for me. Another great E72 outing but it felt like they let go of the stick a tad after perhaps grabbing it too tight at the Wembleys? I’m guessing back in 72 in some of these locations there wasn’t much media etc. But the bigger gigs, like the first ones at Wembley probably had a level of attention and possibly sales via that attention, that might have made them, aaa, not stressful, but, would definitely like to start right. Add to that the natural energy of itching to play etc, and yeah, can see how Wembley got the freight train and perhaps Newcastle received a more loose presentation? I definitely noticed more miscues, start offs like Jack Straw, Good Lovin, others. Now they all grooved past these brief moments, and delivered fine versions, but maybe they show a loosening that facilitated elsewhere?
    Like an unusual Truckin and jam that covered some cool ground including King Solomon’s teases/coincidences? and some free jazz like moments (think Phil might of been quoting some actual song too?).
    Another sweet suite, including a decent CAT, though I think the 4/26 is perhaps the bar? Nice to hear, especially as a change from the repetitiveness. Same with the even rarer Brokedown!
    4/14s a blur at this point, they start to expand out more I guess, in several ways…
    A nice DS, and a big pork fest ending. All good, but I find others more to my liking?

    4/16, yes, agree, always felt there was something just a little different about this one. Perhaps being such a small informal, perhaps totally away from the spotlight! A brief chance to vibe like the ole daze, perhaps?
    4/17 is just too much of a monster overall. Perhaps why I think this may be the first time I’ve done the whole show in one listen? I have the DVD, and Ive spent time with that 3rd set etc. So that was a treat to be sure! I’ll prolly go back and hit the dvd of there and Bremen after, but for now I want to go in order…
    First time Ive just listened to 4/21, though we saw the Shakedown stream. Actually hit this one a few times. Love the stop and restarts, another cool inside look.
    4/24 is another that feels a little more aaa, whatever the vibe I can’t name is, not stress, or pressure, their certainly having fun, but like Wembley, and the first non English speaking audience gig, that tenseness, yeah, that’s the ticket, tenseness, the good kind!
    I think Phil especially was emotionally invested a tad more in the German gigs, and man does he and the boys take care of bidness! There’s a reason this was the first complete show they released…
    And of course there’s a big reason they released parts of 4/26! Another freight train!
    But I had never down the whole show until now, and was rewarded with good versions obviously left off only due to space required for 2 disc chop job. So that was cool.
    4/29 I think I’ve heard the whole show at least once, I know I’ve heard the second set multiple times, though not the encores, until now! Another sick show and big DS, and a proper Caution Pork fest to close. I’ve really been enjoying the 2 Souls, Chinatowns, amazing Hurts Me Toos etc, but not so much the Good Lovin, Lovelights? Not dislike, just think that stuff doesn’t resonate the same to this old guy as it did the young one lol. Just burnout?
    All good, just really noticing the other goodness more. But the Cautions have always been a big draw for me on this tour, and this one’s a beast.
    5/3 was a first time for me, today. The whole damn show just sounds like the actual E72 album (streamed version)?
    Like the sound of it, it sounds like E72!
    The reverb etc. I’m sure having? 4 I think songs on the album from this show probably has something to do with it, but I kept chuckling about that reoccurring feeling. So many songs on this one could have been on the album. It’s a strong show, and by now you can feel the subtle morphing of band and songs into one that’s taking place over the tour.
    It would be cool to take all the versions of each song and listen to just them in order!
    None more so perhaps than He’s Gone! But that’s a task for another time, which I don’t have enough of to do this proper, let alone all that lol, but at least I’m finally getting to em all and enjoying the ride!
    ONWARD!

  • daverock
    Joined:
    Aarhus

    1stshow - I was going to jump ahead to Paris this weekend - the shows, not the city - but I think maybe I should give Aarhus another spin after reading your comments. I can remember it's good, but I'm damned if I can remember why!

  • 1stshow70878
    Joined:
    Newcastle, Tivoli, Aarhus

    Three more down, seventeen to go, lol.
    All excellent shows. It's hard to find fault in any of these mammoth first sets but Aarhus (4-16-72) hit the spot for me of the three. Had great song selection, pace, and order of the songs was more to my liking. The second sets are where the special goodies are so far in every show. I'm particularly impressed with how Keith really shines especially on Pigpen's songs. His beer barrel style just fits perfectly. Yet his jazz chops are evident too as in the Dark Stars. Donna seemed particularly "engaged" on 4-14 at Newcastle and Bob is definitely going to lose his voice by the end of the tour at this rate, lol. Aarhus had a stately smooth feel to the whole thing which I found to my liking and would put it at number two of the five I've done with 4-7 Wembley still in first place.
    Discovered I had on tapes the Stepping Out release which looks to be an odd compilation ala the road trips and I also had Hundred Year Hall on tape, which was not a complete show release BITD. Gotta look through my tapes more often! Also had burner CDs of Rockin' The Rhein which I had also completely forgotten. Has four CDs with the Academy of Music filler so likely a whole show. Can't go there, got to stay in order.
    That's the news from EU. Cheers to all

  • JimInMD
    Joined:
    Re: Giving Your Right Hand

    Dennis.. tried this, it did not work for me. Kayaking is proving tricky also (I keep going in circles), but I'm working on it. Your friend Hound Dog played with six fingers.. imagine the chord work and finger picking that could be done, a 16.67% increase in productivity. Cheating to be sure, but man he could play the blues. Interesting side note, a friend of mine's wife was born with six fingers and I think toes. So was her daughter. The had the extra digit removed shortly after birth.

    Somehow Jerry got by with 9 1/2 fingers. After burning his hand, Django Reinhardt had basically two working fingers on his right hand and he more than got by and was a big influence on Jerry, especially circa 1973.

    Thanks for pointing me towards that youtube. That black and white looks more like 1923 than 1973 until you see that Fender looking guitar. Great stuff. Convinced me to get that Natural Boogie LP, but I seem to have misplaced the PIN of your wife's card. If you'd be so kind to send me a PM. I don't want it to sell out while it's still in my cart.

    As you were.. on to the second set of 9/6/80 for my afternoon hike. Life is good.

    Edit: Looks like Hound Dog played a pair of Kawai-made Kingston S4T's, so not exactly a Fender but a similar looking headstock.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Good call for today!! Just got done biking. Trees here in Rhode Island are looking like the cover of Dick's Pick that has the Landover and Syracuse September 76 shows!! We'll see summer come again.... Feel ambitious also am going to put on the LSU birthday show after from 77... enjoy the weekend everyone Bob t

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Though Donna Summer does have many fine tunes, I’m specifically referring to I Feel Love.
Smoke a fatty, or perhaps just as the trip is starting to take hold, sit dead center with a good system and crank THAT song.....it’s a stoners delight I tell ya, Healy would be proud of all that auto panning goodness, lol......seriously, this tune is sixteen seventies stoned in your room with your black light and posters groovy cool!

Polished Jim, that’s the word. The Hampton shows from my POV are better, say as a concert going DH freak, but as a finished, professionally produced product for market, I think Nightfalls is better. The song list, the flow, tightness,(perhaps their playing more to the recording so a tad safer?), and yes, as good as Hampton sounds, it’s yet another one that frustratingly just doesn’t come through on tape and do the shows justice. We’ve touched on this before about similar feelings with 10/14/83, and 3/27/88 for starters. 10/16 does seem to breath better and is perhaps mastered better? Again, this is probably splitting hairs as all four 89 fall releases sound good, just not the same...
So big 10/16/89 tonight, need to wait for proper conditions to manifest and align with the flux capacitor etc. Maybe I’ll go for that 84 show, or sometime this WE I’ll have to spin some of that awesome Acoustic Warfield stuff from last year. Still have some killer 74 someone generously sent me to rip and crank, need to find that Dico 78 Dead that was the impetus for this ramble, and probably will start the Spectrum 89 shows to keep on the path....
Speaking of, spent a couple rotations with 10/15/89 yesterday whilst continuing my Swiss madness in the basement. Another perfectly good 89 show, but it didn’t move me as much as 10/14, which is funny cause that one had to grow on me a bit. Some of it is probably just set lists, but 10/14 seemed to build up nicely overall. 10/15 has some notable tunes for the time; Standing on the Moon, Just a Little Light, Crazy Fingers, Victum, Stella, Box oRain, and even a Far From Me! Like I say, good show, just didn’t flow for me? Probably just me....
GOLLUM, you still along for this ride? What say you old chap? And I think Jim needs to fire up the Deer and head back to fall 73 as we appear to have lost ole Bluecorn chasing some minx in the parking lot after the Syracuse show???
Ok, ONWARD!

Jim, I’m still laughing hours later after going to 36 and then rereading your hilarious but unfortunately accurate description of said stench. Oh if only Jim Lehey was still around to critique and categorize the Winds of Shit that only seem to strengthen with time throughout 2020!

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In reply to by The Good Ole G…

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Chortled my coffee on that one. Too funny.

Living in Appalachia.., four miles from the WV border.. well, I can say is I run into Mr. Lahey (or a guy just like him) all the time at the corner beer store.

Q: What does a tornado and a redneck divorce have in common?
A: In the end.. someone is going to lose a trailer.

I need to check out 10/14/89 Oroborous, so many great shows, so little time, or maybe too much time.

Finished up this wonderful show of 10/16/89. Sound quality is A+ and I have to say for a 2001 release, unbelievably good.

I still will give the slight nod to the Hampton shows, but all three are top notch.

If you don't have NFOD, do yourself a favor and get a copy, they are still cheap on the secondary market.

I guess the Eyes have it based on the sell out speed of Dave's 36.

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In reply to by DeadVikes

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Listened to 10-16-89 in the car this week, started Tuesday and since my commute is usually about 20 min each way it took until Thursday to finish the show. Yeah, I didn’t get to listen to it uninterrupted but I have listened to that show many times since getting it when it was released. At that time I was disappointed that they didn’t release 10-9-89, since I already had that on cassette. Of course, when they did release Hampton I was disappointed that I paid $60 for a release that didn’t sound better than the CD-R copies I had.
Anyway, 10-16 sounds better than Hampton but Hampton has the aura going for it. Both worthy listens in my book.
Of note, after listening on 10/9 I jumped to 3-15-90 for comparison and that made Hampton seem like training camp, performance and sound quality wise.
I didn’t make it to Hampton but my friend did and he said that there were tickets taped to the outside doors of the venue and he just grabbed one and walked in. They didn’t tear the ticket as he entered so it is still whole like the one in Oroborous’ picture.

So, I’m ahead of schedule again for an anniversary listen because I’ve got 10-19-73 playing.
Then I come here and Oro mentions Fall ‘73.....

And Jim mentions stink bombs.....

That board is actually entertaining.

Great show. I can't say any of the three we are comparing are better than any of the others. Perhaps we are splitting hairs. I am a bit biased, but that aside NFOD has a better mix.

What are we listening to tomorrow? I am going to hit DaP 35 again tonight before I probably put it down for a while. Wouldn't mind setting the wayback.. well, way back.

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hey Oro! I'm still here. I'm trying to keep up with you guys but dragging ass again. I missed 10/14/80 but will catch up to it soon. I'm still focused on the 4 released Oct '89 shows. It IS hard to pick a fave they are all so good. Hampton has the best sound for my ears. Phil's bass sounds so rich, I can just imagine it rumbling the walls of the Hampton coliseum. I'll say I prefer all of these shows to Spring 90, for the reasons we've talked about. The band sounds less polished and the jams looser and more psychedelic. I have a sneaking suspicion my favorite might wind up being 10/26, with that mind bending 45 minute Dark Star- Space. I'm still getting acquainted with it!

Ain't it grand that we have all 3 Fall '89 Dark Stars in great sound quality and they are all inspired!

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In reply to by Gollum

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....ill spell it out because acronyms are for the lazy. FFS.
The next skull on your necklace is mine.

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In reply to by JimInMD

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10/15/84 ✔️
4/24/78 ✔️
10/16/77 (part of ) ✔️
10/16/89 ✔️
RT 2.3 Bonus 😉 ✔️
My ears are bleeding.....but in a good way!

Yeah I’d say we’re all on the same page with 10/16 “versus” Hampton.
10/16 great show, but didn’t move me as much as Hampton either night.

Manana: I think I’m going to work in those Warfield acoustic shows from last year, start early on Philly 89, and see what pops up here...

GOLLUM: glad your ok, last we saw ya you were at some rest area on the Jersey pike, “what exit“ I’m not sure...

....that reminds me. We need to start a bracket system for shows. Ala sports.
Just a random thought.
I hope I didn't start something I cant finish.

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In reply to by Vguy72

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“LADIES AND GENTLEMEN, IN THIS CORNER FROM THE YEAR 1972 we have.....“.

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In reply to by Oroborous

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yep Oro, i was with my sweet mountain wildflower, far from the maddening crowds (and the DaP 36 thread.) now back in my cave in the hills. lately been diving in to the Grateful Deadcasts on Workingmans and American Beauty. I'm into that style of deep history and every episode is chock full of cool and crazy stuff. still haven't downloaded the Angel's Share for either but maybe after work today. mention here of that 1st set closing sequence for 10/14/80 piqued my interest. Jed > Let It Grow > Wheel > Music??!! that is simply amazing!!
My friend's ex (who wasn't a head like him) phoned him (he had moved to AZ) after 10/16/89 to let him know that she heard a Dark Star and that it started to snow in the Meadowlands when they were playing it.
One of the reigning champions in my corner is 10/19/73 - that'll get a deep listen later this weekend. have to put in some work hours today first.
have a great weekend everybody.

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Are The Grateful Dead Mainstream in 1989?
We’ll see, if this record does really well… - Jerry 10/13/89

Dug into some supplemental stuff while digging the Nightfall of Diamonds and there’s some pretty interesting things to check out.

As you all probably know 10/16 is the last night of the Dead’s five night run at Meadowlands, the longest run of the year, with one day off on 10/13/89.

But 10/13 was not a day of rest for Jerry.
1. Jerry does an interview for CBS This Morning with Mark McEwen in a NYC Hotel Room. He graciously sits through and thoughtfully answers questions he must’ve had to answer 100s of times over the years, nothing really new or revealing here, but it’s fun to watch & listen to Jerry. The interviewer is total cheese (sorry Mark). Jerry seems a little miffed that the Album hadn’t been released already, and says “It’s pretty good.”

2. Jerry and Bob appear on David Letterman and play Second That Emotion with Paul Schaffer and band. Odd song choice, last time played 4/29/71. They briefly mention a tour of Russia in May ’90 that obviously never happened. Dave asks “How long will you be there?” Answer “Until they let us out” - Jerry

There’s also a little 5 minute clip of the Today Show from possibly 10/13 or 14 with Bob & Jerry with Rona Elliot, typical of the time, focuses on the Dead Heads and why the Dead are still touring.

I believe the Foolish Heart Official Video had been released already, so I watched that too. Interesting.

And lastly and possibly most telling, Jerry makes an appearance on WNEW on 10/16 and answers questions from callers.
Fan Question - “You thinking of pulling Dark Star or Death Don’t or any of that out of your hat tonight?”
Answer - “Probably, those are kinda going into an active rotation.” - Jerry on WNEW 10/16/89

Fans hearing that, had to be pretty stoked about this final night of the run.

Anybody got a line on the full WNEW interview?
I could only find a short excerpt of the questions.
All the above is on YouTube if you want to check it out.

I dig this show, not sure I can make a worthwhile comparison to Hampton shows, other than they’re both hot and fun to listen too. But I think I like this set lists’ flow better. Dark Star opening the set seems to keep it light and peppy and then the Playing > UJB > Playing sequence is killer. Great Pre-drums sequence and the post drums return to Dark Star > Attics > Playing and WBYGN encore, I’ll take that any day over Dr. Mr. Fantasy > Throwing > Good Lovin’. Now if they’d only played Death Don’t out of space instead of I Will Take You Home > Miracle..

I had to check out Miami 10/25 Playing > UJB > Playing after hearing this. Good stuff there too. The Set list heads in the audience of 10/25 had to be holding their breath after that, hopefully they stuck around for the next night. 10/25 is real good. Thinkin’ I’ma gonna spend some time with it today

For you Tour heads any other stand outs you want to give a shout out for at the Meadowlands? I can’t remember any in particular, you all mentioned digging 10/15?

I agree with Gollum, it's pretty dope that they've officially released all 3 versions of the return of Dark Star from October. 30 Trips boxset sure was good for filling in some holes.
Just need the 12/31/89 Dark Star to complete the year officially. '81 & '84 Dark Stars should get that treatment as well IMO. But I guess the tapes are good for now. Speaking of '81, I knew that date was in the cosmos yesterday.. 10/16/81!! How could I not remember that connection.

I like this 1989 trip... pretty neat.
Bluecrow I’m with you on the Deadcast, check out the supplemental material, highly illuminating. Sounds like 10/19/73 is getting some play and icecremcnkd you are correct it is entertaining!
Good stuff you all.

Be Well and Enjoy Your Weekend.

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So far I’ve done every show through the 16th in order. Though their all good shows, the 14th is the one that I liked best so far (other than the 3 big dogs obviously). Really looking forward to Philly and then the 3 shows I’ve never heard.
Really curious about 10/25 as I had tickets and was originally going to Philly then Miami since we had such a good time at the 88 shows down there. But when Hampton popped up, especially as “the Warlocks” I knew I HAD to get there, which is a whole other 2 stories, one for each ticket lol. But I had been working less than a year at my job and just couldn’t swing all three. Looking back on the overall situation 31 years later I should of just gone....sigh...but given the choice, I’d still take Hampton!
So I did all three Dark Stars in a row last week and I like Hampton best. Jersey is tight, short and sweet, while Miami is a bit ruff until about ten minutes in, but as soon as the vocals are finished its like a hard left turn into amazing groovy psychedelic madness!
What’s on tap today? Bluecrow brought up 10/19/73, perhaps my favorite DPs and a top Dark Star for sure. Have to fit that in sometime soon, but when I can give it a sit good sit down. Need to finish paint & patch then straighten up the garage so want to hit some 8os acoustic, but I think y’all already went there....going to start the Philly run later as I’ve been trying to give some of these multiple plays, especially the shows I’m not familiar with. But need something short and sweet, perhaps some primal dead just to mix it up?

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In reply to by Oroborous

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OB - 10/14 you say.. all right, loading it up on the phone for some exploration. Taper's Compendium mentioned that one as well, I think DV too, so it's confirmed.

I'd say 10/14/80 for you, make an acoustic set out of the SBD of first two tracks, 4 songs on Reckoning and 4 songs from Audience, or just do the audience tape. Unless you want the whole meal deal, which is good or did you already listen to it the other day? If that's the case dive into 10/9 & 10/10. Or yeah, primal is never a bad option.

Alright my friend. Miami 10/25 sounded pretty hot from what I heard yesterday, the 10/26 Dark Star is a dark monster. Hampton was historic, so you made the right pick between the two, but yeah you probably should've gone to see them all ;)

Who am I kidding, I didn't see any shows in 1989!
Found out they were playing Dark Star again right before the show on 10/22/90. Talking to this American head who said, yeah man they played Dark Star the other night in Berlin. What have I been missing I thought?!?! Ah pre-internet days... I kinda miss them, then again, what would I do without all my time?!?!

What a trip to think about!

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In reply to by The Good Ole G…

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For those who do torrents the 1980 project folders were recently put up on etree.
There were a couple of 79 folders too.
That was last week, haven’t checked back to see what came this week.

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In reply to by icecrmcnkd

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I have the project folders if anyone is interested...

Have we done Two From the Vault here yet?

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Come in JiminMD

That'd be a negative on TFTV, repeat that has not been listened to yet, over.

Eyes on... and it appears to be a go.

What's your 20?
Do you copy?

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In reply to by JimInMD

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Yes, let's do it. Another Pearson Healy masterpiece. I need to find my copy from 1993. Have not listened to this one in a while.

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Sounds like a well rehearsed Grateful Dead on a mission here.. over.

Might need to include the Anthem Bonus Material from 8/23/68 as some extra credit.

Primal Sunday Morning.

so....
two from the vault
aoxomoxoa bonus
10/19/73 knocking on the door with its amazing soft moon, mist, fog, spirit-filled fields of Dark Star > Mind Left Body > Morning Dew, Sugar Mag, Eyes > Stella Blue
and . . . .
thinking this morning that in the midst of anniversary for Winterland '74 shows - so spun that always sweet first disc of GD Movie Soundtrack 'cause its starts with exuberant and joyous US Blues from 10/18 and finishes with cherry Playing in the Band from 10/16.
and then ...
1st disc from that sweet little Warfield acoustic release
and...
yesterday totally digging the latest Grateful Deadcast on Warfield '80
and....
can't say enough about Deadcast deep dives into Workingmans and American Beauty - bringing even stronger appreciation to already sacred albums
and...
typing this while listening to the listening party for Daves 36 yeefreakinghaw - Esau, Birdsong, Touch - arriving at the doorstep shortly

Ken Nordine before 8/21/93 Eugene - "you are the cinematographer"

here comes sunshine, here comes sunshine!!

I had to moooooovvvvveee,
Dooah, went from Hatrick plus on Friday to basically the bench yesterday, only got to listen to part of acoustic Warfield.
Did watch awesome documentary Marley on Bluray so great audio. Really interesting doc if you haven’t seen it.
But now I have to get going as I’m way behind. Prolly have to skip vault dos which blows cause I love that one and haven’t heard in a while. Ok, hup, hup off to it.....

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8 years 8 months

In reply to by Oroborous

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Bill Graham pulling the GD crew out on stage Winterland '74 = classic.

Nice call on the GD Movie Soundtrack. Possibly my favorite GD compilation.

Such a distinct sound to these shows.

Strider we need an October '74 at Winterland story to go along with these tunes.

Bonus Anthem / TFTV material on hold until after 4:20 ;)
8/24 is just plain great, I might give it another spin too.
And 10/19/73 tomorrow!

This GD Movie soundtrack is sounding amazing!

It's gonna be a good day.

Putting that on the docket for next Saturday.

Went to etree today and the 1981 and 1982 project folders are there.
Also a few more Millers, including a cassette master of 6-22-91 which says that tape flips were patched with the DAT SBD. Why not just put out the DAT SBD?

ICECRMCNKD: Yeah, that SBD > Cassette Master recorded by Pearson & Healy is dope, the SBD > Dat patch source has been circulating since like 2011, but this new source sounds better to me.

Maybe it's something to do with the Transfer equipment upgrades in the 9 years since that SBD > Dat source originated. I know Gans mentioned he'd just go in there and try and get as much as he could transferred and probably didn't have the super dope equipment.

Or maybe I just like the Analog gen sound, but again to me this new one sounds like an upgrade and I dig it!

Check em out and let's hear the feedback:
(NEW) SBD > Cassette - https://archive.org/details/gd1991-06-22.150648.sbd.pearson-healy.mille…
(OLD) SBD > Dat - https://archive.org/details/gd1991-06-22.sbd.gans.miller.112775.flac16

I vote Cassette Master.

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9 years

In reply to by JimInMD

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back when they first released the Grateful Dead Movie on dvd they included as bonus material honest to god ~5" section from original copies of the film in a generic small postal envelope. which strikes me now as a completely crazy dead thing. I received a section (7 complete frames, 2 partials) that is a tight close-up sequence of Jerry's hand, emphasis on hand, playing the Wolf. years ago I studied the movie long and hard trying to figure out what song it was from and as far I can tell its from the jam out of Eyes (!!)
did any of you folks out there get a snip of the film, and if so, from where in the movie?

I’ll have to compare my copies sometime. Before this new one I know I had more than one copy on a HD and the CD-R copy in my living room is around 10 yeas old.

Edit:
Hah!
Stupid reCRAPTCHA thinks that a mailbox is a parking meter.

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8 years 8 months

In reply to by icecrmcnkd

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Luckies!

Cool collector head bonus.

Take some pics. I wanna see.

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8 years 11 months

In reply to by The Good Ole G…

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I’ll try to figure out the scene I have next week when I watch the Movie.

Mine has pink/purple lighting and is a shot of the stage that shows part of the crowd, the front end of Keith’s piano, and several people on the stage. It looks like they are tuning up because Phil is facing his equipment and it looks like a crew member is doing something to a microphone. It’s hard to tell, I had to use a magnifying glass and a white paper background.

Note that these strips came from the film reels that were sent out to theaters when the movie was released. They’re not scraps from the cutting room floor.

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If you haven’t noticed it before, sometimes there is a SYF flag draped over Keith’s piano, and it gets rotated by 90 degrees.
I always wondered if they used that as a way to know which night the film was from.

On my film strip I can’t see enough of the piano to know if the SYF flag is there.

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13 years 2 months

In reply to by bluecrow

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Ended up playing family peacemaker today.. which involved extracting my teenage son from the grips of his foaming from the mouth mom before one of them killed the other.. decided to drop what I was doing and do some fly fishing upstream with the boy, basically get him out of the house pronto.. took the mountain bike, ebike for the kid, my mac daddy device and began the bike ride upstream to where the rapids start (really end as you come downstream). Low and behold.. no Two From the Vault loaded!! argh, thought I had that one with me.. by the time I realized this we were miles from home so no turning around.

Also had my waterproof device with me and since we were wading anyway, used that in case I slipped and fell in. It's an unlabled IPod shuffle.. I have several, so what will play is always a pleasant surprise and takes a little guesswork. They are essentially river tunes.

It took me until Bobby set a cluster of tarantulas loose on the crowded folks in the front row to figure out the show for sure.. but I knew it was 73, it was an excellent recording and I had a strong hunch it was 4/2 Boston.. and yes.. it has pleasant Bobby McGee out of space so there's that.

My favorite Bobby cover might just be Desolation Row. Haven't given that much thought but that song comes to mind.

Beautiful fall day.. got a few bites but no keepers, most importantly everyone is safe and sound.. egos restored, blood pressure down, power tools away.. knives carefully stored.. hair unclenched from the grips of the others hands.. I'm calling it a win.

So I am doing Two From the Vault tomorrow. My day was shot before it even got started. At least I got to test out some new flies and found a new absolutely gorgeous deep hole to fish next year...

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11 years 7 months

In reply to by JimInMD

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...Cowboy Bob...especially on El Paso...

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Me & Bobby McGee is a good one for sure.

If I had to pick an all time favorite Bob Cover it'd be Me And My Uncle, probably for nostalgic reasons.
1st GD Album I had was WALSTIB and I remember vividly playing LP 3 and going from the worlds of St. Stephen, Jack Straw to Me & My Uncle. And within those 3 songs I'd traveled to more places than my 15 year old pointed head could've dreamed up on my own. I guess riding the plains that day with Bob's Character & his Uncle made a profound impression on me. Too bad... he taught me so well that I grabbed that gold and left his dead ass there by the side of the road.

Doesn't get much better than that!

Fun to think / muse about.

And wow Wee wow wow... That GD Movie Soundtrack is awesome!
Hadn't listened to that in forever, speaking of forever... Tomorrow is Forever, I dig Jerry & Donna's version.
Jerry was a big Dolly Parton fan!
That He's Gone > Caution Jam > Truckin' is sick!!
And both PITB on that there gem are top notch.

And yeah TFTV continues to be awesome.

So it sounds like 10/19/73 today?
Looks like we dusted this puppy off about 5 months ago on 5/23/20 so yes.. it's due for it's Anniversary Trip!

PS - BlueCrow you all are peaking my interest in checking out that August '87 Telluride run through Utah, I don't think I've spent much time with those tapes. Sounds like you dig 'em? Might have to make some room for those this week. Spent a lot of time in Calaveras County with Carlos, but not so much in the Majestic Mountains.

This release kills it. Disc 4 is super hot. Probably one of the best UJB I have ever heard. The energy is so high. The He's Gone, into a Truckin tease, to Caution, then weaving back into Truckin, Black Peter! Some of the best performances I have ever heard.
And of course this is 74 Multi Track. I listen to this release quite a bit. That disc 4 is great for work outs.
As others have mentioned put the whole run out with video as a box set, it would be mind blowing. Dave has indicated they have even more video for future releases. It is time.

DV - Definitely agree on the GD Movie Soundtrack. Kills it!
Made for a great listen yesterday. Could probably stay there all week.

Not sure how that got so buried in my collection... oh yeah, they keep releasing stuff every other month and there's upgrades and new stuff all the time!!

I've said it before, but if there's one good thing about the current times we live in, it's that it's the Golden Age of Collecting The Dead.

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In reply to by The Good Ole G…

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I split mine up by date, so it’s 10-19% today. Sounds mighty fine.
(I did 10-19-73 on Friday and then redid Dark Star to end on Saturday for good measure).

Winterland in October....
Got to get the From Egypt With Love anniversary in too.
It’s not a bad predicament to be in.

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In reply to by icecrmcnkd

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GOGD - somewhere in my vault is a cassette of Set II from the Park City show. Might just have been my favorite tape from '87. Super big rich sound and a great set of music. Not sure of the source, not even sure if it's been uploaded, but I think possibly one of the FOB sources, not the ultramatrix.

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7 years 10 months

In reply to by bluecrow

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Okay, how does 5/6/81, Dick's picks #13 strike you all?

The hidden bonus tracks on disc 2 are wild.

Everybody hang loose.

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8 years 8 months

In reply to by DeadVikes

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POD first "official" pick from 1981. I'm hip, DL been playing some May '81 on Taper's Section recently.

1st night of three nights at Nassau with the off night Tom Snyder show appearance on 5/7/81.
Saw an interview with Jerry in '81 and he was talking about Snyder and appearing on the show. It's rich.

BlueCrow: Park City 8/20/87 you say? Best of '87, back in the day huh?
Alright, I'm gonna get that playing this week, maybe we can make that a pick this week or like tomorrow?

Good stuff!

Playing the Snyder '81 as we speak to give me a little '81 acoustic palette cleanse. Plus acoustic Dead at 6:20am is good ;)

EDIT: For any stat geeks out there keeping track, 9/10/81 was floated on 5/19/20 but I think the "official" pick was 5/19/77 that day.

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13 years 2 months

In reply to by Slow Dog Noodle

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Still on 10/19. Just getting to the DS now.