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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • daverock
    Joined:
    No Live Dead 69

    Sam - I am quite glad they have cancelled. There is no way I would go to London at the moment, and with a bit of luck, we will all be still standing later in the year, the darkness will have given, and they will come over to celebrate then.

    Oroborous - sounds like the sooner you get off that site the better. Reading of the property owners - it is incredible how some people still put there own petty wants before other peoples needs.

  • JeffSmith
    Joined:
    Pan-demic/dora's Box on the way

    Glad to see a ship notice in my ebox. Looks like Monday by end of day. Hang in there Oroborous and don't trust anybody over. . . . . . anybody! And fine Utah Quaking Dew story RobbZ. Be safe and let the music play. Onward.

  • Deadheadbrewer
    Joined:
    Pipers

    Saw that on someone's list. I just purchased it for the first time the other day, after having many later Floyd CDs (and cassettes) forever. Gave it a listen the other night, but can't say that I quite "got" it.

    But I DID get my Last Five: Wayne Shorter's Adam's Apple, Jimmy Smith's The Sermon!, Loose Tubes' Open Letter, Joe Ely's eponymous debut and Honky Tonk Masquerade, and Monk/Trane at Carnegie Hall. Sounds like some Grant Green and On the Corner should be next . . .

    I saw McCoy Tyner a few times. The final time was about four years ago. They had a backing band play sans McCoy for about twenty minutes, then they dragged the barely-alive McCoy out to the piano. He played one tune, then told some stories, then left. The backing band played a bit more, then that was it. Curious and sad.

    Listened to 3/17/93 yesterday. Great show! There are some real gems in the 80s and 90s, despite what I used to believe. I'll probably hit the next two from that run next, as those are supposedly quite hot, too.

    If I WERE a robot, then I wouldn't have to social distance myself . . .

    Be well, do good work, and keep in touch.

    p.s. GarciaLive 13 is $11.97 at Bull Moose . . .

  • Sixtus_
    Joined:
    Califor....err, UTAH Earthquake

    WOW, RoBBZ - I had heard about that earthquake, but holy crap you actually lived it. Glad all is ok. I mean, additive to the already existing shit-show, just what someone needs is unprovoked, uncontrollable earthly destruction. Good lord. What's next, a meteor? Volcano? Aliens? it's DEFINITELY GONNA BE ALIENS.

    Be well people - and may your walks in the Morning Dew provide solace and beauty, if even for a fleeting moment.

    Sixtus

    P.S. Oro taking a hit for the team....The Man is unscrupulous. Hang in there dude.

  • RobbZ
    Joined:
    What Now...??

    Had me one of those "moments" this morning that I know we all have…you know, that perfect moment when a Dead tune appears at precisely the right time--like some kind of perfectly timed soundtrack—hand-picked by the Cosmos to fully emphasize a normal, everyday, event.

    Like so many in this country, I'm currently stuck in the house, fortunate to still be employed, but forced to telework now daily from home. So this morning, I drag myself out of bed, make a pot of coffee, log on to my computer, and reluctantly grab the remote control to quickly subject myself to the bad news of the day. (my routine would have been ESPN/or NHL channel—no fucking sports!!!!, but I digress).

    Anyway, as I'm fumbling with the remote---my house begins a slow, steady, shaking, apparently the beginning of an earthquake!...a fucking EARTHQUAKE!...in UTAH???! Now I've been through a couple of tremors in my day, but this one sure felt like it meant business, with dishes rattling and family photos falling off shelves...the whole nine yards. Fortunately for me, I was standing just a few feet from my sliding glass doors, which I used to make a hasty exit outside my dwelling, my panicked dog running behind me in tow. As my dog and I stood in the back yard, ground still moving, I watched my house as it seemed to slowly sway side to side, it seemed almost unreal--like being on some hallucinogenic trip. And then, just like that...it stopped.

    When I finally digested what just happened, and deemed it was safe to go back inside the house, I was met by my phone exploding with texts and messages from friends, co-workers, and well-wishers. Answering back, I explained that I was fine, my wife was fine, the house was fine, and all my neighbors were fine. Also there appears to have been no damage to any structures in my neighborhood. All good news.

    However, this virus, the coffee, the GOD DAMN news, this earthquake, had put me a bit on edge, so I decided to take my daily “after work run”, right now!...fuck work…I’m going for a run, right fucking now! I need to clear my head.

    So I lace up my shoes, toss on a fleece, hat, grab my phone and ear buds, locate the Spotify app--locate Grateful Dead--and deciding on a "game-of-chance", I quickly flick my thumb across the huge variety of Dead albums Spotify currently houses. The choices spinning by like a roulette wheel—where it stops, nobody knows.

    As I begin my trot down the neighborhood street, it’s eerily quiet, no movement, no birds, no cars or anybody about, overcast skies but not cold, I eagerly await my first Dead song of the day…..then slowly I begin to hear a crowd coming alive, and first notes of “Morning Dew” begin to fill my ears…Spotify, or should I say, the Cosmos, has delivered me exactly what I needed--Dicks Picks Vol 14, 11/30/73 Boston Music Hall.

    “Where have all the people gone today” the show opener, wafts thru my head like a sweet incense. Almost fifteen minutes of pure bliss. And as the music plays, and the scenery drifts by, I find myself smack in one of those “moments”…Morning Dew--surreal music, surreal words…perfect...just perfect.

    So thank you Cosmos, I feel much better now……but still a bit shocked we had an earthquake in Utah.

    Hope everyone here is doing well…stay safe, and take care of one another. It’s a fucking weird world out there….

  • Slow Dog Noodle
    Joined:
    Where have all the people gone my honey?

    Where have all the people gone today?

    I thought while walking my dog through the empty streets of Chicago last night. As in Christmas Eve everyone has left the city for their in-laws or parents kind of empty.

    Tone Poems sure did make a great easy start to the day. Just David Grisman and Tony Rice playing nice and easy.

    So nice in fact I think i'll go straight into Tone Poets.

  • stoltzfus
    Joined:
    Painting it green?

    I have a creepy memory about a green door

    Eww.

  • Dennis
    Joined:
    KCJane doing the Jazz

    Try Lee Morgan, The Gigolo,,,,,, opening cut is incredible.

    Stoltzy - Doors? I'm painting one right now :-)

  • stoltzfus
    Joined:
    The Doors

    I listen to them once in a great while

    When I do listen I am reminded how great they are

    albums:
    Waiting for the Sun
    LA Woman
    Morrison Hotel

    the other Doors LPs are great, too, but rate juuuust below the ones above

    5 to 1 baby
    1 in 5
    no one here gets out alive

    "a Doors fan" - the kids in the hall

    close the door on Covid-mfah

  • stoltzfus
    Joined:
    Oroboros

    harsh, bro.

    stay healthy, my man.

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6 years 7 months

During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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17 years 4 months
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Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

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17 years 5 months
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Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

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17 years 4 months
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Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

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17 years 5 months
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I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

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9 years
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My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

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11 years 4 months

In reply to by simonrob

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Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

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17 years 4 months
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Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

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14 years 9 months
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My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

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12 years 2 months

In reply to by jpkamari

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My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

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9 years

In reply to by Deadheadbrewer

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Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

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Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

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8 years 6 months
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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

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14 years
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I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

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9 years 1 month
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Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

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4 years 9 months
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The packaging and booklet are very well done, The CD cases have cool artwork on them.

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11 years 3 months

In reply to by MadDoc

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I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

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13 years 11 months
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Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

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4 years
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i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

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17 years 5 months
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send me a PM with your order details and I'll see what the Doc can do about this.
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4 years 1 month
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Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

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8 years 1 month
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I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

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