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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • JimInMD
    Joined:
    Re: 5/19/74

    I can't say enough good things about this show. The China Rider is an all timer.. Excellent show.

    Edit: ...and Fourwinds, it was nearly 70 degrees here yesterday. Today, cold rain and snow.. snowed giant, beautiful flakes all day long and windy as fluck. . CR&S was almost always a welcomed opener.

  • fourwindsblow
    Joined:
    CRS

    Ya know when they open up with "Cold Rain and Snow" it's gonna be Hot! hahaha

    ps. I often thought the GD was the complete opposite of everything else

  • Charlie3
    Joined:
    PNW Box

    Continuing my way through the PNW box this afternoon with 5/19/74 and it is once again hitting the spot. I've gone back to this box a lot since it came out, my per listen cost is pretty low at this point. That jazzy sound of '73 and '74 is peak Dead for me so that has been one of my favorites to date. It isn't sold out yet either, which surprises me a little. If you dig the compilation I am guessing that you won't regret picking up the whole box if you have the cash.

  • daverock
    Joined:
    Live Dead 69

    I was hoping to see them in London in about three weeks time. The way things are going its looking less and less likely that I will chance it though. Just getting there on public transport is beginning to look hazardous. It wouldn't surprise me if it gets cancelled - which will at least take the decision as to whether to go or not out of my hands. A shame...they were great last year.

  • deadfeat1
    Joined:
    More Miles...Freedom Jazz Dance

    Miles Davis Quintet - Freedom Jazz Dance "It is a fascinating glimpse into the creative process of this legendary unit and especially its leader, as the three-CD set includes session reels (rehearsals, partial and alternate takes), remastered final takes and-most tantalizing-much in-studio banter. " An excellent release for those interested in hearing how Miles' songs and albums were developed. I believe it includes sessions from 1967 to 1968.
    Have to agree with the comments about PNW - I only have the Believe It If You Need It edition - The playing and sound quality are A+. One of my favorites that I go back to often.
    Last Five - You guys have me on a Miles Davis binge -Thanks
    Also been listening to a lot of those He's Gone recommendations - I'm always a day late and a dollar short keeping up with you all...
    Stay healthy!

  • icecrmcnkd
    Joined:
    I’m going out of order

    “Mr. Simpson, you’re out of order.”
    “Out of order?! Judge, the whole freakin’ system’s out of order!”

    3-29-90 playing now.

    Last 5
    3-17-68
    3-15-90
    4-25-71%
    3-16-90
    3-14-90

    Just kicked off happy hour with a Tito’s and Zing Zang Bloody Mary (added fresh ground black pepper, Tony Chachere’s Creole seasoning, horseradish, Worcestershire, olives, lime juice). Tasted awesome.

    Now back to Eyes of the World with Branford.

  • unkle sam
    Joined:
    Live Dead - 69

    Caught these guys last night: here's the setlist
    Set 1
    Cryptical Envelopment
    ST. Stephen>Mama Tried
    Dark Star
    High Time
    Turn on your Lovelight
    Recreating Woodstock Set from August '69
    Set 2:
    Band Intros
    Rocking Pneumonia and the Boogie Woogie Flu (shout out to coronavirus)
    Cold Rain and Snow
    Bertha
    New Speedway Boogie>The Other One
    What a great band, Tom C, Mark Karan, Stu Allen, Robin and a drummer I was not familiar with (but really good)
    Very small crowd, the band streamed the show live on their facebook site, check it out, second set is still there I think. So good to see Mark and Robin again, haven't seem them since their Ratdog days, Mark looks great and in fine form. Tom was amazing, that New Speedway>Other One was classic.
    Last live show I will attend until the the air is safe to breathe again, which may be months, who knows, without the testing that is needed, we will never know how many are really infected.
    I'm still working but was told if coronavirus hits, we will be closed for at least 2 weeks. Not here in this part of the mountains yet, and I hope it never gets here. Stay safe, be smart and keep on keeping on. We will survive, we will get by. First post in a while, good to see you all have kept your sense of humor, some of those vomit stories were kinda funny, not what I expected to see here but all in good fun. Not into pukin' at all, but here's a short story. We were drinking and joking around the camp fire and of course, as fires go we got to burning some animal flesh and then more drinking and joking. The mood was good and I slipped away for a bathroom break behind a stand of short trees and bushes, as I stood there, it happened, a power puke, not one speck of cereal got on me or my beard or anywhere, just a quick one and done, turned my head, let it go and finished up the reason I was there in the first place and then right back to the fire and more drinking and joking, no one ever knew. do believe that was the last time I ever did that.

  • Charlie3
    Joined:
    Dennis

    Yeah, there is something menacing about that version of Great Expectations, dark and churning. Supercool. On the 4 disc Complete Bitches Brew Sessions Orange Lady follows Great Expectations and would put the total time at a little over 27 minutes, then it's followed by Yaphet and Corrado, Trevere, The Big Green Serpent, The Little Blue Frog (2 versions), Lonely Fire, Guinnevere, Feio, Double Image (2 versions), Recollections, and Take It Or Leave It. The original album takes up 1.5 discs, and the remaining 2.5 include the bonus tracks I listed, well worth while.
    Edit: Looks like Ife and Go Ahead John may be the only things on Big Fun not included in the Complete Bitches Brew Sessions, which looks like it was originally released before the bonus material was added to Big Fun as most of the bonus tracks are listed as previously unissued but appear to be the same as on Big Fun.

  • daverock
    Joined:
    Miles on TV

    2 hour documentary on Miles on British TV tonight -called Birth of the Cool.
    Exceptional sound on the first two 1973 shows of that PNW box. I'd forgotten just how good it was. Sounds like Jerry's playing a strat, to me, although its hard to be sure. The pictures in the accompanying book all seem to be from 1974 when he had the Wolf slung round his neck.

  • Charlie3
    Joined:
    Dennis

    Thanks, I appreciate the offer. I ordered a 2 CD version that appears to have several tracks that weren't on the original album. I think there are versions of some of the other Big Fun stuff on the Complete Bitches Brew Sessions, and I think Lonely Fire is actually from the Big Fun album, that stuff really hits the spot sometime. On a different wavelength now listening to Joe Jackson's Look Sharp, a rocker from start to finish of the album.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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17 years 5 months
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Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

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Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

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17 years 5 months
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Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

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17 years 5 months
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I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

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9 years
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My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

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11 years 4 months

In reply to by simonrob

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Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

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17 years 5 months
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Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

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14 years 9 months
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My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

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12 years 2 months

In reply to by jpkamari

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My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

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9 years

In reply to by Deadheadbrewer

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Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

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Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

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8 years 6 months
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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

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14 years
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I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

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9 years 1 month
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Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

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4 years 9 months
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The packaging and booklet are very well done, The CD cases have cool artwork on them.

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11 years 3 months

In reply to by MadDoc

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I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

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13 years 11 months
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Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

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4 years 1 month
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i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

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17 years 5 months
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send me a PM with your order details and I'll see what the Doc can do about this.
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4 years 2 months
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Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

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8 years 2 months
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I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

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