• 2,627 replies
    clayv
    Default Avatar
    Joined:

    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

Comments

sort by
Recent
Reset
  • JimInMD
    Joined:
    79 and Beyond Betty's

    I'm not in the know, but it would surprise me if she did much work in 79 and the 80's beyond Oakland and multi-tracks.

    Again, happy to be wrong, but I have to think we would have heard more about it by now.

  • fourwindsblow
    Joined:
    Returned Bettys?

    Looks like she taped the Oakland run in '79 maybe she also taped '80 and '81.

    Would make a nice box too.

  • Sixtus_
    Joined:
    Topical Books: The Ultimate Rabbit Hole

    All of this book discussion invokes a sure fire rabbit hole to go tumbling down on this subject, if you haven't stumbled into it before. People MUST read the Robert Monroe 'trilogy' of books, starting at the beginning with 'Journeys out of the Body' and then moving through the subsequent books.

    This series absolutely blew me away. Talk about an unwitting participant....he has some amazing experiences and has subsequently gone on to found a scientific institute dedicated to his documented 'exploration' techniques. My life was forever changed after ingesting his books just a few years ago. Very very cool and highly recommended:

    https://www.amazon.com/Journeys-Out-Body-Out-Body-ebook/dp/B00OWWOM2O

    Oh, Casey Janes - love all the beer talk of course and have eyed the 'King Sue' many many times (what can i say, I like T-Rex's & D-IPAs) however I've never actually pulled the trigger given it's price tag, at least around here. It pushes 18 or 19 bucks for a 4-pack, which gets difficult to justify. But your enthusiasm has perhaps pushed me over the edge, and my eye will be looking out for this T-Rex during my beer stop later this afternoon...

  • Vguy72
    Joined:
    Iowa....

    ....makes some damn good brews.
    AM Dew filler? Heresy, and I stand firm on that statement.

  • KeithFan2112
    Joined:
    Morning Dew 2/27/77

    In the immortal words of Vguy, someone had commented on the swing Auditorium show how we also got Morning Dew as a filler track. Vguy responded with " Morning Dew ain't no filler". Truer words have never been spoken. Jimbo mentioned this track for the anniversary, and ironically I somehow left it off of my playlist for the commute to work that day. It was like a blind spot or something. I only have the 80 minutes to crank it so I have to choose the songs carefully.

    Anyway to Jim's point, Jerry come super loud, and I think when this first came out I posted about this version possibly with a subject line of blasphemy? And then I went on to say how I prefer it to Cornell. I mean the band has to be in really shity shape on the song for me to not go with a version that features a louder Jerry. And he does play so well on this version. I'm putting it on right now. I was always one of the guys who never had Cornell on tape, and I heard over a dozen 1977 shows before Cornell ever made it into my hands. Yeah it's in the upper echelon of 1977 spring shows, but I do think there's something to fact that Cornell was the first widely available show from 1977, if I've got my history straight. I mean they sound the great every night. For me it boils down to setlist and sound quality. This is the only time you'll hear me complain about Keith - I was not crazy about the polymoog they had him using early in the spring tour. There was this artificial organ sound that just doesn't do it for me. He seems to stray away from it right around the original Mets 1977 box set at St Paul. I don't think he had any choice in the matter personally, but I've read I believe everything that's been documented, and if Jerry wanted keyboard player using something with more sustain, that's what Jerry got. Anyway thanks for the reminder I'm about to crank it.

    I started with Fillmore West 1969 during coffee time this morning, and man kids have a different sense of humor all together did I enjoy tying into when I can. They were in hysterics over all the hammering that was going on during the march 27 opening CD. You know the part where Jerry says it's beyond the pale. What are they hammering? Doesn't that bar owner care that they're putting nails into his floor?

    I would buy the decade box set someone suggested. Sorry I'm driving and can't find that name. I love to get a great sounding version of that June 17th 1975 show, with the instrumental help on the way. Crazy fingers Etc.

  • billy the kid
    Joined:
    Returned tapes

    Hopefully, 6/17/75 is in those returned tapes, then they could release a decade box set one day, one show from every year, 1970-1979.

  • daverock
    Joined:
    Early 70s American rock

    Sam...yet another reference to an album that was almost a foundational text for me growing up...."Love it to Death" by Alice Cooper.
    My take on American rock music between 1972 and 1975 was completely determined by what I read in a music paper called The New Musical Express. The principle writer was one Nick Kent, and his tastes informed my own during that timespan. I came across Alice Cooper through a film clip that was shown on television, and through the hit single "Schools Out" in the summer of 1972. Nick Kent duly informed me that the heart of American rock music lay with Iggy and the Stooges - who were photographed and written about following a 1972 appearance in London, the New York Dolls, MC5, Flamin' Groovies etc. These bands were shortly joined by Patti Smith, Television and The Ramones. This was the face of American rock n' roll to me during the 70s. Of the Allman Brothers and The Band-Jefferson Starship I knew not. I only discovered The Dead because of their cool name, and the constant references to them being purveyors of "acid rock". Of which I was a consumer.
    Being an avid reader, and as time passed, I discovered there was more going in American music than was dreamed of in Nick Kent's philosophy. Its a discovery that is still going on today. The proof is in the pudding - hopefully, those first two Cactus albums will arrive later today.

  • CaseyJanes
    Joined:
    KC Beer

    Yes, DHB, Psuedo Sue is from Toppling Goliath in Decorah, IA, as is it’s brother King Sue and also the Mornin Lattes I sent Vguy. I have made mention of them on this board more than once, so no, I’m not trying to pass them off as being from KC, although I wish they were because maybe then they would be slightly cheaper for me, and they are also damn good, so there’s that. They also have a decent size stamping of the state of Iowa right on the can, so as long as your geography IQ is better than say, Donald Trump’s, then you would have a decent chance of figuring out my plan. In KC (Missouri, not KS Donald) we only have one well known (at least regionally) craft brewing company, and that’s Boulevard. They make a couple of decent IPAs, but nothing even close to as good as Toppling’s IPAs. The one I drink most often from there is called space camper. Pretty good but lighter. For the record I live in KC, but I’m from the Kansas side.

    Thanks to all for the additional psychedelic book recommendations!

    Edit: DHB - have you ever tasted the aforementioned IPAs or other beers from Toppling? What did you think? Also is DeadHeadBrewer a reference to the fact that you brew your own beer? Or maybe to your baseball loyalties....just curious

  • daverock
    Joined:
    Psychedelia

    I enjoyed both the Michael Pollan book and "Heads" by Jesse Jarnow too.Another great one is "Psychedelia; An Ancient Culture A Modern Way of Life" by Patrick Lundborg, which came out in 2012. It doesn't seem to get referenced much, but its a beautiful and far reaching book.

    Listened to 2/27/69 yesterday. It never gets old. 2/28/69 today...and hopes for the vinyl releases of the rest of the run. A bit ominous that 3/1/69 isn't coming out this RSD, so fingers crossed for later in the year.

  • Deadheadbrewer
    Joined:
    Pseudo Sue and date oddities

    Casey, Pseudo Sue is from Decorah, Iowa. Are you trying to pass it off as K.C. beer? :)

    Speaking of whether astrology/numerology is real . . . my two best friends growing up were born on the same day. I hit 40 (tens years back) and my two best adult friends shared the same birthday (albeit a few years apart). My wife at one point had three "friends" who all turned out to be mooches and leeches. Those three "friends" share a birthday.

user picture
Default Avatar

Member for

6 years 8 months

During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

user picture

Member for

17 years 5 months
Permalink

Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

user picture

Member for

17 years 5 months
Permalink

Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

user picture

Member for

17 years 5 months
Permalink

Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

user picture

Member for

17 years 5 months
Permalink

I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

user picture
Default Avatar

Member for

9 years
Permalink

My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

user picture
Default Avatar

Member for

11 years 4 months

In reply to by simonrob

Permalink

Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

user picture

Member for

17 years 5 months
Permalink

Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

user picture

Member for

14 years 9 months
Permalink

My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

user picture

Member for

12 years 2 months

In reply to by jpkamari

Permalink

My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

user picture
Default Avatar

Member for

9 years

In reply to by Deadheadbrewer

Permalink

Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

user picture

Member for

14 years 9 months
Permalink

Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

user picture

Member for

8 years 6 months
Permalink

*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

user picture

Member for

14 years
Permalink

I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

user picture

Member for

9 years 1 month
Permalink

Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

user picture

Member for

4 years 9 months
Permalink

The packaging and booklet are very well done, The CD cases have cool artwork on them.

user picture

Member for

11 years 3 months

In reply to by MadDoc

Permalink

I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

user picture
Default Avatar

Member for

13 years 11 months
Permalink

Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

user picture
Default Avatar

Member for

4 years
Permalink

i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

user picture

Member for

17 years 5 months
Permalink

send me a PM with your order details and I'll see what the Doc can do about this.
user picture
Default Avatar

Member for

4 years 1 month
Permalink

Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

user picture
Default Avatar

Member for

8 years 1 month
Permalink

I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

product sku
081227908911
Product Magento URL
https://store.dead.net/special-edition-shops/june-1976/june-1976-15cd-boxed-set-1.html