• 8,079 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • bluecrow
    Joined:
    Another June 13 in Seattle

    So just now recollecting that I in fact saw another June 13 Seattle show - 6/13/94 Memorial Stadium. Some might see the year and shrug their shoulders and turn away. So be it. Stadium was maybe a little over half full. It was cool and misty - I think there's pictures of Jerry Set I wearing a leather bomber jacket. Jerry was bringing it all night long. Huge Scarlet > Fire to open Set II. And the Morning Dew that finishes Set II is pure Jerry's cup runneth over with love.

    Only the first 1/2 of Set II circulates as a SB (and it sounds really good), but there are good audience pulls available. If not a POTD maybe extra credit for those who aspire to the DHB hat trick. Next night didn't have such big jams but was really well played also. And it had a That Would Be Something. At the time I didn't realize it was a Paul McCartney tune and my thought was that Hunter had written a beautiful but lyrically simple song that Jerry could easily remember!

    Sorry to hear about the hospital "stuff" Jim. Best wishes. As difficult as being in a hospital with a loved one can be, it's good that you can actually be there with them. So often these past 2 years that hasn't been an option for many of us.

    Oro - yes, what i heard of 6/24/70 was very much listenable. I'd go with the Ken Lee source, but if that wasn't available I'd still listen to the others. Amazing show. A SB holy grail - sadly almost certainly not recorded by the crew. The Not Fade Away that opens that last set is crazy good and segues into a kick ass Easy Wind.

    Second booster 2 weeks ago. Vaccines are a "miracle."

    Back to our regularly scheduled programming. Onward : - )

  • Oroborous
    Joined:
    Old folks boogie

    Down on the farm. Sounds like a hoot! (Just teasing as one who’s been there)
    Hope they’ll be well soon!!

    Bluecrow: 6/24/70, I’ll mark that down and we’ll have to slip it in…you say it’s listenable?

  • JimInMD
    Joined:
    6/80

    I'm all over that. Just back from couple days in the hospital with one of my parents in their mid 80's, so an 80's show fits that bill. Also excited to hear the new price placed ever so gently on Archive.org. What a gift.

    Thanks all.. lots of good stuff these last few days.

    Over and out.

  • Oroborous
    Joined:
    DV +

    Glad your back. Sorry, just saw the PM. Haven’t had time for here lately.
    Great minds think alike though. I was going to inquire about checking out that 80s show of nitecat.

    Yeah, sorry but I’m with Jim and I think he handled it fine.
    Misinformation is not opinion, and it’s getting out of control.

  • bluecrow
    Joined:
    6/13/80

    yeah DV, let's jump on the John Deere and join nitecat in Seattle. I listened to Set II but it was just on my laptop speakers, which are decidedly not optimal so it would good to listen on my old Sennheisers. Wild that you got locked out. I find that as of late Recaptcha will suddenly get a wild hair and its just wave after wave of challenges.

    Bonner Springs makes me think of the next show on that tour - Lousiville 7/6/90, and specifically the He's Gone > jam. IIRC good friend's brother was front row in front of Jerry and was eyeballs deep and way way out there. Brother told my friend that Jerry was locked in on him during that jam and had the most gnarly crazed look about him as he played. And years ago as I listened to it I could feel the complete holy shit energy about it. That sequence got released as bonus material on View from the Vault I, which I don't own (low on funds, pick an choose guy back in the day.)

    Found myself listening to the Ken Lee source for electric set for 6/24/70 Capital Theatre. Yowza. I can't recall doing that show as a POTDWD but feel like it had to have happened given what a monster show that is. Whole show with all the acoustic material is up in a Hance/SirMick transfer.

  • daverock
    Joined:
    a strange one

    I can't for the life of me see how anyone could take offence at Gary's last post. Surely its the intention behind what we say that matters, not the accidental outcome - and there was obviously no harm intended.

  • DeadVikes
    Joined:
    Today's Pick

    Been locked out of posting for the last four days. Nurse!

    So, it is working again. Was it something I said?

    How about about 6/13/80, from Seattle taped by our own Nitecat. Full disclosure I have never heard this show but it is getting rave reviews elsewhere. I believe he is Wiseman.

    Oh and 7/4/90 was a good show. Vocals a little funky Bob t was there. You saw a lot of good shows that summer Bob. Great Scarlet Fire.

    4/19/82- I hit this one not too long ago per a Jim pick. Great show and that Raven space had my dog hiding under the couch and my wife coming downstairs wondering what the hell I was listening to. Just Raven space!

  • JimInMD
    Joined:
    Re: Love ya gfar..

    but ...damage done with the covid vaccine? You're not supposed to snort it or smoke the stuff.

    Saying in jest.. hoping to god all holy hell does not break out here. Tread carefully and perhaps consider safer topics like religion, politics, or Donna wails. I'm just not sure this one belongs here, actually I'm pretty sure it doesn't. There are many who read these posts that have lost loved ones and it's not a passing comment that will elude attention.

    I don't believe you meant any ill will and no offense meant in my comments.

  • Gary Farseer
    Joined:
    Doc

    You got that right.

    I am noticing more and more my mind struggling some. Not sure if it is age, partying, or maybe a sign of damage done with the covid vaccine. Just can tell my short term memory is starting to suffer. I am starting to believe it might be the vaccine. Of course, with appendix rupturing and living thru it, a little memory loss aint to bad.

    Thanks for the correction! Sorta, a year in my life got shortened (?) by having the wrong year. D'oh.

    G

  • Gary Farseer
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    Fare the Well --Thought I would send

    the Meyer sound article on fare the well. Just copy and paste instead of a lync.

    The Grateful Dead Bids "Fare Thee Well" at Levi's Stadium with Meyer Sound LEO

    Derek FeatherstoneDerek FeatherstonePhoto: Jay Blakesberg

    4 of 8
    July 3, 2015

    John Meyer's 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas. They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    Mickey HartDrummer/Percussionist, The Grateful Dead
    Featured Products
    1100‑LFC, 700-HP, CQ-1, Galileo Callisto 616, LEO, LYON, MICA, MILO, MJF-212A, UPJ‑1P

    Fifty years after forming their band at a Palo Alto music store, the surviving founders of the Grateful Dead kicked off their end-of-an-era “Fare Thee Well” mini-tour at Levi’s Stadium in Santa Clara, Calif. with a Meyer Sound LEO linear large-scale sound reinforcement system driving a quadraphonic surround setup.

    The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band’s decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead’s original sound engineer, Owsley “Bear” Stanley, first tapped Meyer to create acoustic solutions for the legendary “Wall of Sound” system in the 1970s.

    The Meyer Sound LEO system with its accompanying 1100‑LFC low-frequency control element delivered an immersive fan experience in the large football stadium and supported an experimental segment devised by drummer/percussionist Mickey Hart. Using the Meyer Sound system to transmit ultra-low frequencies in surround sound, Hart probed how the brain perceived audible and below-audible rhythms.

    “John Meyer’s 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas,” says Mickey Hart. “They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    The Meyer Sound system comprised four front arrays of 17 LEO-M and three MICA line array loudspeakers each, with dual side columns of 14-each 1100-LFC low-frequency control elements and a center column of 22 700-HP subwoofers in an end-fire pattern. Side and offstage coverage was supplied by 32 LYON and 32 MILO line array loudspeakers, respectively, with an additional 30 MICA loudspeakers providing behind-stage coverage.

    Filling in the far ends of the stadiums were four delay towers with a total of 56 MILO loudspeakers and eight 700-HP subwoofers. Two additional towers of eight LYON loudspeakers each faced the stage for quad surround effects, with six CQ-1 and four LYON loudspeakers providing front fill. A Galileo Callisto loudspeaker management system handled drive and optimization, and 16 MJF-212A stage monitors provided onstage foldback.

    Following the Levi’s Stadium shows, Grateful Dead continues its tour at Soldier Field in Chicago over 4th of July weekend, using a nearly identical LEO system for three shows. Audio requirements for the shows are handled by Martinez, Calif.-based Pro Media / UltraSound, with system design accomplished by the company’s Derek Featherstone, vice president of touring and rental and the band’s FOH engineer since 2005.

    Additional equipment support for the five shows comes from Blackhawk Audio, Rainbow Production Services, Show Systems, and Solotech.

    “The LEO and 1100-LFC system can handle everything we put into it,” says Featherstone. “We are also very impressed with the quality control of the Meyer Sound self-powered equipment. Being able to acquire 650 loudspeakers from several different vendors located in multiple states, assemble the large system on site, and have it work seamlessly is no small feat.”

    Matt Haasch, audio crew chief for Pro Media / Ultrasound adds: “I was impressed with how well the LEO system handled the physical acoustics of a big stadium. Coverage was smooth and practically seamless, with precise imaging for all seating areas.”

    John Meyer’s work with the Grateful Dead extends to the mid-1970s when the band’s concerts were heard through McCune Sound Service’s JM-10 systems designed by Meyer. The relationship continued through the band’s last tour with Jerry Garcia in 1995, supported by Meyer Sound MSL-10 loudspeakers. Meyer Sound systems have been a staple for tours of reunion and spin-off bands during the interim, including the 2005 and 2009 tours equipped with a Meyer Sound MILO system when the core members were known as The Dead. In 2011, the band’s Bob Weir installed a Meyer Sound Constellation acoustic system in his Tamalpais Research Institute (TRI).
    Copyright © 1979-2022
    Meyer Sound Laboratories, Incorporated

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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37 years ago at the Marin Veterans Auditorium, they played the last St.Stephen. I had a lot more fun the night before, 10/30/83, when we all dosed, fun city. My favorite Halloween show is 10/31/69 from San Jose State. I saw the Garcia Band on 10/31/86, the Oakland Auditorium kinda swallowed them up, when you were used to seeing them at Keystone Palo Alto.

Just scored 5-9-77 vinyl at a local shop, $125 + tax.
There were 2 copies, another guy was there at the same time and grabbed the other.

Sounds awesome, but the curse of vinyl means that you have to flip the record after Slipknot!

DaP 36 is ‘in transit by post office’, so fingers are crossed that it comes today.
AB50 is also supposed to arrive today.

Good thing clocks turn back tonight, I’ll need that extra hour for listening if in fact all the CD’s show up.
Not sure if I’ll get in the Halloween anniversary listens, I’ve heard them all many times and the new arrivals may have to come first. We’ll see how things play out tonight.

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Fifty years ago this time I had arrived at Stony Brook by hitchhiking from the panhandle, of Connect over the Throggs Neck Bridge and out the Island to S.U.N.Y. First time seeing the Dead away from the Fillmore. 1970 rural Long Island would have been a different world from now.
Charlie from Brooklyn was numero uno Dead Freak in those days. I met him before the Halloween shows at the student union. He was playing a cassette he made the night before on a high end recorder, boom box. To my memory that was the first Dead tape I ever heard aside from records. Vintage Dead and then Historic Dead were considered like bootlegs.
I recently listened to the complete night from 10/31/70 during the last full moon October 1, same time as breaking a four month Ganga fast. It was blissfull. Otherworldly. NRPS was great with Garcia on pedal steel. Relisten ing now. I easily bought tickets for the two shows. Although everyone was let in free for late show around midnight. I vaguely recall being on Gymnasium floor for early show. Late show was on the top bleacher on the end closest to the stage not 80’ away. One light projection man had a wizard get up with a pointed hat. Pigpen wore a psychedelic fireman’s hat, (for a few songs)each section was painted a different day-glow color.
After the late show ended (3am or later?) I left the Building out the exits behind the stage. Met Pigpen in passing as he was getting in his limo as I was funneled down the police barricade right behind him. I told him thanks, he asked me “did jya have a good time?” , to which I replied. “Definitely!”, . Pig;”that’s good”. My one time meeting the man.
Afterward vaguely remember catching a ride in a Dodge Challenger that drove close to a 100 mph. Over the dawn Troggs Neck Bridge with no traffic. Dropped off in New Rochelle , got on a train for the last stretch. Home by 8am.
The Viola Lee Blues into Cumberland Blues is so excellent.! Happy Halloween

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Happy Halloween all. Pretty cool Dennis, sounds like a blast. I never made it to a Halloween show.

Yes, GOGD, I watched the Preshow with DL.
I think Jim had some comments on this as well last night....
What a drag, they recorded over some of the master reels for Brent's solo stuff. What a bummer.
They used two 16 track to record the whole run.
Per DL there is definitely material available, fair amount, half or more, but not complete shows. DL stated a multi track box release is not necessarily feasible.
So this stinks.

He did mention they still have the mixdown tapes and the sound is okay.

Could they make a box set from mixdown tapes?

Seemed to me that the Warfield Radio City box is a long shot at best. They looked into it in the early 2000s and we are sitting here in late 2020.

Thank god they didn't record over other tapes. We have had some unbelievable releases.

Stay well out there.

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Strider, very cool story meeting Pig Pen. You saw the Grateful Dead at their peak, 1970, their greatest year as far as I'm concerned.

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In reply to by billy the kid

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Great times.. wish I was there. Thanks for sharing. The closest I got to a New Years show was 11/1 once. Oh well.

I did finally get through a quite uninterrupted listen of Dekalb. A high energy show with flawless transitions. Still far from my favorite from '77, but it is a great show. Perhaps I am just splitting hairs.

I will say this, this is one of those shows you really need to play loud, from Might As Well to the end.

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Listened to 10/31/70 NRPS early show yesterday. Early show Dead last night with full moon. Viola into Cumberland rocks. Second set this morning at 420 am with coffee, full moon. Today is Todos Santos , All Saints Day or Day of the Dead. Fifty years ago at Pritchard Gym at S.U.N.Y. I remember it took a long time before they opened the doors for the late show. There was a very large crowd at the gym entrance. Nevertheless way less intense than in the city for a Dead show. Sometime after 11pm they finally let everyone in for free, they did not collect tickets. As NRPS was around midnight the late show Dead set was technically November 1, Day of the Dead.

Wow, meeting Pigpen.
That's a keeper for sure.

Strider do you recall your impression of the difference between the Gymnasium vibe and the Fillmore East or what you were thinking about the scene in comparison?
EDIT: Mind Meld Bro!! I see you were just discussing this in your post below 1 minute before I posted this question.
Diff vibe from the city. I'm thinking FE vibe had to be intense!

Also I wonder if that tape Charlie-O was playing came from the SBD that the Sound Crew made?

Thanks for sharing man, Great Story!

In regards to 10/31/70 tape, the Taper's Compendium mentions the following:
Bobby going into "a tirade against some nameless soundman. After Pigpen threatens to rip off the head of the aforementioned sound engineer and defecate in it, the problems seem to get resolved, thereby saving the show from a decline into fecal ultraviolence." - Haha, I love that line.... (Shout Out - Nice work Paul Bodenham & Taper's Compendium Crew!)

However, I don't hear that anywhere on the "tapes" I've got or the sources on Archive.org.
Supposedly it happened after Cosmic Charlie. Anybody got that / hear that on "tape"?

It might be the case where the source mentioned in Taper's Compendium isn't in digital circulation, but now I'm curious what's going on there. If anybody has info on that, let me know as I was looking forward to hearing that all day and darn it, I'm not hearing that anywhere.

Started listening to 2/18/71, it's sounding good friends. Strider was that your next show?
EDIT: Scratch that question you were at all 4 nights at the Cap in November '70. You Lucky Dog You!!!

Alright, well this is probably long enough as I spent some time already today on... 30 Days of the Dead!
Guessed it, if you can call searching through other versions and comparing a guess.
Do people actually just remember the version upon hearing it, or how does that work for you all?
I remember the first year just thinking how in the world do these heads know this shit?!?!?
Now.. I might be there. Is that a good thing? Not sure.

Anyhow, if you read this far, thanks for visiting and I hope you have a wonderful day!
Go play Dead.
I'm gonna finish up 2/18/71 today and might have to do it all over again.
Good stuff!

PS - if this wasn't so long already I would've talked a bit about 1977-10-29 - Sounded ripping / Might As Well is a power house version and the energy seems to stay there, but I was distracted and didn't finish. And 1980 Warfield / Radio City Reels, 2 Track & Multi-Track but it'd all be speculation.

That’s everyday for folks here.

Just started spinning 2-18-71 and it sounds spectacular!

USPS is in possession of my DaP 36, but apparently they have to accept the package. So current status is “received, the acceptance of your package is pending”.

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Mcgaw Memorial Hall.... 11/1/73 Evanston!! Morning Dew>Playing>UJB>Playin!!! Last show of the tour that started in Oklahoma City... Next up Winterland 73 a week later!!! Don't think the first set of 11/1/73 circulates but i could be wrong... The snow has melted here in Rhode Island... Made it through the first Hartford 87 show last night... I cheated and listened to the Wall Song from the upcoming 5/21/71 Jerry show,, really good I have to say... Bob t

Bob T, 11/1/73 that's a good call, Now I wanna give that a listen.
No Set 1 that I'm seeing, anybody got it?

Got caught up in 2/18/71. Wow great sound quality. Really cool to hear Ned's contributions so well. Can't remember if they showed up in the ole bootleg, but they're nicely placed in the mix here. Good stuff.

Whose playing 30 Days Guesses?

Today is fun.

BTW I really dig the 5/12/79 Set 2 material in Taper's Section today.
SBD doesn't circulate so check it out.
Has some reel flips in Terrapin & NFA and a few drop outs in PITB. But if you haven't heard it, it's worth a visit.
I like '79 cool year.

Alright, lmk if there's a pick today.
Lots a Dead a happening.

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In reply to by The Good Ole G…

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Send us a pick GOGD.

I am thinking 11/4/77 for Wednesday. Colgate, Dave's #12.

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In reply to by DeadVikes

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How about 3/26 & 3/27/87?

I just got mine today. Anybody else on here get there's?

Or 2/18/71 needs a nice day of listening...

Couldn't resist, the Dead has landed.

Otherwise give 11/1/73 a listen, it's late in the day and it's only a partial Set 2.

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In reply to by DeadVikes

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I'm no help.. hopelessly behind again. I'm in for Colgate though. It's been years since I listened to it. ..and fresh off my (our) other recent Fall 77 listen, quite timely. If we did something, something short as the hour is getting late.

Greek 68, 30 Trips, Holfheinz Pavilion 72? Something like that??

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In reply to by JimInMD

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I don't have my Dave's 36, maybe by the end of the week. Don't know why some of us get these so much later than others. Don't blame you for cracking it out.

Shoot, you have people getting them in Europe faster than here in MN.

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I was lucky and got Dave's Saturday, and the 2/18/71 show arrived today... (That one just sat in pre-whatever and just showed up US mail).. I am listening to the Omni 6/20/74 show, just started. I listened to 6/8/74 yesterday.. Trying to listen to my neglected 74 shows.... Roanoke is up for tomorrow. have a good night everyone. bob t

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..but I live in the middle of nowhere. Mail still comes via pony express and coal train.

Maybe today?

Roanoke sounds like a good pick for today. I always thought it was one of the lesser shows from '74, but I'll take 'lesser' show from '74 any day of the week. Nice eyes encore. I should get some time later today. Things are beginning to ease up a bit.

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On Playing already for end of first set... I know why i gloss over this show, and it is because of set II. There is a 10 minute US Blues that goes into Promised Land.. That is it for the jam. Eyes encore... Well played, good Charlie Miller board. Like i said in previous post, I neglect 6/8 Oakland, 6/20 Atlanta (No tapes available back in the day), Roanoke, and the 9/14 Muenchen show... Bob t

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I'm in. Im not familiar with this show, but it is close to the Selland Arena show. How bad could it be ; )

I hope everyone voted today!!

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In reply to by Slow Dog Noodle

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That PITB is a hot one. Perhaps the highlight of the show. Staring the second set now.

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Agreed Jim. I like in the Playin how they break it down about 13 mins in with Jerry doing some nice runs up and down the neck with the wah wah and Billy filling the space with toms.

Im at MAMU in the 2nd set. What really strikes me about this show is how much Keith is on the Rhodes, and how out front in the mix he is. I dont remember him playing a Rhodes for a whole show like this. I'll have to revisit Selland and see if this show may be an outlier.

I really liked the smooth transition from Mississippi to Must Have Been the Roses.

I probably haven't given this show its due because there're no big 2nd set jam, but like Jim said, that 1st set playin is killer and probable makes up for it. I'm looking forward to this Brokedown in the late 2nd set ballad placement, which is a rarity.

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All in all a nice show. First set is better than 2nd set, which is odd for this vintage. Mississippi to PITB was the highlight. Not sure what they were trying to do in that US Blues. Seems like Billy didnt get the message or something. They never really righted the ship after that.

Keith was the star of this show though, taking over on the Rhodes. Release worthy? I dont know. Sounds quality is there but the second set fizzles. Maybe one of the last '74s to see the light of day. Still, lots of fantastic music and very glad i spent 3 hours of my work day jamming to this.

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Shorter show for 1974. Good show, sound quality is really good for the most part. I really liked Biily's drumming in the summer of 1974. For some reason no Eyes of the World Encore from the version I listened to from Relisten.

Good pick Bob t.

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My version doesn't have it either.. Show's how good my memory is. Decent little show. I agree with the comments that a big jam sequence in the second set would have improved this one. Still, some very nice moments.

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so last week i zigged while most everybody zagged. went on a '74 search - that's where my main vibe was. first listened to Springfield 6/30 - fantastic show! then Roanoke, with that excellent and very cool Playing, and solid playing overall, and a mysteriously missing major jam sequence but still fun. so its a cool coinkydink to see everybody dialing in on Roanoke last day or so. first night of Jai Alai after that. then Roosevelt Stadium show from 8/6. today was listening to another new '74 for me, the Olympia Hall in Munich 9/14 - there is a really really sweet Usborne matrix of that show - highly recommended! and finished with the last show of that European tour which at times is as deliberate as anything i've heard from that era. morning dew seemed remarkably slow.
i too voted for sanity. be well everybody.

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Looking forward to putting this show on today. Short show. Bonus for 11/2/77.

Stay well out there folks.

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I found this note on the Archive from Sirmick on his AUD transfer (132282): "A reviewer at archive.org says "This was a weird event-the band was somewhat scared of the crowd which was yelling at them the whole time." and "There was no encore at this concert-the eyes thing is an error perpetuated through the years starting with deadbase. The Dead left after Johnny B Goode and I think they were glad to get out."
https://archive.org/details/gd1974-07-27.akgd200e.unk.sirmick.132282.sb…

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No cavity creeps here!!! Love the Aiko coming out of drums, this one and the RPI Fieldhouse show are my two favs from this era!!! I had an audience tape of this show back in the day that was amazing quality!!! Aiko just coming on... the whole second set is pure bliss!!! Bob t

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Disc 3 of Colgate show...... Scarlet>Fire forgot how good it was, I like the Broome County one a few days later but totally forgot about this one... Good night all. Bob t

Yes, Bob t, Disc 3 of Dave's 12 for me might be the best part of this release.

Another chunk of this show appears on Dick's 34. Should we check out 11/5/77, Dick's #34 for tomorrow?

11/2 is a bit under the radar..

This whole release smokes, high energy and excellent recording. I made it through discs 1 and 2, #3 awaits. Good pick Bob. I need a refresher course on this one, it's been a long time.

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Is there good video of that show? I heard a young lady came up and gave Jerry a big hug and kiss at the encore.

-edit- A kind soul somehow posted a review of this show IN THE FUTURE YESTERDAY over on Internet Archive. Of course, I was wondering how the heck that happened, maybe minor digital glitch? Anyway here it is to shed light on my recollection and for you to enjoy! :-)

Have a Grateful Day today everybody :-)

Reviewer: MtnHigh73 - favoritefavoritefavoritefavoritefavorite - November 6, 2020
Subject: Bill Walton's Birthday Show... Sweater Incident
I was at the show. It was one of my first Dead shows and a memorable one, and I want to set the record straight...

Love the crystal clear soundboard recording...
Lots of mention of Boston Celtics players sighted at this show, and to set the record straight. This was "Bill Walton's Birthday" show, and at the beginning of the 2nd set, the band came out. Bobby announced, "It's our buddy Bill Walton's birthday (with full echo effect), and we'd like to sing happy birthday to him, and you can all join in...". You can hear the end of happy birthday on this awesome soundboard version... the audience version of this show has the full announcement before Shakedown.

Anyways this show ripped, and my twin brother and I (not a head) dosed and were in the 1st 10 rows for the entire 2nd set. Memory is a whirlwind of sights and sounds, but I remember dancing my ass off to the Good Lovin'.

THE BEGINING OF THE ENCORE (capitalized because I went on to see more than a hundred shows after this and never saw the next thing happen ever again)... a woman jumped on to the stage with a thick wool-like sweater that buttoned down in the front. She DRAPED THE SWEATER OVER JERRY'S SHOULDERS... just as he started to sing the opening lines to Brokedown Palace... then she was ushered off the stage. The sweater remained on his shoulders the majority of the song, and by the end, it was hanging by one arm off of Jerry. I distinctly remember seeing the woman join her friends back a few rows in front of us during the encore. I'm getting goosebumps writing and recalling this... after the show, my brother and I, two sweaty 16-year-olds leaving the Centrum, and my twin brother turned to me and said: " We got closer to Jerry Garcia then some people do in their entire lifetime!".

The next morning, burnt out catching a ride with my Dad to school, the local Boston radio station announced, " the Celtics were off last night and Bird, Mchale and Ainge accompanied Bill Walton to a Grateful Dead show in Worcester"... goosebumps.

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I never burned this Dick's Picks. So When I put it into my computer, love that a picture of the Lincoln, NE/ Salt Lake City 73 Dick's Picks CD picture shows up.....Just got to the Phil Jam>Eyes of CD #2.... Anyone in the mood for June 29, 1976 Chicago tomorrow... Big fan of the 5th and final Mission in the Rain!!! Good night all... Bob t

This is a gem in my book Bob t. Of course the chop job, but it is still really good.

I am up for 6/29/76, hope there is a good board out there. Mission in the Rain!

Big fan too.. I think the best of the few played.

I'm in. I did the first set of the first show in the June 76 box yesterday on my bike ride. I was in the mood for some crystal clear dead and it was in the device I picked up.

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Deadvikes there is a really good board as well as a FM copy from WXRT.. That whole June tour had the last show of whatever stop broadcast.. Jim i also agree with the crystal clear sound of the 76 box!! Surprised that Mission in the Rain didn't make it two weeks later into the Orpheum run in San Francisco. Bob t

I am working my way through it late. The Betty is sounding good. Another show that was part of the ABCD LLC transaction. Maybe some day.

My Dave's 36 is now scheduled for tomorrow. We will see. Love this system.

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Maybe a little Crotchfester from 11/7&8/85 sometime this weekend, perhaps extra credit as GOGD would say....
By the way, where is that rascal?

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I'm doing 11/7/71 today.

I have not listened to the War Memorial shows yet.. I would be interested to check them out.

I'm in.

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Have garage work to do: sanding etc so need some good working music! Plus, I’ve been doing the “five year anniversary” plan for years since it’s hard and very limiting to try and do every anniversary. So for instance this year being a “0” that means I shoot for 65, 70, 75, 80, 85, 90, and 95. Since that still leaves a lot, next criteria is shows from those years I was at, thus, going 85...but,
Have been starting a 71 bender though as I went totally grateful yesterday after grueling gig with no tunes this week.
Vegged out to 2/18/71 and was digging it so much followed up with 2/19/71...perfect as I was so whooped I don’t think I could have fully grasped a big spacey show, and Rockin later years would have been too much energy in my delicate state lol.
Realized, that there isn’t much difference between sets then, meaning 2/18 at least is like 2 bookend sets. They both are mostly just songs, with one tasty smaller jam at the end. I need to find more early 71 jams, like biggins’ if there are any? Where’s GOGD or DOC when ya need em? ; )
Definitely going to Poke around there as time allows. Really hoping to finally get to 10/19/73 tomorrow if time allows a full immersion. Haven’t givin that one a spin in a while and it always calls to me in the fall.

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Been preoccupied. Will consider what to write about being there fifty years ago. Attended all four nights.
David Lemeiux was born November 8, 1970. Must have been something in the ethers that day. Pre-destined.
My late brother Rick was at the Harding Theater one of those nights 49 years ago.

I've listened to this show once.. I am going to try and give it a second listen.

I love the last half of this comment from setlists.net

"Finally, the space interlude in the Dark Star is some of the scariest Dead I have ever laid ears on. Its like the Book of Revelation--it'll scare the crap out of you. Listen to it at one in the morning with no lights on, at a loud volume, alone, and check back with me. WOW!"