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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3251
    JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • #3252
    1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • #3253
    rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • #3254
    Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • #3255
    JimInMD
    Joined:
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    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • #3256
    DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • #3257
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3258
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3259
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3260
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by billy the kid on Sat, 10/31/2020 - 08:19

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37 years ago at the Marin Veterans Auditorium, they played the last St.Stephen. I had a lot more fun the night before, 10/30/83, when we all dosed, fun city. My favorite Halloween show is 10/31/69 from San Jose State. I saw the Garcia Band on 10/31/86, the Oakland Auditorium kinda swallowed them up, when you were used to seeing them at Keystone Palo Alto.

Just scored 5-9-77 vinyl at a local shop, $125 + tax.
There were 2 copies, another guy was there at the same time and grabbed the other.

Sounds awesome, but the curse of vinyl means that you have to flip the record after Slipknot!

DaP 36 is ‘in transit by post office’, so fingers are crossed that it comes today.
AB50 is also supposed to arrive today.

Good thing clocks turn back tonight, I’ll need that extra hour for listening if in fact all the CD’s show up.
Not sure if I’ll get in the Halloween anniversary listens, I’ve heard them all many times and the new arrivals may have to come first. We’ll see how things play out tonight.

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Submitted by Strider 808808 on Sat, 10/31/2020 - 13:13

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Fifty years ago this time I had arrived at Stony Brook by hitchhiking from the panhandle, of Connect over the Throggs Neck Bridge and out the Island to S.U.N.Y. First time seeing the Dead away from the Fillmore. 1970 rural Long Island would have been a different world from now.
Charlie from Brooklyn was numero uno Dead Freak in those days. I met him before the Halloween shows at the student union. He was playing a cassette he made the night before on a high end recorder, boom box. To my memory that was the first Dead tape I ever heard aside from records. Vintage Dead and then Historic Dead were considered like bootlegs.
I recently listened to the complete night from 10/31/70 during the last full moon October 1, same time as breaking a four month Ganga fast. It was blissfull. Otherworldly. NRPS was great with Garcia on pedal steel. Relisten ing now. I easily bought tickets for the two shows. Although everyone was let in free for late show around midnight. I vaguely recall being on Gymnasium floor for early show. Late show was on the top bleacher on the end closest to the stage not 80’ away. One light projection man had a wizard get up with a pointed hat. Pigpen wore a psychedelic fireman’s hat, (for a few songs)each section was painted a different day-glow color.
After the late show ended (3am or later?) I left the Building out the exits behind the stage. Met Pigpen in passing as he was getting in his limo as I was funneled down the police barricade right behind him. I told him thanks, he asked me “did jya have a good time?” , to which I replied. “Definitely!”, . Pig;”that’s good”. My one time meeting the man.
Afterward vaguely remember catching a ride in a Dodge Challenger that drove close to a 100 mph. Over the dawn Troggs Neck Bridge with no traffic. Dropped off in New Rochelle , got on a train for the last stretch. Home by 8am.
The Viola Lee Blues into Cumberland Blues is so excellent.! Happy Halloween

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Submitted by DeadVikes on Sat, 10/31/2020 - 16:31

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Happy Halloween all. Pretty cool Dennis, sounds like a blast. I never made it to a Halloween show.

Yes, GOGD, I watched the Preshow with DL.
I think Jim had some comments on this as well last night....
What a drag, they recorded over some of the master reels for Brent's solo stuff. What a bummer.
They used two 16 track to record the whole run.
Per DL there is definitely material available, fair amount, half or more, but not complete shows. DL stated a multi track box release is not necessarily feasible.
So this stinks.

He did mention they still have the mixdown tapes and the sound is okay.

Could they make a box set from mixdown tapes?

Seemed to me that the Warfield Radio City box is a long shot at best. They looked into it in the early 2000s and we are sitting here in late 2020.

Thank god they didn't record over other tapes. We have had some unbelievable releases.

Stay well out there.

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Submitted by billy the kid on Sat, 10/31/2020 - 17:11

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Strider, very cool story meeting Pig Pen. You saw the Grateful Dead at their peak, 1970, their greatest year as far as I'm concerned.

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Submitted by JimInMD on Sat, 10/31/2020 - 20:34

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Great times.. wish I was there. Thanks for sharing. The closest I got to a New Years show was 11/1 once. Oh well.

I did finally get through a quite uninterrupted listen of Dekalb. A high energy show with flawless transitions. Still far from my favorite from '77, but it is a great show. Perhaps I am just splitting hairs.

I will say this, this is one of those shows you really need to play loud, from Might As Well to the end.

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Submitted by Strider 808808 on Sun, 11/01/2020 - 06:43

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Listened to 10/31/70 NRPS early show yesterday. Early show Dead last night with full moon. Viola into Cumberland rocks. Second set this morning at 420 am with coffee, full moon. Today is Todos Santos , All Saints Day or Day of the Dead. Fifty years ago at Pritchard Gym at S.U.N.Y. I remember it took a long time before they opened the doors for the late show. There was a very large crowd at the gym entrance. Nevertheless way less intense than in the city for a Dead show. Sometime after 11pm they finally let everyone in for free, they did not collect tickets. As NRPS was around midnight the late show Dead set was technically November 1, Day of the Dead.

Wow, meeting Pigpen.
That's a keeper for sure.

Strider do you recall your impression of the difference between the Gymnasium vibe and the Fillmore East or what you were thinking about the scene in comparison?
EDIT: Mind Meld Bro!! I see you were just discussing this in your post below 1 minute before I posted this question.
Diff vibe from the city. I'm thinking FE vibe had to be intense!

Also I wonder if that tape Charlie-O was playing came from the SBD that the Sound Crew made?

Thanks for sharing man, Great Story!

In regards to 10/31/70 tape, the Taper's Compendium mentions the following:
Bobby going into "a tirade against some nameless soundman. After Pigpen threatens to rip off the head of the aforementioned sound engineer and defecate in it, the problems seem to get resolved, thereby saving the show from a decline into fecal ultraviolence." - Haha, I love that line.... (Shout Out - Nice work Paul Bodenham & Taper's Compendium Crew!)

However, I don't hear that anywhere on the "tapes" I've got or the sources on Archive.org.
Supposedly it happened after Cosmic Charlie. Anybody got that / hear that on "tape"?

It might be the case where the source mentioned in Taper's Compendium isn't in digital circulation, but now I'm curious what's going on there. If anybody has info on that, let me know as I was looking forward to hearing that all day and darn it, I'm not hearing that anywhere.

Started listening to 2/18/71, it's sounding good friends. Strider was that your next show?
EDIT: Scratch that question you were at all 4 nights at the Cap in November '70. You Lucky Dog You!!!

Alright, well this is probably long enough as I spent some time already today on... 30 Days of the Dead!
Guessed it, if you can call searching through other versions and comparing a guess.
Do people actually just remember the version upon hearing it, or how does that work for you all?
I remember the first year just thinking how in the world do these heads know this shit?!?!?
Now.. I might be there. Is that a good thing? Not sure.

Anyhow, if you read this far, thanks for visiting and I hope you have a wonderful day!
Go play Dead.
I'm gonna finish up 2/18/71 today and might have to do it all over again.
Good stuff!

PS - if this wasn't so long already I would've talked a bit about 1977-10-29 - Sounded ripping / Might As Well is a power house version and the energy seems to stay there, but I was distracted and didn't finish. And 1980 Warfield / Radio City Reels, 2 Track & Multi-Track but it'd all be speculation.

That’s everyday for folks here.

Just started spinning 2-18-71 and it sounds spectacular!

USPS is in possession of my DaP 36, but apparently they have to accept the package. So current status is “received, the acceptance of your package is pending”.

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Submitted by bob t on Sun, 11/01/2020 - 11:36

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Mcgaw Memorial Hall.... 11/1/73 Evanston!! Morning Dew>Playing>UJB>Playin!!! Last show of the tour that started in Oklahoma City... Next up Winterland 73 a week later!!! Don't think the first set of 11/1/73 circulates but i could be wrong... The snow has melted here in Rhode Island... Made it through the first Hartford 87 show last night... I cheated and listened to the Wall Song from the upcoming 5/21/71 Jerry show,, really good I have to say... Bob t

Bob T, 11/1/73 that's a good call, Now I wanna give that a listen.
No Set 1 that I'm seeing, anybody got it?

Got caught up in 2/18/71. Wow great sound quality. Really cool to hear Ned's contributions so well. Can't remember if they showed up in the ole bootleg, but they're nicely placed in the mix here. Good stuff.

Whose playing 30 Days Guesses?

Today is fun.

BTW I really dig the 5/12/79 Set 2 material in Taper's Section today.
SBD doesn't circulate so check it out.
Has some reel flips in Terrapin & NFA and a few drop outs in PITB. But if you haven't heard it, it's worth a visit.
I like '79 cool year.

Alright, lmk if there's a pick today.
Lots a Dead a happening.

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Submitted by DeadVikes on Mon, 11/02/2020 - 12:47

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Send us a pick GOGD.

I am thinking 11/4/77 for Wednesday. Colgate, Dave's #12.

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Submitted by The Good Ole G… on Mon, 11/02/2020 - 15:13

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How about 3/26 & 3/27/87?

I just got mine today. Anybody else on here get there's?

Or 2/18/71 needs a nice day of listening...

Couldn't resist, the Dead has landed.

Otherwise give 11/1/73 a listen, it's late in the day and it's only a partial Set 2.

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Submitted by JimInMD on Mon, 11/02/2020 - 15:17

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I'm no help.. hopelessly behind again. I'm in for Colgate though. It's been years since I listened to it. ..and fresh off my (our) other recent Fall 77 listen, quite timely. If we did something, something short as the hour is getting late.

Greek 68, 30 Trips, Holfheinz Pavilion 72? Something like that??

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Submitted by DeadVikes on Mon, 11/02/2020 - 16:09

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I don't have my Dave's 36, maybe by the end of the week. Don't know why some of us get these so much later than others. Don't blame you for cracking it out.

Shoot, you have people getting them in Europe faster than here in MN.

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Submitted by bob t on Mon, 11/02/2020 - 16:46

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I was lucky and got Dave's Saturday, and the 2/18/71 show arrived today... (That one just sat in pre-whatever and just showed up US mail).. I am listening to the Omni 6/20/74 show, just started. I listened to 6/8/74 yesterday.. Trying to listen to my neglected 74 shows.... Roanoke is up for tomorrow. have a good night everyone. bob t

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Submitted by JimInMD on Tue, 11/03/2020 - 06:41

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..but I live in the middle of nowhere. Mail still comes via pony express and coal train.

Maybe today?

Roanoke sounds like a good pick for today. I always thought it was one of the lesser shows from '74, but I'll take 'lesser' show from '74 any day of the week. Nice eyes encore. I should get some time later today. Things are beginning to ease up a bit.

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Submitted by bob t on Tue, 11/03/2020 - 07:39

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On Playing already for end of first set... I know why i gloss over this show, and it is because of set II. There is a 10 minute US Blues that goes into Promised Land.. That is it for the jam. Eyes encore... Well played, good Charlie Miller board. Like i said in previous post, I neglect 6/8 Oakland, 6/20 Atlanta (No tapes available back in the day), Roanoke, and the 9/14 Muenchen show... Bob t

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Submitted by Slow Dog Noodle on Tue, 11/03/2020 - 09:38

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I'm in. Im not familiar with this show, but it is close to the Selland Arena show. How bad could it be ; )

I hope everyone voted today!!

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Submitted by JimInMD on Tue, 11/03/2020 - 10:31

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That PITB is a hot one. Perhaps the highlight of the show. Staring the second set now.

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Submitted by Slow Dog Noodle on Tue, 11/03/2020 - 11:46

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Agreed Jim. I like in the Playin how they break it down about 13 mins in with Jerry doing some nice runs up and down the neck with the wah wah and Billy filling the space with toms.

Im at MAMU in the 2nd set. What really strikes me about this show is how much Keith is on the Rhodes, and how out front in the mix he is. I dont remember him playing a Rhodes for a whole show like this. I'll have to revisit Selland and see if this show may be an outlier.

I really liked the smooth transition from Mississippi to Must Have Been the Roses.

I probably haven't given this show its due because there're no big 2nd set jam, but like Jim said, that 1st set playin is killer and probable makes up for it. I'm looking forward to this Brokedown in the late 2nd set ballad placement, which is a rarity.

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Submitted by Slow Dog Noodle on Tue, 11/03/2020 - 12:49

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All in all a nice show. First set is better than 2nd set, which is odd for this vintage. Mississippi to PITB was the highlight. Not sure what they were trying to do in that US Blues. Seems like Billy didnt get the message or something. They never really righted the ship after that.

Keith was the star of this show though, taking over on the Rhodes. Release worthy? I dont know. Sounds quality is there but the second set fizzles. Maybe one of the last '74s to see the light of day. Still, lots of fantastic music and very glad i spent 3 hours of my work day jamming to this.

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Submitted by DeadVikes on Tue, 11/03/2020 - 13:19

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Shorter show for 1974. Good show, sound quality is really good for the most part. I really liked Biily's drumming in the summer of 1974. For some reason no Eyes of the World Encore from the version I listened to from Relisten.

Good pick Bob t.

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Submitted by JimInMD on Tue, 11/03/2020 - 13:59

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My version doesn't have it either.. Show's how good my memory is. Decent little show. I agree with the comments that a big jam sequence in the second set would have improved this one. Still, some very nice moments.

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Submitted by bluecrow on Tue, 11/03/2020 - 18:49

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so last week i zigged while most everybody zagged. went on a '74 search - that's where my main vibe was. first listened to Springfield 6/30 - fantastic show! then Roanoke, with that excellent and very cool Playing, and solid playing overall, and a mysteriously missing major jam sequence but still fun. so its a cool coinkydink to see everybody dialing in on Roanoke last day or so. first night of Jai Alai after that. then Roosevelt Stadium show from 8/6. today was listening to another new '74 for me, the Olympia Hall in Munich 9/14 - there is a really really sweet Usborne matrix of that show - highly recommended! and finished with the last show of that European tour which at times is as deliberate as anything i've heard from that era. morning dew seemed remarkably slow.
i too voted for sanity. be well everybody.

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Submitted by DeadVikes on Wed, 11/04/2020 - 05:40

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Looking forward to putting this show on today. Short show. Bonus for 11/2/77.

Stay well out there folks.

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Submitted by JeffSmith on Wed, 11/04/2020 - 06:40

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I found this note on the Archive from Sirmick on his AUD transfer (132282): "A reviewer at archive.org says "This was a weird event-the band was somewhat scared of the crowd which was yelling at them the whole time." and "There was no encore at this concert-the eyes thing is an error perpetuated through the years starting with deadbase. The Dead left after Johnny B Goode and I think they were glad to get out."
https://archive.org/details/gd1974-07-27.akgd200e.unk.sirmick.132282.sb…

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Submitted by bob t on Wed, 11/04/2020 - 13:00

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No cavity creeps here!!! Love the Aiko coming out of drums, this one and the RPI Fieldhouse show are my two favs from this era!!! I had an audience tape of this show back in the day that was amazing quality!!! Aiko just coming on... the whole second set is pure bliss!!! Bob t

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Submitted by bob t on Wed, 11/04/2020 - 18:48

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Disc 3 of Colgate show...... Scarlet>Fire forgot how good it was, I like the Broome County one a few days later but totally forgot about this one... Good night all. Bob t

Yes, Bob t, Disc 3 of Dave's 12 for me might be the best part of this release.

Another chunk of this show appears on Dick's 34. Should we check out 11/5/77, Dick's #34 for tomorrow?

11/2 is a bit under the radar..

This whole release smokes, high energy and excellent recording. I made it through discs 1 and 2, #3 awaits. Good pick Bob. I need a refresher course on this one, it's been a long time.

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Submitted by wilfredtjones on Thu, 11/05/2020 - 05:40

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Is there good video of that show? I heard a young lady came up and gave Jerry a big hug and kiss at the encore.

-edit- A kind soul somehow posted a review of this show IN THE FUTURE YESTERDAY over on Internet Archive. Of course, I was wondering how the heck that happened, maybe minor digital glitch? Anyway here it is to shed light on my recollection and for you to enjoy! :-)

Have a Grateful Day today everybody :-)

Reviewer: MtnHigh73 - favoritefavoritefavoritefavoritefavorite - November 6, 2020
Subject: Bill Walton's Birthday Show... Sweater Incident
I was at the show. It was one of my first Dead shows and a memorable one, and I want to set the record straight...

Love the crystal clear soundboard recording...
Lots of mention of Boston Celtics players sighted at this show, and to set the record straight. This was "Bill Walton's Birthday" show, and at the beginning of the 2nd set, the band came out. Bobby announced, "It's our buddy Bill Walton's birthday (with full echo effect), and we'd like to sing happy birthday to him, and you can all join in...". You can hear the end of happy birthday on this awesome soundboard version... the audience version of this show has the full announcement before Shakedown.

Anyways this show ripped, and my twin brother and I (not a head) dosed and were in the 1st 10 rows for the entire 2nd set. Memory is a whirlwind of sights and sounds, but I remember dancing my ass off to the Good Lovin'.

THE BEGINING OF THE ENCORE (capitalized because I went on to see more than a hundred shows after this and never saw the next thing happen ever again)... a woman jumped on to the stage with a thick wool-like sweater that buttoned down in the front. She DRAPED THE SWEATER OVER JERRY'S SHOULDERS... just as he started to sing the opening lines to Brokedown Palace... then she was ushered off the stage. The sweater remained on his shoulders the majority of the song, and by the end, it was hanging by one arm off of Jerry. I distinctly remember seeing the woman join her friends back a few rows in front of us during the encore. I'm getting goosebumps writing and recalling this... after the show, my brother and I, two sweaty 16-year-olds leaving the Centrum, and my twin brother turned to me and said: " We got closer to Jerry Garcia then some people do in their entire lifetime!".

The next morning, burnt out catching a ride with my Dad to school, the local Boston radio station announced, " the Celtics were off last night and Bird, Mchale and Ainge accompanied Bill Walton to a Grateful Dead show in Worcester"... goosebumps.

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Submitted by bob t on Thu, 11/05/2020 - 19:37

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I never burned this Dick's Picks. So When I put it into my computer, love that a picture of the Lincoln, NE/ Salt Lake City 73 Dick's Picks CD picture shows up.....Just got to the Phil Jam>Eyes of CD #2.... Anyone in the mood for June 29, 1976 Chicago tomorrow... Big fan of the 5th and final Mission in the Rain!!! Good night all... Bob t

This is a gem in my book Bob t. Of course the chop job, but it is still really good.

I am up for 6/29/76, hope there is a good board out there. Mission in the Rain!

Big fan too.. I think the best of the few played.

I'm in. I did the first set of the first show in the June 76 box yesterday on my bike ride. I was in the mood for some crystal clear dead and it was in the device I picked up.

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Submitted by bob t on Fri, 11/06/2020 - 06:55

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Deadvikes there is a really good board as well as a FM copy from WXRT.. That whole June tour had the last show of whatever stop broadcast.. Jim i also agree with the crystal clear sound of the 76 box!! Surprised that Mission in the Rain didn't make it two weeks later into the Orpheum run in San Francisco. Bob t

I am working my way through it late. The Betty is sounding good. Another show that was part of the ABCD LLC transaction. Maybe some day.

My Dave's 36 is now scheduled for tomorrow. We will see. Love this system.

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Submitted by Oroborous on Sat, 11/07/2020 - 09:45

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Maybe a little Crotchfester from 11/7&8/85 sometime this weekend, perhaps extra credit as GOGD would say....
By the way, where is that rascal?

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Submitted by JimInMD on Sat, 11/07/2020 - 10:00

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I'm doing 11/7/71 today.

I have not listened to the War Memorial shows yet.. I would be interested to check them out.

I'm in.

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Submitted by Oroborous on Sat, 11/07/2020 - 10:27

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Have garage work to do: sanding etc so need some good working music! Plus, I’ve been doing the “five year anniversary” plan for years since it’s hard and very limiting to try and do every anniversary. So for instance this year being a “0” that means I shoot for 65, 70, 75, 80, 85, 90, and 95. Since that still leaves a lot, next criteria is shows from those years I was at, thus, going 85...but,
Have been starting a 71 bender though as I went totally grateful yesterday after grueling gig with no tunes this week.
Vegged out to 2/18/71 and was digging it so much followed up with 2/19/71...perfect as I was so whooped I don’t think I could have fully grasped a big spacey show, and Rockin later years would have been too much energy in my delicate state lol.
Realized, that there isn’t much difference between sets then, meaning 2/18 at least is like 2 bookend sets. They both are mostly just songs, with one tasty smaller jam at the end. I need to find more early 71 jams, like biggins’ if there are any? Where’s GOGD or DOC when ya need em? ; )
Definitely going to Poke around there as time allows. Really hoping to finally get to 10/19/73 tomorrow if time allows a full immersion. Haven’t givin that one a spin in a while and it always calls to me in the fall.

.

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Submitted by Strider 808808 on Sat, 11/07/2020 - 13:27

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Been preoccupied. Will consider what to write about being there fifty years ago. Attended all four nights.
David Lemeiux was born November 8, 1970. Must have been something in the ethers that day. Pre-destined.
My late brother Rick was at the Harding Theater one of those nights 49 years ago.

I've listened to this show once.. I am going to try and give it a second listen.

I love the last half of this comment from setlists.net

"Finally, the space interlude in the Dark Star is some of the scariest Dead I have ever laid ears on. Its like the Book of Revelation--it'll scare the crap out of you. Listen to it at one in the morning with no lights on, at a loud volume, alone, and check back with me. WOW!"