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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #1271
    Forensicdoceleven
    Joined:
    I met her accidentally in St. Paul, Minnesota......

    Mornin', rockers!!!

    For all you completists out there----as well as Row Jimmy fans----the talented Mr Miller just put out a "fixed" version of the fine St Paul show from February 17, 1973. Would make up part of a nice box set from early 1973----2/9, 15, 17, 19............

    Ah well, one can dream..............

    Rock on, happy Friday!

    Doc
    Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before........

  • #1272
    Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • #1273
    Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • #1274
    rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • #1275
    daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • #1276
    rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • #1277
    daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • #1278
    Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • #1279
    daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • #1280
    PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by The Good Ole G… on Sat, 11/14/2020 - 09:02

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DV - Yes sir, them Port Chester Multi-Tracks are the bomb!

Slow Dog Noodle requested 3/14/81 audience recording by Barry Glassberg.

So it would appear that '81 is in the air.

Good year that '81.

listening to the 2/18/71 DS>>Rat>>DS, 11/11/73 disc 3, and the second set of 10/19/73....I think it’s become a grounded vindaloop?
Wanna try that 81 I f I cou ld j u st br e a k f r ee!

EDIT: Barry Glassberg? Isn’t that Barry from Sundance Books still located in downtown Geneseo NY?
Used to get our tapes from Barry and Fred way BITD! Good people!

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Submitted by The Good Ole G… on Sat, 11/14/2020 - 10:45

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OB: That's a good question!
Unfortunately, I'm afraid I don't know the answer.
Anybody on here got the scoop?

I do know that Barry is in the class of "legendary tapers" and is often mentioned along with Jerry Moore and Rob Bertrando. So yeah, top of the class.

One thing I did find out about Barry Glassberg today is:
He made a fuckin' excellent recording of the Grateful Dead at Hartford Civic Center on 3/14/81!
Damn, this sounds good.
And the Sugaree just slayed me.

Nice pick Slow Dog Noodle!

I like the direction of the discussion on Anniversaries today ICECRMCNKD
11/15/71 & 11/15/72 look like they have my name on em.

I'ma gonna dust these two gems off and shine them up for the old ear holes.

Hot Dog!

I mean, Slow Dog...
Noodle.
Dug the 3/14/81 show, thanks for the pick.
That lead into Stella Blue where Jerry visits Bach's Jesu, joy of man's desiring is dreamy.
And great recording, I was glad to see that was indeed the recording that I had in my collection.
Along with the Set 2 SBD.

Need to check out the 3/12/81 Playing In The Band today.. I started it last night but crashed.
So that's next up after this Bucket > Sugaree from another era and then on to the Anniversary shows!

Alright, good times.
Hope all are well and enjoying some good tunes.

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Submitted by JimInMD on Sun, 11/15/2020 - 08:40

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We ONLY listen to shows with a Cumberland. (kidding of course)

Last night I finally finished my listen to Winterland '73. Holy sunshine barrels Batman, that run is fantastic. I have not listened to it in sequence, note for note probably since it came out.

Two To Lay Me Down's (does the 2nd get the nod?), the Big Rivers are some of the finest played, the PITB from 11/9 has already garnered several accolades on this thread, Row Jimmy, China>Riders, all some of the best versions from the year. The second sets of 11/10 and 11/11 are other worldly. But how about those three Weather Report Suites? Flawless and emotive, spectacular. But those two second set jams are really the special sauce that holds this run together. The Dark Star>Eyes is simply jaw dropping and the recordings?

What a classic.

I have officially given up on getting my Dave's Picks 36 any time soon, and wouldn't you know it.. some kind soul gave me at the least music to get me through. I just listened to those two shows note for note too.. perhaps I will revisit the 36 thread while it's all still fresh.

Sorry for being so late to the party.

Wait.. I just realized Cumberland Blues was not played at all in the Winterland 73 run. They played it the next show in San Diego on the 14th. Forget about everything I wrote above.. Winterland 73 sucks and is over rated, plus it has no Cumberland. You believers drank too much of the kool aid and need a strong dose of reality, most importantly get off my grass hippies. And get some haircuts. Jeeze.. damned draft dodgers and rope smokers.

Edit: Took a quickie look at 11/15/87, the setlist is no slouch plus it's got a scarlet fire, which suits my mood today. Will at least give it a peek later.

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Submitted by Roguedeadguy on Sun, 11/15/2020 - 13:30

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So into this right now. The Winterland 73 box, the 30 Trips show, Dave's 5 , Denver Road Trips. Might not get to anything else this month and that's okay.

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Submitted by bob t on Sun, 11/15/2020 - 14:26

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Texas Christian University, I listened to that one last night.... They put some good tunes on this one!!! Favorite thing about the Road Trips series were those Bonus Discs!!! have a good night all. bob t

I just typed a post and it disappeared when I did reCRAPTCHA pictures (the quiz was boats, set up in a pattern that wouldn’t win tic-tac-toe), but before I hit save.

Must be an auto-delete software bug that happens with boats.

Anyway, the lost post was about how awesome 11-15-71 is!

Some of those were really good - 2/14/68, 6/16 and 6/18 74 and this one I have just listened to-5/23/69-accompanied by 5/24/69 are all top drawer. Incomplete shows, some of them, but great cds never the less. Weird numbering-this 69 one is Volume 4 No 1,and they were so tightly packed I needed a knife to get the cds out of the sleeve-but apart from that..
5/15/70 - another good one.

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Submitted by JimInMD on Mon, 11/16/2020 - 04:25

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..you hit the best of the best Dave. Sixtus would likely provide a little cheer for the June 76 show (4.5? I think the last one), but your spot on for the best road trips in my humble opinion.

To my ears this is the period Jeffrey Norman perfected his craft.. there are a few where the sound was really starting to get good and seem, at least to me, to be a step above the Dick's Picks series.

I think most know I am a big fan of the Big Rock Pow Wow shows and 2/14/68 might be one of the best shows performed. Sacred grounds.. oh, and that bonus disc from the 8-track recordings from the PNW in the winter of '68. Holy sweet drops of liquid batman. Wowwow stuff.

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Submitted by The Good Ole G… on Mon, 11/16/2020 - 06:22

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Some kind of energy vortex around the date 11/15.
Both 11/15/71 & 11/15/72 are crazy good, and intense.
Listen to the Dark Star > El Paso > Dark Star on 11/15/71 & the PITB on 11/15/72 back to back.
It's heady & shreddy!

Worth the trip!

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Submitted by Slow Dog Noodle on Mon, 11/16/2020 - 08:23

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I've really been enjoying the '72 and '73 stuff. '73 Winterland is one of my top 3 releases. Love that one.

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Submitted by DeadVikes on Mon, 11/16/2020 - 10:03

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The 73 run has been great. Can't get enough of it. More to come.

Decided to mix it up and go with 6/14/76 today. This box is so good.

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Submitted by bob t on Mon, 11/16/2020 - 16:31

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Wichita 11/17/72 or Pauley Pavilion 11/17/73......... tomorrow anniversary shows. Both insanely good and I like them both just as much.. Trading Places quote by the way.... Bob t

I'd vote Wichita. It's one of those shows with cursed listens for me.. every time I put it on a lit firecracker lands in my lap or a car drives through the living room window. ..but I know I will like if the universe will just give me one good listen.

Or both. Pauley has gotten my undivided attention before.. Love that show.

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Submitted by The Good Ole G… on Mon, 11/16/2020 - 18:43

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Wichita

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Submitted by DeadVikes on Mon, 11/16/2020 - 19:53

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Let's do them both. I know I will need two days however to get through both of these fantastic shows.

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Submitted by Vguy72 on Mon, 11/16/2020 - 20:04

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....Los Angeles......photo finish though. Me & My Uncle, Here Comes Sunshine opener tipped the scale.
I Voted.

I’ll start with 72 and then follow up with 73...not sure I’ll get it all in today, but that’s ok...like money in the bank!
Was going to finally try and get jiggy with PNW 73, like Jim with Wichita, haven’t had the right cosmic alignment with that box yet. Side affect of obtaining it whilst trying to cope with major life issues that year.
Going to try and build a farmhouse bed this week so I’ll need many hours of top notch tunage!
Onward!

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Submitted by Strider 808808 on Tue, 11/17/2020 - 13:36

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Getting ramped up for this one.

Totally hitting the spot!

I started 11-17-73 in the car this morning and got several songs into it today.

Got home and started up 11-17-72.......
Worked like a charm......

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Submitted by Vguy72 on Tue, 11/17/2020 - 19:15

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.....BT Wind is winding down in Vegas.
Grate show.

Thoroughly enjoyed Wichita last night, am onto the bonus material and fully plan on plowing into Albuquerque, Dave's Picks 26 and Los Angeles, Dave's Picks 5 later today.

The show was a tight little bundle of fun. I think subconsciously this show was always in the shadow of the Europe 72 box. Around and Around is the only song they did not play on that tour. Still, tight, explosive at times.. a good show that I finally got a listen to after all these years.

Years ago when I first visited Tuscon, I grabbed one of my tapes w/ a Jack Straw (the opener I think) and plugged it in hoping to get that line as I approached. It probably wasn't exact, but about half a minute from the city limits, at high volume, a much younger and smarter JimInMD heard the line Half a mile from Tucson, By the morning light. I couldn't resist. What a great song.

Wow, this late year '72 is ringing my bell.
Good to see all you all jumping on that train throughout the day.
BIG Other One yesterday with all kindsa tasty stuff around it and after it.
Boy Oh Boy!

Think I'm gonna have to keep this party rolling down the track...
Next stop 11/18/72, woot woot, all aboard!

BTW: Just wrapping up Tom Davis's book, Thirty-Nine Years of Short Term Memory Loss, read the Hepburn heights chapter last night. You all read that one?
WALSTIB

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Submitted by JimInMD on Wed, 11/18/2020 - 06:58

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I can squeeze that in. A hot one and one of my favorite all time PITB's. Holy fractal meltdowns batman..

It appears we are on a roll. I think BobT kicked all this off a week or two ago. The wheel is turning..

They released the usable/good parts as part of record store day and later as a CD. That's what I am using.

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Submitted by Oroborous on Wed, 11/18/2020 - 11:26

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Dooaah.
Did manage to background listen the 72 yesterday. Overall impression was how fast it seemed for the era?
And of course that awesome other one raised it’s beautiful ugly head above the noise din in my brain and made quite an impression! If I ever finally get to what I was gonna do today, work in the garage, I’ll prolly fire up 11/17/73 and/or some of that PNW. So as the mad hatter would say “I’m late”...

If that Playing In The Band from 11/18 doesn't get you playing air guitar, not sure what will.
Awesome!

Been spending some time bouncing between the 11/15 & 11/18 versions and just going places.
Throwing in The Other One from 11/17 to shake things up.
I see a playlist brewing.

Gotta go back for more, Dark Star this time > 11/19/72 is gonna get a spin.
FWIW, it's pretty safe to say that if you saw the Grateful Dead in November between '67-73 you got your mind blown.
At least from what I'm hearing. Damn!
(I like the '65 & '66 we got too, but I'm a head.)

Alright, gonna finish this TIFTOO > Main Ten 30 DOTD treat and hit up 11/19 later on down the line.

Even now, November is a good Month for Dead.

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Submitted by wave-that-flag on Thu, 11/19/2020 - 10:23

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Hofheinz—very nice. Great Box of Rain, Tomorrow is Forever, tasty Dark Star. Great show to spend time with!

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Submitted by bob t on Thu, 11/19/2020 - 12:20

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I am in!!!! I know it will never happen because its not there but how cool would a 72 Texas Box be!!! 5 shows 4 cities!!! Come back to the vault please 11/19/72!!!! Bob t

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Submitted by Strider 808808 on Thu, 11/19/2020 - 15:30

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First time listening to 11/19/72. Bird Song 72 bliss. Dark Star with completely unique jam elements, into proto 73 weather report suite into Mississippi 1/2 Step. Was great to hear.
“Everybody polka!”
Final Apollo (17) mission to the moon lift off 12/7/72, a couple weeks later.

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Submitted by bob t on Thu, 11/19/2020 - 19:55

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Hello all. I have really enjoyed our 72& 73 run. I know there is also the Denver anniversary show also from 11/20/73... Set II of 11/20/78 is the most unique second set of that year.... Jam>Drums>Jam>Jack-A-Roe.. Playin>Shakedown Street>If I had the World to Give>Playing>Around... Last World to Give, first Jack-A-Roe Since June 77 Winterland...
From what I have read, Mr. Weir was getting sick, and didn't come out until Playin, and supposedly left again until Playin Reprise... Some audience patches here and there for the Jam..... but I really really like the second set. Thanks
everyone.... Bob t

I want to check that show out tomorrow Bob t. Thanks for the pick. I will recommend 11/21/73 RT4. 3 for Saturday.

Yes, the 72/73 week has been fun. So much great music. We definitely need more fall 72. Is it two releases so far, Dick's 36 and Dave's 11. Bear did a great job on these recordings.

I have never listened to Dave's 5 so close to Winterland 73 before. To my ears, Pauly Pavilion sounds a tick better than Winterland 73. Not sure why. So much great music, we are lucky.

Unrelated, I would love to see them give us some sort of December release, not going to happen, but, I think people would love to have another release at the end of each year.

Stay well folks.

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Submitted by JimInMD on Fri, 11/20/2020 - 04:51

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Right on dvikes. The Dave's Picks 36 new car smell is beginning fade. We need a new release. A sweet one-off like To Terrapin was, something off the radar and released as a single CD that comes as a complete surprise.

There are some uneven parts on my source for 11/20/78 (The Miller) and some patches, but it settles into a decent sound for most of the show. Plus it's got a '78 Peggy-O.

Keep the picks coming all, we are on a roll.. Us mere mortals keeping up as best we can, although I am beginning to get a bit worried about Brewer.

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Submitted by The Good Ole G… on Fri, 11/20/2020 - 06:19

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Wow 11/19/72 is a stunner.
Metaphorically speaking, it was fun to see so many of your smiling faces at the show!

Top notch Playing In The Bands happening all month. This one is killer diller, and like Strider mentioned that Bird Song definitely takes flight. Great Box and the list goes on and that's only Set 1.

But surprise surprise surprise (as they say in Mayberry) the cherry on top is.... wait for it:
Dark Star > Weather Report Suite Prelude (infant) > Half-Step

1 word - Phil!!!
Phil just crushes on this, best Phil Bass solo here.

Can't get enough of this November '72 run. It is top notch GD for sure. And agree with Bob T def release worthy stuff on 11/19.. Bob T enlighten me, the reels aren't in the Vault for this show? I think the SBDs are Gan's reel transfers? Doesn't appear that there's anything to patch those reel flips though. So thank goodness we have these transfers, cause they're tasty.

11/15, 17, 18 & 19 just crush! I had to go and listen to 11/12 to see how the run started, but the recording issues definitely hide what appears to be another barn burner so far. I can't remember much about 11/14 & 11/22 and we checked out the tasty bits of 11/13 & 11/26 so that leaves 11/24 unmentioned... I know this about that, the Playing In The Band is a 5 star crusher. So maybe we can jump back in this time machine around 11/24 and fly around the ceiling of Dallas Memorial Auditorium together and check out that party!

Alright, I could go on and on, as I'm want to do, but I'll move along.

Got a little extra time today cause I got the 30 DOTD so quick, on first guess ;)

And that brings us to.. one of my Favorite shows:
11/20/78
Love this Set 2, it's unique, it's strange, it's jammy, and it's great.
All the things I like about this band.
I did not know that story about Bob that's cool insight, def have been curious what was going on at begin of Set 2, but whatever was happening, we benefitted with a fun voyage through wonderland.

This is a cool time of GD to explore, I dig late '78 and early '79, have always been a big fan of NYE '78 and it's epicness. So like any good fiend I went crawling all around the outskirts of that to discover what else was laying around the perimeter. The net spread wider when I realized there were those 2 early '79 Dark Stars lurking around there, and eventually bagged myself a whopper at the Cleveland Music Hall '78.

Hold on to your hats.. and let's get this show started!

Good Stuff.