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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • JimInMD
    Joined:
    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

  • DeadVikes
    Joined:
    8/1/82

    Looking at the 8/1/82 show from Oklahoma City for today. The hot summer 82 run.

  • 1stshow70878
    Joined:
    Yes Jim

    One of the joys of old age.
    Stuff (or hair) growing out of places it shouldn't.
    Or where it hadn't before at least.
    Cheers

  • JimInMD
    Joined:
    Re:

    Wow.

    Tell Phoebe to stay away from the Special K. Catnip and a little cannabis are fine but stay away from Keratin and all the other hard stuff. Some cats never learn....

  • 1stshow70878
    Joined:
    Thanks BC & DV & Jim & Oro

    Phoebe the 17 y.o. cat has made a comeback as she has done many times.
    Just when I think she's used all of her 9 lives she does the energizer bunny.
    The vet says her lameness is a growth of keratin and not anything worse.
    As long as she is not in pain and loving a hobbled walk in the sunshine we will keep on truckin'.
    We've had a series of one dog and six female cats with as many as three at a time.
    And when she goes the wife wants two male kittens next time.
    That should be fun! We can never wait more than a month between loss and adoption. There are so many out there who need us.
    Cheers all!

  • bluecrow
    Joined:
    thank you friends

    Spirit was such a sweet strong beautiful doggle woggle.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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DV - Yes sir, them Port Chester Multi-Tracks are the bomb!

Slow Dog Noodle requested 3/14/81 audience recording by Barry Glassberg.

So it would appear that '81 is in the air.

Good year that '81.

listening to the 2/18/71 DS>>Rat>>DS, 11/11/73 disc 3, and the second set of 10/19/73....I think it’s become a grounded vindaloop?
Wanna try that 81 I f I cou ld j u st br e a k f r ee!

EDIT: Barry Glassberg? Isn’t that Barry from Sundance Books still located in downtown Geneseo NY?
Used to get our tapes from Barry and Fred way BITD! Good people!

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OB: That's a good question!
Unfortunately, I'm afraid I don't know the answer.
Anybody on here got the scoop?

I do know that Barry is in the class of "legendary tapers" and is often mentioned along with Jerry Moore and Rob Bertrando. So yeah, top of the class.

One thing I did find out about Barry Glassberg today is:
He made a fuckin' excellent recording of the Grateful Dead at Hartford Civic Center on 3/14/81!
Damn, this sounds good.
And the Sugaree just slayed me.

Nice pick Slow Dog Noodle!

I like the direction of the discussion on Anniversaries today ICECRMCNKD
11/15/71 & 11/15/72 look like they have my name on em.

I'ma gonna dust these two gems off and shine them up for the old ear holes.

Hot Dog!

I mean, Slow Dog...
Noodle.
Dug the 3/14/81 show, thanks for the pick.
That lead into Stella Blue where Jerry visits Bach's Jesu, joy of man's desiring is dreamy.
And great recording, I was glad to see that was indeed the recording that I had in my collection.
Along with the Set 2 SBD.

Need to check out the 3/12/81 Playing In The Band today.. I started it last night but crashed.
So that's next up after this Bucket > Sugaree from another era and then on to the Anniversary shows!

Alright, good times.
Hope all are well and enjoying some good tunes.

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We ONLY listen to shows with a Cumberland. (kidding of course)

Last night I finally finished my listen to Winterland '73. Holy sunshine barrels Batman, that run is fantastic. I have not listened to it in sequence, note for note probably since it came out.

Two To Lay Me Down's (does the 2nd get the nod?), the Big Rivers are some of the finest played, the PITB from 11/9 has already garnered several accolades on this thread, Row Jimmy, China>Riders, all some of the best versions from the year. The second sets of 11/10 and 11/11 are other worldly. But how about those three Weather Report Suites? Flawless and emotive, spectacular. But those two second set jams are really the special sauce that holds this run together. The Dark Star>Eyes is simply jaw dropping and the recordings?

What a classic.

I have officially given up on getting my Dave's Picks 36 any time soon, and wouldn't you know it.. some kind soul gave me at the least music to get me through. I just listened to those two shows note for note too.. perhaps I will revisit the 36 thread while it's all still fresh.

Sorry for being so late to the party.

Wait.. I just realized Cumberland Blues was not played at all in the Winterland 73 run. They played it the next show in San Diego on the 14th. Forget about everything I wrote above.. Winterland 73 sucks and is over rated, plus it has no Cumberland. You believers drank too much of the kool aid and need a strong dose of reality, most importantly get off my grass hippies. And get some haircuts. Jeeze.. damned draft dodgers and rope smokers.

Edit: Took a quickie look at 11/15/87, the setlist is no slouch plus it's got a scarlet fire, which suits my mood today. Will at least give it a peek later.

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So into this right now. The Winterland 73 box, the 30 Trips show, Dave's 5 , Denver Road Trips. Might not get to anything else this month and that's okay.

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Texas Christian University, I listened to that one last night.... They put some good tunes on this one!!! Favorite thing about the Road Trips series were those Bonus Discs!!! have a good night all. bob t

I just typed a post and it disappeared when I did reCRAPTCHA pictures (the quiz was boats, set up in a pattern that wouldn’t win tic-tac-toe), but before I hit save.

Must be an auto-delete software bug that happens with boats.

Anyway, the lost post was about how awesome 11-15-71 is!

Some of those were really good - 2/14/68, 6/16 and 6/18 74 and this one I have just listened to-5/23/69-accompanied by 5/24/69 are all top drawer. Incomplete shows, some of them, but great cds never the less. Weird numbering-this 69 one is Volume 4 No 1,and they were so tightly packed I needed a knife to get the cds out of the sleeve-but apart from that..
5/15/70 - another good one.

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..you hit the best of the best Dave. Sixtus would likely provide a little cheer for the June 76 show (4.5? I think the last one), but your spot on for the best road trips in my humble opinion.

To my ears this is the period Jeffrey Norman perfected his craft.. there are a few where the sound was really starting to get good and seem, at least to me, to be a step above the Dick's Picks series.

I think most know I am a big fan of the Big Rock Pow Wow shows and 2/14/68 might be one of the best shows performed. Sacred grounds.. oh, and that bonus disc from the 8-track recordings from the PNW in the winter of '68. Holy sweet drops of liquid batman. Wowwow stuff.

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In reply to by JimInMD

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Some kind of energy vortex around the date 11/15.
Both 11/15/71 & 11/15/72 are crazy good, and intense.
Listen to the Dark Star > El Paso > Dark Star on 11/15/71 & the PITB on 11/15/72 back to back.
It's heady & shreddy!

Worth the trip!

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I've really been enjoying the '72 and '73 stuff. '73 Winterland is one of my top 3 releases. Love that one.

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In reply to by Slow Dog Noodle

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The 73 run has been great. Can't get enough of it. More to come.

Decided to mix it up and go with 6/14/76 today. This box is so good.

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Wichita 11/17/72 or Pauley Pavilion 11/17/73......... tomorrow anniversary shows. Both insanely good and I like them both just as much.. Trading Places quote by the way.... Bob t

I'd vote Wichita. It's one of those shows with cursed listens for me.. every time I put it on a lit firecracker lands in my lap or a car drives through the living room window. ..but I know I will like if the universe will just give me one good listen.

Or both. Pauley has gotten my undivided attention before.. Love that show.

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Wichita

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Let's do them both. I know I will need two days however to get through both of these fantastic shows.

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....Los Angeles......photo finish though. Me & My Uncle, Here Comes Sunshine opener tipped the scale.
I Voted.

I’ll start with 72 and then follow up with 73...not sure I’ll get it all in today, but that’s ok...like money in the bank!
Was going to finally try and get jiggy with PNW 73, like Jim with Wichita, haven’t had the right cosmic alignment with that box yet. Side affect of obtaining it whilst trying to cope with major life issues that year.
Going to try and build a farmhouse bed this week so I’ll need many hours of top notch tunage!
Onward!

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Getting ramped up for this one.

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In reply to by icecrmcnkd

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Totally hitting the spot!

I started 11-17-73 in the car this morning and got several songs into it today.

Got home and started up 11-17-72.......
Worked like a charm......

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.....BT Wind is winding down in Vegas.
Grate show.

Thoroughly enjoyed Wichita last night, am onto the bonus material and fully plan on plowing into Albuquerque, Dave's Picks 26 and Los Angeles, Dave's Picks 5 later today.

The show was a tight little bundle of fun. I think subconsciously this show was always in the shadow of the Europe 72 box. Around and Around is the only song they did not play on that tour. Still, tight, explosive at times.. a good show that I finally got a listen to after all these years.

Years ago when I first visited Tuscon, I grabbed one of my tapes w/ a Jack Straw (the opener I think) and plugged it in hoping to get that line as I approached. It probably wasn't exact, but about half a minute from the city limits, at high volume, a much younger and smarter JimInMD heard the line Half a mile from Tucson, By the morning light. I couldn't resist. What a great song.

Wow, this late year '72 is ringing my bell.
Good to see all you all jumping on that train throughout the day.
BIG Other One yesterday with all kindsa tasty stuff around it and after it.
Boy Oh Boy!

Think I'm gonna have to keep this party rolling down the track...
Next stop 11/18/72, woot woot, all aboard!

BTW: Just wrapping up Tom Davis's book, Thirty-Nine Years of Short Term Memory Loss, read the Hepburn heights chapter last night. You all read that one?
WALSTIB

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I can squeeze that in. A hot one and one of my favorite all time PITB's. Holy fractal meltdowns batman..

It appears we are on a roll. I think BobT kicked all this off a week or two ago. The wheel is turning..

They released the usable/good parts as part of record store day and later as a CD. That's what I am using.

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Dooaah.
Did manage to background listen the 72 yesterday. Overall impression was how fast it seemed for the era?
And of course that awesome other one raised it’s beautiful ugly head above the noise din in my brain and made quite an impression! If I ever finally get to what I was gonna do today, work in the garage, I’ll prolly fire up 11/17/73 and/or some of that PNW. So as the mad hatter would say “I’m late”...

If that Playing In The Band from 11/18 doesn't get you playing air guitar, not sure what will.
Awesome!

Been spending some time bouncing between the 11/15 & 11/18 versions and just going places.
Throwing in The Other One from 11/17 to shake things up.
I see a playlist brewing.

Gotta go back for more, Dark Star this time > 11/19/72 is gonna get a spin.
FWIW, it's pretty safe to say that if you saw the Grateful Dead in November between '67-73 you got your mind blown.
At least from what I'm hearing. Damn!
(I like the '65 & '66 we got too, but I'm a head.)

Alright, gonna finish this TIFTOO > Main Ten 30 DOTD treat and hit up 11/19 later on down the line.

Even now, November is a good Month for Dead.

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Hofheinz—very nice. Great Box of Rain, Tomorrow is Forever, tasty Dark Star. Great show to spend time with!

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I am in!!!! I know it will never happen because its not there but how cool would a 72 Texas Box be!!! 5 shows 4 cities!!! Come back to the vault please 11/19/72!!!! Bob t

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First time listening to 11/19/72. Bird Song 72 bliss. Dark Star with completely unique jam elements, into proto 73 weather report suite into Mississippi 1/2 Step. Was great to hear.
“Everybody polka!”
Final Apollo (17) mission to the moon lift off 12/7/72, a couple weeks later.

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Hello all. I have really enjoyed our 72& 73 run. I know there is also the Denver anniversary show also from 11/20/73... Set II of 11/20/78 is the most unique second set of that year.... Jam>Drums>Jam>Jack-A-Roe.. Playin>Shakedown Street>If I had the World to Give>Playing>Around... Last World to Give, first Jack-A-Roe Since June 77 Winterland...
From what I have read, Mr. Weir was getting sick, and didn't come out until Playin, and supposedly left again until Playin Reprise... Some audience patches here and there for the Jam..... but I really really like the second set. Thanks
everyone.... Bob t

I want to check that show out tomorrow Bob t. Thanks for the pick. I will recommend 11/21/73 RT4. 3 for Saturday.

Yes, the 72/73 week has been fun. So much great music. We definitely need more fall 72. Is it two releases so far, Dick's 36 and Dave's 11. Bear did a great job on these recordings.

I have never listened to Dave's 5 so close to Winterland 73 before. To my ears, Pauly Pavilion sounds a tick better than Winterland 73. Not sure why. So much great music, we are lucky.

Unrelated, I would love to see them give us some sort of December release, not going to happen, but, I think people would love to have another release at the end of each year.

Stay well folks.

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Right on dvikes. The Dave's Picks 36 new car smell is beginning fade. We need a new release. A sweet one-off like To Terrapin was, something off the radar and released as a single CD that comes as a complete surprise.

There are some uneven parts on my source for 11/20/78 (The Miller) and some patches, but it settles into a decent sound for most of the show. Plus it's got a '78 Peggy-O.

Keep the picks coming all, we are on a roll.. Us mere mortals keeping up as best we can, although I am beginning to get a bit worried about Brewer.

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Wow 11/19/72 is a stunner.
Metaphorically speaking, it was fun to see so many of your smiling faces at the show!

Top notch Playing In The Bands happening all month. This one is killer diller, and like Strider mentioned that Bird Song definitely takes flight. Great Box and the list goes on and that's only Set 1.

But surprise surprise surprise (as they say in Mayberry) the cherry on top is.... wait for it:
Dark Star > Weather Report Suite Prelude (infant) > Half-Step

1 word - Phil!!!
Phil just crushes on this, best Phil Bass solo here.

Can't get enough of this November '72 run. It is top notch GD for sure. And agree with Bob T def release worthy stuff on 11/19.. Bob T enlighten me, the reels aren't in the Vault for this show? I think the SBDs are Gan's reel transfers? Doesn't appear that there's anything to patch those reel flips though. So thank goodness we have these transfers, cause they're tasty.

11/15, 17, 18 & 19 just crush! I had to go and listen to 11/12 to see how the run started, but the recording issues definitely hide what appears to be another barn burner so far. I can't remember much about 11/14 & 11/22 and we checked out the tasty bits of 11/13 & 11/26 so that leaves 11/24 unmentioned... I know this about that, the Playing In The Band is a 5 star crusher. So maybe we can jump back in this time machine around 11/24 and fly around the ceiling of Dallas Memorial Auditorium together and check out that party!

Alright, I could go on and on, as I'm want to do, but I'll move along.

Got a little extra time today cause I got the 30 DOTD so quick, on first guess ;)

And that brings us to.. one of my Favorite shows:
11/20/78
Love this Set 2, it's unique, it's strange, it's jammy, and it's great.
All the things I like about this band.
I did not know that story about Bob that's cool insight, def have been curious what was going on at begin of Set 2, but whatever was happening, we benefitted with a fun voyage through wonderland.

This is a cool time of GD to explore, I dig late '78 and early '79, have always been a big fan of NYE '78 and it's epicness. So like any good fiend I went crawling all around the outskirts of that to discover what else was laying around the perimeter. The net spread wider when I realized there were those 2 early '79 Dark Stars lurking around there, and eventually bagged myself a whopper at the Cleveland Music Hall '78.

Hold on to your hats.. and let's get this show started!

Good Stuff.