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    clayv
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    "And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

    We're doing things a bit different for this one - two complete shows on four CDs, bringing you one of Dave's faves and what very well could have been one of Dick's Picks. Yep, back-to-back nights from peak era 80s - the furthest we've gone into the decade, in fact - that will bring you to joyful tears. DAVE’S PICKS VOLUME 36: HARTFORD CIVIC CENTER, HARTFORD, CT (3/26/87 & 3/27/87) delivers emotional takes on tracks like "Row Jimmy," "Black Peter," Uncle John's Band," and serves up a hit list of covers ("In The Midnight Hour," "Good Lovin'," "Desolation Row," "Promised Land," "Little Red Rooster," "Morning Dew," Johnny B. Goode") that'll have you hootin' and hollerin'.

    Limited to 22,000 numbered copies, this one has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out.

    *2 per order. Very limited quantity available.

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  • Roguedeadguy
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    JimInMd

    Fabulous post. That sums up most of my thoughts about the new DaP as well. Its not my my favorite, but it fills a need. It hits the spot for me in the afternoons, when I'm working or doing stuff around the house. I dont fault Dave one bit for picking this as his #36.

  • Roguedeadguy
    Joined:
    Haven't done a last 5 in forever :)

    5) Phish 1998-11-11 at Van Andel Arena, Grand Rapids MI. My first Phish show, and probably only my 4th or 5th show of any sort. Could close my eyes and almost remember being there. I can't believe that ticket stub is old enough to drink now. *sigh*

    4) Beatles White album. Listening to Phish made me think of it.

    3) Moody Blues - Every Good Boy Deserves Favor. Everybody knows what the title is a reference too, right ?

    2) 11-10-73 Winterland Box. No big spacey Dark Star or Other One jam, but lots of juicy intermediate jams. WRS, followed immediately by PLayin - UJB - Morning Dew - UJB - PLayin double decker sandwich, with a Truckin' - Sugar Magnolia - Wharf Rat right on its heels. Probably they were leaving a little in the tank for a the closing night of the run. That'll be in my next last 5.

    1) The Wes Montgomery Trio -- A Dynamic New Sound. Really nice and mellow vibes along with my morning coffee. Even the dog knew to leave me alone for this fleeting moment.

    0) Kevin Eubanks, Opening Night. Yup, that Kevin Eubanks. I have a nice vinyl copy of this. Just flipped it over to side 2, as a matter of fact. Mr Eubanks looks like an absolute playa from the cover. Also its one of the best jazz guitar albums I've ever heard.

  • JimInMD
    Joined:
    Given Up On Getting DaP 36 Anytime Soon

    The good news is, my shipping label was created on 10/30. The bad news, that's the last update on tracking. Thankfully, some kind soul laid the music on me and I got my first listen between last night and this morning.

    Coming off a complete listen to Winterland '73, which is really one of my favorites and something I have not done since it was released all those years ago, this was quite the shock to the system and a nice palate cleanse.

    The shows are extremely hot for the era, Garcia is inspired and at times on fire. Of the four sets, I seemed drawn to set one of 3/26 the most and I am normally a second set person. To be honest, this is a good accompaniment to the April '84 Spectrum show. At times on both releases Jerry's playing is amazing. Clean tones with lots of note stretching and sustain, he mostly makes his notes and chord changes on time and drives the music to some interesting and hard-driving places. There is a ferocity to his playing at times during all three shows, typical for a barn burning 80's show.

    I like all era's, but truth be known late 67 to 74 is my sweet spot. The jazzy, almost classical compositional GD coming off their creative period and before that primal dead. Add in the crisp recordings and thoughtful mixes common in the early years and it’s heaven. I like later era stuff too, and some of the energy and guitar work here is guitar god stuff. It's very Garcia centric, he is the loud one in the mix and he seems to dominate big sections of these four sets.

    I have one general comment about this release, keeping in mind I am not a big fan or crowd noise with my soundboards.. this one is best enjoyed LOUD. It just does not sound right at half volume. If you have the opportunity to really crank it up.. move the volume just to that 'safe' limit that does not threaten your hearing later in life... and it begins to take on a life of it's own. This was after all 1987. Jerry fresh off his addiction and coma and had a new zest for life.. but more than that, this is how the sound had evolved. Post hiatus, they began playing in small venues, theatres, etc. In the late 70's / early 80's they continued their theatre preference but began opening up to colleges and small one-off venues. By the early 80's more and more people were showing up and small venue fatigue set in so they migrated to both indoor and outdoor sheds like the Hartford Civic Center. Never sexy and not always the best acoustics but these venues both amplified the raw power of a crescendo or climax in the music and the reactionary edge of the crowd at any given moment. These indoor arenas in particular became sweat houses full of rowdy energy from the band and the crowd. In all the indoor shows I saw in the mid to late 80’s, I cannot think of one I did not leave with a feeling of elation and dripping in sweat. Think Hartford Civic Center, the Centrum, MSG, Carrier Dome, Augusta Civic Center etc. The floor of Madison Square Garden is supported by big springs so you can feel the building move in reaction to the stomping of the crowd and this energy finds its way into the music. This was the environment they played in and people reacted to these fiery, high-energy shows. Like I said, I am not a huge fan of an audience components in my soundboards, but one release in 36 seems an acceptable number and although I did not make these shows they seem to do a decent job representing what the spring tour in ’87 sounded like.

    One last comment, I understand this release is not for everyone. I will give it some repeat listens but there will come a time when this one begins to get comfortable in it’s home on the shelf. We should not be surprised shows like this get released. Even if it’s not your favorite there are many out there that eat this stuff up and love it. Shows like this need to get released. They are rich in historical content and the band has a responsibility to the extent they can, to preserve and restore these historic recordings for antiquity. We typically get one per year, if you subscribe there is no cost for this compared to the cost of buying three shows ala carte. My two cents.

    Ledded, agree. DaveRock, you can bet 2021 will have The Ark and at least one other quintessential primal dead injection that you simply cannot live without. Ark Ark. If noting else, we are creative and unpredictable.

    Ark. I say phil my dog has no Ark, NO Ark, how does he smell, Blooming Arkful..

    Ark Ark
    Who's there
    Ark
    Ark who?
    Simon and Ark-funkle.

  • LedDed
    Joined:
    Deep Cuts

    Thank God for Owsley (on so many levels) but in this instance for recording all the Dead shows right from the beginning. Even on into the 80s when we lost that marvelous analog tape and went to a digital cassette, the magic is still sometimes there.

    There's no other band with a legacy like this, where they have a top-notch outfit like Rhino putting out multiple releases from multiple eras - every single year. Yes, despite the occasional customer service fail Rhino is a first-tier music distributor. They give new life to old recordings from dozens of bands.

    Along with the Dead never playing the same song the same way twice, getting these releases every few months is just musical nirvana, at least for me. I am beyond Grateful for this music and all the people involved in putting it together. I have nothing to complain about. No one is perfect, when I don't get something just exactly right at my job every time I'm glad there's not a line of angry miscreants standing there to rake me over the coals.

    Last five:

    AC/DC - Power Up (best since Flick of the Switch; Brian Johnson back in top form)
    Rival Sons - Feral Roots
    The Meters - Kickback
    Grateful Dead - 6/11/76 Boston Music Hall
    Stanley Turrentine - Don't Mess With Mister T.

    \m/

  • daverock
    Joined:
    More of the same

    Having so far not re-subscribed I am sincerely hoping that Dave releases more shows of the quality of numbers 35 and 36 next year. It will be just my luck that he opts for an Ark 1969 show or something. Hopefully he will concentrate on the 80s and 90s for a while.

  • Deadheadbrewer
    Joined:
    My Two Cents Worth

    DaP36 offers a unique way to listen to the Dead. We have hundreds of soundboards of varying quality, but this release really puts one "there," in a way that no other releases do. I appreciate that aspect.

    DaP36 fills a hole in the timeline of official releases. For me it's cool to hear what the band was up to at every part of their journey, and we had no official releases from early 1986 through summer 1987. As with DaP35, Dave has recently filled some holes in the puzzle we all love putting together. Whether a release is THE BEST show ever sometimes can take a back seat to fleshing out the skeleton.

    DaP36 is really fun! Once my ears adjusted, I enjoyed the audience's enthusiasm and the band's energy. I would have enjoyed being at these shows, and at the end of the day, that's all that matters to me.

    DaP36 is a fantastic 50th birthday gift from Dave to us and to himself. This year also marks 21 years of Dave working in the vault, so if he wants us to open our minds a bit to what type of releases are possible, in order to get his first show (and the one that got away) out, then bless him. Most of us would have released our first show looooong before 21 years and hundreds of shows came out, and many of those shows were not nearly as good as 3/26/87. Speaking of first shows, how about 6/24/91 as a four-show Tail-End-of-Summer 1991 Box Set, please, Dave? :)

    Believe it if you need it, if you don't, just pass it on . . .

  • wilfredtjones
    Joined:
    best Bird Song

    A lot of people like Cole Field House 1981. Me, I like a lot of them with 3-9-81 MSG holding a special place for me. I can only wish that they had better taped a lot of those early to mid-80's shows. The return of Bird Song in 1980 went off quite well, also. I agree that this DaP 36 version is a burner though. Pre-midi, too. They really piled on the Midi effect on this tune when that was all the rage. Imagine what Grateful Dead with Auto-Tune would have done...

    http://headyversion.com/song/26/grateful-dead/bird-song/

  • myeviltwin
    Joined:
    Bird Song

    Definitely the best Bird Song ever.

  • daverock
    Joined:
    Last 5-everyone a winner

    Lonesome Town Ricky Nelson
    Complete Chess Recordings cd1 Chuck Berry
    Live in New Haven 12/9/2001 King Crimson
    Live in Roanne 8/17/73 Gong
    Dicks Picks 26-4/26 and 27/69 vinyl Grateful Dead - it cost a bomb and it is a bomb. Listening to American Beauty last week and this yesterday reminds me what it's all about.

  • jrf68@hotmail.com
    Joined:
    This was a fun find...

    Jack White, Jimmy Page & The Edge.
    https://www.youtube.com/watch?v=VPfjWsbCZV0

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"And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

We're doing things a bit different for this one - two complete shows on four CDs, bringing you one of Dave's faves and what very well could have been one of Dick's Picks. Yep, back-to-back nights from peak era 80s - the furthest we've gone into the decade, in fact - that will bring you to joyful tears. DAVE’S PICKS VOLUME 36: HARTFORD CIVIC CENTER, HARTFORD, CT (3/26/87 & 3/27/87) delivers emotional takes on tracks like "Row Jimmy," "Black Peter," Uncle John's Band," and serves up a hit list of covers ("In The Midnight Hour," "Good Lovin'," "Desolation Row," "Promised Land," "Little Red Rooster," "Morning Dew," Johnny B. Goode") that'll have you hootin' and hollerin'.

Limited to 22,000 numbered copies, this one has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out.

*2 per order. Very limited quantity available.

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In reply to by Dennis

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I was about 50 feet from that...but like most I didn't know about it until the next day...

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Elvis did not appropriate black music, he actually did just what you described as what the Dead did, I'll quote you:
"because they fuse together both styles of Americana music, black heritage and white heritage to make something truly unique." Both the Dead and Elvis borrowed elements of Americana to create their unique blend of music; talking about pre-1956 Elvis, all his Sun sides are unique.
You could argue that the appropriation label would apply more to early 60s Brit bands, who would basically copy vocal phrasings of black singers and note for note solos(Pigpen did the same). Nothing wrong with that, in my opinion, as long as the original artists got more recognition and royalties.
Then there's the Yardbirds appropriating Tiny Bradshaws's Train Kept A Rollin' without crediting him; that's more like theft though.
Anyway, both Jazz and Blues were influenced by western music and western instrumentation since the 1800s. That's a huge subject!

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In reply to by nappyrags

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Perhaps, but don't be so quick to judge until you've tasted his turkey mole enchiladas. Maybe worthy of pardon power.

(pulled off some Turkey Enchiladas Verdes a few days ago, they were a big hit as noted by their immediate consumption, the JimInMD house thanks you for the inspiration)

That's how I understand things regarding Elvis.

I agree that the blues covers by Brit bands weren't too hot in the first half of the 60s. One of the great benefits was that they introduced the likes of me to the real McCoy. The Stones -Keith Richards in particular - regularly pointed out where they got their inspiration from in interviews. And there is that famous clip from about 1965 when they introduce Howlin' Wolf on the T.V. programme Shindig!

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In reply to by nappyrags

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Johnny Burnette credited Tiny Bradshaw as writer, so no theft there; the Yardbirds credited themselves when they changed the lyrics and renamed the song Stroll On.
To make this Jerry relevant: both Johnny Burnette and his brother Dorsey were successful songwriters later on, with Dorsey writing the Magnificent Sanctuary Band, covered nicely by JGB.

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...was pointed out to me this morning.

Did you see Bob Dylan sold his catalog for 300 million!?!

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LEDDED seems to be the most understanding about much of this. Talking is just that...conversation, but there's some borderline "white fragility" on this board, that is if you think that sociology theory is correct. :) Unless I'm misreading the tone wrong, some of y'all get way to sensitive over conversation. That's why I was saying the GD is a "melting pot" they didn't start it, they melded it all together into their own. Thinking is good and that's all I was mentioning stuff for. That's all well and good but if you ask different people about Elvis they would disagree. To each their own and I guess that's the big debate these days...some people think its a big deal and others not so much. Some people flip out when they see a greasy white upper middle class trustafarian with dreadlocks because its not his culture to claim. Others say chill out and let it ride. Depending on if you are white or black, your personal experiences, income, and social standing the opinions and beliefs you hold on are divided and held dearly. The black friends and people I've talked to in the past don't think too fondly of Elvis, some people say otherwise as he inspired some dance moves. Some feel that once again a white dude is getting major props and social credit for doing something done by others first...see exhibit A (plate stand not included)...https://i.pinimg.com/originals/f7/c1/7a/f7c17aa0fa52d82c1275383c193b79e…

Black musicians simply were not respected due to their social/cultural status and perceived economic viability for sales, therefore no one cared and no one gave them a chance. It is what it is, but don't deny it, life viewed from another's perspective its just as valid. The reality of the situation is what I'm curious about.

Not trying to piss any one off but there's a reason when you ask people about who their rock n roll gods are, the only black guy usually mentioned on that list is Hendrix. There's definitely something there to be discussed and it's reflective of our society as a whole. GD family and band members have always been more inclusive than their fans are, I've experienced that first hand over 30 years of shows. Though it did tick me off when Jerry went off on rap music during some interview in the 80s or something. That was some close mindedness I did not think I would see from him (maybe the persian made him grumpy that day), not to mention the subversiveness of the rap scene you thought he might get behind.

Nowadays there's rap acts that sample GD music and rhyme over it...so there's that. The best way I can help make the change I want in this country for my kids and their future is to ask people to think more about the hidden histories of our country and not the ones thrown up by companies looking to cash in. I know there is cross pollination and an ouroboros of destruction and recreation as humanity consumes itself and is reborn as society and cultural change. Some people think individuals are a nucleus of human ingenuity while generational geniuses often express that they "know nothing compared to what is possible to know" & "they can only see farther because they stand on the shoulders of giants." One thing I've come to appreciate in my searching for the sources of things, its all one big clusterfuck. It still doesn't stop me from thinking about it nor from trying to find the true source of inspiration. It's too heavy for most people because the tighter and more reassuring package to hold is the belief that Elvis invented rock n roll or is responsible for its popularity. People like simple answers so they find simple answers. It's way more exhausting to continually reinvent one's own ideas or interpretations but it pays off in the long run of life.

Jay Lane (yup from Ratdog) and a bunch of friends put this together...ya'll probably heard about it cause it was all over lots many summers ago at this point. They did a whole album...I think, but its not the easiest thing to come across. Not the most bang up thing ever recorded but it sure was neat to the younger fans...I remember, maybe.

Back to The River (Franklin's Tower sample)
https://www.youtube.com/watch?v=nK6x7R4KnHY

Box of Sunshine (Row Jimmy sample)
https://www.youtube.com/watch?v=xNdTCTDlCYk

Mine had the skin on.. the trick for Mole Verde is 30 min before cooking you toss them in a punch bowl of green kool aid and voila, verde fur. A nice parlor trick.

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I'm kinda thinking that #38 will be 9/16/72 with bonus 9/15.

sorry sub's thread seems to be locked or something.

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In reply to by direwulf

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Direwulf-I think most people who listen to rock n' roll would also credit black performers such as Ike Turner, Chuck Berry, Little Richard, Bo Diddley and Fats Domino as being foundational rock n roll performers who were contemporaneous with Elvis. It was a music that made as step towards breaking down racial barriers.

You still haven't said which black performers you have heard who sounded like Elvis Presley. The blues tracks he cut sounded nothing like the originals, that I have heard.

In the 60s, a lot of people would point out that some of the best records were made by black performers - and not just Jimi Hendrix. But they weren't necessarily rock n' roll records. I have over 30 cds of material recorded on Stax records alone-but not many of the tracks on them are what I would call rock n' roll-or rock of any sort. Same with Tamla Motown.

And when you consider all the classic jazz records made in the 1950s and 1960s-many more were made by black musicians than white, I would think. Everything by Miles Davis for a start.

1000s of great blues records too, by black artists throughout the 50s and 60s. Way too many to mention, but again, not just Jimi Hendrix.

To credit Elvis Presley and Sam Phillips with their innovative sound, and it surely was innovative, in no way diminishes the achievments of any of the above.

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I saw Big Mama Thorton play a couple of times and she was really cool, but I dig the version of Hound Dog that Elvis does way more. As far as Blue Moon of Kentucky goes, I like both versions equally, Bill Monroe's and Elvis's

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In reply to by billy the kid

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Billy the Kid- that must have been something, seeing Big Mama Thornton. That puts T.Rex in the shade.

Another great original and cover was Mystery Train. The original by Junior Parker is great, and the cover by Elvis, which is totally different, is also brilliant.

....and raise my glass to the latest GarciaLive release.
This will stay on my "currently playing" end table for awhile.
Birthday show for me. I turned 3, which is indeed a magic number.
I've been away entertaining my 3 granddaughters that recently visited.
We went to the Adventuredome at Circus Circus. No lines. Rides for daze. Oh yeah. And Lazer Tag.
I feel 3 years younger.

Exceptional. The clip of her at the train station was in the North West of England, not far from where I grew up. I think Muddy Waters and a fewe other blues performes were filmed at the same time and place.
Great the way she used to dress like my grandma but could rock out like Jimi Hendrix.

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Direwulf, you did misread the tone of my reply; my point was that Jazz, Blues and Country did not happen in a vacuum and had black and white influences(obviously, not in equal parts.) This has nothing do with "white fragility".
By the way, we forgot Ray Charles as a major rock and roll influence, thanks to his classic Atlantic sides.

Pretty cool Carlo.

Billy.. Will check out Garcia / Grisman at some point today.

Lots to do today, onward.....

Oh, and Senator, looking forward to getting my new Garcia Live hopefully today.. , but the USPS Gods have not been smiling on my lately. It's like the old Music Today warehouse has taken over the postal system. My packages seem to going all over the Eastern US, then sometimes back to distributions centers for a second or third time. It's almost like somebody reprogrammed the automated distribution vector software and added some infinite loops.

Or in the Words of Jerry Garcia, "It's really too weird here, it really is" If I can find one, a free dead sticker to the first person to name the show... if I can't find one (unlikely) I will have tried.

Oh, and Cousins/Direwulf.. a tip of the hat to Ray Charles. I saw him and Fats Domino with my father and brother at a New Orleans JazzFest 20 or so years ago (I dragged them out and paid for flights and hotels).. I know I have told this story here before, but it's cool enough for a redux.. my dad told tales of his life in the 50's. He was the youngest of 11, so bedrooms were often doubled up.. but he lived in the Western suburbs of Baltimore and used to prop up the window and hop out after dark and head down to what are referred to as the seedy sections of Baltimore and see black R&B/Blues acts including Charles and Domino, then get back before dawn and crawl through the window hoping nobody noticed. When I heard this I was floored.. gave me a little source of pride, respect and honor. Perhaps that's where I got it from....

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May the four winds blow you safely home.

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In reply to by billy the kid

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Did you catch her at the SF Blues Festival, 78 or so? That was a great day, biggest treat was seeing 40s R&B shouter Roy Brown. Free festival too, right in Golden Gate Park.

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Really enjoying Jerry and Merl’s playing from this 5/71 release. The Crosby-penned “The Wall Song” is awesome and much closer spiritually to the earlier PERRO, Crosby demo sessions for his ‘71 solo album. Of course, when the song was officially released with a much different tempo and sound on that first Crosby & Nash album in ‘72, Jerry, Phil and Bill all played on the track.

In any event, GarciaLive 15 smokes and is unlike the later JGB releases sonically. A bit of primal edge from the ‘60’s on this one perhaps. Enjoy the listen!

Dave—mission’ that second box release that usually gets me through this time of the year. 2020’s been a bitch. Let’s all get through this alive. Peace and good health to all Deadheads and loved ones.

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Hey Cousins, yeah, I saw her at the bandshell in Golden Gate Park at the S.F. Blues Festival. I also saw her at a Blues Festival on the U.C. Berkeley Campus, I believe in 1974, George Harmonica Smith and Sonny Terry & Brownie Magee were also on the bill. Boy, I sure miss those S.F. Blues Festivals, I went to a lot of them, they were a blast!

Estimated Prophet going into the commercial of the Baltimore Ravens game tonight. My time comin' any day.. don't worry about me no.

The times they are a changin'...

Edit: Got a Lost Sailor in the second half.

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Any cat that can hang with Jerry has got to be just aaaallll right . . .

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That list of Star Wars future projects instantly made me think of the Garcia Family Provisions merchandising model. 😬

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In reply to by simonrob

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I hear they are bringing back Sean Connery as the new aged 00bi Wan Kenobi.

Star Wars brand cannabis.
There’s already a Light Saber strain, although I don’t think that Disney is getting any royalties.

Millennium Falcon Sativa, it will make your mind go warp speed.

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There's got to be a good star wars weed strain joke here just waiting to be told. Here's hoping V guy has a few up his sleeve. My brain is wracked after a long week of work.

I did take this occasion to listen to 12-11-72. How nice would a 3-show '72 Winterland box set be, a la the '73 one?

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My Star Wars fandom well full hyperspace with those announcements. Well I won't guarantee that everything Lucasfilm produces will be great, i am still going to be checking them all out. I don't know if any of you watch the Mandalorian. If you haven't seen it yet, I recommend checking it out. I have been really enjoying that show and if even one or two of those new shows are at that level, I will be happy.

....what? Searching now.
Found it. I have twenty bucks.
Edit. I accidentally backed out of the stream and can't figure out how to get back in. Good for 48 hrs though. I'll figure it out.

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