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    clayv
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    "Welcome to the 10th year of the Dave's Picks series! We're amazed and humbled that this community of Dave's Picks fans keeps growing, and we just wanted to let you know how much we sincerely appreciate your support of and interest in the series. We started in 2012 with 12,000 of each release, and now we've more doubled that, with 25,000 in 2021. Wow! We keep working as hard as we possibly can to bring you the best, most exciting Grateful Dead shows in the vault. Our 2020 releases included music from 1977, 1974, 1984, and the latest, biggest release yet in the series, the two complete Hartford shows from 1987. Looking ahead, we've selected two exceptional, A+ Dead shows for Vol. 37 (more on that in the video below) and 38, as well as the Bonus Disc that will come with Vol. 38. Big year ahead! As we head into the 10th year of the series, there's no end in sight. We love what we do, and have loads of plans and ideas for the next few years. Onward to more great music!"

    David Lemieux
    October 2020

    Times may be trying but the music has never and will never stop! Keep the momentum going by doing the Dead all year long with a Dave's Picks 2021 subscription. We're taking the production run up one final time - to 25,000 - for each of the four Dave's Picks 2021 releases. We'll also be doing things a wee bit differently this year - subscribers will be the first to receive their Dave's Picks. A la carte sales will go up on street date (no more pre-orders) and if you don't subscribe - we highly encourage you to - you'll want to be ready and waiting because these releases sell out within hours. Hours - no hyperbole.

    In addition to the four releases in 2021, totaling 12 CDs, you’ll also get the subscription exclusive bonus disc, which has proven to be one of the most highly sought-after collectables we release, and free domestic shipping. Subscriber bonus discs will not be released outside of this offer. Early bird subscribers can nab a sub at $99.98 (regular pricing will be $115.92).

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  • JimInMD
    Joined:
    I Subscribed, I expect I will for the foreseeable future

    Not blind loyalty, I really like the music. Even the 'lesser' shows get occasional, usually pleasant relistens, there's usually a nugget or thee of truth in there somewhere. My advice, pony up for the early bird pricing and let the chips fall where they may. Easy breezy.

    We all should feel free to express our opinions, all views are welcome. It would make for a more enjoyable read if we can find a way to get our point across without slashing and burning the entire forest. It stinks in here.., or as my French teacher Mrs. Feldman used to say, "c'est odeur affreuse"

    Their business model is their business, our choice is to buy or not.. I don't think there is much we can write in these forums that will influence their short or long term decision making. Sales and purchase behavior are what they pay attention to. In almost all cases the music is already out there for free, ready to be enjoyed without much effort at all so you rarely have to buy physical product to listen and enjoy. I fully support their efforts to clean up, preserve and restore the now mostly ancient recordings and make them as good as they can be. These mastered recordings are part of an important historical record. The Band and Rhino have a responsibility to clean them up and preserve them to the best extent they can. This likely means the next ten releases will not be the next ten you want released, more like the ten that best fit this purpose.., in the end it will even out and those ten shows will get released. If that takes a cento out of my pocket each year, I'd call that a bargain.

    Where were we again..
    We are really due for a '69, fall '72 or a fall/summer '73. These are prime candidates for the second release slot of the year and offer bonus disc potential. In another month or so we will get news on #38. My guess is it's going to be a smoker.

  • daverock
    Joined:
    Snafu

    I would hope no one would send you hate mail for expressing an opinion. Your truth isn't my truth, but that's no cause for concern.

  • snafu
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    What's a circle jerk antifa?

    Well for those that need an explanation.... while antifa is certainly not a joke in my usage that's what I used it as. Circle jerk, yea I can see why the couple of dozen it refers would claim ignorance. As far as being harsh, not nice etc. Huh? The circle I was referring to were the same people who abuse and accuse the people who give us so much pleasure of heinous corrupt actions including the following making money, designing a business plan that allows us to enjoy so much etc.
    Dreading I'm sorry if you took any flak for stating the econ 101 basics. But me well someone needs to speak the truth clearly. Now you haters can start the obscene pms

  • Gratefulhan
    Joined:
    Happy Life Day!

    For those that may know its Life Day today...
    I am going to go for the Jammy Trinity of 11/17/71, 11/17/72, and 11/17/73. I may cap it off with both of the 11/17/78 affairs. Finally 11/17 happens in 1985, so I may add that to the mix as I do have that 85 affliction. It may take me a few days to get through it all but its worth it.

    Also has anyone listened to the 30 Day of Dead selection for today? Its got a bommin' Shakedown.

  • Oxford 88
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    Nice to see the era- wars…

    Nice to see the era- wars have calmed... Onto the business model! Love you all, miss the banter... It's all about the music, right?

  • Maine Dave
    Joined:
    Once upon a time...

    Once upon a time I went to a concert. I don't remember the band but they were really good. I bought a ticket and --check this crazy shit out -- I didn't even know what songs they were going to play ahead of time. Trippy, right? So then I went to the venue and they turned down the lights and the band came out and they had their instruments and everything and the crowd started yelling and then it was like, wait, wait, what song are they playing? We don't even know yet! And then they played a song and then when they finished that one they started playing another one and they didn't even announce what all the others were going to be even then. They just started playing it. You'd probably recognize which song I mean, it's the one with the guitar solo.

    So anyway... the whole concert was like that, it was like, here's another song now. And they didn't announce a single one beforehand. Try wrapping your head around that! My mind was seriously blown. But the thing is... it was kind of fun, you know? I mean, I liked the band, pretty much, so even if every single song wasn't their best one, there was still a pretty good chance that I would dig it, or a part of it at least.

    That was the only concert I went to that was all crazy and backwards like that. All the others were normal -- you know, like when I went to buy the ticket, they provided a set list, in order, of all the songs they would play, before I handed over the money. So, I knew exactly what I would be getting, which is obviously way better and way more fun, because it sucks all the spontaneity and surprise out of the experience of hearing music, which is after all the whole point. So I'm glad that most of the time, I had all my musical experiences curated for me beforehand, because it meant that I never had to listen to something unexpected. 'Cause man, I hate that.

    Hey, has anyone heard Green Lung? Great pagan-metal stoner rockers from the UK. Cheesy as hell and super fun.

  • hendrixfreak
    Joined:
    Whining wins, readers lose...

    With all the unmitigated crap-ola on our plates today, some few have to turn this site into a bitch-fest about the subscription model? Seriously? It's been the model for years. Do we have to return to the most basic logic of adulthood? If you don't like it, don't buy it. If you like to take a chance on which shows will be released, then buy it. At ~$7 per disc for well-curated shows -- some hit, some miss -- it's not a big deal either way. Personally, I'm not totally stoked over DaPs 35, 36 and 37, but I'm supporting the vault release program and looking long term for more killer shows from my own sweet spots. But the whining here is the definition of buzz kill.

    Looking forward to GarciaLive 15, Jimi on Maui and a stack of Petty, Prine, Jennings, and Dylan. And the news on DaP 38, whatever it will be.

  • Crow Told Me
    Joined:
    I remember when the Antifa Babies opened ...

    ... for the Circle Jerks at the Mabuhay. Great show, till the Babies’ singer bit his tongue off, somebody pulled the fire alarm, and all the sprinklers went off and ruined my toilet paper dog collar. But I digress.

    Let me see if I can figure out exactly what the complaint is here.

    After lengthy consideration, some proactive data mining cybermetrics, and a long talk with my cat, I have concluded the problem is that some people feel like Dave should announce ALL of the shows as soon as the “early bird” deal is announced so that could make a more informed decision. That’s not a totally unreasonable thing to ask, but I can think of a couple reasons why maybe the DP folks don’t do it that way.

    Maybe it’s not practical for them to plan that far ahead: auditioning tapes, reviewing sound quality, and everything else that goes into choosing a show for release takes time, and it’s not like they’ve got dozens of people working round the clock on this. Or maybe they just like being able to keep their options open as they listen to buyer feedback: like, say, if they get a lot of people saying they don’t like having so much audience noise in a given release, maybe they would reconsider plans for another one like it? You gotta remember: this is small operation, serving a niche market.

    I mean, they’re not just doing this to be dicks. And it’s not like they’re making a huge fortune off it. I would suspect that the profit from selling roughly 20k CD sets is probably just enough to employ a couple people to keep the series going. You’re enough of a fan to want the whole series sight unseen? You get the best deal. You want only to cherry pick only the shows you want? You pay a little more, but you still get what you want. You’re not interested in any of ‘em? You pay nothing. It all seems fair to me.

  • Colin Gould
    Joined:
    What's A "Circle Jerk Antifa Baby?"

    UNKLE SAM

    Is it a cousin conceived by an unusual form of artificial insemination?

    What I struggle to understand is how being called an anti-fascist became a term of abuse.

    I like the subscription model and I’m sure it’s good for the company as well since it means that they get a large amount of their money upfront so they know the releases are viable. If they had to wait to see how each disc sold then they would, I’m believe, put out fewer shows.

  • unkle sam
    Joined:
    what's a "circle jerk antifa baby?"

    wow, those are some harsh comments coming from some here. it's ok, breath, take a step back, breath. On a funny note, did you hear the one about the women in DC last weekend, they were screaming something about antifa and one woman asked another "who is antifa?" the other answered "I don't know, but they sure don't like her." wonka wonka wonka. Some folks just can't turn the page.
    I don't have a problem with the subs, especially the early bird special. Great name, early bird special, the early bird gets the special limited edition one time only never to be seen again only you and 22,000 others will have it disc. Gotta love that. ;)
    There have been a few Dave's I haven't been real fond of, but I still love the Grateful Dead and anything that has Jerry going up and down the frets and Phil thumping and Bobby cheesing and Micky and Billy keeping the beat is just fine with me. Thank you for still releasing these shows, they have kept me sane for a little while longer although lately things seem to be getting a bit weird. I haven't left the house except for groceries and dope for 8 months so I too have gotten weirder. But it's ok, take a step back, breath ...

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"Welcome to the 10th year of the Dave's Picks series! We're amazed and humbled that this community of Dave's Picks fans keeps growing, and we just wanted to let you know how much we sincerely appreciate your support of and interest in the series. We started in 2012 with 12,000 of each release, and now we've more doubled that, with 25,000 in 2021. Wow! We keep working as hard as we possibly can to bring you the best, most exciting Grateful Dead shows in the vault. Our 2020 releases included music from 1977, 1974, 1984, and the latest, biggest release yet in the series, the two complete Hartford shows from 1987. Looking ahead, we've selected two exceptional, A+ Dead shows for Vol. 37 (more on that in the video below) and 38, as well as the Bonus Disc that will come with Vol. 38. Big year ahead! As we head into the 10th year of the series, there's no end in sight. We love what we do, and have loads of plans and ideas for the next few years. Onward to more great music!"

David Lemieux
October 2020

Times may be trying but the music has never and will never stop! Keep the momentum going by doing the Dead all year long with a Dave's Picks 2021 subscription. We're taking the production run up one final time - to 25,000 - for each of the four Dave's Picks 2021 releases. We'll also be doing things a wee bit differently this year - subscribers will be the first to receive their Dave's Picks. A la carte sales will go up on street date (no more pre-orders) and if you don't subscribe - we highly encourage you to - you'll want to be ready and waiting because these releases sell out within hours. Hours - no hyperbole.

In addition to the four releases in 2021, totaling 12 CDs, you’ll also get the subscription exclusive bonus disc, which has proven to be one of the most highly sought-after collectables we release, and free domestic shipping. Subscriber bonus discs will not be released outside of this offer. Early bird subscribers can nab a sub at $99.98 (regular pricing will be $115.92).

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http://deadessays.blogspot.com/2018/10/1968-show-list.html

A curated list of '68 shows and tapes. Caution! You'll break out the sickles and pitchforks...

Just to echo ... was it Daverock? ... that a '66 to '68 collection ranging from multi-song segments to even just one surviving, unreleased track per show over even two discs would sell like hotcakes. (Just confessing I'm not 100% certain on the identity of "hot cakes," but I digress.)

If you read that blogspot biz for '66, '67 and '68, it's enough to get ye olde pitchforks sharpened up for the inevitable seige of The Vault.

Cue in the Monty Python visuals.

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Hendrixfreak, that's a great post, very informative. Looks like there are still a few complete shows that can be released. I guess there are 37 shows in the vault from 1968, not all complete, that exist. Looks like they have a complete copy of 10/12 & 10/13/68 in the vault, that would certainly make for a cool re!ease someday.

Great clip of T.Bone Walker. Beautiful tone. This was where Chuck Berry discovered some of his signature licks.

Good information on 1968 Dead, too. If we had a box set that focussed on the 60s it could be the most exciting release since Europe 72.

I listened to a Jefferson Airplane cd I haven't heard in ages last night-"Sweeping Up The Spotlight" from November 1969 at the Fillmore East. Nearly knocked me out of my chair. Diamond hard rock led more by Jorma Kaukonen and the rhythm section. More hokey cokey than Alice in Wonderland, as they rip through rhythm and blues and up tempo Marty Balin songs. Enough to make your speakers explode the way they attack "You and Me and Pooneil" and set closing "Other Side of This Life".

1968 or bust. Let's storm the vault, who's with me?

In the spirit of revolution I say, "Let them eat cake" (...and by cake I mean the cake with the dosed icing).

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Im in. It is time for some '68 and Pig

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Went looking for the 3-17-68 in my files and coudn't find it... so I went searching Deadlist but no copies there, then I remembered the old Download series. Been awhile since I dug into those and there it was. With all the bounty that is released, it is easy to forget what is already out there. Love that Cleveland Dark Star into the Philo Stomp. Hell I love all the Dark Starry nights

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I hear Jerry studied the Quran. C'mon folks, this BS should be weeded out automatically.

Merry Christmas to all of our Quran reading and studying friends!!

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In reply to by Mr. Ones

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Spam for Allah. Looks like they got rid of it.

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In reply to by JimInMD

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Fragment of soundboard available

Could the returned reels include this show?

Does of a list of the returned reels exist?

Or is Dave not tipping his hand?

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Star performed ...???? Man, I miss that grateful feeling!
Happy holidays to everyone, have a grateful blessed day my sisters and brother s! Peace be with you all!
🙏❤️💀🌹

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Grateful Dead Live at Starlight Theater on 1982-08-03
by Grateful Dead
1982-08-03
Soundboard, Charlie Miller*
Band/Artist Grateful Dead
Resource DeadLists Project
Set 1:
d1t01 - Mississippi Half-Step Uptown Toodeloo ->
d1t02 - Franklin's Tower ->
d1t03 - New Minglewood Blues
d1t04 - Peggy-O
d1t05 - El Paso ->
d1t06 - Cumberland Blues
d1t07 - Althea
d1t08 - Cassidy
d1t09 - Big Railroad Blues ->
d1t10 - Man Smart (Woman Smarter)
d1t11 - Might As Well

Set 2:
d2t01 - Shakedown Street ->********!!!!!WoW!
d2t02 - Samson And Delilah
d2t03 - To Lay Me Down
d3t01 - Let It Grow ->
d3t02 - Drums ->
d3t03 - Space ->
d3t04 - He's Gone ->
d3t05 - The Other One ->
d3t06 - Stella Blue ->
d3t07 - Sugar Magnolia

Encore
d3t08 - Casey Jones

....to me by the summer of 82’ the band is just playing a beautiful timed performances in the dead’s time frame. ‘The Stella Blue’ is a 5 star performance by Jerry & the rest of the band is really on ! The ‘He’s Gone’ is sung with heavenly voices ! Even the sound of the crowds singing is apart of the complete experience primo Audio quality captures the experience!
* https://archive.org/details/gd1982-08-03.sbd.miller.77196.sbeok.flac16/…

“**Some people only saw the beginning in the 60s, others the 70s, 80s or even the 90s. Many crossed decades. But every decade had its ups and downs (albeit more downs as time wore on.). But one thing holds true: When they were “on” it was “on” for sure, a musical and social event with no rivals. My heavy time was 1980-1989 and I am blessed for being at some truly incredible shows that I would rack up there with some of the best. True, I had to wade through some clunkers, but that just made the great ones that much sweeter.

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Proudfoot, I don't recall all details, but "the returned reels" actually comprise multiple sources.

There's the big batch of 100s of reels of Betty Boards rescued from the three purchasers of her abandoned locker stuff that Rob Eaton assisted with preservation and ABCD did legal work on. We've seen many releases in the '73-'78 timeframe from those. I'm not even sure that the "third" batch has been secured, cleaned and digitized yet.

There's a batch of tapes that Jerry possessed and Mtn Girl returned maybe 8 years ago that resulted in that sweet April 18, 1970 tape of acoustic GD with nice Pigpen set, released in 2013.

There's a reference in DaP 10 to returned reels that resulted in the Thelma '69 release.

I also know that the Owsley Stanley Foundation has located and digitized several reels of GD in their possession -- potential release TBD -- and that there may be more at OST. I inquired, so far without success, about the missing reel to 9-19-72, my first show.

There's another release that slips my mind that resulted when a late roadie's ex-girlfriend found reels in his former possessions and returned them, resulting in a ('69?) release that slips my mind right now.

That's five sources of returned tapes and probably there's more in that category.

Though it's frustrating to some degree, I can understand why Dave & Co. do not reveal all details of the Vault holdings. They've got the element of surprise, which, like it or not, maintains interest among the fans. Personally, if I knew they had recovered all reels from my first show, I'd be hammering them to release it. How tiresome! Although I/we do it anyway...

Enough details on the Vault's holdings have slipped out over the years -- yet generally without official confirmation -- that it's a giant mystery wrapped in a tortilla. As the most-recorded band in history, with the most aggressive archival release schedule, we've got a holy mother fantabulosity on our hands. And if that's not a word, it should be.

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resulted in DaP 6 (SF, 12-20-69, and maybe St Louis, 2-2-70).

I actually turned on the light over part of my collection and saw the only candidate was late '69 and boom, there it is.

The liner notes said that no complete shows were in this stash, but that the many reels completed multiple incomplete shows in the vault.

Having seen with amazement how tapes of Jimi Hendrix kept (and may keep) turning up over the past 50 years, one can still dream that long-lost tapes may find their way home. Certainly, one holy grail for me is the soundboard for June 17, 1975, which is said to have returned to the Vault. Someone pointed out that that's the only other live show from '75 yet to see release and, of course, is the logical companion to a 50th Blues for Allah.

Okay, now for a second cup of coffee here on a sunny day in Denver.

I know I am but one star in the Grateful Dead universe

and one orbiting the Dark Star in the center

But man, when you hear 10 28 72 and other "heaven on Earth" shows

a person lusts for more, preferably RIGHT NOW

it's in my nature

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In reply to by hendrixfreak

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Hendrixfreak pretty much covered it, but I still feel it necessary to point out that in the batch of returned "Bettys" were also Rex Jackson tapes, which makes sense as they were married. But there was also at least one show released that was a tape by Owsley: DaP 24 8/25/72. How many of his reels ended up in her collection is a great mystery tome, and how many tapes did Rex make while Betty wasn't on tour? Did she also have any of Kidd's tapes? Kidd and Rex seem to be the primary tapers for the '73-'74 shows, so it will be interesting to see if 9/7-8/73 were also part of the return, or if they really sat on a show Dick was planning to release as far back as 1997.

I'd also really be interested to know exactly what the OSF has in regards to Dead material, because I'm just not sure they can put out a commercial Dead release through OSF alone, they would need permission and probably to team up with Rhino/WMG for a release.

I'm definitely with Hendrixfreak in wishing a Vault index was available, and I'm constantly amazed at the stuff that people already know is in there in complete form, which shows are missing a reel or two, etc. Most of the focus on the variables of what has returned seem to focus mainly on the Bettys because she was a fantastic recording engineer, and probably because there's no list of Rex Jackson tapes that are known to be missing, because I don't know of a list of shows he's known to have taped. He and Kidd knew how to get a damn good recording.

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I do not intend my comments to put any damper on any dreams, Proudfoot. Rather, that's why I used my own lust to hear my first show as an example. And to offer hope that everyone's dream show gets released someday.

However... tthe key word is "someday." You more sensibly call for "now"!

At age 63, with no serious health issues (at least from the neck down) but also 50 years into my live music 'career' and proud possessor of ... I dunno, thousands of CDs of archival music (my coffee table for new or re-listening probably has 30 releases on it) I would at least speculate that in years to come my interest may wane. It's a theory at this point. Example: Leslie West, guitarist for Mountain, just passed. I once interviewed him about his encounters with Hendrix for a Hendrix magazine. Upon the news of his passing, I immediately pulled the original Woodstock release off the (Jimi) shelf and played the two cuts by Mountain, then ordered "The Very Best of Mountain." I should add that I'm divorced and single -- not that the two subjects (music madness and single-ness) are related -- but with no constraints involved, they'll probably find me someday in my chair, covered in cobwebs, surrounded by CDs with rats nibbling on my toes....

Wow, third cup of coffee is the trick. Call it a cry for help... I think the topic was "how many more years will I eagerly await the next GD release?"

Well, got my 2021 subscription squared away (within minutes of the earliest pre-order announcement) and if the 2021 box is $200 or under and offers fall '72, check that one off as well. (Oh hell, you know I'm buying such a box regardless of price.) AND if they release Wake of the Flood 50th this year, with a 3-CD '73 show attached, I'm on that like white on rice. Between fall '72 and fall '73 I caught seven Dead shows and that Wake material, mixed with Euro '72 songs, was my baptism.

This is the longest post I've made lamely trying to question the longevity of my dead-ication, while affirming that I'm still fully in the grip of GD madness. Okay, time to take a walk, breathe....

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Check out the OSF Facebook page. They mention one specific GD show with an unbelievable setlist that their tape-preservation project has digitally archived. The preservation and archiving does not guarantee release, unless the GD org agrees. OSF did release an ABB set from the Feb '70 shows, so anything's possible. When feeling flush in 2019, I did contribute the requisite $400 to preserve a reel of the New Riders from spring '73, when I first saw them in a standalone format in a small theater. But OSF did just release a 5-CD set of proto- and early Riders, so another show release may take awhile.

If by chance the OSF finds the missing reel (who taped Sept 19, 1972???) to my first show I would expect in that case they would reunite it with the other reels in the GD Vault and yield to Dave & Co. on release plans.

But I should have prefaced all of my remarks today but acknowledging that, like Sgt. Schultz, in reality "I know NOTHING."

I'm not sure if that was just fortuitous timing on their part, as the ABB were now officially broken up, and only putting out archival material, and at some point set up Allman Brothers Band Records, which is now distributing the new releases of Duane material Fillmore West '71 and Owings Mill 10/17/71. The original release of that February 1970 Fillmore East stuff was in conjunction with GDP and Dick and Kirk West, the ABB archivist. My guess is they had settled on the rights on that, and OSF was able to re-release it with sonic upgrades, then the Deluxe Edition. I would love for the OSF to be able to release a Dead show, I just don't see how they can put out one of those tapes without WMG/Rhino getting some sort of compensation. The ABB situation seems to be one where, as with Hendrix, if they find a good sounding Duane tape, they will release it. The fanbase is there for any and all Duane material. The Dead have proven there is a tremendous market for their archival releases. Now exactly how big is that market is the question, because Rhino and Dave are putting out almost a dozen shows per year with the Dave's Picks, box sets, and 50th anniversary releases, and only the last are unlimited (or at least not limited to a published number). Sure, every Dave's is snapped up, and put on ebay for ridiculous prices, but that could also be people realizing the secondary market's value. Dave often hints at the nuts and bolts behind the scenes such as how many boxes to limit the box set to, PNW 73-74 still has some left, RFK 89, as well. Both were 15,000; June '76's 12,000 are gone. July '78 took four years to sell out. So, I'm curious as to whether OSF can justify the cost it would take to put out one Dead show, as they would probably need to sell 25-30,000 copies to make it a success. I really hope they do it, and are able to do it. I just wonder at the legal complications to it. I hope to sponsor a reel with OSF one day, they are doing a great thing. The Doc and Merle box is fantastic, the ABB release is a major upgrade to the 1996 release, and I'm planning to get the Ali Akhbar Khan release soon. I should get the NRPS and Hot Tuna releases, too, just haven't yet.

Oh, and I just ordered the OSF ABB vinyl. And I just looked it up to see if that was put out by OSF or ABB Records, and it's ABB Records, so maybe the licensing only goes so far for so long? I did see OSF has a 2LP 45 RPM show from Doc and Merle at the Boarding House on their label, too, so they apparently can get vinyl cut, but did not for the ABB release. So, like you, I'm left with more questions than answers. But that is absolutely par for the course.

Edited to add: Proudfoot, give me 2/9/73. Speaking of more questions than answers, why has that show not been released long ago?

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In reply to by alvarhanso

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A looong time favorite

Got the cassettes early on. I remember the second set in a backyard....

Lysergic listening in my dorm room....

Eyes after that show in Ventura...

Yahoo!

2 9 73

Yes yes yes

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https://m.youtube.com/watch?v=UJu97xdUPDs. These shows at the Warfield in 91 & 92 were really special. Let's hope that Santa Claus brings us a nice box set next year from 1969, or a compilation 67'68'69 box set, or an October 1974 Winterland complete recordings audio and video box, which would sell out in minutes. Merry Christmas everybody, there is a light at the end of the tunnel, 2021 is almost here.

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Twas The Night Before a Dead Show...
’Twas the night before a Dead show and all through the place,All the heads were dosed - just trippin’ to space.The joints were all rolled with precision and care,With hopes that St. Stephen soon would be there.The freaks were nestled all stoned in their beds,While visions of Johanna danced in their heads.With me in my poncho and her in my hand,Just dyin to hear “Uncle John’s Band.”When out from the stage there arose such a clatter,I sprang to my feet to see what was the matter.O’ way to the stadium I flew with my stash,I kicked down the gate - it fell with a crash.the light from the orb, hanging so high.Blinded me like I was Born cross Eyed.And what to my red glossy eyes should appear,A shadowed figure, could it be Mr. Weir?No, too big to be Bob, too short to be Phil,Could it be Mickey, Vince, or maybe even Bill?He started to sing and the sound from his lips,Assured me at once that he was Captain Trips!His eyes how they twinkled, his dimples how merry,I exclaimed in excitement, “Oh Wow! It’s Jerry.”I couldn’t believe it - just Jerry and Me,“Play something” I said. “Play Sugaree.”The Fat man jammed - he was on a roll,With his sweet songs, he rocked my soul.Jerry spoke once, and his message was plain:“Gotta go now,” he said. “It looks Like Rain.”But I heard him exclaim as he walked out of sight,“Good Lovin’ to all, and I bid You Goodnight."

Wishing all friends and family a joyful holiday

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17 years 6 months

In reply to by Co5mic Charlie

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Right on. That's what I call some Christmas poetry! Thanks for the positive vibes... :-)

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5 years
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38 & 39 years ago today, I was at the Oakland Auditorium for the start of two great runs of Grateful Dead shows. High fun times.

I wasn't there - but this date always reminds me of 12/26/79, swiftly followed by 12/28/79. Shows I have had since the taping days - great jams which are totally different from anything ( I have heard) that they did in earlier years. In a good way.

I am blown away by a new cd I bought myself called "Truckers, Kickers, Cowboy Angels" Volume 1 1966-1968,-a double cd of country rock records from the years in question, Its a Bear Family release, and sounds superb-the telecasters really ring out. Its a double, and there are releases in this series chronicling the progress of country rock from 1966 to 1975. I might get the lot.

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12 years 1 month
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No comment box on the page for this set, so I'm throwing it here.

Wife gave me this box set for Christmas.

It's a very nice box, weighs a ton! I got in on the first 2500 so it's "hand" number AND includes a "tetzoscope" slipmat. A tetzo-who? Just what I thought. It's a double side mat to put on your turntable that has a moving picture when the turntable is spinning. Pretty neat.

picture - https://ps-af.facebook.com/VinylMePlease/videos/301939414139782/

The lp's are on different color vinyl (180 gram), all in those plastic-no static-cushioned sleeves.

They really did a nice job on the collection.

I'm really going to have to get the turntable up and running!

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15 years 3 months
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Thanks for the Truckers series info, I'll probably get all of them at some point(still need the Bakersfield box though); I highly recommend the 1968 Everly Brothers' Roots LP, one of their best and a great mix of psych and country rock(coupla' tracks included on the BF box.)

going to El Monte Legion Stadium"

FOR THREE DAYS OF GRATEFUL DEAD

thank you for the reference, Nappyrags

Those three shows are spectacular

Nice box set idea, Dave and pals...

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7 years 5 months
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A belated Merry Christmas to those who celebrate. A very Happy New Year to all.

I’m sure this doesn’t need to be said, but just in case......beware of links from posters who just signed on the day of their post!!

Music is the Best!!!!!!

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10 years 9 months
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Wow, I had not thought of El Monte shows for a looong time. Not sure which night I had a tape of, but it featured a crushing "Other One." Good though not great sound on a Maxell cassette in, perhaps, 1980? I'll look it up. Wow -- the 12-26-70 setlist is killer. Holy mackerel -- 12-27-70 is also freaky good. So my tape was from 12-28-70 and probably partial, as I don't clearly remember (amazing, after 40 years, you'd think I'd remember this setlist...) the astonishing setlist on this night.

Just when I think my GD-mania will calm down, it's blazing up again. If they have these nights complete on good tape, by all means send this to the priority release list. Looks like plenty 'o grease on these nights as well.

Boy oh boy...

Edit: Does anyone have any insight into these tapes and the Vault's holdings? I see in the Taping Compendium that 12-26 may still exist as an intact soundboard of 110 minutes' length. 12-27 is not listed as a circulating tape. And 12-28 is listed only as an audience tape. Much as I've rattled the cage for a fall '72 box in 2021, I'd take the three nights in El Monte as a box in a heartbeat. Gawd, I'm easy.... AND "El Monte" achieved iconic status when some Cheech & Chong routine had "El Monte Slim" on it, if I remember correctly.

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