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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #1901
    JimInMD
    Joined:
    I'll Play

    5/10/91 if for no other reason than I like the recording. Maybe a bit saturated at times, but it's pretty clear and balanced. Besides Phil was on a tear during this period and it must have been hard to keep his bass in check when he amped things up.

    I think tossed this show out on this forum in the beginning. I like the Cal Expo shows too, but no Bruce for those three shows.

  • #1902
    DeadVikes
    Joined:
    Official Releases

    Yes, absolutely. Always welcome.

    Can't say enough good things about that hot summer 82 Tour. The Zoo in Oklahoma was another good one. Love these China Riders from this summer. Agree, they are smoking Jim. Nice Playing, Iko Iko, Lost Sailor, SOC. The wheel out of space is always good. Great US Blues encore.

    The 71 Port Chester shows are some of my favorites. Listen to them often. 2/18, is probably my favorite right now, but my favorites fluctuate.

    So for #44, I am thinking we will see a 91 release. Any predictions?
    Enjoy the weekend out there.

  • #1903
    Dennis
    Joined:
    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • #1904
    JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • #1905
    daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • #1906
    1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • #1907
    1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • #1908
    bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • #1909
    Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • #1910
    JimInMD
    Joined:
    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by icecrmcnkd on Tue, 12/22/2020 - 19:25

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I did listen to 12-31-77 a few days ago.
Might watch 12-31-78 for NYE.

Last 4,
all today because I just finished painting my kitchen.
11-7-85 miller.139852
12-21-68 miller.89718
7-25-74 miller.12656
3-23-95 miller.25273

All Miller’s.
Thanks Charlie.

Yes, 3-23-95 is quite nice.
The Bruce factor!

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Submitted by bob t on Tue, 12/22/2020 - 19:53

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Lets put it together tomorrow, and start on the 24th? So the 8 days of New Year' eve!! Bob t

How about instead.. a listing of shows where the Dead played at over 7.7k feet above sea level in elevation?

(in my best Rocky from Rocky and Bullwinkle, "that trick never works"). Ok. New Year's shows it is, I'm all in.

12/31 from 81 and 82 don't compare to the ones already suggested.. but they are no slouches and personal, under the radar favorites. I would also open up for suggestion that all the shows on the New Years run are up for grabs... if that's ok. Some of the shows just a couple days before were a ok with me and perhaps we would be remiss to ignore them. Besides, this keeps it a tad more interesting and less programmatic.

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Submitted by bob t on Wed, 12/23/2020 - 04:14

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Ok here goes... Just a first draft. Tried to get something from every era. Need one more for 8. Thoughts?? We can do this...

12/31/69 Boston Tea Party
12/31/71 Winterland
12/31/76 Winterland
12/31/78 Winterland
12/31/81 Oakland Auditorium
12/31/82 Oakland Auditorium
12/31/90 Oakland/Alameda County Coliseum

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Submitted by daverock on Wed, 12/23/2020 - 04:26

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And if you are looking for an aperitif, I listened to 12/30/69 this morning-tasty!

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Submitted by billy the kid on Wed, 12/23/2020 - 04:54

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Bob T great job, you are definitely the hub of the wheel.. Oh, forgot one, GOGDs pick, 12/31/72, starts out with a great version of Around & Around.

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Submitted by Strider 808808 on Wed, 12/23/2020 - 06:02

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Most definitely a different feeling with home town shows. 12/23/70 is well worth a listen. Most of the way through this morning. Jim is correct that with any given New Years run it was an excellent chance that an earlier date besides NYE could be higher quality. 12/29/77 and 12/30/77 qualify.
Happy birthday Jorma.

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Submitted by bob t on Wed, 12/23/2020 - 06:11

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I really like that 72 New Years Eve show with David Crosby!!! Also agree how good the shows that weren't on NYE like a 12/29/77 or 12/30/ 69 or even1/2/70 are. Bob t

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Submitted by billy the kid on Wed, 12/23/2020 - 06:33

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Another great show not on New Years Eve, 1/2/72.

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 07:34

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12/23/70 Digging that Deep Elem Blues!

Synchronicity in this selection Strider.
Not only did Jorma perform on this bill.
But there's a whole post at Lost Live Dead about how the Dead could even book this show 8 days before playing a Winterland NYE show :)
http://lostlivedead.blogspot.com/2012/03/december-23-1970-winterland-gr…

Good stuff.

NYE Show Extravaganza!
Looks like it's shaping up. Nice work Bob T.
And yeah, don't forget 1972!!
Also to rock the boat 1989 NYE worth trying to fit in there somewhere?

As for the shows that surround the NYE runs, we can discuss our favorites while we listen to these here NYEs.

The NYE hometown runs don't really start until '77 and two of the best surrounding run shows happened that year as mentioned here earlier by someone who saw them, Strider that's you. 12/30/78 is great too, but that's at the Pauley. Most of the '79 run is better than NYE. The list goes on, 12/28/83 is another. But we can talk about that ad nauseam while we listen to these here NYE shows. And maybe make a list of top 8 surrounding NYE shows and listen to those afterwards :)

How's that sound?

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 09:27

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I'm hip!

So what's that list looking like now?
Cause '72 might mess up the math.

Maybe swap '71 for '72?
Don't wanna mess with BTK's bro's first show... but if I recall correctly '72 is more spectacular and it's one of my fave NYEs.
Not to mention Bill Graham's favorite NYE moment happened that night.

Am I being difficult?
Freakin' Dead Heads!!

So are we thinking chronologically?
Start with 69 end with 90
Or start with 90 and end with 69.

What are your thoughts on that?
Or we could give each show a number 1-8 and use a random number generator to establish order.

Just thinking out loud here. But curious about that.
Once that's established we're ready to go on the NYE bender.

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Submitted by Vguy72 on Wed, 12/23/2020 - 12:02

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....nice.
I vote for oldest to newest.

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:01

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... How about the the old 1999dead records release ‘’Mother McCree’s Uptown Jug Champions’ featuring Jerry Garcia, Bob Weir, Pigpen ‘Live At The Yop Of The Tangent, 1964
July 16,17&18th as a started for the new Year among us ever so closely! Full Circle!
🙏❤️🤠💀🌹

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:03

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... How about the the old 1999dead records release ‘’Mother McCree’s Uptown Jug Champions’ featuring Jerry Garcia, Bob Weir, Pigpen ‘Live At The Yop Of The Tangent, 1964
July 16,17&18th as a started for the new Year among us ever so closely! Full Circle! I have two copies, one open and the other is still sealed!
I would recommend any fan of the band should have this little key to return to a important historical point & time in the birth of the Grateful Dead !
🙏❤️🤠💀🌹

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:11

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Leeds us to the mother ship which contains a plethoras of primo performances recordings available to release for the first New Year announcement which should be creeping in here any minnow my fine feathered friends! Let’s run let’s run run run ! 🙏❤️🤠💀🌹

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 18:56

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And it's 8, 7, 6, 5, 4, 3, 2, 1
Here we go!

It's on, a NYE party that spans 8 days.

12/31/69 Boston Tea Party - Thursday Xmas Eve
12/31/72 Winterland - Friday Xmas
12/31/76 Winterland - Saturday
12/31/78 Winterland - Sunday
12/31/81 Oakland Auditorium - Monday
12/31/82 Oakland Auditorium - Tuesday
12/31/89 Oakland/Alameda County Coliseum - Wednesday
12/31/90 Oakland/Alameda County Coliseum - Thursday NYE

Happy New Year!

Brought to you by BobT & the POTD crew.

Happy Holidays to everyone!

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Submitted by Strider 808808 on Thu, 12/24/2020 - 08:07

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Happy Xmas / War is Over! If you want it
“Another year over and a new one just begun”
John & Yoko

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Submitted by unkle sam on Thu, 12/24/2020 - 10:22

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What a great loss and a sweet, wonderful human being. Saw him and Felix many times back in the 70's, those were great shows, Leslie could really rock and what a great slide player, check out "Crossroader" from the Flowers of Evil lp, and from The road goes ever on lp, the live version from the aforementioned lp is hot. The entire live side of Flowers of Evil is also very good. Dream sequence>Dreams of Milk and Honey>Roll over Beethoven, soo gooood. Some of the loudest concerts too, and when it was all over, they were all drenched in sweat, especially Leslie.

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Submitted by The Good Ole G… on Thu, 12/24/2020 - 10:31

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Mo Monitors! And the only NYE concert outside the Bay Area

Everything to be seen at the Tea Party on New Year's Eve was a direct descendant of the Acid Test. The wall behind the band was bursting with gaseous, exploding galaxies, vibrant suns, flickering dots and spastic paramecia; every facet of the curving walls was covered with projections of comic strips, nudes, old etchings, portraits of the marijuana weed and photos of Boston; two movie projectors showed sporadic clips of Looney Toons, Spencer Tracy's "Boy's Town," and Olivier's "Othello."  And, of course, the Dead were there.

- from the Boston Herald Traveler, 11 January 1970 by Timothy Crouse

Too Much!!

The Boston Tea Party sounds like a pretty hip place. Also of note, by the time of this show it was located in the same building that was formally known as The Ark, which the Dead famously played in April and yes we all want those shows released. From what I can tell it had a capacity of around 1900 people.

The recording we've got here by Bear didn't come into circulation until early 1998 and is pretty dang sweet!
It also includes possibly the weirdest ending to a NYE show ever. I mean who else but the GOGD would spend hours getting folks all raved up only to drop into 4 obscure acoustic numbers at the end of the night?!?!
There's gotta be a story there, I think I remember reading it, but can't recall the specifics.
(Phil teases Dark Star and then Jerry calls it off and says let's take a break:)

"Well, it looks like the 1970s are going to be weird." - Jerry Garcia

This is one of those shows, that falls in the... "Think that was good? Well you shoulda been here last night!" category.
That being said... last show of the 1960s who can resist?!?!
And first of the NYE Extravaganza 2020.

Enjoy!

PS - If anybody has the Taper's Compendium Addendum let's talk. I really want to read that!
PPS - This is a repost / earlier post got deleted? Good thing I started saving them! Or is it so bad that it got trashed :)

12/29 is a warm up for 12/30/69

Might wanna just skip ahead to 12/30 & 12/31

Or listen to them all... it's the holidays!

Dug 12/31/69 it's a real good time.

15 seconds, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1.. Happy New Year!

This is one of my favorite NYE shows.
Maybe cause I love 1972.
Or it could just be the Playing In The Band shreds.
Either way, great way to end one of, if not the, greatest year in GD history.

Also, this show contains one of Bill Graham's & Bob Weir's favorite Winterland Moments and a famously told story.

This is the NYE show where the guy climbed down through the ceiling tiles and hung on the wire and they canceled the show and Bill Graham talked him down.
It happens between Sing Me Back Home and Johnny B. Goode.
Most of the time the audio is cut out, but is included on the Recording of FM Broadcast on KSAN along with a fun Europe '72 promo commercial.

Worth seeking out if you're a historical geek like me.

Alright, well what can I say..
Merry Christmas!!!
Have fun with this one.
And Peace on Earth and Goodwill towards People!

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Submitted by billy the kid on Fri, 12/25/2020 - 08:25

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My brother was at this show and he told me about the guy climbing in from the roof of Winterland. The Dead were looking up at him as he was hanging up there. Bill Graham asked him if there was anything he would like to say and he said "I'm 007" .

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Submitted by The Good Ole G… on Fri, 12/25/2020 - 13:45

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Just one second, please.
If you could just try to find your way back the way you came up there. Please.

How about that Truckin' > The Other One > Morning Dew?!?!

I don't think I'll ever get tired of hearing that.
Most epic NYE jam IMO.
We'll see if I change that opinion during the Extravaganza.
I know '76 is pretty epic too, but there's no 40 minute Other One Jam...

Wow.

Alright, couple more fun facts.
Eyewitness states that the famous Winterland Mirror Ball made it's first appearance on this evening during PITB.
The band was wearing their Nudie Suits, 2nd of 4 appearances?
12/15/72
12/31/72
02/19/73
03/19/73 (partial;)

And yes, BTK he could only tell us his number, 007.
What a weirdo! Wonder what happened to that guy...

And now can we hear it for the greatest rock n' roll band in the world.
The Grateful Dead, please.

Alright, Good Stuff.
Happy Christmas!

PS - Anybody have the Dead.net Bonus CD that came with Winterland '78?
Supposedly that Bill Graham exchange is on there as a hidden track.
LMK if you're out there, I'm sure I've got something cool to trade for a copy.

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Submitted by wilfredtjones on Fri, 12/25/2020 - 16:38

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I have the New Year's at Winterland Bonus with Bill G. I can rip it for you, provided it's not disc rotted like my DaP 1-4 and RT 4.5. I love those unexpected surprises. Be well, all. :-)

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Submitted by The Good Ole G… on Fri, 12/25/2020 - 18:10

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That would be so awesome!!

LMK what I can do to help make that happen.

Thanks WTJ and Happy Christmas!

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Submitted by The Good Ole G… on Sat, 12/26/2020 - 09:16

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Big Ole Hello to all you folks out there in radio land as well

ne plus ul·tra
/ˌnē ˌpləs ˈəltrə,ˌnā ˌpləs ˈəltrə,ˌnā ˌplo͝os ˈo͝oltrə/
noun
1. the perfect or most extreme example of its kind; the ultimate.

Great liner notes by David Lemieux and Glenn Lambert (who was one of the host DJs of the KSAN broadcast) for this one.

Dave uses the ne plus ultra phrase in reference to 1974 performances of Playing In The Band, I guess I’ve always felt that was 1972. Something about Jerry’s playing and the Alligator sound vs Jerry’s Wolf sound just rings my bell harder. Did I mention I love Playing In The Band from 1972?

Anyway, this might suggest a new avenue of exploration for me. 1974 Playing In The Band relisten mission. However, I digress... big time.

We’re not talking about 1972 or 1974 right now, we’re talking about 1976 and in particular 12/31/76.

Epic Set 1 closing Playing In The Band which has hints of the days of yore and yet is rooted in the present which at the time of this recording was the last moments of 1976.

Last GD cow palace show, and possibly one of the most consistently fine played NYE shows in the history of the Grateful Dead? After this they’ll play every NYE through 1991.

I wonder if Glenn has a recording of the whole KSAN broadcast? How about it Glenn?
(apparently not to be confused with Gary! do your research ;)

Speaking about wondering.
I’m wondering if anybody has that Spirit of ’76 Bonus CD that came with Pre-Order from Dead.net?
Couple unreleased nuggets on there I’d love to get a hold of. Get a hold of me if you do :)


Meanwhile enjoy another epic NYE show by the Grateful Dead with the Spirit of ’76.

And big shout out to wilfredtjones for being an awesome DeadHead.
Thanks man you rock!

PS - Why didn't that Here Comes Sunshine Jam happen at like every show or at least during every Good Lovin' without Pigpen? Love love love that!!!
So good.

A momentous occasion as we cruise into the 1980s here at Winterland in San Francisco.
1978 going on 1981, what you see before you is a 10, no wait 12, 12 foot long burning ember of marijuana.
Yes, let us begin the countdown…
- Dan Aykroyd Winterland 12/31/78

Brings a smile to my face, and really truly there is nothing like a Grateful Dead concert.

This tape was in some heavy rotation when I was but a teenage Dead freak. I mean just look at these Set lists, but it was more than that back then. It was the rumors, the stories, the legends, the guests, the recording, the performances. This tape held me spell bound just thinking about everything I was hearing and everything that was happening.

Let’s give it yet another go all these years later and see what happens, it’s already got me smiling.
Like a visit with an old friend.

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Submitted by The Good Ole G… on Sun, 12/27/2020 - 07:26

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Roger that.
And back at you.
Happy Holidays!

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Submitted by billy the kid on Sun, 12/27/2020 - 08:54

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I remember when the tickets went on sale they were $30 dollars apiece, we were shocked, we were paying $7 dollars to go to shows at that time. The tickets were given out through a lottery, you sent in a S.A.S.E. with your check and you either got back your check or you received tickets, we got shutout and got back our checks. The day of the show tickets wrent on sale in the box office, my brother bought one, I could have had one, I decided to stay home and watch it on TV, I was with a bunch of friends and we had a blast.
..

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Submitted by Strider 808808 on Sun, 12/27/2020 - 10:12

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12/26/69 was wonderful yesterday. 12/31/69 two days ago was also super magical. I listened to 12/26/70 this morning. Will listen to 12/26/81& 12/27/81 later today.
Have listened to more Grateful Dead in 2020 than in years. Also read more books than in years. Finishing On Highway 61 by Dennis McNally. Fascinating history. Super well researched.
Peace out, no piece out.