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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #4771
    Vguy72
    Joined:
    Football....

    ....i had a 4 team $20 parlay bet going into the Saints/Bucs game. Brady cost me $240. Even when he's out of my division, he still haunts me.

  • #4772
    Oroborous
    Joined:
    DV: 89 vs 90

    I think it’s that searchin’ for the sound, trying to reach the summit, the whole forward progress, coming together, versus spring 90 is like they reached the top of that path, like sitting on top the summit and smoking a fatty, 420 @ 14K as we say out here! 89 was the climb, but spring 90 was the summit, if that makes sense?
    Spring 90 is almost like too pristine, too clean? Don’t get me wrong, imho it ranks with most of the biggins, but there’s something about 89?

  • #4773
    Oroborous
    Joined:
    Yaaassss, yassss, yaasss,

    I do like me sum 89...AND Cal Expo! Only made the June 90 run, and did Merch there on 96 Furthur tour, but it left a smoking crater on my mind. Some might call it a dump, but the layout was awesome for sound and good sight lines. Laid back vibe and a great lawn too, especially with GA so folks could go where they want. And yes, the beer was a amazing surprise; Anchor on tap and not east coast stadium mob priced. I had truly, finally, made it too the promised land! If only I had made it to the Frost and Greek : ( Shorline was nice, but I really dug the X! Maybe it was the x lol.
    Irvine would of been a nice place to see um, but unfortunately I only did Furthur fest there...
    So haven’t hit this yet but sounds like that’s what’s up next!

    Rock Thing, welcome aboard, so glad ya made it...as your senator from the great deadnet state of altered consciousness, I can assure you there are very few rules to guide. Generally no politics or any of that kinda heavy shit, and be polite, don’t be a douche! Remember, we all have our opinions, which is nice, but we’re all confused, which is nice, and we’re all wrong on some plain or another, which is nice!
    That’s about it, so Rock On Rock Thing!
    Oh, I’m with you about sources. I’ll take a really good Aud over many SBs, and I really like a good matrix, but I mean really good, like some of the video mixes I believe have actual, ambient mics used with appropriate time alignment etc.
    I get why the majority like SBs, and the historic technical reasons why they became en Vogue. But the tech changed so much and with the eventual gray area removed by the tapers section etc, there are some really amazing sounding Auds.
    I’ll concede that it has to be done just right, but if so I really dig a great matrix; you get the (usually) clean direct feed of the instruments etc, plus the more natural room ambience. Of course like a SB, the mix is crucial, and unfortunately in the case of the “cassette years,” is often mixed so prominently for the house. But when 2 great sources are blended just so it is really amazing how good they can sound.
    The ultimate imho is when the “Dead” did it purposefully like on many of the official releases, like some of the video mixes...EDIT: I believe that 3/15/90 show is a good example that has some really nice “liveness” ambience...
    I like Dave’s Pick 8 and 36, but 8 seems a tad too dry and 36 at times is perhaps to much, but hey, that’s just me.

    Ok, onward....8/5/89 woo, woo!
    GO BILLS!
    KCJ, where you be? I’d trash talk with ya but I don’t think we’re gonna do it, but hey, as Boomer would say
    “That’s why they play the game”

  • #4774
    DeadVikes
    Joined:
    1989

    Yes, so many great shows in 89 and Cal Expo is no slouch. Lately, I have been thinking 89 might edge out 1990? It is close anyway. Really high level stuff with Jerry fully engaged. Things changed after Brent died, but there was still some great music. Fall 1990 still doesn't grab me. Not like 1991, where they seem to get the Mojo going again.

    Stay well out there people.

  • #4775
    JimInMD
    Joined:
    Sweet Run

    This one's for our 89 loving Oroborous. (knowing that most in this group seem to be 80's fans)

  • #4776
    Vguy72
    Joined:
    Cal Expo '89....

    ....was present and camped at all three. Awesome venue. The only time I caught them there. Very beer friendly.

  • #4777
    JimInMD
    Joined:
    Rockthing

    Right on, Bring it..

    I think you are doing this exactly right. Great show, VGuy, good choice. And an excellent show to have attended. Did you catch the entire run?

    It's keeping us honest.

  • #4778
    daverock
    Joined:
    Infrared Roses

    Rockthing-your post reminded me of the cd compilation called "Infrared Roses" that came out in the 90s. An album exclusively made up of drum and space segments, each track given the added status of being named individually. I was lucky enough to experience one of them-the so called "Silver Apples of the Moon" which I think came from London 11/1/90. One of the highlights of the show.

    When drums and space come out of Dark Star- I tend to think of them as being extensions of Star, rather than as separate entities.

  • #4779
    rockthing
    Joined:
    gd1989-08-05 impressions Second Set

    Am I doin' this right? Sorry if I'm kinda goin' overboard. That's my thing.

    Continuing to listen to the Schoeps MK2 source.

    Hey Pocky Way: This song did not get performed enough. Just some light fun with a little cheesy keyboard sound.

    Playin': Nice and spacey jam. Sparse. Chill. Percussion taking the back seat in the mix. Jerry really challenging the others to find the trail he's blazing. Catch me if you can! Whoa, what's he hintin' at? No way! So THIS is the standalone I Know You Rider. More like a Playin' Rider. THAT really came outa nowhere. People musta been goin' nuts. Can't really hear too much reaction from the crowd, even though this is an audience pull. Up up tempo. Really flying. Headlight ¡GONG! on a northbound train. Nice. :)

    Terrapin: Are you serious? Third song into the second set is Terrapin?! Pretty solid.

    Drums/Space: At some point I really began to dislike the generic titles for drums and space. It's canon. I know. Can't fight city hall. Never gonna change four decades of precedent, but when I track my old tapes for my own personal use, I include drums and space in the song either before or after them. I like to think of them as a drum solo and free form jam into or out of a composition. I realize they rarely have much of anything to do with the tunes around them, but some of the early stuff would go out so far you had no idea what song they were playing, I kinda like to stay in that frame of mind. So, to me, this is the drum solo for Terrapin. ^^; Is there a cut, or was that just the world's shortest "drums"? Some wacky MIDI stuff to start off space. Everyone playing everyone else's instruments, virtually.

    Gotta run. Catch up with the rest of the second half later.

    EDIT:

    Sorry, Terrapin wasn't the third song. Maybe Pocky Way felt like such a throw away that subconsciously I didn't even count it. At any rate, seemed to arrive at Terrapin awfully quickly. Time flies when you're having fun? :)

  • #4780
    rockthing
    Joined:
    gd1989-08-05 impressions First Set

    Hey now. Is it ok if a newcomer jumps in on this? Never need an excuse to cue up a show I've never heard. Wish I had time to do it more often. Easily lead into rabbit holes, so hafta stick with my old favorites when things are busy. Nice to have someone to share the impressions with. I apologize in advance. I am notorious among all my correspondents for writing the sequel to Ulysses in every email.

    I don't have any hard and fast policies, but generally I prefer to find a good audience pull over soundboards. There are plenty of boards I love, though, so as I say it's not a rule. Being a minor taping enthusiast informs that tendency, but often I actually like having the crowd in the mix. Sometimes the audience can be as entertaining as the band, like the dudes calling out for Casey Jones during Seastones. Hilarious. Idle chatter drives me up a wall, though.

    Introductions out of the way, please allow me to share my experience listening to this Cal Expo gig.

    First impressions:
    Wow. Bobby's vocals are really loud. This is something I often find distracting about boards. The vocal balance is way too high in the mix compared with the instruments. It's inevitable, I guess. Usually the instruments don't need to be amplified as much as the vocals. I gather that we're supposed to be listening to the same releases, but I decided to see what the other sources sounded like.

    I switched from the Miller SBD to Mattes Schoeps CMC 44 pull. I've heard some Mattes tapes I like. The Schoeps are top of the line mics and can't be faulted technically, but I often find Schoeps pulls to favor the lower frequencies in a way that seems to muffle the overall experience. In this case my first thought was, where's the band? Had to really crank it to even notice OMSN had started.

    Next it was a switch to the Casey Coniff Sennheiser 441 pull. Starts off promising. Instruments loud and clear, but then I WENT UP TO THE MOUNTAIN, wow, the vocals were blasting into the audience, too. Yes, you can hear Dan Healy, I presume, immediately pull the volume back, but Bobby's vocals are really dominating the mix.

    The Schoeps MK2 pull seems to offer a frequency balance I like best of these sources. The vocals are still really high, but they would be since everyone's taping the same show. Let it be said, however, that the focus and clarity of both this and the Coniff audience pulls are right up there with soundboards. No need to search for the show in the recording.

    Cold Rain and Snow: Poor old Jer. Love that old silvery elf voice of his and I know it won't be there in '89, but he sounds kinda tired to me at the beginning. Kick drums kinda have that slappy festival sound quality. Phil's bass sounds great. Low end is powerful, but well-defined, and his upper register runs are right there too, but not harsh. Big smile for that little hiccup/accent around 4 and a half minutes in. Love this tune. This probably won't rocket to the top of my list of favorites.

    We Can Run: As much as I love Brent's keyboard work with the Dead, I rarely get into his songwriting.

    Stagger Lee: Nothing in particular to say about this.

    Stuck Inside of Mobile: Nothing to write home about. Everyone seems to be getting a little more warmed up. The buildups for the choruses each seem to grow in intensity.

    Row Jimmy: Whoa! WTH was that atonal weirdness. That was brilliant, whatever it was. lol. Sounds like someone accidentally dropped something on The Beam. Unfortunately no one had the presence of mind or inclination to try to incorporate it into the song, or improvise off of it. It just happens and sounds like a mistake. Jimmy plods along as usual. Gonna get there? I don't know.

    Let It Grow: Oh, some of those crazy Healy vocal/etc. effects. I usually liked it when he added stuff like that, but I guess others didn't. As is often the case with this tune in the second half of the 80s and onward, we get our first taste of the band firing on all cylinders for one quick hot lap before the set break. This one doesn't get too far out during the first jam, though, before Bobby brings it back and seems to miss his own cue. lol. Nice fills from Jer and Brent in the outro. Could've stood a bit more of that, tbh.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by icecrmcnkd on Tue, 12/22/2020 - 19:25

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I did listen to 12-31-77 a few days ago.
Might watch 12-31-78 for NYE.

Last 4,
all today because I just finished painting my kitchen.
11-7-85 miller.139852
12-21-68 miller.89718
7-25-74 miller.12656
3-23-95 miller.25273

All Miller’s.
Thanks Charlie.

Yes, 3-23-95 is quite nice.
The Bruce factor!

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Submitted by bob t on Tue, 12/22/2020 - 19:53

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Lets put it together tomorrow, and start on the 24th? So the 8 days of New Year' eve!! Bob t

How about instead.. a listing of shows where the Dead played at over 7.7k feet above sea level in elevation?

(in my best Rocky from Rocky and Bullwinkle, "that trick never works"). Ok. New Year's shows it is, I'm all in.

12/31 from 81 and 82 don't compare to the ones already suggested.. but they are no slouches and personal, under the radar favorites. I would also open up for suggestion that all the shows on the New Years run are up for grabs... if that's ok. Some of the shows just a couple days before were a ok with me and perhaps we would be remiss to ignore them. Besides, this keeps it a tad more interesting and less programmatic.

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Submitted by bob t on Wed, 12/23/2020 - 04:14

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Ok here goes... Just a first draft. Tried to get something from every era. Need one more for 8. Thoughts?? We can do this...

12/31/69 Boston Tea Party
12/31/71 Winterland
12/31/76 Winterland
12/31/78 Winterland
12/31/81 Oakland Auditorium
12/31/82 Oakland Auditorium
12/31/90 Oakland/Alameda County Coliseum

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Submitted by daverock on Wed, 12/23/2020 - 04:26

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And if you are looking for an aperitif, I listened to 12/30/69 this morning-tasty!

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Submitted by billy the kid on Wed, 12/23/2020 - 04:54

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Bob T great job, you are definitely the hub of the wheel.. Oh, forgot one, GOGDs pick, 12/31/72, starts out with a great version of Around & Around.

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Submitted by Strider 808808 on Wed, 12/23/2020 - 06:02

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Most definitely a different feeling with home town shows. 12/23/70 is well worth a listen. Most of the way through this morning. Jim is correct that with any given New Years run it was an excellent chance that an earlier date besides NYE could be higher quality. 12/29/77 and 12/30/77 qualify.
Happy birthday Jorma.

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Submitted by bob t on Wed, 12/23/2020 - 06:11

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I really like that 72 New Years Eve show with David Crosby!!! Also agree how good the shows that weren't on NYE like a 12/29/77 or 12/30/ 69 or even1/2/70 are. Bob t

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Submitted by billy the kid on Wed, 12/23/2020 - 06:33

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Another great show not on New Years Eve, 1/2/72.

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 07:34

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12/23/70 Digging that Deep Elem Blues!

Synchronicity in this selection Strider.
Not only did Jorma perform on this bill.
But there's a whole post at Lost Live Dead about how the Dead could even book this show 8 days before playing a Winterland NYE show :)
http://lostlivedead.blogspot.com/2012/03/december-23-1970-winterland-gr…

Good stuff.

NYE Show Extravaganza!
Looks like it's shaping up. Nice work Bob T.
And yeah, don't forget 1972!!
Also to rock the boat 1989 NYE worth trying to fit in there somewhere?

As for the shows that surround the NYE runs, we can discuss our favorites while we listen to these here NYEs.

The NYE hometown runs don't really start until '77 and two of the best surrounding run shows happened that year as mentioned here earlier by someone who saw them, Strider that's you. 12/30/78 is great too, but that's at the Pauley. Most of the '79 run is better than NYE. The list goes on, 12/28/83 is another. But we can talk about that ad nauseam while we listen to these here NYE shows. And maybe make a list of top 8 surrounding NYE shows and listen to those afterwards :)

How's that sound?

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 09:27

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I'm hip!

So what's that list looking like now?
Cause '72 might mess up the math.

Maybe swap '71 for '72?
Don't wanna mess with BTK's bro's first show... but if I recall correctly '72 is more spectacular and it's one of my fave NYEs.
Not to mention Bill Graham's favorite NYE moment happened that night.

Am I being difficult?
Freakin' Dead Heads!!

So are we thinking chronologically?
Start with 69 end with 90
Or start with 90 and end with 69.

What are your thoughts on that?
Or we could give each show a number 1-8 and use a random number generator to establish order.

Just thinking out loud here. But curious about that.
Once that's established we're ready to go on the NYE bender.

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Submitted by Vguy72 on Wed, 12/23/2020 - 12:02

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....nice.
I vote for oldest to newest.

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:01

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... How about the the old 1999dead records release ‘’Mother McCree’s Uptown Jug Champions’ featuring Jerry Garcia, Bob Weir, Pigpen ‘Live At The Yop Of The Tangent, 1964
July 16,17&18th as a started for the new Year among us ever so closely! Full Circle!
🙏❤️🤠💀🌹

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:03

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... How about the the old 1999dead records release ‘’Mother McCree’s Uptown Jug Champions’ featuring Jerry Garcia, Bob Weir, Pigpen ‘Live At The Yop Of The Tangent, 1964
July 16,17&18th as a started for the new Year among us ever so closely! Full Circle! I have two copies, one open and the other is still sealed!
I would recommend any fan of the band should have this little key to return to a important historical point & time in the birth of the Grateful Dead !
🙏❤️🤠💀🌹

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:11

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Leeds us to the mother ship which contains a plethoras of primo performances recordings available to release for the first New Year announcement which should be creeping in here any minnow my fine feathered friends! Let’s run let’s run run run ! 🙏❤️🤠💀🌹

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 18:56

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And it's 8, 7, 6, 5, 4, 3, 2, 1
Here we go!

It's on, a NYE party that spans 8 days.

12/31/69 Boston Tea Party - Thursday Xmas Eve
12/31/72 Winterland - Friday Xmas
12/31/76 Winterland - Saturday
12/31/78 Winterland - Sunday
12/31/81 Oakland Auditorium - Monday
12/31/82 Oakland Auditorium - Tuesday
12/31/89 Oakland/Alameda County Coliseum - Wednesday
12/31/90 Oakland/Alameda County Coliseum - Thursday NYE

Happy New Year!

Brought to you by BobT & the POTD crew.

Happy Holidays to everyone!

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Submitted by Strider 808808 on Thu, 12/24/2020 - 08:07

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Happy Xmas / War is Over! If you want it
“Another year over and a new one just begun”
John & Yoko

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Submitted by unkle sam on Thu, 12/24/2020 - 10:22

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What a great loss and a sweet, wonderful human being. Saw him and Felix many times back in the 70's, those were great shows, Leslie could really rock and what a great slide player, check out "Crossroader" from the Flowers of Evil lp, and from The road goes ever on lp, the live version from the aforementioned lp is hot. The entire live side of Flowers of Evil is also very good. Dream sequence>Dreams of Milk and Honey>Roll over Beethoven, soo gooood. Some of the loudest concerts too, and when it was all over, they were all drenched in sweat, especially Leslie.

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Submitted by The Good Ole G… on Thu, 12/24/2020 - 10:31

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Mo Monitors! And the only NYE concert outside the Bay Area

Everything to be seen at the Tea Party on New Year's Eve was a direct descendant of the Acid Test. The wall behind the band was bursting with gaseous, exploding galaxies, vibrant suns, flickering dots and spastic paramecia; every facet of the curving walls was covered with projections of comic strips, nudes, old etchings, portraits of the marijuana weed and photos of Boston; two movie projectors showed sporadic clips of Looney Toons, Spencer Tracy's "Boy's Town," and Olivier's "Othello."  And, of course, the Dead were there.

- from the Boston Herald Traveler, 11 January 1970 by Timothy Crouse

Too Much!!

The Boston Tea Party sounds like a pretty hip place. Also of note, by the time of this show it was located in the same building that was formally known as The Ark, which the Dead famously played in April and yes we all want those shows released. From what I can tell it had a capacity of around 1900 people.

The recording we've got here by Bear didn't come into circulation until early 1998 and is pretty dang sweet!
It also includes possibly the weirdest ending to a NYE show ever. I mean who else but the GOGD would spend hours getting folks all raved up only to drop into 4 obscure acoustic numbers at the end of the night?!?!
There's gotta be a story there, I think I remember reading it, but can't recall the specifics.
(Phil teases Dark Star and then Jerry calls it off and says let's take a break:)

"Well, it looks like the 1970s are going to be weird." - Jerry Garcia

This is one of those shows, that falls in the... "Think that was good? Well you shoulda been here last night!" category.
That being said... last show of the 1960s who can resist?!?!
And first of the NYE Extravaganza 2020.

Enjoy!

PS - If anybody has the Taper's Compendium Addendum let's talk. I really want to read that!
PPS - This is a repost / earlier post got deleted? Good thing I started saving them! Or is it so bad that it got trashed :)

12/29 is a warm up for 12/30/69

Might wanna just skip ahead to 12/30 & 12/31

Or listen to them all... it's the holidays!

Dug 12/31/69 it's a real good time.

15 seconds, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1.. Happy New Year!

This is one of my favorite NYE shows.
Maybe cause I love 1972.
Or it could just be the Playing In The Band shreds.
Either way, great way to end one of, if not the, greatest year in GD history.

Also, this show contains one of Bill Graham's & Bob Weir's favorite Winterland Moments and a famously told story.

This is the NYE show where the guy climbed down through the ceiling tiles and hung on the wire and they canceled the show and Bill Graham talked him down.
It happens between Sing Me Back Home and Johnny B. Goode.
Most of the time the audio is cut out, but is included on the Recording of FM Broadcast on KSAN along with a fun Europe '72 promo commercial.

Worth seeking out if you're a historical geek like me.

Alright, well what can I say..
Merry Christmas!!!
Have fun with this one.
And Peace on Earth and Goodwill towards People!

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Submitted by billy the kid on Fri, 12/25/2020 - 08:25

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My brother was at this show and he told me about the guy climbing in from the roof of Winterland. The Dead were looking up at him as he was hanging up there. Bill Graham asked him if there was anything he would like to say and he said "I'm 007" .

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Submitted by The Good Ole G… on Fri, 12/25/2020 - 13:45

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Just one second, please.
If you could just try to find your way back the way you came up there. Please.

How about that Truckin' > The Other One > Morning Dew?!?!

I don't think I'll ever get tired of hearing that.
Most epic NYE jam IMO.
We'll see if I change that opinion during the Extravaganza.
I know '76 is pretty epic too, but there's no 40 minute Other One Jam...

Wow.

Alright, couple more fun facts.
Eyewitness states that the famous Winterland Mirror Ball made it's first appearance on this evening during PITB.
The band was wearing their Nudie Suits, 2nd of 4 appearances?
12/15/72
12/31/72
02/19/73
03/19/73 (partial;)

And yes, BTK he could only tell us his number, 007.
What a weirdo! Wonder what happened to that guy...

And now can we hear it for the greatest rock n' roll band in the world.
The Grateful Dead, please.

Alright, Good Stuff.
Happy Christmas!

PS - Anybody have the Dead.net Bonus CD that came with Winterland '78?
Supposedly that Bill Graham exchange is on there as a hidden track.
LMK if you're out there, I'm sure I've got something cool to trade for a copy.

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Submitted by wilfredtjones on Fri, 12/25/2020 - 16:38

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I have the New Year's at Winterland Bonus with Bill G. I can rip it for you, provided it's not disc rotted like my DaP 1-4 and RT 4.5. I love those unexpected surprises. Be well, all. :-)

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Submitted by The Good Ole G… on Fri, 12/25/2020 - 18:10

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That would be so awesome!!

LMK what I can do to help make that happen.

Thanks WTJ and Happy Christmas!

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Submitted by The Good Ole G… on Sat, 12/26/2020 - 09:16

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Big Ole Hello to all you folks out there in radio land as well

ne plus ul·tra
/ˌnē ˌpləs ˈəltrə,ˌnā ˌpləs ˈəltrə,ˌnā ˌplo͝os ˈo͝oltrə/
noun
1. the perfect or most extreme example of its kind; the ultimate.

Great liner notes by David Lemieux and Glenn Lambert (who was one of the host DJs of the KSAN broadcast) for this one.

Dave uses the ne plus ultra phrase in reference to 1974 performances of Playing In The Band, I guess I’ve always felt that was 1972. Something about Jerry’s playing and the Alligator sound vs Jerry’s Wolf sound just rings my bell harder. Did I mention I love Playing In The Band from 1972?

Anyway, this might suggest a new avenue of exploration for me. 1974 Playing In The Band relisten mission. However, I digress... big time.

We’re not talking about 1972 or 1974 right now, we’re talking about 1976 and in particular 12/31/76.

Epic Set 1 closing Playing In The Band which has hints of the days of yore and yet is rooted in the present which at the time of this recording was the last moments of 1976.

Last GD cow palace show, and possibly one of the most consistently fine played NYE shows in the history of the Grateful Dead? After this they’ll play every NYE through 1991.

I wonder if Glenn has a recording of the whole KSAN broadcast? How about it Glenn?
(apparently not to be confused with Gary! do your research ;)

Speaking about wondering.
I’m wondering if anybody has that Spirit of ’76 Bonus CD that came with Pre-Order from Dead.net?
Couple unreleased nuggets on there I’d love to get a hold of. Get a hold of me if you do :)


Meanwhile enjoy another epic NYE show by the Grateful Dead with the Spirit of ’76.

And big shout out to wilfredtjones for being an awesome DeadHead.
Thanks man you rock!

PS - Why didn't that Here Comes Sunshine Jam happen at like every show or at least during every Good Lovin' without Pigpen? Love love love that!!!
So good.

A momentous occasion as we cruise into the 1980s here at Winterland in San Francisco.
1978 going on 1981, what you see before you is a 10, no wait 12, 12 foot long burning ember of marijuana.
Yes, let us begin the countdown…
- Dan Aykroyd Winterland 12/31/78

Brings a smile to my face, and really truly there is nothing like a Grateful Dead concert.

This tape was in some heavy rotation when I was but a teenage Dead freak. I mean just look at these Set lists, but it was more than that back then. It was the rumors, the stories, the legends, the guests, the recording, the performances. This tape held me spell bound just thinking about everything I was hearing and everything that was happening.

Let’s give it yet another go all these years later and see what happens, it’s already got me smiling.
Like a visit with an old friend.

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8 years 10 months

Submitted by The Good Ole G… on Sun, 12/27/2020 - 07:26

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Roger that.
And back at you.
Happy Holidays!

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4 years 11 months

Submitted by billy the kid on Sun, 12/27/2020 - 08:54

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I remember when the tickets went on sale they were $30 dollars apiece, we were shocked, we were paying $7 dollars to go to shows at that time. The tickets were given out through a lottery, you sent in a S.A.S.E. with your check and you either got back your check or you received tickets, we got shutout and got back our checks. The day of the show tickets wrent on sale in the box office, my brother bought one, I could have had one, I decided to stay home and watch it on TV, I was with a bunch of friends and we had a blast.
..

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Submitted by Strider 808808 on Sun, 12/27/2020 - 10:12

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12/26/69 was wonderful yesterday. 12/31/69 two days ago was also super magical. I listened to 12/26/70 this morning. Will listen to 12/26/81& 12/27/81 later today.
Have listened to more Grateful Dead in 2020 than in years. Also read more books than in years. Finishing On Highway 61 by Dennis McNally. Fascinating history. Super well researched.
Peace out, no piece out.