• 8,077 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Forensicdoceleven
    Joined:
    I met her accidentally in St. Paul, Minnesota......

    Mornin', rockers!!!

    For all you completists out there----as well as Row Jimmy fans----the talented Mr Miller just put out a "fixed" version of the fine St Paul show from February 17, 1973. Would make up part of a nice box set from early 1973----2/9, 15, 17, 19............

    Ah well, one can dream..............

    Rock on, happy Friday!

    Doc
    Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before........

  • Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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I did listen to 12-31-77 a few days ago.
Might watch 12-31-78 for NYE.

Last 4,
all today because I just finished painting my kitchen.
11-7-85 miller.139852
12-21-68 miller.89718
7-25-74 miller.12656
3-23-95 miller.25273

All Miller’s.
Thanks Charlie.

Yes, 3-23-95 is quite nice.
The Bruce factor!

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Lets put it together tomorrow, and start on the 24th? So the 8 days of New Year' eve!! Bob t

How about instead.. a listing of shows where the Dead played at over 7.7k feet above sea level in elevation?

(in my best Rocky from Rocky and Bullwinkle, "that trick never works"). Ok. New Year's shows it is, I'm all in.

12/31 from 81 and 82 don't compare to the ones already suggested.. but they are no slouches and personal, under the radar favorites. I would also open up for suggestion that all the shows on the New Years run are up for grabs... if that's ok. Some of the shows just a couple days before were a ok with me and perhaps we would be remiss to ignore them. Besides, this keeps it a tad more interesting and less programmatic.

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Ok here goes... Just a first draft. Tried to get something from every era. Need one more for 8. Thoughts?? We can do this...

12/31/69 Boston Tea Party
12/31/71 Winterland
12/31/76 Winterland
12/31/78 Winterland
12/31/81 Oakland Auditorium
12/31/82 Oakland Auditorium
12/31/90 Oakland/Alameda County Coliseum

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In reply to by bob t

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And if you are looking for an aperitif, I listened to 12/30/69 this morning-tasty!

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Bob T great job, you are definitely the hub of the wheel.. Oh, forgot one, GOGDs pick, 12/31/72, starts out with a great version of Around & Around.

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Most definitely a different feeling with home town shows. 12/23/70 is well worth a listen. Most of the way through this morning. Jim is correct that with any given New Years run it was an excellent chance that an earlier date besides NYE could be higher quality. 12/29/77 and 12/30/77 qualify.
Happy birthday Jorma.

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I really like that 72 New Years Eve show with David Crosby!!! Also agree how good the shows that weren't on NYE like a 12/29/77 or 12/30/ 69 or even1/2/70 are. Bob t

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Another great show not on New Years Eve, 1/2/72.

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12/23/70 Digging that Deep Elem Blues!

Synchronicity in this selection Strider.
Not only did Jorma perform on this bill.
But there's a whole post at Lost Live Dead about how the Dead could even book this show 8 days before playing a Winterland NYE show :)
http://lostlivedead.blogspot.com/2012/03/december-23-1970-winterland-gr…

Good stuff.

NYE Show Extravaganza!
Looks like it's shaping up. Nice work Bob T.
And yeah, don't forget 1972!!
Also to rock the boat 1989 NYE worth trying to fit in there somewhere?

As for the shows that surround the NYE runs, we can discuss our favorites while we listen to these here NYEs.

The NYE hometown runs don't really start until '77 and two of the best surrounding run shows happened that year as mentioned here earlier by someone who saw them, Strider that's you. 12/30/78 is great too, but that's at the Pauley. Most of the '79 run is better than NYE. The list goes on, 12/28/83 is another. But we can talk about that ad nauseam while we listen to these here NYE shows. And maybe make a list of top 8 surrounding NYE shows and listen to those afterwards :)

How's that sound?

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I'm hip!

So what's that list looking like now?
Cause '72 might mess up the math.

Maybe swap '71 for '72?
Don't wanna mess with BTK's bro's first show... but if I recall correctly '72 is more spectacular and it's one of my fave NYEs.
Not to mention Bill Graham's favorite NYE moment happened that night.

Am I being difficult?
Freakin' Dead Heads!!

So are we thinking chronologically?
Start with 69 end with 90
Or start with 90 and end with 69.

What are your thoughts on that?
Or we could give each show a number 1-8 and use a random number generator to establish order.

Just thinking out loud here. But curious about that.
Once that's established we're ready to go on the NYE bender.

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....nice.
I vote for oldest to newest.

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... How about the the old 1999dead records release ‘’Mother McCree’s Uptown Jug Champions’ featuring Jerry Garcia, Bob Weir, Pigpen ‘Live At The Yop Of The Tangent, 1964
July 16,17&18th as a started for the new Year among us ever so closely! Full Circle!
🙏❤️🤠💀🌹

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... How about the the old 1999dead records release ‘’Mother McCree’s Uptown Jug Champions’ featuring Jerry Garcia, Bob Weir, Pigpen ‘Live At The Yop Of The Tangent, 1964
July 16,17&18th as a started for the new Year among us ever so closely! Full Circle! I have two copies, one open and the other is still sealed!
I would recommend any fan of the band should have this little key to return to a important historical point & time in the birth of the Grateful Dead !
🙏❤️🤠💀🌹

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Leeds us to the mother ship which contains a plethoras of primo performances recordings available to release for the first New Year announcement which should be creeping in here any minnow my fine feathered friends! Let’s run let’s run run run ! 🙏❤️🤠💀🌹

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And it's 8, 7, 6, 5, 4, 3, 2, 1
Here we go!

It's on, a NYE party that spans 8 days.

12/31/69 Boston Tea Party - Thursday Xmas Eve
12/31/72 Winterland - Friday Xmas
12/31/76 Winterland - Saturday
12/31/78 Winterland - Sunday
12/31/81 Oakland Auditorium - Monday
12/31/82 Oakland Auditorium - Tuesday
12/31/89 Oakland/Alameda County Coliseum - Wednesday
12/31/90 Oakland/Alameda County Coliseum - Thursday NYE

Happy New Year!

Brought to you by BobT & the POTD crew.

Happy Holidays to everyone!

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Happy Xmas / War is Over! If you want it
“Another year over and a new one just begun”
John & Yoko

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What a great loss and a sweet, wonderful human being. Saw him and Felix many times back in the 70's, those were great shows, Leslie could really rock and what a great slide player, check out "Crossroader" from the Flowers of Evil lp, and from The road goes ever on lp, the live version from the aforementioned lp is hot. The entire live side of Flowers of Evil is also very good. Dream sequence>Dreams of Milk and Honey>Roll over Beethoven, soo gooood. Some of the loudest concerts too, and when it was all over, they were all drenched in sweat, especially Leslie.

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Mo Monitors! And the only NYE concert outside the Bay Area

Everything to be seen at the Tea Party on New Year's Eve was a direct descendant of the Acid Test. The wall behind the band was bursting with gaseous, exploding galaxies, vibrant suns, flickering dots and spastic paramecia; every facet of the curving walls was covered with projections of comic strips, nudes, old etchings, portraits of the marijuana weed and photos of Boston; two movie projectors showed sporadic clips of Looney Toons, Spencer Tracy's "Boy's Town," and Olivier's "Othello."  And, of course, the Dead were there.

- from the Boston Herald Traveler, 11 January 1970 by Timothy Crouse

Too Much!!

The Boston Tea Party sounds like a pretty hip place. Also of note, by the time of this show it was located in the same building that was formally known as The Ark, which the Dead famously played in April and yes we all want those shows released. From what I can tell it had a capacity of around 1900 people.

The recording we've got here by Bear didn't come into circulation until early 1998 and is pretty dang sweet!
It also includes possibly the weirdest ending to a NYE show ever. I mean who else but the GOGD would spend hours getting folks all raved up only to drop into 4 obscure acoustic numbers at the end of the night?!?!
There's gotta be a story there, I think I remember reading it, but can't recall the specifics.
(Phil teases Dark Star and then Jerry calls it off and says let's take a break:)

"Well, it looks like the 1970s are going to be weird." - Jerry Garcia

This is one of those shows, that falls in the... "Think that was good? Well you shoulda been here last night!" category.
That being said... last show of the 1960s who can resist?!?!
And first of the NYE Extravaganza 2020.

Enjoy!

PS - If anybody has the Taper's Compendium Addendum let's talk. I really want to read that!
PPS - This is a repost / earlier post got deleted? Good thing I started saving them! Or is it so bad that it got trashed :)

12/29 is a warm up for 12/30/69

Might wanna just skip ahead to 12/30 & 12/31

Or listen to them all... it's the holidays!

Dug 12/31/69 it's a real good time.

15 seconds, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1.. Happy New Year!

This is one of my favorite NYE shows.
Maybe cause I love 1972.
Or it could just be the Playing In The Band shreds.
Either way, great way to end one of, if not the, greatest year in GD history.

Also, this show contains one of Bill Graham's & Bob Weir's favorite Winterland Moments and a famously told story.

This is the NYE show where the guy climbed down through the ceiling tiles and hung on the wire and they canceled the show and Bill Graham talked him down.
It happens between Sing Me Back Home and Johnny B. Goode.
Most of the time the audio is cut out, but is included on the Recording of FM Broadcast on KSAN along with a fun Europe '72 promo commercial.

Worth seeking out if you're a historical geek like me.

Alright, well what can I say..
Merry Christmas!!!
Have fun with this one.
And Peace on Earth and Goodwill towards People!

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My brother was at this show and he told me about the guy climbing in from the roof of Winterland. The Dead were looking up at him as he was hanging up there. Bill Graham asked him if there was anything he would like to say and he said "I'm 007" .

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Just one second, please.
If you could just try to find your way back the way you came up there. Please.

How about that Truckin' > The Other One > Morning Dew?!?!

I don't think I'll ever get tired of hearing that.
Most epic NYE jam IMO.
We'll see if I change that opinion during the Extravaganza.
I know '76 is pretty epic too, but there's no 40 minute Other One Jam...

Wow.

Alright, couple more fun facts.
Eyewitness states that the famous Winterland Mirror Ball made it's first appearance on this evening during PITB.
The band was wearing their Nudie Suits, 2nd of 4 appearances?
12/15/72
12/31/72
02/19/73
03/19/73 (partial;)

And yes, BTK he could only tell us his number, 007.
What a weirdo! Wonder what happened to that guy...

And now can we hear it for the greatest rock n' roll band in the world.
The Grateful Dead, please.

Alright, Good Stuff.
Happy Christmas!

PS - Anybody have the Dead.net Bonus CD that came with Winterland '78?
Supposedly that Bill Graham exchange is on there as a hidden track.
LMK if you're out there, I'm sure I've got something cool to trade for a copy.

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I have the New Year's at Winterland Bonus with Bill G. I can rip it for you, provided it's not disc rotted like my DaP 1-4 and RT 4.5. I love those unexpected surprises. Be well, all. :-)

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That would be so awesome!!

LMK what I can do to help make that happen.

Thanks WTJ and Happy Christmas!

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In reply to by wilfredtjones

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Big Ole Hello to all you folks out there in radio land as well

ne plus ul·tra
/ˌnē ˌpləs ˈəltrə,ˌnā ˌpləs ˈəltrə,ˌnā ˌplo͝os ˈo͝oltrə/
noun
1. the perfect or most extreme example of its kind; the ultimate.

Great liner notes by David Lemieux and Glenn Lambert (who was one of the host DJs of the KSAN broadcast) for this one.

Dave uses the ne plus ultra phrase in reference to 1974 performances of Playing In The Band, I guess I’ve always felt that was 1972. Something about Jerry’s playing and the Alligator sound vs Jerry’s Wolf sound just rings my bell harder. Did I mention I love Playing In The Band from 1972?

Anyway, this might suggest a new avenue of exploration for me. 1974 Playing In The Band relisten mission. However, I digress... big time.

We’re not talking about 1972 or 1974 right now, we’re talking about 1976 and in particular 12/31/76.

Epic Set 1 closing Playing In The Band which has hints of the days of yore and yet is rooted in the present which at the time of this recording was the last moments of 1976.

Last GD cow palace show, and possibly one of the most consistently fine played NYE shows in the history of the Grateful Dead? After this they’ll play every NYE through 1991.

I wonder if Glenn has a recording of the whole KSAN broadcast? How about it Glenn?
(apparently not to be confused with Gary! do your research ;)

Speaking about wondering.
I’m wondering if anybody has that Spirit of ’76 Bonus CD that came with Pre-Order from Dead.net?
Couple unreleased nuggets on there I’d love to get a hold of. Get a hold of me if you do :)


Meanwhile enjoy another epic NYE show by the Grateful Dead with the Spirit of ’76.

And big shout out to wilfredtjones for being an awesome DeadHead.
Thanks man you rock!

PS - Why didn't that Here Comes Sunshine Jam happen at like every show or at least during every Good Lovin' without Pigpen? Love love love that!!!
So good.

A momentous occasion as we cruise into the 1980s here at Winterland in San Francisco.
1978 going on 1981, what you see before you is a 10, no wait 12, 12 foot long burning ember of marijuana.
Yes, let us begin the countdown…
- Dan Aykroyd Winterland 12/31/78

Brings a smile to my face, and really truly there is nothing like a Grateful Dead concert.

This tape was in some heavy rotation when I was but a teenage Dead freak. I mean just look at these Set lists, but it was more than that back then. It was the rumors, the stories, the legends, the guests, the recording, the performances. This tape held me spell bound just thinking about everything I was hearing and everything that was happening.

Let’s give it yet another go all these years later and see what happens, it’s already got me smiling.
Like a visit with an old friend.

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8 years 10 months

In reply to by Dennis

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Roger that.
And back at you.
Happy Holidays!

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4 years 11 months
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I remember when the tickets went on sale they were $30 dollars apiece, we were shocked, we were paying $7 dollars to go to shows at that time. The tickets were given out through a lottery, you sent in a S.A.S.E. with your check and you either got back your check or you received tickets, we got shutout and got back our checks. The day of the show tickets wrent on sale in the box office, my brother bought one, I could have had one, I decided to stay home and watch it on TV, I was with a bunch of friends and we had a blast.
..

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17 years 4 months
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12/26/69 was wonderful yesterday. 12/31/69 two days ago was also super magical. I listened to 12/26/70 this morning. Will listen to 12/26/81& 12/27/81 later today.
Have listened to more Grateful Dead in 2020 than in years. Also read more books than in years. Finishing On Highway 61 by Dennis McNally. Fascinating history. Super well researched.
Peace out, no piece out.