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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #1921
    1stshow70878
    Joined:
    Thanks BC

    Was wondering what Spirit looked like.
    Here's to him.
    Cheers

  • #1922
    JimInMD
    Joined:
    I'll Play

    5/10/91 if for no other reason than I like the recording. Maybe a bit saturated at times, but it's pretty clear and balanced. Besides Phil was on a tear during this period and it must have been hard to keep his bass in check when he amped things up.

    I think tossed this show out on this forum in the beginning. I like the Cal Expo shows too, but no Bruce for those three shows.

  • #1923
    DeadVikes
    Joined:
    Official Releases

    Yes, absolutely. Always welcome.

    Can't say enough good things about that hot summer 82 Tour. The Zoo in Oklahoma was another good one. Love these China Riders from this summer. Agree, they are smoking Jim. Nice Playing, Iko Iko, Lost Sailor, SOC. The wheel out of space is always good. Great US Blues encore.

    The 71 Port Chester shows are some of my favorites. Listen to them often. 2/18, is probably my favorite right now, but my favorites fluctuate.

    So for #44, I am thinking we will see a 91 release. Any predictions?
    Enjoy the weekend out there.

  • #1924
    Dennis
    Joined:
    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • #1925
    JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • #1926
    daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • #1927
    1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • #1928
    1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • #1929
    bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • #1930
    Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Slow Dog Noodle on Tue, 01/12/2021 - 10:23

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History doesn't repeat itself, but it often rhymes.

- Mark Twain

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Submitted by billy the kid on Tue, 01/12/2021 - 11:15

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Good show, I don't think it comes up to level of the Feb/March Fillmore West shows, but enjoyable for sure. Funny, as I listen to this I enjoyed Garcia's guitar playing , just the guitar playing, from yesterday's show 10/24/79, just as much as I enjoy his guitar playing from this show, 4/21/69. Anyway, great pick.

How can you have any pudding if you don't eat yer meat?!?!

Well, I suppose I went just for the "pudding" yesterday, as I only listened to Set 2, but I did enjoy what I heard. I agree with those who point out that this is not the strongest show of the tour, but I just love this period, and I enjoyed the whole 2nd set. Flaming hot Fire, and even with the vocal flubs in Terrapin, the rest of the set flows nicely. Strong Wharf Rat too! I'm a fan of good sounding AUDs too, and this one certainly does sound pretty sweet.

4/21/69 - the first night of the Ark. I think I might cherry-pick this one with a few songs from set 1 (TOO Suite) and most of set 2 (I'll probably skip a good portion of Lovelight... currently ducking to avoid the tomatoes! :) I do LOVE Sitting On Top of the World!

Almost to hump day!

Peace

No tomatoes from me.

I appreciate Lovelight more as time passes, but it can get repetitive and....

Now the ones i have heard from march 68 and earlier bounce more instead of drag, which is a good thing

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Submitted by carlo13 on Tue, 01/12/2021 - 17:31

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I tend to love any dead that lasts long. Like pitb - lovelight - eyes - smokestack - alligator - and all that great stuff that you can listen to while partying or sex or both together. I know.... way too much info.

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Submitted by DeadVikes on Tue, 01/12/2021 - 21:51

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Wait a second Carlo, sex and the Dead. Okay, that cracked me up.

Wait a second honey, listen to this transition into I Know you Rider!

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Submitted by carlo13 on Tue, 01/12/2021 - 21:57

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"Giddy-up." Like kramer would say.

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Submitted by Oroborous on Wed, 01/13/2021 - 08:01

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Carlo, LOL, reminds me of when George was trying to have it all: sex, pastrami, AND the Yankees all at the same time!

69 no doubt is fine. Sitting on Top always welcome. But another in the “have to be in the mood” LL camp, but that doesn’t mean ya gotta throw grease! ; ) Did Viola seem a little underwhelming, or was that just me?

Did Ready or Not afterwards. Really digging this 90s stuff, well, not so much the Vince tunes....

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Submitted by JoshByTheBay on Wed, 01/13/2021 - 08:31

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Since we just did the first night at the Ark, I was thinking we can mix the ying and the yang with some 1/10/79 from Nassau Coliseum. Honestly, one of my favorite second sets ever, and that speaks volumes. Pre Drums is a powerhouse.

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Submitted by DeadVikes on Wed, 01/13/2021 - 11:32

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Okay Josh, looks like a Dr. Bob Wagner audience recording for this show. I will check it out this afternoon. Thanks for the pick.

Everybody hang loose.

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Submitted by The Good Ole G… on Thu, 01/14/2021 - 07:24

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Nice pick JOSHBYTHEBAY

That Set 2 is always fun to listen too and it really hit the spot yesterday!
Enjoyed that.

I was struck by a few things as I usually am when I listen to this show.
First off the amazing recording by Dr. Bob!
Recording technique & equipment had some major advancement between say '73-'79.
Jerry sings "Sweet Susie” in Loser, that makes it for me.
Love how that Head on tape figures out it's gonna be Dark Star and you can hear the stoke!
Space was still an odd occurrence.

The reviewer in Taper's Compendium was at these shows and he was saying that rumors before the show were that they'd played Dark Star & St. Stephen recently. But he didn't really believe them because rumors were so wild back then.

Reading that I was struck thinking about it. Having grown up essentially always listening and loving 12/31/78 and considering it an upper echelon GD show and legendary. It's crazy to think of a time when Ten days after that show no one knew the set list, what happened or the songs played!

Simpler times... Fun to think about.
Golden age for information now (and misinformation too).

You're still here?!?

Well alright then, the other thing I was struck by...
The reviewer states the hotter show played was the next night 1/11/79

I gotta test that theory today as nothing on this setlist sticks out to me and I really don't recall listening to it often.

See what this show does for my memory.
Good Sugaree to start.

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Submitted by DeadVikes on Thu, 01/14/2021 - 21:33

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Looking at 9/6/1980 for tommorow's pick. Some of you were at this show, I have never heard it, but the story behind the show seems interesting. Last show before the Warfield.

Yes, do I think 1980 is still lost in space, (per Oroborous), absolutely!

Is it time for more? Let's hope. Giving this one a go.

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Submitted by Thats_Otis on Fri, 01/15/2021 - 05:30

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Looks like DeadVikes has picked 9/6/80, which is a show I have never heard before either. Sounds like a pretty awesome day up in Maine! LOOOONNNG show, interesting setlist, let's do it!

I did a little fishing around the ol' Archive - there are a lot of copies of this one - and I picked two sources that sound pretty good. The first is a SBD/AUD Matrix, mastered by good man Charlie Miller:

https://archive.org/details/gd80-09-06.sbd_aud.miller.25560.sbeok.shnf/…

The second is a straight AUD (looks to be a Jim Wise recording). In the quick sound comparison I did (a few minutes of China Cat, Shakedown, and Mexicali,) I think it sounds a little brighter overall, more bass, better balance, etc., though there is a bit of tape warble (at least I heard it on Mexicali...):

https://archive.org/details/gd80-09-06.wise.unknown.322.sbeok.shnf/gd80…

On both copies the vocals, particularly Jerry's, sound pretty distant. If anyone knows of or finds a better source, please let me know!

Happy listening, HAPPY FRIDAY, and stay safe out there!

Peace

I'm in.. thanks dvikes.

I haven't listened to this show in forever and a day. I'm through the first set and still fumbling for the best version.

Anyway.. even though we just listened to a 79 this feels like a nice change of pace and hits the spot. I don't listen to a ton of 1980. I listened to the deadset centric shows to death decades ago and as much as I love the acoustic material, when I am in the mood, it's awesome but I must admit I like the electric edge.

Lately.. it's the Nov Dec run from 1980 that I find myself hitting the most.

Be kind folks.. it's Happy Friday where I sit. Been working a bit more than usual lately, planning on how to optimize my day. I should finish this show before my day is done, I might switch things up for Friday part 2.

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Submitted by DeadVikes on Fri, 01/15/2021 - 07:33

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Otis and Jim,

I listen through Relisten via my Sonos. The version I am listening to is a SBD/Aud, which was the first choice on the list. The vocals sound really clear as well as the rest of the band.
This definitely is not a new polished copy, imagine if it was?
Future release?

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Submitted by billy the kid on Fri, 01/15/2021 - 07:44

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Great pick Dead Vikes. Well this certainly is a long show, and it starts out with great versions of Alabama/Greatest Story, the Dead are full of energy. Then they do a killer version of Sugaree. After a great 3 song start they play 7 songs that are very pedestrian and not much to write home about, Garcia's guitar playing sounds good on these songs but other than that, time to head to the beer garden and have a few beers. They get their energy back that they showed in the 1st 3 songs and end the 1st set with really great versions of China/Rider and Promised Land. Notes, not to fond of Brent's synthesizer playing on Alabama, Weirs slide playing on Little Red Rooster, not very enjoyable. Garcia's slide playing on Little Red Rooster is what always made the Dead's version cool, Weirs singing is ok, but pales in comparison to HowlinWolf.

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Submitted by DeadVikes on Fri, 01/15/2021 - 09:02

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Okay, so the recording goes to the audience portion at China Cat and there is a drop off for sure. Hope it goes back.

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Submitted by Slow Dog Noodle on Fri, 01/15/2021 - 09:30

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Fantastic choice. I love this show. I think it may be the best show from '80 that i've heard, but maybe because this aud is so good. Thanks Jim Wise!

Can't wait to listen to this show again. Lemieux, if you're follow this adventure we've been having over the last year so so, please put this show at the top of your list for release. 🤞

Edit: That Fox show from Atlanta (11-30-80) that was Dave's #8 was a very fine '80 show too.

Looking good Winthorpe!
Don’t think I’ve ever heard this one? Love me some 80 Dead. Saw excellent show on 9/2, and we have the under the radar DL shows in between....
1/10/79: this one I’ve heard for the obvious reasons plus it’s a cousin to my first show 10 days later. Really dug this one. Is that TMNS set closer a rager er what? Did 1/11/79 too, but that one didn’t resonate as much, though I was busy...
Gonna try and get to some more 90s released stuff this weekend.
Happy Friday!

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Submitted by billy the kid on Fri, 01/15/2021 - 12:26

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Killer 2nd set, I give it a 10 out of 10, excellent from.start to finish. Great choice Dead Vikes.

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Submitted by JimInMD on Sat, 01/16/2021 - 08:44

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I ended up listening to the soundboard for Set I and the Jim Wise for Set II. I wonder what happened to the rest of the board? In any case.. a nice palate cleanser and a hot show from a great year.

What's on tap today? Did we do 2/22/74 yet? I'm contemplating that one.. if we did that how about 2/23.

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Submitted by bluecrow on Sat, 01/16/2021 - 09:18

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was listening to this early Dec. - 1st set ends with Death Don't Have No Mercy
1st set only (Charlie Miller / Sir Mick hands on) - https://relisten.net/grateful-dead/1970/01/16?source=103821 (tracking is off)
full show - https://relisten.net/grateful-dead/1970/01/16?source=88884

and for tomorrow maybe head next door to Oregon State 1/17/70 - https://relisten.net/grateful-dead/1970/01/17

be well everybody - it may seem a ways off but spring is coming

I both have not listened to this before and do not have it in my electronic world.. I had this show confused with the Download Series #2 show, which was apparently just one set two days later, with a show in the middle (Oregon State University in Corvallis).

I am going with the Charlie Miller first set and the droncit?? version I cobbled together with the second set. The sound is nice.. if I have time I am going to do this one and the next two nights (Corvallis and the Digital Download Series 2 from the same venue).

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Submitted by Oroborous on Sat, 01/16/2021 - 10:48

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Great show! Thanks to vguy for the write ups, if I’d a been a little older that’s the kind of place I’d of gone the extra to get there. Always loved the outta the way venues. Bet the vibe was pretty chill. Oxford was fun, but I’m guessing way bigger/crazier then Lewiston.

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Submitted by Vguy72 on Sat, 01/16/2021 - 13:22

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...."plays a golden string fiddle to a double E waterfall over my back. Move it!!" Fuck yeah Jerry! Him getting all excited and shit makes me get all excited and shit.

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Submitted by billy the kid on Sat, 01/16/2021 - 14:57

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Brutal, Cumberland cuts out.

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Submitted by billy the kid on Sat, 01/16/2021 - 14:58

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Brutal, Cumberland cuts out.

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Submitted by billy the kid on Sat, 01/16/2021 - 14:58

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Great pick, it would definitely be on my bbq and beer drinking list.

Move it!! (ha - hadn't caught that)

Both 1/16 and 1/17 kick heavy. Listened through the two again today. Sweet mix of Live Dead era and Working Man's. Sound quality overall is very good to excellent - a few drop outs but still totally satisfying. First time around that Death Don't came as a total and emotional surprise as I hadn't really scoped the set list. Not expecting 'cause its '70 - my aging deadbase shows its a second to last before the long hiatus. Among fine detail that caught my ear in the larger 1/16 excellence was some of that early Mickey percussion. Just now the 1/17 Dark Star > Stephen > Eleven was all systems go go go.
The Download Series is the one major gap in my "officially released" collection. Wasn't in the position to take advantage of at the time. Didn't even know about 1/18 being part of that. Need to revisit that series.
I think the Hawaii shows from following week were up here not too long ago but its been awhile since personally dived in so will head there soon. Looking forward to Fox Theatre - 2/6/70 (DaP 6) - one of my favorites. The whole 50th for Working Mans and American Beauty really got me going on this era.
Edit - didn't mention the cut to 1/16 Cumberland cause I didn't want that "small" negative to define it . . . . : )

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Submitted by JimInMD on Sat, 01/16/2021 - 18:51

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Adding 1/17 only makes it better. These seem to be releasable shows, they might have to address the cuts somehow. Someone's singing is overly loud and off key in Cumberland too.., I think Bobby's. Perhaps his voice broke the tape like the shriek voice broke glass in that old Memorex commercial.

Good choice I had not heard these before. Nice Dark Star too.

Jim, you mentioned 2/22/74, yesterday. Let me know when you want to hit this one up? It is a three set monster.

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Submitted by JimInMD on Sun, 01/17/2021 - 10:38

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I'm ready.. any time.

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Submitted by DeadVikes on Sun, 01/17/2021 - 11:10

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Good call on this one Jim, I have it going.

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Submitted by Vguy72 on Sun, 01/17/2021 - 12:28

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....twist my arm.
Lmao. Jerry blowing the US Blues lyrics right out of the gate. Gotta love it. It's part of the charm.
"We're all confused. What's to lose."
👍

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Submitted by JimInMD on Sun, 01/17/2021 - 22:01

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I forgot how good the PITB was from this show. I was in a great situation to listen today.. and about a third of the way into this song I felt it was ho, hum.. Another three minutes and I realized how wrong I was and good this Playing is..

Is this the first flirtations with Slipknot!? I forget if they played with the theme in '73 or not.

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Submitted by Vguy72 on Mon, 01/18/2021 - 07:45

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....Cal Expo 8.5.89.
https://relisten.net/grateful-dead/1989/08/05
-
One More Saturday Night
Cold Rain & Snow
We Can Run
Stagger Lee
Memphis blues
Row jimmy
Let It Grow
-
Hey Pocky Way ->
Playin' In The Band ->
I Know Your Rider ->
Terrapin Station ->
Drums ->
Space ->
Standing On The Moon ->
Throwing Stones ->
Not Fade Away
-
US Blues
---------------
Features a OMSN and CR&S one two punch opener and a stand alone Rider.
I was lucky enough to be present and accounted for at this run.