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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • icecrmcnkd
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    Daverock

    The September GD Bulletin came out yesterday in an email.
    At the end there is a section Community Bits that briefly summarizes what it being discussed on these boards.

    It says:

    In the Pick of the Day, With Discussion thread, Daverock raises the interesting point that for Europe ’72, there weren’t so many Dead Heads in the audience — and that affected the band’s playing. Maybe for the better? What do you think?

  • daverock
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    Icecrmcnkd

    Sorry - I'm not sure what that means!

  • icecrmcnkd
    Joined:
    GD Bulletin

    Daverock gets the call out.

  • daverock
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    Bickershaw and repetition

    1stshow -no, I have never heard Hawkwind's set at Bickershaw. Curiously, I have never read anything about it either, not from the band or from people who were there. Simonrob was there - maybe he knows something.
    1972 was the year it all came together for Hawkwind, culminating in the Space Ritual tour in December. In fact - a timely thought - the 11 cd special deluxe edition of Space Ritual is out next Friday. Probably not good value for money unless you are really into it - they basically played the same set on that tour wherever they played - this new set features three of them. I'll be getting it - but the original album may be better value overall.

    Going back to The Dead's repetitive - or otherwise - song lists - they would have played to a different audience every night, for the most part, during E72, so maybe it mattered less than later on if they played the same songs a lot. Maybe that was the case for American gigs at first, too. It wasn't common practice in England in the 1970's to see the same band twice on the run, so I wouldn't think it was in America at first. As teenager, apart from anything else, I wouldn't have been able to afford it.

  • JimInMD
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    Repetitive, Sort of..

    With the exception of Copenhagen and London, they hit these cities just once and my guess is most locals had not had any real exposure to the touring Grateful Dead. Copenhagen is the real outlier, two hits at the same venue and similar second set setlists.

    I always assumed they wanted to make a presence in Europe and knowing people were not as exposed in the US, wanted to paint a strong picture for each city.

    So 51 years later listening to the whole tour, there is lots of repetition. But if you were there then, it was all brand new. That's how I digested it. They wanted to hit Europe with a cohesive picture of what they were doing then not knowing when or if they would return.

  • Oroborous
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    RE: repetition

    Yeah they always went heavy on what was new. Guessing partly for their own sanity/interest, and partly for the crowds.
    Not unlike Taylor Swift etc: make an album, go on the road to support it, rinse and repeat…of course like most things, they weren’t that formulaic, thank goodness lol. Plus, they were smart enough to figure out that it’s better to work stuff out on the road BEFORE you go into the studio to record it, especially when you do constantly tweak and re-invent them. So this tour was perhaps a bit of both lol.
    Also, (think we’ve discussed before?) folks didn’t tour so much back then, probably not at all in 1972 Europe?
    So they didn’t have to worry about that like they did later on.
    Sometimes I think they, or someone, just really enjoyed certain songs, so played en more.
    I’d say they played less repetitive in some ways as the years passed and they had more and more songs to choose from.
    Ok, maybe not Bob, he seemed to need to play everything to death lol. Speaking of, why Me&My Uncle every night! I mean they just put it out on the last live album only a year before! With so much new stuff as the Dead, and from WM and AB, AND both Bob and Jers recent solo albums, why Bob, why LOL ; ) Perhaps trying to bring more American “culture”?
    As far as reinterpreting songs, I think they always did that, though some more than others and with various results.
    I guess that’s yet another thing dependent on the listeners taste and chever way yer pleasure tends…
    But I’d bet the biggest factor on this tour was trying to get at least one good useable version of all the new material since they purposely chose this methodology to get the new songs out on a new album. That and mix in some familiar stuff as you never want to do all unknown songs. I could tell ya a story about doing that lol

  • 1stshow70878
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    Bickershaw again

    Finishing up as I write.
    Highlights: Dark Star, The Other One, Lovelight (Jerry!).
    The line-up for this festival is astounding. Woodstock level of mud too.
    DR, guessing you've heard Hawkwind's performance. Good?
    Cheers

  • daverock
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    Repetition

    Is that true, though, that there was more repetition of songs during the E72 tour than others in the late 60's and 70's?
    I haven't checked it out, but listening to shows, I always get a sense that they had a core group of songs that they leaned on during specific tours. It was the same listening to the 1973 box that has just come out. There weren't any shows that were wildly different from any other - possibly 6/10/73. That has a different feel than the earlier ones.

    That's not a criticism - the more they played specific songs - especially the ones incorporating jams, the better they got to know them and the more they were able to re-interpret them. Part of the ongoing mystery - especially from late 1971-1974. Maybe.

  • Oroborous
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    5/13/72

    The make up show.
    Yeah 1stshow, there is definitely a looooot of repetition! Lol
    But yeah, all good, perhaps getting a little burnout, though I haven’t had a lot of good, sit down sessions.
    By necessity, some I’ve been just streaming on crappy work device, (or I’d be still doing this months from now and I’m getting itchy for some other Dead ) I’ve tried to hit those shows multiple times.
    5/13 was one, and another first time show.
    I thought it was a mostly well played show, especially considering it was another cold outdoor show.
    Loved JG joking about a movie and playing drive ins lol
    The PITB seemed a little different, and awesome! Oh, loved Pig making Europe sounding police sirens on the organ during the first spacey part of TOO, another beauty. Nice how their starting to work He’s Gone into the flow of the set.
    Don’t have my info here, but believe this might be the first show without a Good Lovin, which no offense, but I am getting burnt on. Have really been enjoying the other stuff, especially Hurts Me Too and Mr Charlie! And I need to learn the rest of the words to ChinaTown Shuffle as I can’t get the chorus outta my head lol.
    In fact slightly light on the grease, perhaps the chilly cold and being on the road, or maybe time limits? This show was a little shorter by E72 standards, more like a “normal” Dead show.
    Wonder if that was due to having to get back on the road, the cold, or…?
    Overall another great show, though if hard pressed I don’t think I’d include in top five or whatnot…
    Kudos to them though in spite of being less than ideal circumstances and this far into the tour etc

    Oh, I think the repetitiveness and lack of certain songs was totally by design.
    Always good to have as many good versions of songs to attempt to choose from. Nothing worse than wanting a certain song badly but only having a so so version…
    They had all those new songs they wanted to get out, or try to, so I can fully understand not doing too many other recently released songs.
    Making the album was a big part of the tour and after hating their studio stuff versus the great live albums, they were trying to make an album, but live in front of grooving people. Same sorta MO they did with In The Dark. Kinda surprises me they didn’t use this approach more often since it obviously worked so well for them.
    And perhaps unknown to some, but even though they played all tracks live, they did go back and clean up and/or sweeten some things in the studio afterwards, so really a sorta highbred album. Same with Skullfuck.
    Ok, on to 5/16/72 and a world radio broadcast!
    Onward!

  • 1stshow70878
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    Bickershaw 5-7-72

    Just started Bickershaw and it occurred to me that 12 shows into the tour there weren't all that many songs in the setlists from either Workingman's or American Beauty. A quick look to verify only found Sugar Mag and Truckin' from Beauty (whoops found a Brokedown too) and five out the eight from Workingman's with two of those played maybe once or twice in the tour. I knew going in to the full EU72 tour I was in for a lot of repetition in the setlists and having glanced at them beforehand saw the order of songs or placements were also similar, i.e. Casey Jones to end many a first set. So maybe knowing they were doing the album they did so many of the same ones to get a better shot at getting one that would be just exactly perfect for the album, more to choose from. Seems a bit opposite to their usual format of no format or you get what feels right that night. These shows are certainly not carbon copies by any means and I'm not complaining at all but just wanted to explore why they all sound a bit the same. Clearly some doing them all in a row impressions happening but not burnout at all. They are all just too good!
    Cheers

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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History doesn't repeat itself, but it often rhymes.

- Mark Twain

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Good show, I don't think it comes up to level of the Feb/March Fillmore West shows, but enjoyable for sure. Funny, as I listen to this I enjoyed Garcia's guitar playing , just the guitar playing, from yesterday's show 10/24/79, just as much as I enjoy his guitar playing from this show, 4/21/69. Anyway, great pick.

How can you have any pudding if you don't eat yer meat?!?!

Well, I suppose I went just for the "pudding" yesterday, as I only listened to Set 2, but I did enjoy what I heard. I agree with those who point out that this is not the strongest show of the tour, but I just love this period, and I enjoyed the whole 2nd set. Flaming hot Fire, and even with the vocal flubs in Terrapin, the rest of the set flows nicely. Strong Wharf Rat too! I'm a fan of good sounding AUDs too, and this one certainly does sound pretty sweet.

4/21/69 - the first night of the Ark. I think I might cherry-pick this one with a few songs from set 1 (TOO Suite) and most of set 2 (I'll probably skip a good portion of Lovelight... currently ducking to avoid the tomatoes! :) I do LOVE Sitting On Top of the World!

Almost to hump day!

Peace

No tomatoes from me.

I appreciate Lovelight more as time passes, but it can get repetitive and....

Now the ones i have heard from march 68 and earlier bounce more instead of drag, which is a good thing

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I tend to love any dead that lasts long. Like pitb - lovelight - eyes - smokestack - alligator - and all that great stuff that you can listen to while partying or sex or both together. I know.... way too much info.

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Wait a second Carlo, sex and the Dead. Okay, that cracked me up.

Wait a second honey, listen to this transition into I Know you Rider!

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"Giddy-up." Like kramer would say.

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Carlo, LOL, reminds me of when George was trying to have it all: sex, pastrami, AND the Yankees all at the same time!

69 no doubt is fine. Sitting on Top always welcome. But another in the “have to be in the mood” LL camp, but that doesn’t mean ya gotta throw grease! ; ) Did Viola seem a little underwhelming, or was that just me?

Did Ready or Not afterwards. Really digging this 90s stuff, well, not so much the Vince tunes....

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Since we just did the first night at the Ark, I was thinking we can mix the ying and the yang with some 1/10/79 from Nassau Coliseum. Honestly, one of my favorite second sets ever, and that speaks volumes. Pre Drums is a powerhouse.

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Okay Josh, looks like a Dr. Bob Wagner audience recording for this show. I will check it out this afternoon. Thanks for the pick.

Everybody hang loose.

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Nice pick JOSHBYTHEBAY

That Set 2 is always fun to listen too and it really hit the spot yesterday!
Enjoyed that.

I was struck by a few things as I usually am when I listen to this show.
First off the amazing recording by Dr. Bob!
Recording technique & equipment had some major advancement between say '73-'79.
Jerry sings "Sweet Susie” in Loser, that makes it for me.
Love how that Head on tape figures out it's gonna be Dark Star and you can hear the stoke!
Space was still an odd occurrence.

The reviewer in Taper's Compendium was at these shows and he was saying that rumors before the show were that they'd played Dark Star & St. Stephen recently. But he didn't really believe them because rumors were so wild back then.

Reading that I was struck thinking about it. Having grown up essentially always listening and loving 12/31/78 and considering it an upper echelon GD show and legendary. It's crazy to think of a time when Ten days after that show no one knew the set list, what happened or the songs played!

Simpler times... Fun to think about.
Golden age for information now (and misinformation too).

You're still here?!?

Well alright then, the other thing I was struck by...
The reviewer states the hotter show played was the next night 1/11/79

I gotta test that theory today as nothing on this setlist sticks out to me and I really don't recall listening to it often.

See what this show does for my memory.
Good Sugaree to start.

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Looking at 9/6/1980 for tommorow's pick. Some of you were at this show, I have never heard it, but the story behind the show seems interesting. Last show before the Warfield.

Yes, do I think 1980 is still lost in space, (per Oroborous), absolutely!

Is it time for more? Let's hope. Giving this one a go.

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Looks like DeadVikes has picked 9/6/80, which is a show I have never heard before either. Sounds like a pretty awesome day up in Maine! LOOOONNNG show, interesting setlist, let's do it!

I did a little fishing around the ol' Archive - there are a lot of copies of this one - and I picked two sources that sound pretty good. The first is a SBD/AUD Matrix, mastered by good man Charlie Miller:

https://archive.org/details/gd80-09-06.sbd_aud.miller.25560.sbeok.shnf/…

The second is a straight AUD (looks to be a Jim Wise recording). In the quick sound comparison I did (a few minutes of China Cat, Shakedown, and Mexicali,) I think it sounds a little brighter overall, more bass, better balance, etc., though there is a bit of tape warble (at least I heard it on Mexicali...):

https://archive.org/details/gd80-09-06.wise.unknown.322.sbeok.shnf/gd80…

On both copies the vocals, particularly Jerry's, sound pretty distant. If anyone knows of or finds a better source, please let me know!

Happy listening, HAPPY FRIDAY, and stay safe out there!

Peace

I'm in.. thanks dvikes.

I haven't listened to this show in forever and a day. I'm through the first set and still fumbling for the best version.

Anyway.. even though we just listened to a 79 this feels like a nice change of pace and hits the spot. I don't listen to a ton of 1980. I listened to the deadset centric shows to death decades ago and as much as I love the acoustic material, when I am in the mood, it's awesome but I must admit I like the electric edge.

Lately.. it's the Nov Dec run from 1980 that I find myself hitting the most.

Be kind folks.. it's Happy Friday where I sit. Been working a bit more than usual lately, planning on how to optimize my day. I should finish this show before my day is done, I might switch things up for Friday part 2.

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Otis and Jim,

I listen through Relisten via my Sonos. The version I am listening to is a SBD/Aud, which was the first choice on the list. The vocals sound really clear as well as the rest of the band.
This definitely is not a new polished copy, imagine if it was?
Future release?

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Great pick Dead Vikes. Well this certainly is a long show, and it starts out with great versions of Alabama/Greatest Story, the Dead are full of energy. Then they do a killer version of Sugaree. After a great 3 song start they play 7 songs that are very pedestrian and not much to write home about, Garcia's guitar playing sounds good on these songs but other than that, time to head to the beer garden and have a few beers. They get their energy back that they showed in the 1st 3 songs and end the 1st set with really great versions of China/Rider and Promised Land. Notes, not to fond of Brent's synthesizer playing on Alabama, Weirs slide playing on Little Red Rooster, not very enjoyable. Garcia's slide playing on Little Red Rooster is what always made the Dead's version cool, Weirs singing is ok, but pales in comparison to HowlinWolf.

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Okay, so the recording goes to the audience portion at China Cat and there is a drop off for sure. Hope it goes back.

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Fantastic choice. I love this show. I think it may be the best show from '80 that i've heard, but maybe because this aud is so good. Thanks Jim Wise!

Can't wait to listen to this show again. Lemieux, if you're follow this adventure we've been having over the last year so so, please put this show at the top of your list for release. 🤞

Edit: That Fox show from Atlanta (11-30-80) that was Dave's #8 was a very fine '80 show too.

Looking good Winthorpe!
Don’t think I’ve ever heard this one? Love me some 80 Dead. Saw excellent show on 9/2, and we have the under the radar DL shows in between....
1/10/79: this one I’ve heard for the obvious reasons plus it’s a cousin to my first show 10 days later. Really dug this one. Is that TMNS set closer a rager er what? Did 1/11/79 too, but that one didn’t resonate as much, though I was busy...
Gonna try and get to some more 90s released stuff this weekend.
Happy Friday!

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Killer 2nd set, I give it a 10 out of 10, excellent from.start to finish. Great choice Dead Vikes.

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I ended up listening to the soundboard for Set I and the Jim Wise for Set II. I wonder what happened to the rest of the board? In any case.. a nice palate cleanser and a hot show from a great year.

What's on tap today? Did we do 2/22/74 yet? I'm contemplating that one.. if we did that how about 2/23.

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was listening to this early Dec. - 1st set ends with Death Don't Have No Mercy
1st set only (Charlie Miller / Sir Mick hands on) - https://relisten.net/grateful-dead/1970/01/16?source=103821 (tracking is off)
full show - https://relisten.net/grateful-dead/1970/01/16?source=88884

and for tomorrow maybe head next door to Oregon State 1/17/70 - https://relisten.net/grateful-dead/1970/01/17

be well everybody - it may seem a ways off but spring is coming

I both have not listened to this before and do not have it in my electronic world.. I had this show confused with the Download Series #2 show, which was apparently just one set two days later, with a show in the middle (Oregon State University in Corvallis).

I am going with the Charlie Miller first set and the droncit?? version I cobbled together with the second set. The sound is nice.. if I have time I am going to do this one and the next two nights (Corvallis and the Digital Download Series 2 from the same venue).

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Great show! Thanks to vguy for the write ups, if I’d a been a little older that’s the kind of place I’d of gone the extra to get there. Always loved the outta the way venues. Bet the vibe was pretty chill. Oxford was fun, but I’m guessing way bigger/crazier then Lewiston.

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...."plays a golden string fiddle to a double E waterfall over my back. Move it!!" Fuck yeah Jerry! Him getting all excited and shit makes me get all excited and shit.

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Brutal, Cumberland cuts out.

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Brutal, Cumberland cuts out.

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Great pick, it would definitely be on my bbq and beer drinking list.

Move it!! (ha - hadn't caught that)

Both 1/16 and 1/17 kick heavy. Listened through the two again today. Sweet mix of Live Dead era and Working Man's. Sound quality overall is very good to excellent - a few drop outs but still totally satisfying. First time around that Death Don't came as a total and emotional surprise as I hadn't really scoped the set list. Not expecting 'cause its '70 - my aging deadbase shows its a second to last before the long hiatus. Among fine detail that caught my ear in the larger 1/16 excellence was some of that early Mickey percussion. Just now the 1/17 Dark Star > Stephen > Eleven was all systems go go go.
The Download Series is the one major gap in my "officially released" collection. Wasn't in the position to take advantage of at the time. Didn't even know about 1/18 being part of that. Need to revisit that series.
I think the Hawaii shows from following week were up here not too long ago but its been awhile since personally dived in so will head there soon. Looking forward to Fox Theatre - 2/6/70 (DaP 6) - one of my favorites. The whole 50th for Working Mans and American Beauty really got me going on this era.
Edit - didn't mention the cut to 1/16 Cumberland cause I didn't want that "small" negative to define it . . . . : )

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Adding 1/17 only makes it better. These seem to be releasable shows, they might have to address the cuts somehow. Someone's singing is overly loud and off key in Cumberland too.., I think Bobby's. Perhaps his voice broke the tape like the shriek voice broke glass in that old Memorex commercial.

Good choice I had not heard these before. Nice Dark Star too.

Jim, you mentioned 2/22/74, yesterday. Let me know when you want to hit this one up? It is a three set monster.

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I'm ready.. any time.

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Good call on this one Jim, I have it going.

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....twist my arm.
Lmao. Jerry blowing the US Blues lyrics right out of the gate. Gotta love it. It's part of the charm.
"We're all confused. What's to lose."
👍

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I forgot how good the PITB was from this show. I was in a great situation to listen today.. and about a third of the way into this song I felt it was ho, hum.. Another three minutes and I realized how wrong I was and good this Playing is..

Is this the first flirtations with Slipknot!? I forget if they played with the theme in '73 or not.

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....Cal Expo 8.5.89.
https://relisten.net/grateful-dead/1989/08/05
-
One More Saturday Night
Cold Rain & Snow
We Can Run
Stagger Lee
Memphis blues
Row jimmy
Let It Grow
-
Hey Pocky Way ->
Playin' In The Band ->
I Know Your Rider ->
Terrapin Station ->
Drums ->
Space ->
Standing On The Moon ->
Throwing Stones ->
Not Fade Away
-
US Blues
---------------
Features a OMSN and CR&S one two punch opener and a stand alone Rider.
I was lucky enough to be present and accounted for at this run.