• 8,101 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • icecrmcnkd
    Joined:
    2-9-73

    Recently got a new version, believe it is a Miller.
    Definitely sounded way better than that first off-speed cassette copy I had.

  • proudfoot
    Joined:
    2/9/73

    first heard it on a Southern California evening on tape back in...84? 85?

    very pleasant, eye-opening experience

  • rockthing
    Joined:
    2/9/73 1st Impression +Belated 5/15/73 Upgrade Frag Notes

    I can't keep up with you guys. lol.

    Just by chance I listened to 2/9 last night, over two sittings. During the first sitting, ie the first half of the show, work was occupying my mind. The final sitting was with the lights out, just spacin' on the music, but also sort of halfway into dreamland, so no notes were taken. I think I'll listen again as soon as I get through this new (to me) Coltrane '65 date.

    The balance on the 2/9 tape is much better than any master of 5/15 that I heard. The setlist is very similar. I have not compared, but all the songs you don't get to hear much after '73 are there for both shows, but there really isn't much evidence of teething problems in the new stuff. US Blues has very embryonic lyrics, which are cool, but nowhere near as iconic, or concise, as Hunter's later revision. The music is pretty much fully formed. Incredible, really. Someone had mentioned 2/18/71 a few pages back. That was another major breakout night, but again, they debuted a set of solid songs, right out of the gate.

    Back to 2/9/73, they talk a bit too much about the new PA, but I suppose I'd be pretty over the moon about it, too. Of all the eras, this is when I'd really love to have some good audience pulls, especially once the full Wall of Sound comes into effect. Not sure the wall makes any difference to a board tape.

    That cool and confident mellow '73 groove is there, but there seems to be a touch more bounce in the step here compared to 5/15. Again, this is on deck for a relisten.

    I made all these notes for the 5/15 upgrade (second half of the second set). Even though that was, like two or three picks ago, I'm gonna put'em down anyway.

    The Miller "fix" is a major improvement. Much more raw in many respects. Bobby's killin' it after the He's Gone vocal jam evolves into an instrumental. He's getting some very Jerry-esque tones, but he's significantly lower in the mix. Was he still using a Gibson SG at this time? If so, that would explain the similarities in tone. Jer had been using an SG for a while before switching to Alligator, iirc. Hard to keep track of Jerry's guitars in the early days. I forget when he got Wolf, too. If he didn't have it here, he'd have it fairly soon, again iirc.

    No bomb after Truckin's "busted". Not enough Phil in the mix to really get the bass bomb effect when it finally comes. The is The Jerry Garcia Experience. The mix is ALL Jerry. Would really like to hear how this sounded to an audience, especially considering it was the experimental phase of the Wall of Sound.

    Would also prefer to see the the "Phil and Drummers" track merged with either Truckin' or The Other One. It could really go either way, though, 'cause it's not unheard of to have a drum solo at the end of Truckin' and it was fairly common at one point to have a drum break between Cryptical and Other One. That's just me. I know most people, certainly the seeders, like more tracks rather than less. What's Joe Walsh say? "Can't complain, but sometimes I still do."

    The Other One jam is sublime! Deep into it Phil and Jerry's interaction is so conversational, without being simple mimicry. Much better bass guitar presence than earlier, but it may be that Phil is using the upper registers here, and those frequencies are more well represented on the tape. Holy shit. That was all BEFORE the first verse! Did they even do the second verse? It just all washed by in this warm breeze of intermingling ideas. I didn't take any more notes on the rest of the show. Was not present enough. Some really fantastic stuff was happening at the end of the second set, certainly worthy of the upgrade. I'd imagine this is the only mix that exists, and there ain't no more. Again, this is the era where I'd like to hear the audience perspective the most, but it's still early days for audience tapers, unfortunately.

    Digging waaay back in the thread, Neil Cassady, that's a guy I'd go back in time to meet... hopefully when he was hangin' with Jerry!
    What a madman! TBH, I probably wouldn't be able to deal with him, but I'd just like to experience what being around him was like.

    Used to follow John Perry Barlow on Twitter. Didn't always agree with him, but he always had something thought-provoking to say. So interesting that he went from being a Wyoming rancher, crafting a cowboy image for Bobby, to philosophizing about the electronic frontier, and being a legit expert.

    Speaking of cowboy images, I'm gonna hafta remember to imagine the boys in their Nudie suits when I relisten to 2/9, later. That's so funny. It's like the one time the Dead actually entertained the concept of showmanship as a group. lol.

    I digress. Having the sense to take on genuine wordsmiths to define their lyrical imagery is yet another example artistic magick. So many fantastic musicians are so horrible as poets. :) Having both Barlow and Hunter, expressing very different views and styles, adds so much to the mix.

  • JimInMD
    Joined:
    Halfway Through

    One quick comment about this show.. as I am not sure I will finish tonight. Many of these songs are 'new' so just rehearsal and practice. The tone isn't always dialed in, just a little unpredictable and wild which I just love. They sometimes lurch their way transitions, bridges and the more complex pieces but behind it all the timing is there. Jerry in particular has an impeccable sense of timing and the songs, even the ones performed for the first time are still the songs. They seem to be birthed almost fully formed.

    That's it for me, great pick Bob (and all). I have great reverence for this show.

  • JimInMD
    Joined:
    I Could Do Maples...

    Roscoe Maples Pavilion it is.

    I am sure I have told this story, but my original cassette of this show was way off pitch, super slow.

    Eyes of the World in particular had this groovy, sloth-like swank to it, especially in the outro jam and the vocals in China Doll were sooo slow. Still, I loved it. It wasn't until the Archive came up that I heard what the show actually sounded like. I loved the old and slow, but the pitch corrected version was a welcomed addition, sort of like getting fitted for ear glasses for the first time and hearing what birds actually sound like when they sing.

    I knew it was a little off pitch, but once something goes down, once you listen to something and get familiar with it.. sort of a muscle memory.. once you get used to something, that's the way it is. To this day when I listen to this show my memory of the slowed down, etched in memory version comes to mind.

  • The Good Ole G…
    Joined:
    Roscoe Maples

    Dang it that's a fave!
    Nice call BobT
    Happy Anniversary to this all time great show.

    Listen to that PITB outside (if it's sunny & not freezing)

    For the majority of my life and I always thought this show took place outside, but I'm pretty sure Maples Pavillion was / is a gymnasium?

    Anyhow this music was meant to be listened to outside, Jerry soars like a bird.

    It takes you places.

    I'ma gonna have to listen to it.

    Thanks BobT!!

  • bob t
    Joined:
    A very good year started 48 years ago today

    "I'm told to make this short and not political" Roscoe Maples Pavilion 2/9/73 Happy Anniversary....

  • Strider 808808
    Joined:
    Licorice

    Licorice roots are awesome. Used to get them at Scarborough Faire in Eugene, Oregon almost 50 years ago.
    35 years ago was at the Henry J Kaiser Auditorium Dead shows that included the nights with the Neville Brothers. One of the better jam sessions of the 80s.

    Grateful Dead cards? Ace of Spades ?, The Joker?, Aces back to back? the Queen of Diamonds ?

    I can tell by the ways she shines.

  • bluecrow
    Joined:
    Grateful Dead Trading Cards?

    Ha - that is one crabby review! But at least we know they played on and on and on, as is their wont! We can only hope tapes of the whole of 2/19 surface. Thanks for linking the grateful seconds post - always appreciate the archival work Dave Davis put into these. I probably saw this one back when he originally posted but no memory of reading that review.

    By all accounts the Int. Amp. was a dump, quite the contrast from the jewel-like Auditorium Theater where the Dead played in '71. I was too "young" to see the 2 Int. Amp. shows but saw Jerry and John Kahn at the Auditorium in July 1982. By that time the Uptown was falling apart and closed. Towards the end of the show all sorts of yelled requests for Ripple. Then some guy yells - "Play what you want!" Jerry replies "Thank you." And then he breaks into Ripple!

    Interesting to see an earlier article in the post by same guy listing some new and upcoming releases. Gives limited props to Skull and Roses, but whines that one whole side "taken up boringly" by the Other One and continues with the Dead having done this before with overly long numbers, they'll continue doing it, and it hasn't worked yet! Then in a little capsule of record history he goes on mention some upcoming releases - Jerry's first album, NRPS, and John Hartford's Aeroplane!!! What a great freaking album that is.

    Glad to cue up 10/29 later today! Onward!

  • DeadVikes
    Joined:
    10/29/71

    Okay, on it GOGD, thanks man.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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History doesn't repeat itself, but it often rhymes.

- Mark Twain

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Good show, I don't think it comes up to level of the Feb/March Fillmore West shows, but enjoyable for sure. Funny, as I listen to this I enjoyed Garcia's guitar playing , just the guitar playing, from yesterday's show 10/24/79, just as much as I enjoy his guitar playing from this show, 4/21/69. Anyway, great pick.

How can you have any pudding if you don't eat yer meat?!?!

Well, I suppose I went just for the "pudding" yesterday, as I only listened to Set 2, but I did enjoy what I heard. I agree with those who point out that this is not the strongest show of the tour, but I just love this period, and I enjoyed the whole 2nd set. Flaming hot Fire, and even with the vocal flubs in Terrapin, the rest of the set flows nicely. Strong Wharf Rat too! I'm a fan of good sounding AUDs too, and this one certainly does sound pretty sweet.

4/21/69 - the first night of the Ark. I think I might cherry-pick this one with a few songs from set 1 (TOO Suite) and most of set 2 (I'll probably skip a good portion of Lovelight... currently ducking to avoid the tomatoes! :) I do LOVE Sitting On Top of the World!

Almost to hump day!

Peace

No tomatoes from me.

I appreciate Lovelight more as time passes, but it can get repetitive and....

Now the ones i have heard from march 68 and earlier bounce more instead of drag, which is a good thing

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I tend to love any dead that lasts long. Like pitb - lovelight - eyes - smokestack - alligator - and all that great stuff that you can listen to while partying or sex or both together. I know.... way too much info.

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Wait a second Carlo, sex and the Dead. Okay, that cracked me up.

Wait a second honey, listen to this transition into I Know you Rider!

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"Giddy-up." Like kramer would say.

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Carlo, LOL, reminds me of when George was trying to have it all: sex, pastrami, AND the Yankees all at the same time!

69 no doubt is fine. Sitting on Top always welcome. But another in the “have to be in the mood” LL camp, but that doesn’t mean ya gotta throw grease! ; ) Did Viola seem a little underwhelming, or was that just me?

Did Ready or Not afterwards. Really digging this 90s stuff, well, not so much the Vince tunes....

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Since we just did the first night at the Ark, I was thinking we can mix the ying and the yang with some 1/10/79 from Nassau Coliseum. Honestly, one of my favorite second sets ever, and that speaks volumes. Pre Drums is a powerhouse.

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Okay Josh, looks like a Dr. Bob Wagner audience recording for this show. I will check it out this afternoon. Thanks for the pick.

Everybody hang loose.

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In reply to by The Good Ole G…

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Nice pick JOSHBYTHEBAY

That Set 2 is always fun to listen too and it really hit the spot yesterday!
Enjoyed that.

I was struck by a few things as I usually am when I listen to this show.
First off the amazing recording by Dr. Bob!
Recording technique & equipment had some major advancement between say '73-'79.
Jerry sings "Sweet Susie” in Loser, that makes it for me.
Love how that Head on tape figures out it's gonna be Dark Star and you can hear the stoke!
Space was still an odd occurrence.

The reviewer in Taper's Compendium was at these shows and he was saying that rumors before the show were that they'd played Dark Star & St. Stephen recently. But he didn't really believe them because rumors were so wild back then.

Reading that I was struck thinking about it. Having grown up essentially always listening and loving 12/31/78 and considering it an upper echelon GD show and legendary. It's crazy to think of a time when Ten days after that show no one knew the set list, what happened or the songs played!

Simpler times... Fun to think about.
Golden age for information now (and misinformation too).

You're still here?!?

Well alright then, the other thing I was struck by...
The reviewer states the hotter show played was the next night 1/11/79

I gotta test that theory today as nothing on this setlist sticks out to me and I really don't recall listening to it often.

See what this show does for my memory.
Good Sugaree to start.

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Looking at 9/6/1980 for tommorow's pick. Some of you were at this show, I have never heard it, but the story behind the show seems interesting. Last show before the Warfield.

Yes, do I think 1980 is still lost in space, (per Oroborous), absolutely!

Is it time for more? Let's hope. Giving this one a go.

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Looks like DeadVikes has picked 9/6/80, which is a show I have never heard before either. Sounds like a pretty awesome day up in Maine! LOOOONNNG show, interesting setlist, let's do it!

I did a little fishing around the ol' Archive - there are a lot of copies of this one - and I picked two sources that sound pretty good. The first is a SBD/AUD Matrix, mastered by good man Charlie Miller:

https://archive.org/details/gd80-09-06.sbd_aud.miller.25560.sbeok.shnf/…

The second is a straight AUD (looks to be a Jim Wise recording). In the quick sound comparison I did (a few minutes of China Cat, Shakedown, and Mexicali,) I think it sounds a little brighter overall, more bass, better balance, etc., though there is a bit of tape warble (at least I heard it on Mexicali...):

https://archive.org/details/gd80-09-06.wise.unknown.322.sbeok.shnf/gd80…

On both copies the vocals, particularly Jerry's, sound pretty distant. If anyone knows of or finds a better source, please let me know!

Happy listening, HAPPY FRIDAY, and stay safe out there!

Peace

I'm in.. thanks dvikes.

I haven't listened to this show in forever and a day. I'm through the first set and still fumbling for the best version.

Anyway.. even though we just listened to a 79 this feels like a nice change of pace and hits the spot. I don't listen to a ton of 1980. I listened to the deadset centric shows to death decades ago and as much as I love the acoustic material, when I am in the mood, it's awesome but I must admit I like the electric edge.

Lately.. it's the Nov Dec run from 1980 that I find myself hitting the most.

Be kind folks.. it's Happy Friday where I sit. Been working a bit more than usual lately, planning on how to optimize my day. I should finish this show before my day is done, I might switch things up for Friday part 2.

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Otis and Jim,

I listen through Relisten via my Sonos. The version I am listening to is a SBD/Aud, which was the first choice on the list. The vocals sound really clear as well as the rest of the band.
This definitely is not a new polished copy, imagine if it was?
Future release?

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Great pick Dead Vikes. Well this certainly is a long show, and it starts out with great versions of Alabama/Greatest Story, the Dead are full of energy. Then they do a killer version of Sugaree. After a great 3 song start they play 7 songs that are very pedestrian and not much to write home about, Garcia's guitar playing sounds good on these songs but other than that, time to head to the beer garden and have a few beers. They get their energy back that they showed in the 1st 3 songs and end the 1st set with really great versions of China/Rider and Promised Land. Notes, not to fond of Brent's synthesizer playing on Alabama, Weirs slide playing on Little Red Rooster, not very enjoyable. Garcia's slide playing on Little Red Rooster is what always made the Dead's version cool, Weirs singing is ok, but pales in comparison to HowlinWolf.

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Okay, so the recording goes to the audience portion at China Cat and there is a drop off for sure. Hope it goes back.

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Fantastic choice. I love this show. I think it may be the best show from '80 that i've heard, but maybe because this aud is so good. Thanks Jim Wise!

Can't wait to listen to this show again. Lemieux, if you're follow this adventure we've been having over the last year so so, please put this show at the top of your list for release. 🤞

Edit: That Fox show from Atlanta (11-30-80) that was Dave's #8 was a very fine '80 show too.

Looking good Winthorpe!
Don’t think I’ve ever heard this one? Love me some 80 Dead. Saw excellent show on 9/2, and we have the under the radar DL shows in between....
1/10/79: this one I’ve heard for the obvious reasons plus it’s a cousin to my first show 10 days later. Really dug this one. Is that TMNS set closer a rager er what? Did 1/11/79 too, but that one didn’t resonate as much, though I was busy...
Gonna try and get to some more 90s released stuff this weekend.
Happy Friday!

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Killer 2nd set, I give it a 10 out of 10, excellent from.start to finish. Great choice Dead Vikes.

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I ended up listening to the soundboard for Set I and the Jim Wise for Set II. I wonder what happened to the rest of the board? In any case.. a nice palate cleanser and a hot show from a great year.

What's on tap today? Did we do 2/22/74 yet? I'm contemplating that one.. if we did that how about 2/23.

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was listening to this early Dec. - 1st set ends with Death Don't Have No Mercy
1st set only (Charlie Miller / Sir Mick hands on) - https://relisten.net/grateful-dead/1970/01/16?source=103821 (tracking is off)
full show - https://relisten.net/grateful-dead/1970/01/16?source=88884

and for tomorrow maybe head next door to Oregon State 1/17/70 - https://relisten.net/grateful-dead/1970/01/17

be well everybody - it may seem a ways off but spring is coming

I both have not listened to this before and do not have it in my electronic world.. I had this show confused with the Download Series #2 show, which was apparently just one set two days later, with a show in the middle (Oregon State University in Corvallis).

I am going with the Charlie Miller first set and the droncit?? version I cobbled together with the second set. The sound is nice.. if I have time I am going to do this one and the next two nights (Corvallis and the Digital Download Series 2 from the same venue).

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Great show! Thanks to vguy for the write ups, if I’d a been a little older that’s the kind of place I’d of gone the extra to get there. Always loved the outta the way venues. Bet the vibe was pretty chill. Oxford was fun, but I’m guessing way bigger/crazier then Lewiston.

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...."plays a golden string fiddle to a double E waterfall over my back. Move it!!" Fuck yeah Jerry! Him getting all excited and shit makes me get all excited and shit.

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Brutal, Cumberland cuts out.

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Brutal, Cumberland cuts out.

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Great pick, it would definitely be on my bbq and beer drinking list.

Move it!! (ha - hadn't caught that)

Both 1/16 and 1/17 kick heavy. Listened through the two again today. Sweet mix of Live Dead era and Working Man's. Sound quality overall is very good to excellent - a few drop outs but still totally satisfying. First time around that Death Don't came as a total and emotional surprise as I hadn't really scoped the set list. Not expecting 'cause its '70 - my aging deadbase shows its a second to last before the long hiatus. Among fine detail that caught my ear in the larger 1/16 excellence was some of that early Mickey percussion. Just now the 1/17 Dark Star > Stephen > Eleven was all systems go go go.
The Download Series is the one major gap in my "officially released" collection. Wasn't in the position to take advantage of at the time. Didn't even know about 1/18 being part of that. Need to revisit that series.
I think the Hawaii shows from following week were up here not too long ago but its been awhile since personally dived in so will head there soon. Looking forward to Fox Theatre - 2/6/70 (DaP 6) - one of my favorites. The whole 50th for Working Mans and American Beauty really got me going on this era.
Edit - didn't mention the cut to 1/16 Cumberland cause I didn't want that "small" negative to define it . . . . : )

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Adding 1/17 only makes it better. These seem to be releasable shows, they might have to address the cuts somehow. Someone's singing is overly loud and off key in Cumberland too.., I think Bobby's. Perhaps his voice broke the tape like the shriek voice broke glass in that old Memorex commercial.

Good choice I had not heard these before. Nice Dark Star too.

Jim, you mentioned 2/22/74, yesterday. Let me know when you want to hit this one up? It is a three set monster.

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I'm ready.. any time.

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Good call on this one Jim, I have it going.

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....twist my arm.
Lmao. Jerry blowing the US Blues lyrics right out of the gate. Gotta love it. It's part of the charm.
"We're all confused. What's to lose."
👍

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I forgot how good the PITB was from this show. I was in a great situation to listen today.. and about a third of the way into this song I felt it was ho, hum.. Another three minutes and I realized how wrong I was and good this Playing is..

Is this the first flirtations with Slipknot!? I forget if they played with the theme in '73 or not.

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....Cal Expo 8.5.89.
https://relisten.net/grateful-dead/1989/08/05
-
One More Saturday Night
Cold Rain & Snow
We Can Run
Stagger Lee
Memphis blues
Row jimmy
Let It Grow
-
Hey Pocky Way ->
Playin' In The Band ->
I Know Your Rider ->
Terrapin Station ->
Drums ->
Space ->
Standing On The Moon ->
Throwing Stones ->
Not Fade Away
-
US Blues
---------------
Features a OMSN and CR&S one two punch opener and a stand alone Rider.
I was lucky enough to be present and accounted for at this run.