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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • JimInMD
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    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

  • DeadVikes
    Joined:
    8/1/82

    Looking at the 8/1/82 show from Oklahoma City for today. The hot summer 82 run.

  • 1stshow70878
    Joined:
    Yes Jim

    One of the joys of old age.
    Stuff (or hair) growing out of places it shouldn't.
    Or where it hadn't before at least.
    Cheers

  • JimInMD
    Joined:
    Re:

    Wow.

    Tell Phoebe to stay away from the Special K. Catnip and a little cannabis are fine but stay away from Keratin and all the other hard stuff. Some cats never learn....

  • 1stshow70878
    Joined:
    Thanks BC & DV & Jim & Oro

    Phoebe the 17 y.o. cat has made a comeback as she has done many times.
    Just when I think she's used all of her 9 lives she does the energizer bunny.
    The vet says her lameness is a growth of keratin and not anything worse.
    As long as she is not in pain and loving a hobbled walk in the sunshine we will keep on truckin'.
    We've had a series of one dog and six female cats with as many as three at a time.
    And when she goes the wife wants two male kittens next time.
    That should be fun! We can never wait more than a month between loss and adoption. There are so many out there who need us.
    Cheers all!

  • bluecrow
    Joined:
    thank you friends

    Spirit was such a sweet strong beautiful doggle woggle.

  • DeadVikes
    Joined:
    Bluecrow

    Sorry to hear about your dog Bluecrow. Hang in there and 8/7/82 is a great way to put the mind in the right direction.

    Sorry to hear about your issue as well 1st show. Be well.

  • Oroborous
    Joined:
    Ahhh fuck dude (&1st show too)

    May the four winds blow him safely home!
    I swear damn pets are harder than people.
    Still gets me all chocked up if I start thinking about my ole buddy : (
    I suggest David Bromberg’s cover of Mr Bojangles off of Best of Album.
    After 25 years I still grieve, which is to say we feel your pain brother.
    Sounds like he hit the lottery finding you, so at least you can celebrate a good life well lived!
    And, the good ones never really go away, their with you when you need em…that joy they brought will always live on in your heart!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by JimInMD

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Well, Keith's last and Brent's first show that this band is still Truckin'

Pretty amazed at how quick Brent assimilates into the band, but then again Keith did that too.
Musicians!

If you listen to the 4/19/79 rehearsals, it sounds to me like the band is stoked to be playing and changing things up. Lotsa clowning around and jamming.

And 4/22 is solid. Killer Other One and yeah that Passenger is on fire.

Might have to dust off DaP V23 on it's anniversary and head down to Eugene ala '78.

Unless somebody got another Pick to kick.

When's that DaP V37 shipping... should be soon, no?

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Yes, GOGD, we are a week out from the released on date of next Friday. Given how the shipping went last year, I won't predict when we will receive it. I am hoping by next Friday, but not counting on it. I would think Dave's video will be released next Friday when the individual copies go on sale.

Let's do Dave's 23, it is a great release.

Stay well.

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In reply to by The Good Ole G…

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....i just listened to this show the other day, but I'm game for a revisit.

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Roy Neary - [contemplating the lump shape]

Sweet!
I don't think I've given this much play since I got it.
Maybe a quick once through.

I should probably watch Close Encounters again.
Don't think I've seen that since I was a kid.

Thanks VGuy for taking one for the team and DeadVikes for the refresh on the new release deets, getting excited!

I'm in. Getting a late start, but taking an unplanned half day from work and loading up the truck for an adventure. We have good temps and good snow, heading for the backcountry for a day of solitude, music and unbelievable scenery.. plus I will be getting a good workout which is hard to do in the winter of covid. If I see another person where I am going, it would surprise me.

Good thing and thanks to you guys.. I will have some good tunes (and more than a healthy buzz)

Be good all.

One last comment.. it's refreshing how we just breezed through the last show with Keith/Donna and the first show with Brent without anyone making some ridiculous or offensive comment. Productive and sane comments about two great periods of Grateful Dead music.. and no one caught there hair on fire and no one stunk up the room in stupid incendiary comments.

Thanks all.

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Mark me down for it. (I’m down with it) the new expression must have been born from the older.
Waiting to add to the discussion when the 50th anniversary of the Capitol Theater shows roll around. I hope those will be Picks of the Day next month.

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In reply to by Strider 808808

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I had the incredibly good fortune to be there

I still have a piece of paper I wrote on after the show. it reads:

I WAS THERE
MAGIC STRUCK!
7/13/84
Documented!
I WAS BEYOND
I SAW!

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Proudfoot, I was there too, what a blast!

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In reply to by Strider 808808

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Plangent/Norman, for sure, but let’s get the multi-tracks out! Those capital shows are a good example of how (FOR ME) good multi track sources take shows I wouldn’t necessarily consider, and make them go toos!

CARLO: 😀

Yassss....release it ALL!

GOGD: it’s called practice, that and being enthused! That was alooonnng show! You could tell they were itching to play, but seems like anytime they rehearsed regularly, good things happened. I was at Vince’s first show and was surprised how integrated he already was. All three had what?...a month to learn enough to do gigs....yeah, that’s called practice!

DV: hey, as long as it arrives...

JIM: so it was you up in NW merry land who got the magic ticket!...this is just your cover story for disappearing!
But before you go buying that Elmondo-grosso water bed, barko lounger with magic fingers, and the Jensen turntable with the Pickering cartridge, or the leather bond edition of the entire playboy collection featuring Hugh Hefner.....shmuck....with that kinda cash you could probably buy the vault! Just saying....; )

7/13/84: yeah really need that, 12/31/81, 1/10/79, and 1/20/79......but I’m sure no tapes : (

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In reply to by billy the kid

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.....I stopped Eugene and going with Proudfoot's pick.

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Great 1st set. The only reason I can think that this show hasnt been released, is because they are saving it for a Greek Box set, because this show should have been released along time ago. I dosed at this show and washed it down with a bottle of Bergungdy, that was the progam back then. On to set two.

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Sounds just as good as it did 37 years ago, Im glad I was there. The show pretty much speaks for itself, it was definitely fun. Great pick Proudfoot.

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In reply to by billy the kid

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I finished McArthur Court, I should be able to squeak in at least the first set of 7/13/84.

Ha.. no, OroB. I do not have the magic ticket, but I know the town the ticket was purchased at quite well. It wasn't far away from where I went to college. Back then it was a dry on Sunday county (that changed decades ago), but we used to go to this rundown bar in Lonaconing called Truly's. If you knew the secret word they would sell you beer on Sundays. It is a tiny, dirt poor town in the Appalachians. If you blink.. you will miss it and the people there have been dirt poor ever since they shut down the coal mines about 100 years ago.

My mind is spinning knowing someone that was more than likely way below the poverty line is now walking around town with 3/4 of a Billion Dollars in folding money in their wallet.

My advice.. don't spend it all in once place.. or better yet, Californy is the place you aught to be so load up the truck and move to Beverly (Hills that is..)

Edit: For anyone with interest, some history. Look for The Big Vein, and for VGuy, it's got a Cumberland (or two)..
http://www.miningartifacts.org/Maryland-Mines.html

Lot a poor man got the Cumberland Blues..

...who mentioned Stockhausen, but I have got a few albums authored by him. Of the music I have got "Gesang Der Junglinge" is the most startling. Quite scary if you are feeling sensitive.

I actually saw him live once. He made the single most offensive comment I think I have ever heard at a live concert. And I speak as one who saw numerous punk gigs between 1976-1978. People seemed initially stunned , then started booing. It was an odd concert all round - the music off one of his albums-"Hymnen" was played.

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In reply to by daverock

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If you like vocal music I would recommend ‘Stimmung’. A fascinating piece for six voices.

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In reply to by Colin Gould

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On the DVD ‘Dawn of the Grateful Dead’ TC says that he and Phil were into Stockhausen.

I always thought Seastones, more than most electronic music recorded by rocks groups that I have heard, seemed to be influenced by Stockhausen. And lest we forget, he was on the cover of Sergeant Pepper.

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In reply to by DeadVikes

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....I'm playing Dave's 24 Berkeley 8.25.72. Dive on in. The waters fine.

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In reply to by JimInMD

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I finally just did 3/20/92. Was @ but hadn’t gotten around to it, or much of boxilla...
I remember this being a good show and it was ; )

1/22/78: hadn’t heard this one pretty much since it came out. Played it a ton then as I was home liquidating the folks estate for 2 months and only had limited number of shows with me. Yeah, that show helped me through many a long day!

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I was lucky to start a new job in the middle of December. So busy being a new guy and learning the ropes!!! I did listen to 2/22/74 Winterland and the 7/13/84 show but only set II... I have to agree they missed the boat by releasing 2/24/74 as a stand alone.. Bob t

....it delivered.
That Friend Of The Devil is pure butter.
Congrats on the new gig Bob T. You sound positive, so now I do too.
First measurable rain occurred yesterday in Vegas since 4.20.20. It was a welcome deluge.
Makes sense. Snow flurries forecast next week.
Cold Rain and SNOW!!! Lol

I am a big fan of this show. I listen to it a lot and it never disappoints. This was part of the ABCD transaction as well as the three previous nights. Black Peter, Birdsong and Truckin never disappoint in 1972. Nice work Vguy!
Good to hear from you Bob t and congrats on your new gig. Did you tell your new employer you need time to listen to the Dead?

Hopefully next week we will all see a new show in the mailbox.

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Great show from start to finish, very enjoyable. My brother went to 8/24/72. This whole run would have made a nice box set.. Great pick!

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In reply to by billy the kid

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(which is not beneath me).

Stolen from the other thread (the subscription page?). It's doc inspired. I see no reason not to let the sun shine on the 50th anniversary of this date in GD history.

1-24-71 Seattle Center Arena

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In reply to by JimInMD

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Jim, I going to check it out, it might have to be tomorrow morning. Looks like a short show or some of the material is missing.

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In reply to by DeadVikes

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is on archive

Full show

I think it is one long set

Good playing

Satisfying like a good pizza

50 years ago today here in Seattle

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Cool show, Pig Pen sounds really strong. Because of the two drummers, I don't associate this with being a show from 1971, since most of 1971 they only had one drummer.. Cool pick.

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Looks like there isn't a show up for today yet. There's been a good amount of '79 lately, and I propose continuing the Brent era party with a fall show at a long time favorite venue, the Spectrum.

https://archive.org/details/gd79-11-06.sbd.miller.29735.flac16

This one is noteworthy to me because of Phil's relative volume in the mix.

This was Road Trips 1.1 that i missed on the first go around. I'm hoping to pick it up from Real Gone when they re-release it.

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In reply to by Slow Dog Noodle

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second set

the first two tracks are sstteellllaarr

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In reply to by proudfoot

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Okay Slow Dog, let's get that one going. Thanks for the pick.

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In reply to by DeadVikes

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Perhaps my favorite 79 show...definitely my favorite one released!

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In reply to by Oroborous

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After enjoying 10 1 and 14 94 i got out 6 13. Pretty paint by numbers, but with a nice Terrapin and Morning Dew.

Space went on a bit too long, to be honest

I for one like the 94 sound. Show intensity varies, of course.

27 years ago....SHEETMON.

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In reply to by proudfoot

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There was something magical happening 53 years ago in Seattle.

Epic Alligator

1/26/68 is worth a spin.

Would have loved listening to these shows with Dick Latvala!

Anybody got a line on Dick talking about the PNW '68 shows shoot it over.
He had to have something to say about them.

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In reply to by The Good Ole G…

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I could easily do this show today... but I am not seeing any versions that circulate.

Did some of this come through on the found 8 track bonus material on the 2/14/68 Road Trips??

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In reply to by JimInMD

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My disc says 1 22 68, not 26

As does archive, after a quick look

fwiw

Eagles is still there...I drive past it every so often

and I dreeeeeeam...

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In reply to by proudfoot

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They played there and some (all??) of it was recorded on early multi-track 8 Track tapes. It would be wild if any of this surfaced in a full show format.

Or, since GOGD is the only known person to have 1/26, he must be the one sitting on these master reels.

Cough them up GOGD, rumor has it an angry mob is gathering at the Piggly Wiggly's down the street.. They want your tapes, give them to us before it's too late. We need more 1968!

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In reply to by JimInMD

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Listen to... this :)

Yeah, I forgot that show circulates as 1/22/68, I thought the date had been changed in the listings.
There's speculation around the date and they've always been confusing.
I'm pretty sure those shows happened on 1/26 & 1/27/68 based on the posters that exist.

So 1/22 or 1/26/68, give it a spin. Alligator!

And... no missing master reels.
However, I'll tell ya a story....
My kid's friend's Dad (say that a bunch) saw the show on 2/4/68 in Ashland that doesn't circulate.
Can't even imagine Ashland in 1968 with the GOGD!
Must've been a riot.

Super small town at the base of Mt. Ashland & it still felt like it was off the map in 1995ish.
I used to live next to the College campus back in the mid '90s.
It was an awesome party house and it's there that I threw the biggest Halloween Rager ever one year!!
It was off the hook, this guy fell off the roof a riot broke out.
Ashland had a party vortex going on, probably still does.
Ah youth.
Good times, great oldies.

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What a cool show, start to finish. This one should definitely be an official release. 3rd Dark Star, 1st China 🐱 ever. Excellent pick GOGD, I've never heard this one before. I would love to see the whole The Great Northwest Tour released, I know people say that not all the tapes are there, but the only people that really know are the people that work in the vault, so hopefully these tapes will all show up as other tapes have that were supposed to be missing. Again, killer show, all the releases from 1968 have been compete knockouts.

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In reply to by billy the kid

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BTK - one of my favorites!
Stoked to turn you on to it.
Agree that the PNW '68 tour would be a cool release.
I'm partial to '68.

As for the tapes in the vault, I'm pretty sure what circulates came from the "Honeymoon Tapes".
Which, if you don't already know about, I'll tell you.
Lay it on me.
From what I've read, the tapes were swiped from Gans' hotel room while he was on his honeymoon.
I believe Gans had made copies of them from the Vault to review for the show.
And that's how they began to circulate.
Happy to hear otherwise, or more deets if anybody has them.
But that's what I heard / read.

I always liked that story. Not because of the theft, but just because I find it interesting how these tapes get out.

Anyway, Glad you got to hear it BTK, that pick was for you!

Nice show Slow Dog. A lot of great shows in 79 and some not so hot. .....
Always interesting to hear those early versions of Easy To Love You. Man, Brent's voice went through a lot of changes throughout the years.

And the sound quality on this one is fantastic. Love it.