Pick of the Day, with Discussion

Post reply Log in to post comments

April 6, 2020 - 9:47am

8,062 replies

marye

Joined:
May 26, 2007

Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Comments

sort by

Recent

Recent Oldest A to Z Z to A

Reset

April 19, 2022 - 6:50pm

#2331

JimInMD

Joined:
June 27, 2011

GFar

You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.
April 19, 2022 - 6:05pm

#2332

Gary Farseer

Joined:
August 1, 2015

Sawzaw

Ah the sounds of my earliest fun dentist. "You dont need no gas!"

All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

edit:
Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

G
April 19, 2022 - 3:31pm

#2333

JimInMD

Joined:
June 27, 2011

Do you have any '74 Dijon?

Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..
April 19, 2022 - 1:11pm

#2334

Gary Farseer

Joined:
August 1, 2015

Yeah

Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

No 18's here. Of course not needed.

Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

Any way need to do a little work after lunch. I mean a little work.

G
April 19, 2022 - 12:24pm

#2335

Oroborous

Joined:
June 19, 2007

Ha

That’s what chain saws are for!

Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
Plus, it’s the Grateful Fucking Dead so why not go big!

PS, that Grateful Dead gear book is great, though a little dialed down.
April 19, 2022 - 12:07pm

#2336

JimInMD

Joined:
June 27, 2011

I want what Phil's having...

Home version. 18"'s and 4"'s. If I move some things around, they should fit.
April 19, 2022 - 11:21am

#2337

Gary Farseer

Joined:
August 1, 2015

Oro

thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

Hope all well your way!

G
April 19, 2022 - 10:10am

#2338

Oroborous

Joined:
June 19, 2007

Phil’s Rig

As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.
April 19, 2022 - 9:33am

#2339

Gary Farseer

Joined:
August 1, 2015

Fall Out from the Phil Zone

I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

Just one man's opinion, would like to know what others thought.

Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

Ok enough for now.

G
April 19, 2022 - 9:23am

#2340

bob t

Joined:
November 21, 2007

Sandstone Amphitheatre 7/4/90

I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

John Perry Barlow

John Perry Barlow

Forums

Currently Listening To...

Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Brent & Keith

Well, Keith's last and Brent's first show that this band is still Truckin'

Pretty amazed at how quick Brent assimilates into the band, but then again Keith did that too.
Musicians!

If you listen to the 4/19/79 rehearsals, it sounds to me like the band is stoked to be playing and changing things up. Lotsa clowning around and jamming.

And 4/22 is solid. Killer Other One and yeah that Passenger is on fire.

Might have to dust off DaP V23 on it's anniversary and head down to Eugene ala '78.

Unless somebody got another Pick to kick.

When's that DaP V37 shipping... should be soon, no?

Dave's 37

Yes, GOGD, we are a week out from the released on date of next Friday. Given how the shipping went last year, I won't predict when we will receive it. I am hoping by next Friday, but not counting on it. I would think Dave's video will be released next Friday when the individual copies go on sale.

Let's do Dave's 23, it is a great release.

Stay well.

Eugene 1.22.78....

....i just listened to this show the other day, but I'm game for a revisit.

This means something. This is important.

Roy Neary - [contemplating the lump shape]

Sweet!
I don't think I've given this much play since I got it.
Maybe a quick once through.

I should probably watch Close Encounters again.
Don't think I've seen that since I was a kid.

Thanks VGuy for taking one for the team and DeadVikes for the refresh on the new release deets, getting excited!

Twist my arm...

I'm in. Getting a late start, but taking an unplanned half day from work and loading up the truck for an adventure. We have good temps and good snow, heading for the backcountry for a day of solitude, music and unbelievable scenery.. plus I will be getting a good workout which is hard to do in the winter of covid. If I see another person where I am going, it would surprise me.

Good thing and thanks to you guys.. I will have some good tunes (and more than a healthy buzz)

Be good all.

One last comment.. it's refreshing how we just breezed through the last show with Keith/Donna and the first show with Brent without anyone making some ridiculous or offensive comment. Productive and sane comments about two great periods of Grateful Dead music.. and no one caught there hair on fire and no one stunk up the room in stupid incendiary comments.

Thanks all.

1/22/78

Mark me down for it. (I’m down with it) the new expression must have been born from the older.
Waiting to add to the discussion when the 50th anniversary of the Capitol Theater shows roll around. I hope those will be Picks of the Day next month.

my first pick of the day is 7/13/84

I had the incredibly good fortune to be there

I still have a piece of paper I wrote on after the show. it reads:

I WAS THERE
MAGIC STRUCK!
7/13/84
Documented!
I WAS BEYOND
I SAW!

7/13/84

Proudfoot, I was there too, what a blast!

Misc replies

Plangent/Norman, for sure, but let’s get the multi-tracks out! Those capital shows are a good example of how (FOR ME) good multi track sources take shows I wouldn’t necessarily consider, and make them go toos!

CARLO: 😀

Yassss....release it ALL!

GOGD: it’s called practice, that and being enthused! That was alooonnng show! You could tell they were itching to play, but seems like anytime they rehearsed regularly, good things happened. I was at Vince’s first show and was surprised how integrated he already was. All three had what?...a month to learn enough to do gigs....yeah, that’s called practice!

DV: hey, as long as it arrives...

JIM: so it was you up in NW merry land who got the magic ticket!...this is just your cover story for disappearing!
But before you go buying that Elmondo-grosso water bed, barko lounger with magic fingers, and the Jensen turntable with the Pickering cartridge, or the leather bond edition of the entire playboy collection featuring Hugh Hefner.....shmuck....with that kinda cash you could probably buy the vault! Just saying....; )

7/13/84: yeah really need that, 12/31/81, 1/10/79, and 1/20/79......but I’m sure no tapes : (

Abort, abort....

.....I stopped Eugene and going with Proudfoot's pick.

If pronouncing my b's as v's makes me sound Russian....

....then soviet.

7/13/84. 1st set

Great 1st set. The only reason I can think that this show hasnt been released, is because they are saving it for a Greek Box set, because this show should have been released along time ago. I dosed at this show and washed it down with a bottle of Bergungdy, that was the progam back then. On to set two.

7/13/84 2nd set

Sounds just as good as it did 37 years ago, Im glad I was there. The show pretty much speaks for itself, it was definitely fun. Great pick Proudfoot.

7/13/84 and my Magic Ticket

I finished McArthur Court, I should be able to squeak in at least the first set of 7/13/84.

Ha.. no, OroB. I do not have the magic ticket, but I know the town the ticket was purchased at quite well. It wasn't far away from where I went to college. Back then it was a dry on Sunday county (that changed decades ago), but we used to go to this rundown bar in Lonaconing called Truly's. If you knew the secret word they would sell you beer on Sundays. It is a tiny, dirt poor town in the Appalachians. If you blink.. you will miss it and the people there have been dirt poor ever since they shut down the coal mines about 100 years ago.

My mind is spinning knowing someone that was more than likely way below the poverty line is now walking around town with 3/4 of a Billion Dollars in folding money in their wallet.

My advice.. don't spend it all in once place.. or better yet, Californy is the place you aught to be so load up the truck and move to Beverly (Hills that is..)

Edit: For anyone with interest, some history. Look for The Big Vein, and for VGuy, it's got a Cumberland (or two)..
http://www.miningartifacts.org/Maryland-Mines.html

Lot a poor man got the Cumberland Blues..

Who was it that mentioned Stockhausen?

I had my virgin listen just now

Woooow man...

It wasn't me..

...who mentioned Stockhausen, but I have got a few albums authored by him. Of the music I have got "Gesang Der Junglinge" is the most startling. Quite scary if you are feeling sensitive.

I actually saw him live once. He made the single most offensive comment I think I have ever heard at a live concert. And I speak as one who saw numerous punk gigs between 1976-1978. People seemed initially stunned , then started booing. It was an odd concert all round - the music off one of his albums-"Hymnen" was played.

Stockhausen

If you like vocal music I would recommend ‘Stimmung’. A fascinating piece for six voices.

Stockhausen

On the DVD ‘Dawn of the Grateful Dead’ TC says that he and Phil were into Stockhausen.

I called up stockhausen on youtube

and gesang der junglinge came up first

I heard elements of Zappa, Revolution 9, and Seastones in there

Gesang der junglinge

Bear in mind that this piece is from 1955 - 56.

Stockhausen-Beatles-Dead

I always thought Seastones, more than most electronic music recorded by rocks groups that I have heard, seemed to be influenced by Stockhausen. And lest we forget, he was on the cover of Sergeant Pepper.

Pick of the Day

Pick of the Day?

Who has one for today?

You still out there Bob t?

Pick....

....I'm playing Dave's 24 Berkeley 8.25.72. Dive on in. The waters fine.

Should Hit the Spot

That one's sure to please.

Today

I finally just did 3/20/92. Was @ but hadn’t gotten around to it, or much of boxilla...
I remember this being a good show and it was ; )

1/22/78: hadn’t heard this one pretty much since it came out. Played it a ton then as I was home liquidating the folks estate for 2 months and only had limited number of shows with me. Yeah, that show helped me through many a long day!

Berkeley - Roses for Breakfast - 8-25-72

Love that release!!
Was just swimming in another excellent Other One meltdown from 7-1-73 Universal Amphitheatre -
https://relisten.net/grateful-dead/1973/07/01.
Earlier this morning was listening to some Stockhausen. New to me and I was blown away at how completely out there it was. 1950s??!!

Berkeley Community 72

On it Vguy. Thanks.

Thanks Deadvikes still here

I was lucky to start a new job in the middle of December. So busy being a new guy and learning the ropes!!! I did listen to 2/22/74 Winterland and the 7/13/84 show but only set II... I have to agree they missed the boat by releasing 2/24/74 as a stand alone.. Bob t

Berkeley Community down the hatch....

....it delivered.
That Friend Of The Devil is pure butter.
Congrats on the new gig Bob T. You sound positive, so now I do too.
First measurable rain occurred yesterday in Vegas since 4.20.20. It was a welcome deluge.
Makes sense. Snow flurries forecast next week.
Cold Rain and SNOW!!! Lol

Dave's 24

I am a big fan of this show. I listen to it a lot and it never disappoints. This was part of the ABCD transaction as well as the three previous nights. Black Peter, Birdsong and Truckin never disappoint in 1972. Nice work Vguy!
Good to hear from you Bob t and congrats on your new gig. Did you tell your new employer you need time to listen to the Dead?

Hopefully next week we will all see a new show in the mailbox.

8/25/72

Great show from start to finish, very enjoyable. My brother went to 8/24/72. This whole run would have made a nice box set.. Great pick!

Shamelessly Stolen

(which is not beneath me).

Stolen from the other thread (the subscription page?). It's doc inspired. I see no reason not to let the sun shine on the 50th anniversary of this date in GD history.

1-24-71 Seattle Center Arena

There is no 1.24.71 in my DeadBase....

There is a 1.25 though.

1/24/71

Jim, I going to check it out, it might have to be tomorrow morning. Looks like a short show or some of the material is missing.

1 24 71

is on archive

Full show

I think it is one long set

Good playing

Satisfying like a good pizza

50 years ago today here in Seattle

1/24/71

Cool show, Pig Pen sounds really strong. Because of the two drummers, I don't associate this with being a show from 1971, since most of 1971 they only had one drummer.. Cool pick.

11-6-79

Looks like there isn't a show up for today yet. There's been a good amount of '79 lately, and I propose continuing the Brent era party with a fall show at a long time favorite venue, the Spectrum.

https://archive.org/details/gd79-11-06.sbd.miller.29735.flac16

This one is noteworthy to me because of Phil's relative volume in the mix.

This was Road Trips 1.1 that i missed on the first go around. I'm hoping to pick it up from Real Gone when they re-release it.

11 6 79

second set

the first two tracks are sstteellllaarr

11/6/79

Okay Slow Dog, let's get that one going. Thanks for the pick.

11/6/79

Perhaps my favorite 79 show...definitely my favorite one released!

6 13 94

After enjoying 10 1 and 14 94 i got out 6 13. Pretty paint by numbers, but with a nice Terrapin and Morning Dew.

Space went on a bit too long, to be honest

I for one like the 94 sound. Show intensity varies, of course.

27 years ago....SHEETMON.

Eagles Auditorium

There was something magical happening 53 years ago in Seattle.

Epic Alligator

1/26/68 is worth a spin.

Would have loved listening to these shows with Dick Latvala!

Anybody got a line on Dick talking about the PNW '68 shows shoot it over.
He had to have something to say about them.

1/26/68

I could easily do this show today... but I am not seeing any versions that circulate.

Did some of this come through on the found 8 track bonus material on the 2/14/68 Road Trips??

Eagles 68

My disc says 1 22 68, not 26

As does archive, after a quick look

fwiw

Eagles is still there...I drive past it every so often

and I dreeeeeeam...

Eagle

They played there and some (all??) of it was recorded on early multi-track 8 Track tapes. It would be wild if any of this surfaced in a full show format.

Or, since GOGD is the only known person to have 1/26, he must be the one sitting on these master reels.

Cough them up GOGD, rumor has it an angry mob is gathering at the Piggly Wiggly's down the street.. They want your tapes, give them to us before it's too late. We need more 1968!

If you get confused...

Listen to... this :)

Yeah, I forgot that show circulates as 1/22/68, I thought the date had been changed in the listings.
There's speculation around the date and they've always been confusing.
I'm pretty sure those shows happened on 1/26 & 1/27/68 based on the posters that exist.

So 1/22 or 1/26/68, give it a spin. Alligator!

And... no missing master reels.
However, I'll tell ya a story....
My kid's friend's Dad (say that a bunch) saw the show on 2/4/68 in Ashland that doesn't circulate.
Can't even imagine Ashland in 1968 with the GOGD!
Must've been a riot.

Super small town at the base of Mt. Ashland & it still felt like it was off the map in 1995ish.
I used to live next to the College campus back in the mid '90s.
It was an awesome party house and it's there that I threw the biggest Halloween Rager ever one year!!
It was off the hook, this guy fell off the roof a riot broke out.
Ashland had a party vortex going on, probably still does.
Ah youth.
Good times, great oldies.

I'm going to forgo the '68 pick....

....and back track to Doc's January 1971 recommendations. Playing ketchup.

1/22/68. WOW!

What a cool show, start to finish. This one should definitely be an official release. 3rd Dark Star, 1st China 🐱 ever. Excellent pick GOGD, I've never heard this one before. I would love to see the whole The Great Northwest Tour released, I know people say that not all the tapes are there, but the only people that really know are the people that work in the vault, so hopefully these tapes will all show up as other tapes have that were supposed to be missing. Again, killer show, all the releases from 1968 have been compete knockouts.

The Quick & The Dead '68

BTK - one of my favorites!
Stoked to turn you on to it.
Agree that the PNW '68 tour would be a cool release.
I'm partial to '68.

As for the tapes in the vault, I'm pretty sure what circulates came from the "Honeymoon Tapes".
Which, if you don't already know about, I'll tell you.
Lay it on me.
From what I've read, the tapes were swiped from Gans' hotel room while he was on his honeymoon.
I believe Gans had made copies of them from the Vault to review for the show.
And that's how they began to circulate.
Happy to hear otherwise, or more deets if anybody has them.
But that's what I heard / read.

I always liked that story. Not because of the theft, but just because I find it interesting how these tapes get out.

Anyway, Glad you got to hear it BTK, that pick was for you!

11/6/79

Nice show Slow Dog. A lot of great shows in 79 and some not so hot. .....
Always interesting to hear those early versions of Easy To Love You. Man, Brent's voice went through a lot of changes throughout the years.

And the sound quality on this one is fantastic. Love it.