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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • Thin
    Joined:
    Hendrixfreak, ForensicDoc, etc...

    Thanks for the good words Hendrixfreak - Glad you got jabbed and I hope you enjoy the weekend.

    And Doc, I appreciate the running commentary on the "This day in '71" series..... You opened my eyes to early '71 a few years back (and even shared your prolific '71 journal as it stood at the time). Thanks for keeping an under-appreciated era in front of us.

    And Hi to JiminMD, Sixtus, , Keithfan, vguy72, icrecreamcnkid, Spacebro, RV3, etc and all the other good folks on this board I used to keep in closer contact with. I hope y'all are well and enjoying the Spring weather and the gradual decline of Covid-life.

    Finally, thank you all for not making fun of the fact that in may last post, the first paragraph started with "I apologize...", and the second/final paragraph started with " I make no apologies...". My shrink and I clearly have more work to do...

  • proudfoot
    Joined:
    SB

    Eddie cool light tune
    Who gave it POWER
    BC gave it psychedelic sludge

  • dmcvt
    Joined:
    Summertime Blues 68/69

    Feelin' it, jumped on the wayback machine, heretofore disguised as a lawnmower now located in central MD? Where I grew up, just outside DC, fond memories of massive high school exposure, music all around, saw Jimi play at the Washington Hilton March 1968, he was in DC the year before, at the Ambassador, somehow a classmate Bob Ewan got to be his chauffeur, Bob was fifteen, no license... Bob dropped out to follow Magic Sam, came back as Bobby Radcliff blues master guitarist. Blue Cheer and MC-5 were our antidote to folk rock, love you EmmyLou... outdoor shows at Fort Reno Park, inside dives like Cousin Nicks, nice spots like Childe Harold at Dupont Circle, further on in Georgetown, best head shop in the city, Yonders Wall on M st. Danny Gatton, Roy Buchanan were playing around, Bo Diddly had moved to DC and set up a small studio in his basement on Rhode Island Avenue SE. One month before Woodstock, July 1969 at the Laurel MD pop festival: Buddy Guy, Al Kooper, Jethro Tull, Johnny Winter, Led Zeppelin, Jeff Beck, Ten Years After, Sly and the Family Stone, The Mothers of Invention, Savoy Brown. Nils Lofgren was still in the audiences, not yet playing on stage.

    so why not box up best remaining early Dead, catch old timers while we still have vestiges of liquidity?

  • lebowski99
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    Live at Leeds

    ...was recorded on 2/14/70 That Mike.

    Somebody else played a pretty damn good show that night as well in New York. Still not sure which show I'd have rather seen. Too bad the Concord wasn't around then so I could have caught both.

  • Dennis
    Joined:
    Daverock and the Gretsch

    Check your pm's,,,, sent you a link to a picture you will like.

  • Lovemygirl
    Joined:
    * RE/ Daverock & ‘Summertime Blues’

    ... I concur, the original take cut is the Best Of The Best! For my musical preference & taste!
    Primo song as well! Rock on my brothers and sisters & have yourselves a grateful weekend!
    Starting my weekend with ‘May 30th 1971 Live Grateful Dead, “Winterland”
    * a Past RSD Vinyl release Only! Released in 2012!
    ‘Primo’ excellent recordings,mastering & pressings
    Nothen left to do but Smile Smile smile for this limited Release! 💀🌹
    Anyone else a fan of the dead’s performance & this sonic primo audio recordings from Spring 1971 Tour?!

  • unkle sam
    Joined:
    I'm with ya Thin

    I will join you in your request for all to stand up and shout "we are mad as hell and we aren't going to take it anymore".
    Don't know if that will help, but I completely relate to your situation and understand your confusion. Why, the greatest band in history mind you, why would they have the worst customer service? Makes no, I repeat, no sense why they can't have say, good if not great customer service.
    You would think, after all this, after all the bullshit, after all the years of doing this, they would get it right, but they just can't.
    Why? there is an answer, it is an enigma, wrapped in a conundrum, stuffed into a quagmire while being lost in space. They (TPTB) won't give an answer because they don't have to, they've got the goods and they know it and will continue to do this because THEY CAN. As long as they keep the limited release model of distribution and keep selling shows without even telling us what they will be (Dave's subscription) and still selling out the product, they will continue the same policy.
    Just keep banging on that drum, maybe one day they will give a shit. It took a year and a half of complaining on this site but they finally sent me my replacements.
    To deadnet customer service:
    Hey you guys, why don't you respond to Thin's emails and questions and requests, and send him his product? Why is this so hard for you? Have you no shame? no pride in your product? no dignity?

  • That Mike
    Joined:
    Summertime Blues

    Very similar versions in feel, DaveRock - T Rex remains faithful to Cochrane’s original shuffle sound. Both great. But something happened when The Who, in particular, turned things up to 11! And Entwistle’s vocal trade-off with Daltrey are hilarious. A great version, a fantastic album.
    Some say THE best live album to come out of the rock era....
    Debatable, but definitely among them. Especially considering this board is all about a band that made their bones (pun intended) as one of the great live bands...

  • daverock
    Joined:
    Summertime Blues

    What about Eddie Cochran - the man who wrote it ? The first and the best version.
    Also T.Rex -it was on the B side of "Ride A White Swan", back in 1970.

  • Forensicdoceleven
    Joined:
    Exploring the unknown requires tolerating uncertainty......

    50 years ago today……………..

    March 13, 1971
    Jenison Field House, Michigan State University, East Lansing, Michigan

    Set 1: Truckin'-Me and My Uncle-It Hurts Me Too-Bertha-Me and Bobby McGee-Hard to Handle-Loser

    Set 2: Good Lovin'-Casey Jones-Sugar Magnolia-Wharf Rat-Greatest Story Ever Told-Johnny B. Goode-Uncle John's Band

    In the lore of the Grateful Dead, March 1971 is a relatively unknown and underappreciated month………..

    This published setlist may be incomplete and it seems more likely that rather than Loser, Good Lovin’ may have ended the first set, with Casey Jones opening the second set. Stand alone Wharf Rat would have been rare, but not unheard of. Was there a big jam?

    I have never heard, or even heard rumor of, either audience or soundboard recordings of this show. Is it even in the vault? Given the “leaky” nature of the vault over the course of time, it seems that if it were there it would have made it into general circulation……….

    A mystery wrapped in an enigma.

    Rock on,

    Doc
    Something unknown is doing we don't know what

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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Mr. Ones, I appreciate your sentiments regarding the fact that I got my copy before you got yours, but with all due respect I don't really think it is important who gets their copy first. It is not a race after all. In normal times, all domestic US punters should receive their copies within a few days of shipping. European customers would normally expect to receive their orders around two weeks after the shipping date. There will always be glitches and sporadic problems which one cannot do anything about. Unfortunately all that I have just said does not seem to apply to Warner/Rhino/dead.net and their chosen shipping method. Whether this is down to ineptitude on the part of the sender, the postal services or the chosen shipping method (Mail innovations) I cannot say but it turns the whole experience into a stressful lottery. The VAT situation for International customers is something that cannot be avoided. Each country has different rules on this. Fortunately here in the Netherlands the price of a Dave's Picks is below the limit where VAT is levied so I have never had to pay this on a Dave's Picks. Unfortunately I think the limit is going to be drastically reduced in the near future so EU citizens will suffer the consequences. Taxes are an unavoidable fact of life that sadly have to be suffered. Remaining optimistic, one has to assume that anyone who orders this stuff is sufficiently well off to be able to afford it.

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My DP37 was listed by USPS as delivered, though it never was. I didn't hear back from customer service (I assume they're understaffed and slammed in this COVID world of ours), so I went ahead and reordered another copy ($40). Good thing I did, cause it sold out. I thought about waiting to hear back from customer service, but I was aware that it would likely sell out while I was waiting. Still haven't heard from them.

Curious if USPS claims something was delivered, but it never actually arrived at the proper address, is that a loss the buyer takes? Or does Dead.net usually send a replacement copy? No judgement, just curious. I'm a day-one customer on pretty much every release and this is the first time my shipment was lost or mis-delivered.

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Thanks for the advice! I really like the price of the Rooful, but I like the BluRay aspect of the OWC Mercury... hmm. Perhaps I will pick up both, as I could use the Rooful in my classroom (if I ever return...)

Thanks again, and Happy Friday!

Peace

so the other day I put on 'Scarecrow' by John Mellencamp; I used to listen to that one a lot in high school, but I hadn't listened to it in its entirety in like 25 years probably.

What I found very cool was (A) how relevant many of the songs were TODAY, especially given the wacky political climate; they really spoke to me in the current; and (B) how, even after not hearing this album in literally decades, as soon as one song would get to the end, my brain automatically started signing/playing the next song in my head as if I recalled exactly the sequence of the songs (which of course I did). That's some cool Pavlovian shit right there.
And, finally, the tunes on there are all pretty decent, especially some of the lesser-known songs that didn't really get airplay.

Thx Jeff for the hi res scan as always and I do hope the folks who continue at the mercy of the broken shipping process will find some light at the end of the tunnel sooner than later.

Happy Friday Deadfreaks.
Sixtus

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I find it tedious when people grump on here about customer service. But now I know why: The responsiveness is a joke, perhaps non-existent. I have now submitted 3 inquiries over 3 months about my annual-sub DP36 - still no delivery. And this is not an international shipment - I'm in Massachusetts. When I reach out, I get a auto-response "we're working on your request", but then no follow up. I am beyond annoyed and insulted at this point. So much for being "savvy pros" who know they're doing. If you're not gonna send me the DP36, then send me back my money. But do SOMETHING!!! ANYTHING! When you you take our money, then don't ship and ignore subsequent inquiries, EXPECT us to be pissed off!! Well, I'm royally pissed off.

Lesson learned: Only buy things on this site if you don't mind them taking our money without shipping the product, and them not giving a crap about us when asked about it.

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Guilty pleasure? Don't really feel guilty about it, but Taylor Swift's 1989 gets a lot of play in my house. It helps that the wifey gets a break from what she has been calling "Grateful Dead quarantine" during the pandemic, and it is a pretty damn good album, IMO. I even got it on vinyl...

Peace

EDIT: @Thin - I am sorry to hear about your struggle with customer service. It's always a bummer to hear about, but especially when it comes from a long time friend of these boards. I hope things get cleared up ASAP, and I can definitely understand your frustration.

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I do enjoy "Shake It Off" a lot. And I've gotten a bit hooked on "Gaslighter," the title track to the latest Chicks (formerly Dixie Chicks) release. "Mmm-Bop" always puts a smile on my face.

Plus, Little River Band, Al Stewart, Abba, lots of cheesy 70s hits really rock my world sometimes. "Brandy"!

we all had the cahonas not to subscribe or buy from dead.net until this shipping stuff gets solved.

I couldn't boycott; I'm in too deep (balls deep, as my offspring would say). FOMO, or even TOMO (T = terror)

Also, if I would bother to figure out how, I would make copies for those who are "still waiting...I-I-I'm still waiting..."

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3 years 10 months

In reply to by proudfoot

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37 finally arrived today with no warning. I checked my tracking email last night and it still said USPS hadn’t received the item - then there it was in the mail box today. So I guess the one thing I learned is not to put too much faith in the tracking systems at USPS these days.

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In reply to by proudfoot

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Love Al Stewart, have both Time Passages and Year of the cat.
Played em a couple weeks ago....like Otis said, gotta keep the wifey happy!

It seems strange, given the messages posted here by others, but customer service responded to an email I sent today only two or three days after I sent them mine. I requested that they cancel my order for Daves 37, and hey presto-they have. So they do read messages, but obviously don't always respond. Which might be worse than if they didn't read them at all.
I cancelled my order after reading a few reviews on here, and decided it wasn't really for me. I think I would probably only want play it once and would then shelve it. No criticism of the choice of show, though - just maybe not to my taste. I hope everyone gets there ASAP and digs it fulsomely.

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The Cars
Sometimes pop, always with the hooks, but if you can source out some of their live club recordings from 1978, where they turned it up to “11”, some tunes just knock your fillings out!

The needle to “Route 66” is stuck on San Bernardino for my DaP 37. But lots to play while I wait...

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I can dig some Cars. Saw it was listed as a guilty pleasure, but I enjoy their first & second albums quite a bit. Ironically, most of my favorite songs are sung by Elliot Easton. As a 9 year old when the MTV age came along, I always associated Ric Ocasek as the lead singer. It was years before I realized Elliot sang anything. I think Ric was the man for writing those great songs and handing them over to Elliot; that has to be tough as a singer / writer, but I think speaks to his maturity as a band member.

I think everyone knows my guilty listening pleasure. Shock Me

I have the new '78 cranking on the headphones now. First listen. I haven't read any reviews but was surprised to hear you cancelled your order Daverock. I'm only 4 minutes in, but they sound tight and the mix is perfect, other than being backwards (Bobby on left, Keith on right; even though they appeared that way onstage, most of these two tracks have them in opposite channels.

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Candy-O. Great song. I grew up to the cars.

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17 years 4 months

In reply to by carlo13

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....Panorama. One of the first 20 something records I ever purchased. I still possess it.
I get shit for Britney. No one I know shits on The Cars.
BuT, tHEn agAiN, I doN't KnoW a loT Of peOplE.

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In reply to by KeithFan2112

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Keithfan - I was in two minds ( as is usually the case) about this release. Somebody-I forget who-said on here that Dave's remit was to pick representative shows from an era - and not focus necessarily on the best shows. That made me think - we have already had two from April 1978-I have a pretty good recording of 4/16/78 and there are several other official releases from Spring 1978, too. They are variable to me - okay - but not shows I overplay by any means.
1978 is okay by me-my favourites are 1/22 and 7/1 plus Red Rocks 7/7and 7/8 in the box. And if they released the October Winterland run as a box I wold get that. But not more Spring 1978. I wonder why Dave had focussed so much on this era - and completely ignored 1968 or the first 11 months of 1969 ? I think he has completely different taste to me, that's for sure !

My guilty pleasure would be The Cramps. My current friends don't really like rock-or rock related music. They know I like The Dead, and this fits their image of me, I think. I lent one of them "American Beauty" last year. Country rock, as they see it. In fact one of them lent me an ancient copy of "Desperado" by The Eagles a few days ago. What they would make of The Cramps heaven alone knows. I've got everything they ever recorded and many bootlegs.

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Yo!! Rockers!!!!

Magic Sam-West Side Soul
Joni Mitchell-For The Roses
Commander Cody-Family Dog 1970
Nick Curran-Doctor Velvet
Traffic-Low Spark of High Heeled Boys

There's more, of course, but we won't go there just yet...............

Rock on, rockers!!

Doc

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15 years 2 months
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Efficient delivery this time. 12 days from the initial shipping notice, 8 days since the package actually started moving and only 4 days since it arrived in the UK. Even better it arrived with no demands for VAT. Now all I need to do is play it. Stay well everyone.

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I'm impressed. The recording quality is great, not that I expected anything else from Betty. The performance is also top-notch. I thoroughly enjoyed listening to this. Well worth releasing this one.

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Loved the Cars, those first two 8 tracks were essential listening (in my uncle's Camaro) back in the day. The deep cuts (It's All I Can Do, Dangerous Type, You're All I've Got Tonight, etc) are underrated as the radio never plays them. I could go the rest of my life without hearing "Shake It Up" again. It was Benjamin Orr who sang on the hits Ric Ocasek didn't, RIP Mr. Orr the real rock star of the band. Elliot Easton put down some of the best pop/rock guitar solos of all time, compositions in and of themselves, not unlike what Neil Giraldo did on those Pat Benatar records. Steely Dan-esque in their brilliance.

Guilty pleasure? The Beach Boys and the Saturday Night Fever soundtrack.

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12 years 2 months

In reply to by Colin Gould

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Mine has not been shipped per Daniel 2/4/21 @ Dead customer service, can't seem to get answer as to why, if i don't get a tracking number by next week, contesting the yearly subscription charge with bank. Service with Dead.net has gotten worst every year since i started 7 years ago. Sad way to run a business.

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Glad to hear the Cars resonate so well with the assembled. I thought they were always a kick ass band, and Elliot Easton an underrated guitar slinger.
I stand corrected. My Guilty Pleasure would be the Doobies - borders on yacht rock, but I could wear the grooves out of Toulouse Street and The Captain And Me.

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In reply to by LedDed

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And who among us can ever hear "Moving in Stereo" without thinking of a certain perfectly formed young woman emerging from a southern California pool?

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I'd suggest that Dave's "remit" is whatever he decides it is, as long as the series sells out each time. Now they're selling out 25,000, which is a pretty healthy number for an arguably non-marquee year such as '78. (I.e., it's not '68 or '69.) With, say, 2,000 shows in the Vault, Dave probably cannot afford to rush to release the creme de la creme. So he's leavening the release schedule with arguably second tier shows, which in the GD's case, are pretty damn good if, perhaps, a bit inconsistent. (How many bands can play high-risk music for 3 hours and stay at an insanely high level throughout? A: only the GD.)

It would be interesting to look at the number of ABCD-related shows released since the Betty Boards came home. I suspect that a) there's a plethora of '77 and '78 among the tapes, and b) that there's an agreement between Rhino and ABCD to release a certain number of returned Bettys over a certain period of time. That enables Dave some flexibility, but also requires a fair number of releases, so you go with the years you have the most tapes for.

Also, I think it's apparent that when a period/tour of performances is known to be hot, you go back to the well, which are shows adjacent in time to some widely appreciated, on-fire release. They'll never top Euro '72 in that department, but think of the 5-show tour and box from July '78 that you mentioned. Or May '77. Spring '90 x 2.

I'll be really interested in what Dave chooses to release for the 3rd and 4th DPs this year. (As well as this year's box.) I almost think (probably because it's self-serving) that after releasing two mid-, late-80s last year, that he might drop in a random '69 show this year. But this year's box, my man -- WHAT'S IN THE BOX?? (Isolation fever, kicking in...)

That said (ad nauseum), I'm happy with this release.

Ooooo, some weird opposing feelings there, like part turned off, but turned on at the same time LOL
“Mommy, how come I feel all butterfliey in my tummy?”

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In reply to by Oroborous

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On further review I like, but I like 4/15 better. Imho Dave got that right as it is great/generous bonus material, always a plus! Don’t think it sounds quite as good either. It sounds fine, but 4/15 sounded really good. Wonder if they give the full treatment to the extra stuff, or if theirs that much difference between original recordings?
Waiting for right time to roll through 4/15 again...

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On a true stellar roll again. This one starts with an immediate lyrics screw-up - just the kinda thing you want preserved for posterity forever if you're a musician.

Access to all the tapes and the best you can come up with is crowd noise on the last and an immediate fuck-up on the next.

Good grief, Charlie Brown

Just curious what would be your preference? Not being confrontational, just curious what you think would be more appropriate or what’s been released that you like?

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Had to let it warm up after brining it in from the mailbox before putting disc one in the player; it's struggling to get up to zero Fahrenheit today here.

Only listened to the first song, but it rocked my world and put a big smile on my face!

Enjoy it.

I am showing -25 below with the wind chill at my house.
Even the dog doesn't want to go outside for too long.

Hoping to have mine by the end of next week.

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In reply to by DeadVikes

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Antarctica is warmer today than it is where you are now.

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8 years

In reply to by JimInMD

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And it will be even colder tomorrow Jim. 48 sounds sweet Proudfoot

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In reply to by DeadVikes

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..said in my best WI accent.

"Ohhh, it's a Clipper."

And it's heading our way. With a little luck it will drag up some moisture from the Gulf and give us some snow.

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I really enjoyed this one. It definitely has a vintage sound to it. Donna was pretty good too.

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So I have given this about 3 solid listens and oveall I think this is another fine release from Dave L. and Co. 4/15 is true to form for what I think of for 1978 Grateful Dead. Most of the first set is fine. Half Step and Let it Grow are really good, and Deal is a fun closer. As much as Dave mentioned Passenger as, I can't recall exactly how he phrased it - almost losing it or something, i didn't think it was too rough. Now Brown Eyed Women was bizarre. Many times it sounded like the drummers were playing a different song than the rest of the band. I seriously thought my disc was skipping the first time i heard it. Anyway there will be screw ups like that so that one song certainly didn't ruin things for me.

The 2nd set is very solid and it begins with high energy playing. The jam sequence if Playin' > Rhythm Devils > NFA > Morning Dew is great. To my ears the NFA almost transitions back into a Playin'-like jam before going into Morning Dew. The Around & Around and Saturday Night are nice finishers. Although during Around (I think), I swear there is another bought of that out of sync playing that I heard in Brown Eyed Women. The filler from 4/18 is also very good. I love the Sugaree and the Scarlet > Dancing was really cool.

Getting back to the idea of 1978 Grateful Dead, what really stands out to me is that the overall playing isn't as sharp as the previous year of 1977. I am not saying its bad, but the band seemed like less patient to let a jam build to crescendo or to lay down a solid rhythm at times. I have every 1978 release that has been put out except for the Road Trips one from Winterland (which I will get when Real Gone produces it) so I don't think it's a bad year. I just think I am personally stuck in that because shows from this year are chronologically between 1977 and 1979 (with introduction of Brent) I predispose myself to think that these shows will be like those years. They are not, they are different, but they are still good.

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