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    clayv
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    "And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

    We're doing things a bit different for this one - two complete shows on four CDs, bringing you one of Dave's faves and what very well could have been one of Dick's Picks. Yep, back-to-back nights from peak era 80s - the furthest we've gone into the decade, in fact - that will bring you to joyful tears. DAVE’S PICKS VOLUME 36: HARTFORD CIVIC CENTER, HARTFORD, CT (3/26/87 & 3/27/87) delivers emotional takes on tracks like "Row Jimmy," "Black Peter," Uncle John's Band," and serves up a hit list of covers ("In The Midnight Hour," "Good Lovin'," "Desolation Row," "Promised Land," "Little Red Rooster," "Morning Dew," Johnny B. Goode") that'll have you hootin' and hollerin'.

    Limited to 22,000 numbered copies, this one has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out.

    *2 per order. Very limited quantity available.

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  • DeadVikes
    Joined:
    Double Post!

    Double Post!

  • JimInMD
    Joined:
    Two From the Vault

    I don't think Don recorded it.. but they were stuck with these multi-track master reels with major leakage between input sources that created timing sync interference between the instruments and vocals. I think there is much mention of this on the liner notes, what he figured out how to do is estimate the timing differences and edit out the interference using technologic wizardry.

    Before this, the band considered the by then ancient tapes unusable, to my ears now, they sound magnificent.

    I will dig up the liner notes and either create a new post or edit this one hopefully later today. Up to my elbows in alligators right now doing something else far less interesting.....

    And Jeff and GFar, completely agree - many thanks.

  • JeffSmith
    Joined:
    Dr. Don's obit

    Hey Gary, Good points and great perspective. Don Pearson's obituary, published by the Audio Engineering Society, may add some detail about Dr. Don's relationship with the Grateful Dead and the ultra matrix mystery:
    https://www.aes.org/aeshc/jaes.obit/JAES_V54_3_PG245.pdf Yup, lots of fascinating and unexpected rabbit holes to explore.
    The technicalities of sound engineering are way beyond my pay grade, but it appears to me that Dave's 36 derives from soundboard and audience recordings made by Dan Healy and Don Pearson that were fed/"baked" together on tape in real time in the 'Ultra Box' during the show. In 2020 this limited Jeffrey Norman's options during remastering.
    Regardless of how off-base I may be on its source tapes, I love the heightened sense of the crowd that embellishes this release. For me the integral aud gives a cool alternative to the 'clean' soundboard recordings we all love. Not better or worse, just a different way of hearing the music in context – wouldn't mind getting one of these every now and then, especially when 'pure' soundboards don't exist.

  • Vguy72
    Joined:
    I found something!...

    https://www.etsy.com/shop/Afamilywelcome?ref=search_shop_redirect
    ....figured I'd share, because sharing is caring.

  • Gary Farseer
    Joined:
    With you Jim

    Let's storm the vault as a Valkyrie with flight of the Valkyries blaring.

    I did not realize that 2 from the vault was Mr. Peason's work, but I now doubt it one bit. As far as my earlier post, I guess Mr. Pearson may have in deed been on the band's payroll, until 1978 when he started Ultrasound. It would make sense that he and John Meyer would have toured with the early tours. Probably not primal Dead but shortly thereafter. I don't know, but at least it provides another avenue, with unlimited rabbit holes, for us heads to research. I doubt any band has as much underbelly to be discovered as Grateful Dead has.

    Hope your copy shows up soon, mine arrived on 10/29. Hope everyone gets theirs soon! This was originally going to be an edit of first post, but then saw your post.

    G

  • proudfoot
    Joined:
    help me, fellow Deadheads

    I am in an un-Dead phase. an "anything but the GD" phase.

    I have tried palate cleansing, no GD for a few days.

    Nothing.

    I will live. but I miss that GD vibe.

    It will probably come back eventually. "take a vacation, fall out for a while"

    oh, the trials we face in life, eh?

  • JimInMD
    Joined:
    Pearson

    Let's not forget, he brought us Two From the Vault. He was somewhat of a sound genius.

    I probably misused the term Ultra Matrix in a post a couple weeks ago, and I don't have my physical copy of 36 yet so am not reading whatever it is they put there (it's currently in Jupiter and beyond the infinite, hopefully it will make it home soon)..

    I still think this was culled from the source cassette master which was a mix of soundboard and two stereo audience mics by Dan. Many of the 87 soundboards have a similar sound ..but I could be wrong. It's a decent release which has gotten a couple good listens by now. Which begs the comment.. we need more GD.. when do we get our next show? We need a new release now! (let's get together people and storm the vault, who's with me?) Ark Ark

  • Gary Farseer
    Joined:
    DaP 36 and Matrix

    Not to beat a Dead horse, but I also did a little more research about this recording and the now famous Don Pearson. I am very happy that I wrote in my last post "Mr. Pearson" as he is/was not just a taper, he is a sound reinforcement giant. Mr. Pearson is the co-founder of Ultrasound, a company he helped start in 1978. Years back we were discussing Dick's Pick #5, Oakland Auditorium/Kaiser, and were discussing the sound system. I am a little fuzzy on this as I cannot find the documentation that at the time was on the tip of my fingers. Anyway, on December 26, 1979, the organization brought out a new P.A. system. My understanding is this was the first Ultrasound P.A. system that the fellas used. It was a marriage made in heaven as it was the Ultrasound backbone of course powered primarily by McIntosh amps with an exhaust system developed (and constantly evolving) by John and Helen Meyer at Meyer Sound. (Now I realize that documentation is on a very old computer that I still have but dont access hardly at all, guess it is time to fire it up, so to say.)

    I doubt Mr. Pearson was ever on Grateful Dead's payroll, although maybe??? My reasoning is thus, as Grateful Dead and now D&C were/are the driving force in sound reinforcement for the whole industry, I would imagine that Mr. Pearson saw a lot of shows prior to starting Ultrasound. After starting Ultrasound, he would be working for Ultrasound to physically hear the outcome of his hard work. Since the December 26, 1979 show through today the organization has used the marriage of Meyer Sound and Ultrasound. Meyer being the hardcore engineers in reinforcement and Ultrasound being the developer of the various P.A. systems, meaning Ultra does the many P.A. configurations for various sizes of venues. Ultrasound would be the one looking at the venues and developing the P.A. for the tour involved (and of course, many uncountable bands/tours/venues).

    I will try to fire up the old computer to find an article about Meyer/Ultra that was written in a trade magazine, but here is a partial read.

    https://meyersound.com/news/fare-thee-well/

    And anyway, here is another read on the marriage between these two organizations.

    http://www.dozin.com/ultrasound/main.html

    Any way, that is enough for this a.m. Although I do have more to write on the two organizations that are direct offshoots of Grateful Dead and how it relates to this release. Hopefully, time will allow me to do this later today.

    Smiles to all, and be very careful out there, it is a deadly situation for all.

    G

  • JimInMD
    Joined:
    Re: Ain't it just like the night, to play tricks

    I caught the one the month before on the East Coast. What a terrific cover and a terrific song. This one only seemed to get better with age.

    She Belongs to Me, another special Dylan cover. This one's acoustic and has Bob and Jerry swapping lyrics.

    https://www.youtube.com/watch?v=s_8obCnsw4c

    Have a good Tuesday all.

  • billy the kid
    Joined:
    Bob Dylan Visions of Johanna / acoustic live

    https://m.youtube.com/watch?v=dp3pBB6PUgw. I saw the Dead play this on 4/22/86 at the Berkeley Community Theatre, 2nd song of the night ,1st song was Box of Rain. that was cool.

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"And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

We're doing things a bit different for this one - two complete shows on four CDs, bringing you one of Dave's faves and what very well could have been one of Dick's Picks. Yep, back-to-back nights from peak era 80s - the furthest we've gone into the decade, in fact - that will bring you to joyful tears. DAVE’S PICKS VOLUME 36: HARTFORD CIVIC CENTER, HARTFORD, CT (3/26/87 & 3/27/87) delivers emotional takes on tracks like "Row Jimmy," "Black Peter," Uncle John's Band," and serves up a hit list of covers ("In The Midnight Hour," "Good Lovin'," "Desolation Row," "Promised Land," "Little Red Rooster," "Morning Dew," Johnny B. Goode") that'll have you hootin' and hollerin'.

Limited to 22,000 numbered copies, this one has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out.

*2 per order. Very limited quantity available.

Yes.. you are not losing your mind.. there must have been an error or mishap at some point in the supply chain and there apparently more than a few who have not received their DaP 36's yet. My guess is that they are having more made.

Send a PM to MaryE. That's probably your best advice. I bet they make you whole hopefully soon.

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I too have not received my DaP36. I had an address change, notified customer service a month+ ago that I hadn't received it. Still nothing. Any help appreciated (Marye?)

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9 years 10 months
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Happy New Year everyone.

I once received the Treasure Trove of soundboards from one of the good guys here, and there was so much on it and I had so many commercial releases to still go through that it took me a long time to really get into them.

Then a couple of years ago, I don't know if you remember a guy on here known as wjonjd - he used to be a regular but I guess has moved on. Anyway, he once wrote the following to me about 12/31/72, which I just dug out of email archives by doing a search on the show date:

The Truckin'-Other One-Morning Dew sequence has to be one of the greatest jams of absolute all time. Simply fuckin' mind blowing. I remember turning on someone to the Dead in school, lending him that tape. A couple of days later he asked me, "Where does that come from? Where do you think the inspiration to keep creating like that comes from?"

So of course I immediately queued it up, and what I wouldn't do to have a Full Norman copy of the show. It's been my favorite New Year's Eve show ever since, with Cow Palace '76 coming in as a close second.

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12 years 7 months

In reply to by KeithFan2112

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Since DaP36 only tied the DP series, shouldn't DaP37 be celebrated as much as #36 since it's the tie-breaker?

What about a mirror image release?

DaP36 = 4 CDs / 2 shows / '87 = '78 \ 2 shows \ 4 CDs = DaP37...in the video for #37, Dave L. seemed to be unusually vague and a little giddy as far as the bonus material. It would be a great way to start the 10th year!

Or has this been announced already? If so sorry.

I hope all are well.

Yes, KF.. Wonjonjd was last seen digging a tunnel 37 feet below the vault in a last ditch, vain attempt to free the master reels for 6/9&10/73 RFK. On the bright side, I hear ZuckFun has escaped and is laying low in an undisclosed location. Many thanks to whoever freed him.

Rumor has it wjon has been enslaved by Rhino and answers customer service calls 19 hours a day.

Sad. Someone needs to tell his wife and kids his hardship was not in vain.

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Surprise appearance of Tom Constanten as an interviewee in the documentary "Rebirth of the King" about Elvis Presley in Las Vegas. Again shown on Brit T.V. over Christmas.

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14 years 10 months

In reply to by DaveStrang

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DaveStrange - The "mirror image" release for #37 won't happen, because the bonus disc is for the second release of the year, which will be #38 ( 9/8/73 Nassau Coliseum). The extra material is an hour + from the previous night, Sept. 9th. I listened to my audience recording of that show the day before they announced what #38 was going to contain, and it's a stellar show!

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In reply to by gusmozart

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I think it would be similar to last year: #s 33 & 35 were 3 disc releases, #34 had the bonus disc and #36 was 2 shows. This year could be #37 is 2 shows, #38 would have the bonus disc, and #s 39 & 40 would be 3 disc releases.

I realize this would only occur for milestone releases like #s 36 & 37, and in the future for DaP100 (!) if the series is still going. I know the odds for another 2 show release are mighty slim, but you can always hope, wish and dream right?

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In reply to by DaveStrang

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With about 90 min from another show on this tour, likely to be announced in the video, which should come out around next Friday or thereabouts. Glad there's filler, been annoyed at 2 of the '78 DaPs having very short 2nd discs and no filler, with plenty of good material laying there for use. But filler is also very good because it sometimes produces some of the best material of a release. I just finished my first complete listen to DaP 35 and I'm very thankful for the filler from the night before. I found it to be the best part of the release, the Scarlet Fire was good, too, but the filler is pretty darn good. Being a beggar does prevent me from being a chooser as well as I'm hoping the filler on DaP 37 is not from 4/12/78, which was surely the best thing to ever happen in that pit of hell Cameron Indoor Stadium, and that that show is released in its entireity since I imagine it was part of the returned Bettys. That should be several years worth of DaPs down the road before hitting April '78 again, 3 is pretty high already and no Fall 1972 since DaP 11 and Hofheinz were released in 2014, but hope that Duke show can come out sometime, it is spectacular. Incredible energy, as evidenced in the video on the youtubes https://youtu.be/I_zD1_J5eYs Not every day you see Jerry doing Townshend-like windmills. Though if anybody else witnessed Jerry doing windmills at other shows, I'd love to hear about it.

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:'(

On Vol 35 they printed my address and phone number wrong... only got that one b/c I happened to run into the mailman wandering in the neighborhood looking for where to deliver it (I'm a westerner in China.. and he wandered up to me asking if I knew the person with the foreign name...). He said it was the third time they sent him out to deliver it...

I know it's old hat to complain about their shipping services.. but come on guys...

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15 years 2 months
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Does anyone know why I have received another copy of Dave's 36? It arrived in the mail yesterday with no shipping notification. On the back of it, where the edition numbers are usually listed, it says "Hindsight is 2020 limited edition: 92/300". I haven't actually listened to it yet but it looks exactly the same as the first one I got.

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I’m running out of patience after emailing four or five different email addresses (Dr. Rhino, wig, etc.) for the past five months now about a missing Dave’s 36. I have yet to even receive a “we received your email.” But yet they are allowed to continue selling product? Any ideas on how I can rectify this?

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In reply to by billfgrady

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I received mine Friday from the 300 run. I am really enjoying this right now, as times have been tough, and the matrix sound I like. The mix has brought my spirit up, so I won't dwell on the service. Billfgrady it was sent without notice, so you should be getting yours any day.

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I finally got to listen to the first show (yeah, I'm way late, I know). I was floored! Once you get past the obligatory 80's fodder like "Push Comes To Shove" and "My Brother Esau", it is SOLID throughout. Even Looks Like Rain is tolerable. Gee, who knew? As always, go Brent!

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