• 8,100 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • 1stshow70878
    Joined:
    Thanks BC

    Was wondering what Spirit looked like.
    Here's to him.
    Cheers

  • JimInMD
    Joined:
    I'll Play

    5/10/91 if for no other reason than I like the recording. Maybe a bit saturated at times, but it's pretty clear and balanced. Besides Phil was on a tear during this period and it must have been hard to keep his bass in check when he amped things up.

    I think tossed this show out on this forum in the beginning. I like the Cal Expo shows too, but no Bruce for those three shows.

  • DeadVikes
    Joined:
    Official Releases

    Yes, absolutely. Always welcome.

    Can't say enough good things about that hot summer 82 Tour. The Zoo in Oklahoma was another good one. Love these China Riders from this summer. Agree, they are smoking Jim. Nice Playing, Iko Iko, Lost Sailor, SOC. The wheel out of space is always good. Great US Blues encore.

    The 71 Port Chester shows are some of my favorites. Listen to them often. 2/18, is probably my favorite right now, but my favorites fluctuate.

    So for #44, I am thinking we will see a 91 release. Any predictions?
    Enjoy the weekend out there.

  • Dennis
    Joined:
    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Oroborous

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Come on Oroborous, don't delete your post. I did see it. And yes, this is not this day in Grateful Dead History. I never look at that site, so I don't follow what they post each day. Some shows are worth a listen, but variety is welcome for sure.

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Ice & Snow kicked me off the internet for a day.
It was tough, let me tell ya.
Not sure how we grew up without this stuff ;)

Or, good thing we didn't have this when I was a kid or I never would've gone outside.

While I was in the wilderness without the internet, there was another Nudie suit sighting.
3/18/73 NRPS show
I'm listening to it now, the NRPS were wearing their Nudie Suits, and Keith, Donna, Bobby & Jerry all join the boys on the stage. They're talking to somebody from the bands and he says "we couldn't get Garcia to wear his though". So not sure if Keith Donna & Bobby have theirs on or not, they'd wear them the next night for the final time.

Pretty neat.

Digging the show, there's a nice FM copy on Archive here if you've not heard it -
https://archive.org/details/nrps1973-03-18.fm.weiner.21538.sbeok.shnf

There's a Willie and the Hand Jive that Garcia plays on.
(Since we've been discussing '86 and the Hand Jive has popped up, figure that was relevant)

The other thing I was learning yesterday without the internet was about the Carousel shows March 29-31, 1968.
Smoking stuff!!
Based on what I'm reading and hearing, I think 3/31/68 is the night Jerry pushed Phil.
You Play Goddammit!
If you want to flip your lid, listen to the Caution from 3/31... GODDAMN!
Some of that was definitely used on Anthem, and it's totally off the rails.
Wonder what the story is on these Reels in the Vault?

Well, there you go.
Who's got a pick?

EDIT - Oh yeah, I started to read up on Nanao but then lost the wi-fi, far out. Strikes me as a peaceful warrior.
Speaking of, you all ever read Peaceful Warrior? I read it when I was a kid, I think Dan Millman was the trapeze artist at the Trips Festival, trippy huh?!?!

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In reply to by The Good Ole G…

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...yeah I know, deep subject (cue rim shot!) hey-ooo.
I see there are dates and ideas, but do we have a pick?

If not I’d like to suggest 2 ideas.
1) 5/3/86 from boxilla. Still haven’t got to this one and all this 86 talk makes me want to try some 86. Also. need my device for other stuff...
2) Capitol 71 run: I know Striders been anxiously prepping for the 18th, and yes though I get bored with same old repetitive anniversaries, this is different. This is like the difference between your unpteenth anniversary, (sorry Love!) and your 50th wedding Anniversary! So since we’ve been floundering a bit lately, how bout we start on the 18th and go the whole Capitol Run. If nothing else it’s like wearing a uniform to work; ya don’t have to think about what to ware in the morning! ; )
Or not, just a thought.

GOGD: have a research project if your interested. I can’t seem to find which Spectrum show had Wrestling before the Dead? I’m sure it was at the Spectrum, but I’m not sure if it was 86 or 87? I tried to cross reference with WWF 86 schedule but no luck, then I ran outta time...maybe their was a different “league” or something? I looked at comments on the archive too, but nobody mentions it? I’m not sure I’ll have that kinda time, but knowing you like to ferret these oddities out, thought you might enjoy it? I know we enjoy your adventures in the pursuit of all things Dead!

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In reply to by Oroborous

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I'll listen to 5/3/86 and I'll listen to the whole Capitol 71 Run.

It's on.

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In reply to by The Good Ole G…

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....I'm listening to 12.15.86. Been diving down that '86 rabbit hole recently.

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In reply to by Vguy72

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Wonder how often you hear Heads gettin' stoked on '86?

Set 1 from 5/3 is fun.
Set 2 is beginning.

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In reply to by The Good Ole G…

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Enough time has passed

3 31 86 should have been on my list earlier

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In reply to by proudfoot

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Not too shabby!
Fun little first, of course 86 short.., good opener for gray cold morning,.second set is pretty good, might go again just cause...Played so loud JGs voice coils seized up, too funny! So far I don’t think I’ve heard a bad show from Boxilla, sure maybe not all killer, but not a bad one so far...
Yeah, diggin the 86, anyone know of any more goodins send em along so I can write em down,
Thanks! I’d say grab another tomorrow before we go down the Capitol hole, but that’s up to y’all, don’t wanna be greedy! ; )

EDIT: add 3/31and 12/15 to list ✔️

I have fond memories of that song deep into the pre-drums set two dogma.. typically filling the Ship of Fools or Sampson segment just before it gets into deep space. There's a Hampton, a Merriweather and an Augusta that come to mind.

Personal to me, but some really fond memories and I still dig this tune.

(edit, I did not make Augusta, still kicking myself in the ass for that one)

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In reply to by DeadVikes

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Sounds good DV!
Just got a real gone copy...I’ve had a copy copy, but just today got my hard copy...so it’s a sign!

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50th anniversary tomorrow. So let me throw my lucky Stetson hat in the ring. Tomorrow’s pick , 2/18/71. Will work on some kind of reminiscent writing.

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In reply to by Strider 808808

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Loud and proud

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In reply to by proudfoot

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As fate would have it, I listened to that recently.

Excellent choice

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In reply to by Oroborous

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Dave's Picks #23! What a high energy show this is. That He's Gone into The Other One. Wow! At almost 40 minutes, I would have been drained at the end of that version, jazzy and spacey.
Fall 72 and this one delivers the whole show minus the encore I believe.

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In reply to by DeadVikes

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:)))

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In reply to by proudfoot

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Time for you to go back where you belong.

Looking forward to the Multi Track spectacular 2/18/71.

Ready for this too.

I primed my interest with 2/21 last night into shoveling this morning. My second listen since the reissue, and this one popped on many levels - I got much more out of this than the first listen. This will mark my second listen of 2/18 since the reissue. These releases are gems.

Enjoy all.. we heard from Doc regarding this show on the Dave's Picks thread.. bet we hear from Strider on this one.

Cease the day folks.. make the best you can out of 2/18/2021.

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In reply to by JimInMD

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Happy, Happy, Joy, Joy, big 50th today, I know Striders Stoked ; )
I am too, stoked for some multi-track grooviness! and a great way to kick off the run!
Boo ya, a real Bobbie Dazzler eh!

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I wrote a long piece in pencil before sunrise this morning. I’ve decided to post it on the dead.net page , Grateful Dead 2/18/71 as it will last longer than the American Beauty 50th page and maybe even this pick of the day page. Yes , I’m stoked. Where is Doc@11 ?

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In reply to by Strider 808808

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Hola Strider.. looking for your 2/18 recap.. Where did you post it? I looked on the 2/18 page and there is a short paragraph starting with someone attempting to rob you outside the show, "give me your money..." A little scary, but hilarious at the same time.

I enjoy the personal GD stories, especially ones that go this far back.

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In reply to by Strider 808808

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In fact.. looking forward to the write-up so much I had to post it twice.

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In reply to by JimInMD

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Ditto Jim!

I'm looking forward to Strider's 2/18/71 Liner Notes to enjoy with these tunes.
I think he's working on them :)
This Dark Star is good to listen to.

Speaking of Dark Stars, Rob Eaton is having a hard year so far.
Charlie Miller mentioned he's dealing with the Covid now.
Send positive Vibes Rob's way.
Here's some info and hoping to help spread the word of his GoFundMe if it hasn't already made the rounds -
https://www.gratefulweb.com/articles/dark-star-orchestras-rob-eaton-lau…

Everybody that listens to this music has a lot to thank Rob for and there's good people here.
Send out that joy and reflect some back at him.

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In reply to by The Good Ole G…

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....I clicked that link, but didn't see anything about Covid. Cool site though. I you scroll down, there some neat GD stuff for sale (I'm looking at you Dancing Bear wine bottle stopper).

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In reply to by Vguy72

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Yeah, way cool site, I need to spend more time digging through it.

Just heard about the Covid news this AM, so wanted to bump the GoFundMe.

F Covid!

You are correct sir.. seems to only be one audience copy that circulates. And it's not great, just ok.

I miss NRPS, RIP John/Buddy. They were endlessly touring before Buddy Cage got sick and were easy to catch.. one of those bands you see time after time and it never got old. David Nelson is still around, but he doesn't seem to make it too far out of CA and HI, and that is back when we used to have live music... And the last time I saw them he seemed a big fragile. They guy is authentic, a living legend in my humble opinion. I was just listening to one of their last studio albums a couple days ago while cooking some dinner. Where I Come From.. a really nice album.

Had a great time with this show today.. did 2/21 yesterday and when 2.18 ended I went right back into the first six or seven songs of 2.21 again. Loved it..

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In reply to by JimInMD

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Fantastic show. Sound quality is A+. That Dark Star, Wharf Rat, Dark Star, Me and My Uncle are worth the price of admission. And yes, I said Me and My Uncle.
Looking forward to 2/21/71 soon.

So much great music to explore, we are a lucky bunch....... Okay back to try the..

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Listened to 2/18/71 starting at sunset. Then I started 2/19/71 just before midnight (hour) . With first verse of Loser when the clock struck 12 o’clock (High) 2/19/21 finished complete show. Still up before the sun this morning. Listening to 2/19 a second go-round this morning “I know she’s in the world somewhere” . “ I can’t wait that long to walk around the world “. Wow, the original five or as David Gans said ,”the quintessential quintet”. Smokestack Lightning “ is so smooth and driven, bad and beautiful.”

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Well I ordered the Dave's Picks Vol.37 the day it came out !...I HAVE NOT Received it, I contracted Dead.net, Only to get a Auto-Reply indicating they would get back to me with in a few days, Needless to say , It was charged to my Credit Card but I never got my CD, Ive had trouble ordering quite a few times in the Past, And now there is NO WAY to call and speak to a Human Being ! Ive been a Dedicated buyer of almost EVERY Dicks / Dave's picks as well as the Road Trips CDs... I do not order the Yearly Subscription for a few reasons , One of them being the cost, I just cant afford it during these troubled times, I prefer to order CDs when they come out Individually,...Now the CD is SOLD OUT...Why is this happening ?..Is it because of the State I live in ? (New Mexico)...I have no other problems when ordering other Items from other Shippers, I am totally Disgusted with the way things are being done at Dead.net and Ive been thinking maybe its time for me just to move on ....(Please excuse my typing, as my computers keyboard is a bit messed up)...THANK YOU ...TOMAS .

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I realize I bought the killer vinyl versions of From the Vault (1,2,&3) . Virgin vinyl. That’s five Vs.

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In reply to by Tom_Tom

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If you ordered a la carte, give it a few more days.

The days of talking to real people are vanishing. Like, 98% gone. "Go to our website" is the only option given. But remember, "your call is important to us". Lol...

"Artificial Intelligence" and all that shit.

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In reply to by Strider 808808

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Gonna listen to some Grateful Dead today.

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In reply to by proudfoot

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I have found a rare dud

9 30 80 through hes gone is "HEY! WHO NEEDS COFFEE?"

Hopefully things will get livelier.

After blissing out to 12 30 79 last evening, this show is quite a contrast.

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In reply to by The Good Ole G…

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...2/19/71 and let me tell ya...I got no chance of losing THIS time!

2/18/71: upon future review, I’m with DOC 11, it’s a good show, but perhaps a tad overhyped...
I used to feel this way in the past, then when I received the 50th multi tracks, I flipped out at how good it sounds, and really dug it, like top shelf where mama hides the cookies, but now I’m a bit more conservative?
Yassss it’s a sexy show with those 5 newbies, and it has that little but First set Dark Star, with a pretty damn good Rat for first time as the meat in the sandwich (damn this 2/19 Cumberlands good for typing!) and I forgot about the Saint Steve’s, but it’s a bit organic overall; their not that tight on some things and the guitars where more outta tune then I recall.
Now before ya wish upon me eternal damnation, I’m just giving it the critical thinking treatment. I still love it, I enjoy it, especially the multi-track goodness, but I already understand why they picked 2/19 over this one for the vault release, and I’m only up to hurts me too...
But now I’m really itching to do this whole run because it really is the coolest way to compare the shows and get the possible underlying adjustments and evolution etc..
Ok, nuff talk,...shut up and turn it up!

Edit: 2/19 Bertha: whoa, easy there Billy! Just a tad different then the previous night lol..

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In reply to by Vguy72

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Check out hes gone

Sleeeeeeeeeepyyyyyy....

The next track is awake. My coffee idea worked!

At least for now...time will tell

Coffee courtesy of DarkStarbucks

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In reply to by Oroborous

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Orobouros - yes 2/19 sounds of a higher order to me than 2/18. More people on stage for the 18th, and neither adding a great deal, it has to be said. Maybe the others felt the same way as Ned and Mickey only played that first night. Once they were down to the original 5 the sound of 1971 crystallized.

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In reply to by daverock

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First set is a melty dream
Second set has the chandelier thing
All those new tunes throughout
And now Saint Stephen without that horrific splice

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In reply to by proudfoot

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Wow..yeah, imho they sound way more together. The previous nights newbies are improved, listen to Phil on Playing both nights, back to back, and compare; there’s more jams; the bacon is greasier, sheeeooot, the Smokestack is worth the price of admission in itself!
That Smokestack was so good I had to listen a second time!
Now, I may know relatively little of 71 specifics, but to me, that Smokestack is THE sound of the Pre KG GD! If someone asked me to play 1 thing as an example of that time I’d have no problem wiping this out! Bobble Dazzler indeed.

The Cryptical suite was, well, pretty sweet ; ) listened to that again too! Also repeats of 1st Bird Song and Deal. Almost hard to believe these are first timers. Easy Wind...fo-git-bout-it! Pass me the napkins! Nice Dark Hollow to provide some variety, and hey, it’s got a Cumberland!
Yeah, 2/18 is a fine show, but this bad boy hangs where mama hides the cookies!
Looking forward to tomorrow 2/20/71 as I’ve not heard that one before...