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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • Gary Farseer
    Joined:
    Sixtus

    I still have your original write up as a file on an older computer. I also think One Man did some extensive work/documentation on E72 and other tours.

    But all of this is heady stuff to me, just hard to keep up with this old brain...and I think I remember DHB's beer documentary.

  • Oroborous
    Joined:
    E72

    Didn’t Deadhead brewer do a deep dive a couple years ago?
    Or maybe I’m thinking of Sixtus?
    I know DHB did listening with specially pared beers...

  • daverock
    Joined:
    72

    Sixtus - good post. I seem to have missed your posts on this year in the past - so apologies for that. You clearly have a lot to offer yourself in terms of write ups for 1972.

  • JoshByTheBay
    Joined:
    Shipping Notice Received!

    Just got my shipping notice, hopefully everyone else who pre-ordered will get their tracking # before the end of today. Thank you also to Sixtus for that wonderful E72 Dark Star write up. I hope everyone here has a fantastic day :) much love ✌️

  • JimInMD
    Joined:
    E72

    I know I am not up to the task.. it took me a couple months to get through my first listen all those years ago. I think I'd still be on it if I took notes, rewinding.. taking copious notes, editing down the notes, reslistening then tossing my notes and starting over..

    I do like this writeup from the Internet Archive on the topic. There is a write-up for each show that is pretty close to my impression. I believe it was done before the box came out, so some of the recordings used were not nearly so stellar. Some good light GD listening.

    https://archive.org/post/304297/europe-72-notebook

    Funny.. I took a brief pause from my 71 stream of consciousness yesterday and picked up Lille France. What a great little show.. A+ in my book. Phil's comment is just about perfect, "it felt like he was playing in the midst of a French impressionist painting"

  • Sixtus_
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    re: E '72 Write Ups / KeithFan

    I concur. if there is anyone 'round here who purports a vast knowledge of the Europe 72 jaunt, it's KeithFan. It's quite an endeavor, and I know a bit from experience, as I had done this for each of the Dark Stars several years back as I awaited Boxzilla. Likely many have seen this before, but in the spirit of being a team player, I offer an encore sharing of these efforts while we now await word from KF on his uptake for the balance of the tour:

    Here goes....

    4/8/1972 - Wembly Empire Pool, London - 32 mins; intense/fast paced first leg up til about 10 mins then returns to DS theme for 1st verse; spacey post-verse til ~17 min, then pace picks up for a few minutes, followed by a brief meltdown; additional spaciness around 24 mins followed by another full meltdown; interesting groove established around 28 min that has hints of Sugar Mag (into which it segues, flawlessly). No second verse.

    4/14/1972 - Tivoli Concert Hall, Copenhagen, DK - 29 mins; loose first 10 mins not overly spacey; gets spacey around 11 mins; interesting groove establishes around 16 min to head into first verse w/interesting beat; heads off into intense nearly 7-minute jam inclusive of a very tight and fast Feelin Groovy jam; final 3 minutes are a meltdown. No second verse.

    4/17/1972 - Tivoli Concert Hall, Copenhagen, DK - 31 mins; spacey opening to about 7:30 when first DS theme emerges leading to 1st verse at 9:45. Spacey post-2nd verse tries to take off but melts further around 19 min; returns to a partial groove around 24:30 and closes out with spaceyness in the last 2 mins. No second verse.

    4/24/1972 - Rheinhalle, Dusseldorf, Germany - Split by Me & My Uncle; 26 mins 1st half, 14:30 second half. Spacey opening until about 8:45 where it coalesces and falls into first DS theme around 10:15 followed shortly by 1st verse with slow, sparse notes. Spacey feedback following verse until 15:45 and then picks up into an intense, fast paced jam for just under 2 minutes before it becomes dissonant again leading to major meltdown which eventually heads into Me & My Uncle with ease. Second half: spacey reintroduction persists until about 7 mins, where Keith leads-in with some piano phrasing and then the band follows into a tight fast paced jam where Jerry plays some lines back and forth as if in conversation with himself and then maintains an intense level effortlessly segueing into Wharf Rat. No second verse.

    4/29/1972 - Musikhalle, Hamburg, Denmark - 30 mins; spacey opening for ~5 mins, then enters a groove and Phil hints at the Feeling Groovy jam until it finally is joined by Jerry a minute later until about 8:00, then the floor drops out into space. DS theme appears at 14 min which leads to first verse. Spacey post-verse noodling leads to major meltdown, settling in at 22 mins with a fat, fast-paced Keith-led groove. Final 4 mins are spacey & lead to major melt #2, dropping into Sugar Mag as DS finally melts away. No second verse.

    5/4/1972 - Olympia Theatre, Paris - Split by drums; 19 mins 1st half; 17:34 2nd half. Spacey opening til about 6 mins when fast paced jam kicks in until 11:20, slowing down then resurrecting the DS theme into the first verse. 4 mins of space leads into drums. Second half post-drums is very spacey until 7 mins, then kicks into overdrive with a very high energy jam leading to a phenominal Feelin Groovy Jam for several minutes before settling into the second verse. DS dissipates into the Sugar Mag from E'72.

    5/7/1972 - Bickershaw Festival, Wigan, UK - 19:49 mins; decent, coherent jamming for the first several minutes that congeals nicely around 8 minutes. Bottom falls out around 10 mins and leads to some light noodling, cymbal fills and space. DS theme emerges at 14:23 and heads into 1st verse. Space fills the air through the remainder of the song until it totally breaks down into drums. No second verse.

    5/11/1972 - Rotterdam Civic Hall, Netherlands - Split by drums; 13:45 mins 1st half; 30:34 mins 2nd half; Opens with a light, airy jam that persists to congeal into a decent groove as it treads in and out of spacey phrasing. This settles into a mysterious sounding jam that grows with intensity without a return to the DS theme before dissolving into drums. Emerging from drums, Phil and Billy duel for 2 minutes before Jerry joins back in with some complimentary thoughts; the DS theme appears around 5 min followed by 1st verse. A few moments of spacey feedback give way to spacey noodling that devolves into a full blow chaotic meltdown, only to emerge around 19:30 into a very nice, fast paced groove that hints at Caution and PITB jams. This eventually dissolves and a light, sparse outro ends the song as it heads off into Sugar Mag. No second verse.

    5/18/1972 - Kongressaal, Muenchen, Denmark - 28:20 mins; almost 2 mins of noodling before opening notes from Phil; a loose jam ensues around the DS theme for the next several minutes and then decays. At ~9 min an interesting jam emerges, which eventually settles back into the DS theme and 1st verse around 14:30. The remainder of this DS is borderline chaos as it treads in and out of varying degrees of a meltdown until it settles into Morning Dew. No second verse.

    5/23/1972 - The Strand Lyceum, London - 30 mins; Spacey opening minutes lead to tight fast paced jam commencing around 3:30 for two minutes and then it settles into another spacey jam digressing to almost…nothing. Billy and Phil then have a small duel until ~13:30 when the rest of the band fills back into a delicate groove which grows to into a jam reminiscent of the post-Truckin' foray from E'72 until about 17 mins, when they drop into the DS theme and 1st verse. Ensuing is additional delicate spaciness that transgresses into a frenzied meltdown madness, and eventually settles into Morning Dew. No second verse.

    5/25/1972 - The Strand Lyceum, London - 34 mins, out of Wharf Rat. Strong opening with a groove almost from the beginning, no noodling around here in the first 7 minutes. Then turns very spacey until 15 mins when DS theme appears, and heads off into 1st verse. Post-verse finds a Billy, Phil, and Keith duel for several minutes. At 21 mins, Phil institutes a mellow Feeling Groovy jam, soon joined by the rest of the band until ~25 mins. Final minutes are dominated by space and then a monumental meltdown before heading off into Sugar Mag. No second verse.
    ____________________________________________

    Be Well People!
    Sixtus

  • daverock
    Joined:
    Wilfred - 72

    Keithfan seems like the man.

  • Forensicdoceleven
    Joined:
    It is not even the beginning of the end..............

    50 years ago today…………

    April 29, 1971
    Fillmore East, New York City, New York

    Set 1: Truckin'-Bertha-It Hurts Me Too-Cumberland Blues>Me And My Uncle-Bird Song-Playing In The Band-Loser-Dark Hollow-Hard To Handle-Ripple-Me And Bobby McGee-Casey Jones

    Set 2: Morning Dew-Minglewood Blues-Sugar Magnolia-Black Peter-Beat It On Down The Line-Second That Emotion-Alligator>drums>jam>Goin' Down The Road Feeling Bad>Cold Rain And Snow-China Cat Sunflower>I Know You Rider-Greatest Story Ever Told-Johnny B. Goode

    Encore: Uncle John's Band-Midnight Hour-And We Bid You Goodnight

    Don’t get me wrong, this is a very fine show, with more than its fair share of oddities and rarities. I enjoy the quirky goodness of any show that has a Dark Hollow and a Ripple, the Black Peter is wonderful, the Dew is powerful, and who doesn’t love an Alligator? And I sure do savor the CR&S coming out of GDTRFB, and the three song encore was the only time that happened all year.

    All that being said, almost without fail, this show was rated the best show of 1971 in Deadbase polls, which I never understood. Solid show—absolutely. Great last Fillmore East show by the Dead---you bet. Even so, maybe a teeny tiny microscopic step down from the previous night……………

    Rock on!!!

    Doc
    But it is, perhaps, the end of the beginning……

  • wilfredtjones
    Joined:
    Who’s going to write up 72?

    My vote would be Keith Fan. But it could also be a team effort. Anyway how about the liner notes to E72. Haven't they already been written up? teehee. H.A.D. waiting for this release. TMI?

    P.S. I'm not a robot.

  • carlo13
    Joined:
    Smoking

    The first disk smokes, especially LIG. It's very structured like a studio album but in a good way. If that is the right word.

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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50 years ago today…………..

February 23, 1971
Capitol Theater, Port Chester, New York

Set 1: Uncle John's Band-Loser-Playing In The Band-Big Boss Man-China Cat Sunflower>I Know You Rider-Me And Bobby McGee-Bertha-Next Time You See Me-Around And Around-Morning Dew-Sugar Magnolia-Casey Jones

Set 2: Me And My Uncle-Bird Song-Truckin'>drums>The Other One>Wharf Rat-Greatest Story Ever Told-Good Lovin'-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away-Johnny B. Goode

So this is what happens when the Dead take a day off???

The first set has a somewhat loose, ragged feel. Unusual Uncle John’s opener, nice mid set China/Rider, rare 71 Around & Around, late first set Dew. The second set starts out in fairly mellow mode but gets quickly crunchy and just doesn’t let up………….

Underrated and highly recommended!

Rock on!

Doc
The most valuable thing we can do for the psyche, occasionally, is to let it rest, wander, live in the changing light of room, not try to be or do anything whatever…..

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Morning, rockers!!

I could be sweet-talked into giving May a vote for honorable mention...........

May 1, 2, 6, 7, 14, 15 1970
Europe 72
May 13, 20, 26 1973
1974
1977

Maybe April as well............

Just sayin'...................

Rock on!!!

Doc
The gods conceal from men the happiness of death, that they may endure life

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10 years 3 months

In reply to by billy the kid

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As Hendrixfreak pointed out a week or so back, maybe this month and year was so hot because they were recording shows in preparation for what became "Live Dead". Although March and April of this year are pretty good too.

One show I tend to overlook these days in favour of 2/22 and 2/27 , 2/28 is the 2/11 show that came out years ago as a stand alone release. Two sets -each approximately 60 minutes long that burn very brightly indeed. Its been said before that maybe the time restrictions on this show, or shows, enhanced and focussed the energy. Sure sounds like it.

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In reply to by Colin Gould

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Grateful Teas, interesting, thanks Colin.

Let's hope that "very soon" is right around the corner.

He also mentioned Deadhead values, he must not read these threads.

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In reply to by bolo24

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Good stuff you all are talking about.

Felt compelled to ask BOLO about the Krewes.

I'd never looked close enough to notice the margins of the '93 Mardi Gras poster until I read BOLO's comment, then I had to look and we have the following Krewes:

Are We Really? & The Art Police Krewe
Fat Tuesday Parade Float Krewes
“Mouse” Kateers Krewe
Dancing Bear Krewe
The Palooka Family Krewe
Rock Med Krewe
GDTS Krewe
Avery Ranch Krewe
ACME Krewe
Krewe of Glam
Krewe of Disco Disciples
Archives Krewe
Kids Room Krewe
Floating Lotus Krewe

Whoever guesses Bolo's Krewe and he confirms it, wins some kudos ;)
(BTW no prizes, cuz yeah... I don't have any prizes, but kudos are cool, right?)
NOTE: There's a few more peeps listed on the poster, like Balloon Lady, but the list above reflects all the "Krewes"

Fun note: By coincidence, guess what I was listening to while I was reading this?!?! - 2/23/93
I'd put on Lazy River Road, PITB > Drums to start my day and peruse the Dead world on the internet, read Bolo's post which peaked my interest, looked at the poster and realized, I was listening to that show.
Cosmic?
Are we all connected?
Or am I still tripping after watching Oteil's podcast with Bobby & Paul Stamets?
(A must watch / listen for all mushroom & consciousness fans)

You all are fun to hang with, keep it up.

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4 years 4 months

In reply to by The Good Ole G…

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I love that kind of stuff

and

shouldn't it be kewdos, instead of kudos?

hahaha...ha...

I am still not a robot, y'all

slave to "find the taffic lights"

kind of like the "hidden pictures" in Highlights from kid-hood.

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8 years 11 months

In reply to by proudfoot

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RE: PROUDFOOT
Haha.. good one.
On first glance I read it literally, and thought... did I spell Kudos wrong?

As a Dad.. I should get that Dad style joke ;)
Krewe-dos to you!

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In reply to by The Good Ole G…

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Warfield 1980

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In reply to by Oroborous

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True

EDIT: Oh wait... thought you said RCMH

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I like to think that while Jeffrey was mixing these two releases last year at TRI that he also mixed down some other tracks while they had the studio.

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In reply to by Oroborous

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That would be sweet

The sound quality from show to show (and even within the same show) varies greatly.

Primo
Fuzzy
within a shoebox
decent
hot
sleepy

the thing of it is, is...the acoustic stuff is nice, but same-y setlists

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Anyone watch Freaks and Geeks from 2000? If not, it is on Hulu right now and it is EXCELLENT. An unknown Seth Rogan and Jason Segel star. Show takes place in 1980, so music is a big part of it. In a scene last night, this beautiful deadhead girl asks to borrow a chair from Seth's character, and he turns to his friends and says, "Grateful Dead, terrible music, super hot chicks." That cracked me up, why they only made one season of Freaks and Geeks is beyond me, it is terrific if you need a show right now.

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Warfield would be grate, but doubtful. The multi-tracks are gone, at least we got a Brent studio out of it!!!!

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17 years 5 months

In reply to by itsburnsy

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.....fingers crossed for a Baked Alaska mini-box. Fits the 1980 mold.

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17 years 6 months

In reply to by itsburnsy

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Long story short my source was going off that tweet we saw weeks ago, I thought he had better intel...sorry.
But there is still that tease...

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I agree DAVEROCK, that 2-disc set is fantastic, and thanks for reminding me to dig it out and dig it!! The sets were short because I believe they were opening for Janis Joplin those 2 nights. I wish they would release the other night's 2 sets also.
And my 2 cents on hot months would be Aug-Sept. They were usually well into a tour at this point and the machine was well oiled.

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One of the greatest shows of all time, IMO. The amount of talent on that show, from the actors, the writers, and the creators/producers/directors is pretty astounding. The show originally aired on Fox, and was during the time of the "Reality T.V." boom (ugh...) Reality TV was not only a hit, but was WAY cheaper to make than a fully scripted show, especially an hour-long one like Freaks and Geeks. I've also heard that most of the budget for that show was spent on getting the rights to all of the music, which is a crucial (and awesome) part of the show! Anyway, Fox did what they could to bury the show, moving its timeslot all around, and it eventually ended up airing on Saturday night (the place where TV shows go to die.) The show never developed a following (how could it? No one knew when it was on!) They eventually informed the creators that the show would be cancelled, which is a total crime, as again, it is one of the best things to come out on television, ever. It is only in recent years that people have realized what a true gem that show was, and it has developed a large cult following (kind of like a band I know of...)

Anyway, @itsbrunsey, stick with it! The creators knew that they were getting cancelled, so they did manage to provide a "final" episode that wraps things up nicely - and WHAT an episode it is (YOU ARE GOING TO LOVE IT!... I'm getting a little teary-eyed just thinking about it now.) Oh, and I don't think it is coincidence AT ALL that the main family featured on the show are the Weirs.

Lindsay Weir FOREVER!

Peace

EDIT: I'll also always love how Jason Segal's character is so proud of his drumkit because it has one more piece than Neil Peart's :)

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April 1969 Avalon Ballroom, or Oct 1974 Winterland the complete recordings audio & video. Hopefully, but I wouldn't bet on it.

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In reply to by Mr. Ones

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I listened to this for the first time today - I thought it was crackling with energy. Much surprised, I was. The highlight for me was Let It Grow, but my ears also pricked up during the transition from Not Fade Away to Morning Dew- and Dew itself, of course is also great.
I'll test out the bonus material later on.

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The saga continues. I reached out to Marye directly via mssg about DaP36, as suggested by y'all. She responded today saying "doc (Dr. Rhino) is acutely aware of the situation and DaP36's should be shipping shortly."

Many thanks to Marye. (But if Marye and Doc Rhino are the ones that address customer service questions, why do they have a "help/customer service" link that is unresponsive? I would have still received no meaningful response for 110~ days now if I hadn't found a side-door.)

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Not sure if this has been discussed, but I have noticed that last week on SiriusXM grateful dead channel, I heard a very professionally mixed sounding, phenomenal, Jack Straw, recorded 9/25/80 at the Warfield. And as I sit here now, I am listening to the let it grow, also very professionally mixed and awesome sounding, from that same show. When I look through all my sources, I can’t really find any sort of good source tape for this that circulates out there. So I am thinking that there may have been a little fibbing going on in terms of the notion that all these tapes were destroyed, and that there may be a forthcoming box set from this run. Maybe you all know about it already and I’m way behind.

Reminds me of my one and only trip to San Francisco, back in Summer 1990. The first place we made for, after de-camping, was the City Lights book shop. I still have the carrier bag with City Lights printed on it, as well as the two books I bought - "Howl and Other Poems" and a biography of Neal Cassady by William Plummer called "The Holy Goof."

When we got back home, I found out that The Dead were going to play London at the end of October. I think two shows were announced at first and a third added later.

You walk into the room with your DaP 36 in your hand ...
At least it is happening now, Thin. Hang in there.

As for Lawrence Ferlinghetti, what a wild, crazy ride he took, and for 101 trips around the Sun! You cannot thank the Beats enough for putting words forth for a generation, the echos of which reverberate for ages to come. RIP!

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In reply to by icecrmcnkd

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I’m still holding out that there was supposed to be a second 2020 Box (Fall 80) but it got delayed due to Covid.
Thus, 2 Boxes this year.
Fall 80 and a Pigpen Box.

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50 years ago today…………..

February 24, 1971
Capitol Theater, Port Chester, New York

Set 1: Casey Jones-Me And My Uncle-Cumberland Blues-Next Time You See Me-Bird Song-Me And Bobby McGee-Bertha-Hard To Handle-Loser-Playing In The Band-Good Lovin'

Set 2: Sugar Magnolia-King Bee-Greatest Story Ever Told>Johnny B. Goode-Deal-Minglewood Blues-Truckin'-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away>Turn On Your Love Light

Port Chester is coming to a close, in fine style. Folks, this is the Port Chester show you NEVER hear about. But it’s very worthy, and Charlie Miller’s remaster is very fine indeed………..

On paper, one may scoff, “Doc there’s no big jam, where’s my Other One, where’s the Star?”. True enough, but there’s what might be called some “Piggy jamming”. The Dead start out Set 1 high, and there’s some good grease. I dig the positioning of Good Lovin’s to close first sets. Set 2 also starts out high, has rare-in-71 versions of King Bee and Minglewood Blues, and climaxes with mythic appropriateness with an audience participation, good rappin’ Lovelight.

Overall has a loose feel, confident, relaxed, fun. More laid back than the previous evening, but definitely worth a listen!

Take advantage of your situation, fellas!!!

Hail Port Chester!!

Rock on!

Doc
Medicine is my lawful wife and literature my mistress; when I get tired of one, I spend the night with the other………..

Glad to here Marye is on the job and Rhino Dead.net are correcting the cd shipping SNAFUs. Let's pray this pandemic ends and Dead/Rhino cd production values rise!!!

PGHAS1: Please Universe let it be true that the allegedly chopped up Radio City/Warfield tapes emerge in their entirety and Box Sets complete emerge from it. Dare to Dream! Man O Man that would be just exactly perfect. Imagine that Dead.net has been faking us out this whole time regarding long lost Radio City/ Warfield tapes?!?! Awww you guys are such Tricksters/Pranksters!

A Fall MSG N.Y.C. 1979 mini box would be welcomed and would easily sell out. Dave? Are you listening?

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Yes it looks like they got the ABCD release out early so they then had time to get second release out by the end of the year.

Pigpen and Brent boxes that's a whole lot of Hammond B3. Sign me up!

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Another hero passes, who shall take up the torch now? never thought I'd live to be a hundred, what is that like? I have spoken to a few that have reached that milestone and they say if they had a new body, they would do another hundred for sure. Oh to be young and have the wisdom of the ages. With wisdom like that, can you imagine what could be done and what would be done ? Imagine the possibilities The beat goes on and another generation takes the lead....shall we go, you and I, while we can.....into the transitive nightfall of diamonds.
I would love a Radio City or Warfield 80 box set....1980 is one of my favorite years for the Dead.

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16 years 8 months
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Multi-track recordings of J-Straw and LIG appear on the bonus material for the Dead Set remaster in the Beyond Description boxset. Maybe it was one of those? I understand that these are selections that were pulled for possible inclusion on the album so not likely to be a whole show. Would love to be wrong about that!

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Thanks for the background on Freaks and Geeks, I didn't watch it in 2000 so knew none of that. It really is one of the best shows I've ever watched, have the last two episodes queued up for tonight! Also, you are right, the music is fantastic, and the Weir family is probably no coincidence.

Another grate series that only ran one season is High Fidelity, also on Hulu.

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I actually went back and checked the exact dates for from the remaster against the archive. Here they are:

Let It Grow (Weir / Barlow) - October 26, 1980
Sugaree (Garcia / Hunter) - October 26, 1980
C.C. Rider (Rainey) - October 13, 1980
Row Jimmy (Garcia / Hunter) - October 10, 1980
Lazy Lightnin' (Weir / Barlow) - October 13, 1980
Supplication (Weir / Barlow) - October 13, 1980
High Time (Garcia / Hunter) - October 25, 1980
Jack Straw (Weir / Hunter) - October 10, 1980
Shakedown Street (Garcia / Hunter) - October 7, 1980
Not Fade Away (Petty / Holly) - October 4, 1980

For What it's Worth, DeadDisc.com has something slightly different:

Let It Grow (Weir / Barlow) - October 26, 1980
Sugaree (Garcia / Hunter) - October 26, 1980
C.C. Rider (Rainey) - October 31, 1980
Row Jimmy (Garcia / Hunter) - October 10, 1980
Lazy Lightnin' (Weir / Barlow) - October 13, 1980
Supplication (Weir / Barlow) - October 13, 1980
High Time (Garcia / Hunter) - October 25, 1980
Jack Straw (Weir / Hunter) - October 10, 1980
Shakedown Street (Garcia / Hunter) - October 7, 1980
Not Fade Away (Petty / Holly) - October 4, 1980

P.S. Edit. DeadDisc obviously has a typo as CC Rider was not played on 10-31. So it should be 10-13 as I had thought.

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13 years 3 months
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My understanding is that those tracks were taken from 10/26 and 10/10 and so would not explain it. I could be wrong though.

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Maybe I missed the DaP 37 glass comments.

Anyway, Just got mine in mail today. The damn thing is really fuckin nice, I mean really, really. I guess I was picturing a glass like grape jelly came in. Thing has some nice weight to it, feels nice in the hand. Like a tall heavy juice glass, like a supersized big heavy weighed shot glass. Bottom of glass has a dave's picks logo in it. Image around glass is mirrored(?), one way the left to right world, the other side of glass is reversed. Nice. Came in it's own colorful little box, one side is "collect all four!",,,, has one of four boxes filled in , with 38, 39 & 40 blank.

I got a feeling it might be very hard to get all four.

But very nice glass indeed!!! Right up there with the hatchet,,,, which I wish I had bought!

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...10/14/80 has been spinning on Sirius since noon today; there indeed is mental telepathy, apparently.

Missed out on the Dave's glass, but did get the long sleeve T. And Dennis, you are right about missing out on the hatchet. I've used it many times to crack open small logs for kindling, and there is a certain satisfaction that comes with a solid swing and slice as I hum along to 'Easy Wind' in my head.

Be Well People.
Sixtus

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Check your PM.

Hey folks......Stay calm, don’t embalm!!

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In reply to by Mr. Ones

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2-23,24-68 DP22 anniversary

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Swinging an axe, splittin' the firewood, all to "Easy Wind" in your head? Best comment all ... day? week? month? When time starts to bend, go to the timeless: splittin' wood to "Easy Wind." Been there, many years and (gratefully) counting.

Thanks Sixtus! That flash helps bide the time until Dave announces the Fall '72 box, Wake of the Flood 50th w/ Watkins Glen rehearsal tacked on, and 10-21-68 on CD as RSD release.

If I'm going to be wrong, I want to be SPECTACULARLY wrong...

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In reply to by hendrixfreak

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....talk about a photo finish.
I'm game.
November though.
I'm a sucker for annys, so I'll just keep on truckin down the thread.
Dick's 22 will rest my weary head.

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King's Beach Bowl

Caution>Feedback! ;~)

ps. 2/23/74 this show is amazing! Need to get that show released. Thought it might be #37 maybe #41 or #42 with bonus disk from 2/22?

So, I was thinking about how lucky we continue to be that all this great music has been released over the last 25 plus years. Keep it coming. Then there have been a few head scratchers along the way.

My top choice for that award goes to Dave's Picks #31, 12/3/79. Never have been able to get into this release.
I also need to listen to the Boise show, Dave's Picks #27, again as that one hasn't knocked my socks off either.

What do you all think?

And I love the enthusiasm for a 1980 box set. I think this is the year. 🤠

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you just gotta "look at it right"

12/3/79...last time I checked it out it was kinda meh

but another time earlier I dug it

16th birthday....just about 90 miles away...but I was too young and ignorant to have a clue about it

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ha, Deadvikes, say it ain't so ;)

so yeah, my 2nd show, great show in person (the legendary Uptown) and solid release from that era. When first released I remember being puzzled by several folks lamenting how Jerry didn't want to be there, etc. etc. and I'm like I don't know what you're listening to but it ain't what I'm listening to. I think Jerry is very much present, and his playing is beautiful and nuanced throughout.

4Winds - I think both 2/22/74 and 2/23 are superb shows and should be released in their entirety, full Norman / Plangent, etc.

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