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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • rockthing
    Joined:
    > JimInMD
    "5/12/91 for…

    > JimInMD

    "5/12/91 for Tomorrow?" Sounds good.

    Just a few last impressions from 11/18/78

    The instrument/voice balance is definitely much better by It's All Over Now.

    I think the thing that seems unusual about the Scarlet/Fire, other than the clean cut which may be a result of the Archive's streaming system. There's always a short loading gap between songs.

    I was thinking that the jam at the end of Scarlet Begonias seems especially sparse, and then I started wondering where Phil was? There isn't a whole lot of deep bass in this recording, so that may be it. Not sure. I like Donna's off mic reaction to some strange noise that Bobby (presumably) made by accident. ...Ah, I got to the Fire patch. That's the cut that was mentioned. It sometimes feels a touch lackadaisical, but that sort of thing suits the transition into Fire.

    Miracle is ON, right out of the gate. No teething problems with this one. Just struck me that it sounds like Jerry's already using some kind of distortion/fuzz effect on his guitar here. I'm a bit of a gear nut. I'm gonna hafta look into that.

    Dayum. This Other One is waaay out there. Love it! The drummers totally running with it, complimenting the gooey, stretched out psychedelicized sense of time created by the guitarists with a frenzied lysergic background buzz. Still pre-Beast if I recall correctly, but plenty to keep the Rhythm Devils busy... and busy they are. Did someone say, "Go man."? "I knew you were about to come on."? This really is the beauty of the board tapes. Occasionally you get a glimpse into the verbal communication that goes on between band members. They're always talking to one another a lot more than I used to imagine. It wasn't till I started watching how much conducting Phil used to do that this aspect of their playing became evident. Things changed a lot when Phil started taking a less active role in the spontaneous orchestration during shows, I suppose.

    Ollin Arageed, what a nice treat. A little hold over from the Egyptian Vacation. 12/19 is the only post Egypt '78 show I've got in my library, and sadly I couldn't tell you anything about it right now. From there it's to the Godchaux's farewell show, and then Brent's debut or somewhere thereabouts. Again, thank you for filling in this rather sparse zone in my listening experience.

    The word I keep coming back to while listening to this show is "beautiful". I was about to use it again to describe the Wharf Rat. Keith is doing some really nice fill-in stuff between the vocals here. Certainly a sight better than his contribution at Giza (yikes!). .... oops... everybody completely missed Billy's cue to start the ending there. LOL. Oh, well. Carry on lads. :P

    Love how the transition to Sugar Mag thoroughly cross fades. That's brilliant how they kept a bit of Wharf Rat alive while slowly letting Sugar Magnolia develop. A lot of times Jer'll drop the intro of the next song and the others just stop what they're doing immediately for a couple bars instead of letting the songs blend. Sometimes it feels forced when Jerry does it that way, but this one is just about perfect, for my ears.

    One More Saturday Night was one of the more predictable Dead tunes, and I reckon if you were on tour it probably got kind of repetitive, but from a song-writing point of view, IMO this is one of Bob's best songs. It's the kind of built-to-be-a-show-stopper that I wish I could write someday.

    Ok, fast-forward a decade or so to 1991!

  • JimInMD
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    5/12/91 for Tomorrow?

    I haven't heard this one.. but I believe the run was well recorded.

  • rockthing
    Joined:
    Sneakin' in one last Uptown Toodeloo

    Had a chance to stream the Miller sbd last night when I got home, but exhaustion prevented me from hearing it to the end. Early on the recording is so vocal heavy that I can barely make out what the band is doing without riding the volume control.

    Me and My Uncle is in full disco mode. When was it that Bobby introduced it as a Polka? Was that before or after this? I'm confused. At any rate, it sure ain't a Polka here. I like these Rhinestone Cowboy versions, perhaps knowing that they aren't forever.

    There were several comments about song placement, and that El Passo following Sugaree, and there having already been an Uncle > River seems a bit odd, but they had not yet settled into the one cowboy couplet per set routine yet, had they?

    It's All Over Now in the first set, though. That feels odd.

    From the Heart of Me is so beautifully done. I recall Jerry doing lots of really fast runs between vocal lines, but was not taking notes. This is a real gem.

    By the time Music Never Stopped rolled around, I realized that the mix seemed to have been brought to balance between the vocals and other instruments. From the Heart of Me had also benefited from an improvement in this area. Music Never Stopped, though. Wow. This is where the show really gets started. I think someone else already mentioned that. The whole first set is superbly played, but as became the norm the first set closer serves as a precursor to the second set with some nice group improv. Definitely wanna go back to check this out again.

    The Scarlet/Fire second set opener picks up right where TMNS left off. This is another track I want to return to. There seemed to be a somewhat different quality to this one, but at the moment I can't put my finger on it. Another highlight, but it's rare that this pairing is not a highlight.

    The early second set Miracle is definitely another interesting set choice, as pretty much everyone already said. I kept an ear out for the ending jam that was mentioned, and yes, why was there never more of that? I suppose once it settled into its post-space rave-up role, there wasn't much left on the table to fool around with.

    From this point on, I was drawn into the darkness of sleep. I think I'll restart this at It's All Over Now tomorrow and listen to the end again. The recording balance seemed to have improved by the end of the first set, and I missed the whole finale.

    Thanks for another interesting recommendation!

  • DeadVikes
    Joined:
    11/18/78

    Nice call on this show Bluecrow. Really good sound quality and great show. Late 78 is so different than the rest of the year. Love these early Stagger Lees and I Need a Miracle. Nice Scarlet Fire. Great second set .Probably will be a while before we get any late 78 shows released, but I am ready.

    Jim, yes, let's hit up some 91. Send us a pick.

  • JimInMD
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    Whew

    Good to hear. I've been a bit busy lately and I thought I might have been careless with something I wrote.. so all is good with the universe.. a great way to start the week.

    Missed the 78 yesterday, by late this afternoon I should be on track and have some free time. Not complaining though, I needed the and today will mark the 8th day in a row I've had river time. My listening has been heavily tilted to what was already loaded on my waterproof devices with a sprinkle of what they are pumping in the SiriusXM Grateful Dead channel. 1970 (Harpur and FE), 1972 - 1974, 84 and 85. Listened to a bit of 5/10/91 today in the truck.. I think we hit that one a year or so here. Definitely releasable, good quality audio and a good show. Perhaps we could hit another show from that run which includes Hornsby. The previous run, Cal Expo, was good also but alas.. it was sans Brucey.

    In any case.. keep on keeping on the good vibes and good picks. Looks like we are off to a great start to the new week.

  • bluecrow
    Joined:
    11/18/78

    I first listened to this about time PITD was on the 11/24 video. Well played show, really nice sounding board even though its a couple generations down. There are a couple of poorly timed gaps (Fire, Olin Arageed come to mind.) What really perked my ears and brain up was the second set. Tasty Scarlet > Fire, and then that strange set placement of an early Miracle following that and wow Miracle has a blazing extended outro jam (where was that most of the time?) into a sweet He's Gone, followed by a pre-drumz Other One that has some crazy good space as it leads into drums. I really dig this show, this era, and it doesn't hurt that this was in the Uptown Theatre (hometown, though I was elsewhere at the time). Really hope the other two nights surface in similar sound quality and that the masters of this show don't have those gaps. Gotta run. Take care everyone.

  • rockthing
    Joined:
    No offense taken. No offense meant.

    > JimInMD No, no, no. Absolutely not, dude. That "Hey man" shoulda been accompanied by " :) ". "Hey man" is pretty ambiguous when left only in text. I was reacting to a comment you made about how maybe you should be more descriptive... that comment was like weeks ago, though. I was tryin' to let ya off the hook, so to speak. :)

    I'm gonna hafta catch up on these recent picks. Goin' out the door for a little overnight at the beach and there's no time to DL and update the ipod. My smartphone has no service, so streaming on the beach is out of the question. My only life line is a flip phone. lol. Definitely gonna be jammin' some Shakedown Street while tossin' a Grateful Mahalo frisbee in the sun, though. The pod is also loaded with Bob Marley, Alpha Blondy, Burning Spear, and Lee Perry. Lost another legend yesterday. Was fortunate enough to see Scratch on a tour with Adrian Sherwood. A bit too electronic for me, but still, it was Lee Perry right in front of me telling me to "put your gadget away" because I was holding my little digital camera on my shoulder tryin' to shoot some fragmented video. The camera was crap, though, so the few seconds I got just sound like noise. Anyhoo... no offense taken. No offense meant.

  • wilfredtjones
    Joined:
    11/18/78

    Satisfying from what I've heard. Enjoy folks. Play dead! :-)

  • DeadVikes
    Joined:
    11/18/78

    Sounds like a plan Bluecrow. I will check it out. Love this time period.

    Glad you liked Dane County Coliseum.

  • bluecrow
    Joined:
    a post-Egypt show??

    DV - highly highly recommend 11/18/78 - night 3 at the Uptown in Chicago. The mythic Rambler Room show took place during this run. full boards don't circulate for the first 2 nights. Hopin they're ABCDs.

    That Dane Co. 12/3/1981 is a killer show. Thanks for that!!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by The Good Ole G…

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....yes Dave. One of the more interesting ones I've come across.
"Ira Kaplan and Georgia Hubley formed the band as a couple in 1984. They chose the name "Yo La Tengo" (Spanish for "I have it," referring to a female-gender object or person). The name came from a baseball anecdote that occurred during the 1962 season, when New York Mets center fielder Richie Ashburn and shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, "I got it! I got it!" only to run into Chacón, a Venezuelan who spoke only Spanish. Ashburn learned to yell, "¡Yo la tengo! ¡Yo la tengo!" instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words "¡Yo la tengo!" as a way to avoid outfield collisions.[5] After getting up, Thomas asked Ashburn, "What the hell is a Yellow Tango?""
Hilarious. Don't miss those team meetings Frank!!

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pretty good

all together now..."it's not Europe 72, but..."

it's still pretty good

PS I got my work done that day, my friends...luckily, I didn't have to answer to my dad, since he is in Salem Oregon

update on 12/3/79...there's one of those weird patches where all of a sudden we go from soundboard to the hallway and then back to the soundboard.

Onward into Friday. I will do my best to stay focused on my ish.

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Perhaps my favorite '77 show, add in the bonus tracks and you have a really special release.

Thanks for carrying the torch folks and keeping this alive. Been a bit busy the last few weeks and struggling just to hang on here. Gotta admit, I missed a few of these shows. Trying to manage getting stuff done with the best winter we have had here in more than a decade. Winter is fun, GD is fun, winter and GD is more fun. Add 2/26 to the mix, sublime.

Blink or relax for just a moment and when you snap out of it.. you're old. I cannot play as hard as I used to.

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some slowness in there

2/26/77: Jerry sparkling and spry

2/17/79: still plenty bouncy

12/3/79: ssaayyyyy whhhhaaaa...? Terrapin and Wharf Rat....

Jerry, Jerry, Jerry.

It must have been horrifying for the rest of the band to see such a rapid decline.

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I think I might do a first course of Uptown 81, followed by a Swing 77 dessert!

Happy Friday, DeadLand! Keep the good vibes rolling!

Of, for those of you who like a good Matrix, here is 2/26/81: https://archive.org/details/gd1981-02-26.mtx.chappell.sb02a.28383.sbefa…

Like most shows, give it a minute to "settle down easy" :)

Peace

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Def. not a top-tier pick for me, which is a shame because Fall/Winter 79 is one of my favorite periods of GD. Kind of puzzled why this was chosen, TBH. However, if memory serves, the "Truckin'" is massive if listened to in the proper state of mind and at the proper volume (LOUD!) I do love the artwork on this one...

Overall though, many better shows from this era.

Peace

I think we all know what the top picks are and what constitutes as filler.

If we all had a crystal ball of truth.. it would reveal what we know. Each year until this comes to a screeching halt.. we are going to get a mix of what is deemed releasable shows. The great and the truly good.

That's how it's gonna play out my friends. No need to hope each and every show is a top ten. I will add, I want to see all the releasable shows get a Full Norman. What we are listening to each day and night is history and these shows need to get released.. here's my twenty five bucks, bring it, even 12/3/79, which is not the worst Dave's Picks..

On a separate note, all the remaining Dave's Picks need to have a Cumberland or they will have a revolution on their hands. Who's with me?

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I am happy with what we get.. I was thinking how some releases are wow for the quality or reputation... Others like the July 78 box were more of whoa we have soundboard releases that never existed to us... Would I be happy if we got a Dane County from Feb 15, 1973 oh yes, but a Feb 24, 1973 University of Iowa show would fall into that July 78 box set release type of emotion.. That type of release is what I wish we would get a little more often, but I wonder what the potential amount of releases would even fall into that category . be good everyone. bob t

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I am there, DARK STAR

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In reply to by unkle sam

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I'm there with BTK, UNKLESAM, ICECRMCNKD & everyone else who loves these shows.

52 years ago, 4 of the greatest shows ever started at the Fillmore West and holy shit they're amazing.

The Dark Star the band played on 2/27 is beyond.... description.

Big props to Betty Cantor for picking this one out of the bunch and putting it on the first live Grateful Dead release for all of us to freak out over.
Crazy, she did that before I was even born.
Bow to the Queen.

My little memory on the importance of the Fillmore West Complete Box Set release. (which I've told before)
I saw on the internet that the Grateful Dead was going to release all of Europe '72, I hadn't been collecting the Dead in years as I was booking local rock shows at a club and was into a completely different local music scene that had been eating my brain so in many ways I felt that I'd moved on from the Dead.

But seeing that the WHOLE Europe '72 tour was going to be released just stopped me in my tracks.
When I followed the rabbit down the hole..
one of the first things I saw, they'd already released the COMPLETE Fillmore West '69 run!
The Bus came by that day, and I got back on.

WALSTIB indeed.

This Dark Star rules.

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In reply to by unkle sam

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...be a Debbie downer. I just don’t like when EVERYDAY is a “anniversary” pick, or more to the point, perhaps SOMETIMES we do an anniversary from different years that never get any love.
But who can the weather (or the music) command.
Onward!

EDIT: I’ve been blissfully wallowing in Dave’s Picks 33, 35, 36, and 37. Still have that 72 stuff to get to, but some 69 is always fine, yuck, yuck..

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In reply to by Oroborous

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Haha

This is not "this Day in Dead History" you all ;)

I'm just playing...

“[To poop] originally meant ‘to produce a short blast of sound,’”

Maybe OB just wanted us to hear a short blast of sound?

OB, you know I'm just taking the mickey out of you cause you haven't listened to 10/18/72 yet?
I dig all your input mang.

On a more musical note.. Get it?!?!

I don't think I noticed that patch in The Eleven on 2/27 before 7:54-8:49..
I wonder if that had something to do with them using the 1/26/69 version on Live Dead.
hmmm

You guys are funny.

The Fillmore West box is sorta of a white whale for me. On the fence with release announcement and when I finally went to pull the trigger it had sold out in previous 24 hrs. Not the last time I was slow on the draw but that was a tough one and years later when i started checking resellers it was a bit pricey. Do have the compilation. Someday.

So I'm going with Live Dead today and the Dark Star sounds glorious right now.

Onward!

I know y’all giving me shit, which is nice!
I think my suggestions are not being seen in the right light. Not trying to be negative...Think of it this way;
There’s over 2300 shows, I’d like to hear as many as possible, even if just once, vs listening to say, only the same 200 shows repeatedly. So more shows equals a positive, no? Especially looking for those weird little chestnuts that only a super squirrel finds 🐿
Also, it’s a fragile eco system. Been listening for over forty years already, hope to be able to do so for many more.
Variety is the spice of life!
Ok,enough of all that,
ONWARD!

EDIT: as your senator from the great deadnet state of altered consciousness I hereby propose an amendment to the cosmos hear-by declaring that henceforth the Elevan, should, and must be played on, well....11!

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In reply to by bluecrow

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I also missed out on FW and the steamer trunk, although I did get the 72 AME.

Have FW 27 and 28 on vinyl. Both say Plangent Process. I don’t believe that the FW69 Box says Plangent, but I don’t have a physical copy to look at.
Can some check their Box to see if it says Plangent?
If it doesn’t then that suggests that FW69 has been remastered - Plangentized, Normanized, and vinylized.
27 and 28 sound really nice.
The question is, when will they release the 24/192 hi-def copies?
They could put it on BluRay audio like Led Zep did for Song Remains The Same.

No offense meant Oro, I don’t actually keep up with the picks every day, mostly just on weekends since I don’t listen to music at work. Sometimes do partial shows at night.

Well, it’s around 50 here, the snow is gone, and there’s 2 months of dog poop in the yard....
That's going to take like 45 minutes to clean up.

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Conekid, no Plagent was not used on the Filmore box. The first box they worked on was Winterland 73.

Oroborous, yes, we are still not This Day in Grateful History. Shoot, we are coming up on the one year anniversary of The Pick of the Day. Let's keep it rolling!

Do you all remember what the first pick was?

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In reply to by DeadVikes

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I've got the POTD list ;)

Might've missed a day or two here and there when there wasn't a pick or it wasn't clear what the pick was.
But usually would jot down a notation.
For the most part it's complete.

VGuy... I wrote down 2/27/69 for today.

It's too epic not to give it the nod.

But.. that leaves room for more goodness, might have to do 2/27/81 later.

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In reply to by proudfoot

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None taken!
This ones for you and the job ahead
https://m.youtube.com/watch?v=mLNAkPsjAEk

EDIT: lol I thought we were doing 69 today? or am I a day late and a dollar short again!
Dbl Edit: yeah, nice work GOGD...we oughta call him scribe, or Radar O’reily

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Plangent or not, still sounds pretty good!
Haven’t heard these since some awesome person turned me on to copies s couple years ago...so good call, ...was due!

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In reply to by Oroborous

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A man walks down the street
He says, "Why am I soft in the middle, now?

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In reply to by proudfoot

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And Betty when you call me,
You can call me Al.

Yeah... listening to the Dead all day can make you a little soft in the middle.
But what a way to go.

Don't want to end up a cartoon
In a cartoon graveyard
Bonedigger, Bonedigger

God I love DeadHeads, I just wish there were more in my neighbor.

FW Box was a Multi Track release.

....tbh Proudfoot, I dabbled. Started with him circa 1980, then moved forward and backward. Got distracted with another band. Circling back.
Like most nuts, pistachios are healthy and good food.
Avocados are up there too.

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God, I must be getting old. A good hit on Friday night at work, up all night, cloudy all Saturday, passed out early, up now.

Anyway,,, coming home from work Friday night fairly electric. Got billboard hits of 1973 playing and the Temps come on with Papa Was a Rolling Stone. (the 12 minute version) My Buick has a ok sound system so I cranked it up. What a great recording. Wonderful separation of sounds, the relentless cymbal. If you haven't heard in a while, pop that bad boy on,,, good headphones sound great,,, and crank it.

I always say Motown is like coke,,,,,, everybody likes coke,,,,,, and sara lee.

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In reply to by Vguy72

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The Zappaverse is vast. I like some of it, dislike some of it, ignore much of it.

If it didnt take, thats cool. His stuff is definitely not for everyone.

If you decide to try it again, i recommend WOIIFTMoney

Also, I happened upon a youtube video called Zappa 60s guitar solos yesterday. That stuff rocks

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In reply to by proudfoot

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Uhhhhhh....

I am on a "no GD for now" diet. So, I got nothing for POTD.

I was surprised yesterday by several facts. Biggest, Temps not the original band,,,, Undisputed Truth (yes, Smilin Faces), put out the first cut and when I scanned my collection I was shocked at the number of covers. And yes, there were maybe 3 from Mickey's band :-)

Another one of those songs the Dead should have done,,,,,, right after Ghost Riders in the Sky!

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In reply to by Dennis

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....is Mickey Harts Mystery Box CD. Or the last show from Anchorage.
Choose wisely.