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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • DeadVikes
    Joined:
    5/31/1980 Met Center/Bluecrow

    Hey Bluecrow, you were at this show, that is cool. Are you a Minnesota guy?

  • icecrmcnkd
    Joined:
    “Hey, Larry Flynt is right”

    From: The Simpsons
    Situation: Barney Gumbel referring to Stephen Hawking.

    RIP Larry Flynt.
    Not that I’m a Hustler aficionado, and I’ve never given Larry even a penny.
    But one man’s porn is another man’s 1st amendment right.
    Thanks for fighting for free speech Larry.

    Disclaimer:
    Most of what I think I know about Larry is due to Woody Harrelson.

    Hmmmm.....
    Larry Flynt.
    Woody......

    Never occurred to me until I just wrote that sentence.....

  • Vguy72
    Joined:
    5.31.80....

    ....I peaked at the setlist. Get it. Peaked??

  • That Mike
    Joined:
    A Deadhead Walks In A Bar...

    Guy walks into a bar and yells, “All scalpers are assholes.”
    The man at the end of the bar says” I object to that remark”.
    The guy responds: “Why, are you a scalper?”
    “No, I’m an asshole”, says the man.

  • gratefulfan2015
    Joined:
    Ebay Scalpers

    Love all the capitalist trying to make $10 on eBay by scalping DP 37. Classy.

  • Forensicdoceleven
    Joined:
    History, despite its wrenching pain, cannot be unlived..........

    My friends, my colleagues, my fellow Dead travellors.................

    Back when I started with the crazy collecting of the Dead music, circa 1979-1980, my appetite for said crazy music was insatiable. First bootleg LPs (still have a few, but no turntable LOL), then tapes. Now, there were less "eras" back then, but for me it was any and all years, audience, sound board, FM, didn't matter...........

    When I started with tapes, I was fortunate to have two mentors (Gil Matthews, John Farrar) who steered me into high quality early Dead, always the emphasis on the highest quality available, but not necessarily an exclusive focus on 1971. MAYBE 25% of 1971 shows circulated then, most of the April and Fall tour shows didn't commonly circulate yet.

    My busiest trading years were 1982-spring of 86. Was doing tons of my trades and huge numbers of B& Ps, as well as mentoring a very active taping cooperative centered out of Hartford. Jeffrey Greenberg, Rich Petlock (RIP), Bob Messina, and John Starks. Weather permitting, on Friday nights I'd go down there on the motorcycle, saddlebags filled with primo SBDs and FMs. At that time, floods of new things were were leaking out. And, my friends went to every East coast show and recorded everything. Those were heady days.......

    And then there were the Bettys, which opened our eyes (and ears!) a lot, especially about Port Chester.....

    Of course, life intervenes, and listening time decreases due to "real life issues", so for me the focus gradually grew narrower and narrower. With greater exposure, I found something very appealing about 1971. I think it was the Bakersfield, rock and roll aspect. As many have pointed out, the big drawback for many is the lack of "big jams". This is a very legitimate criticism. Clearly, it wasn't the raucous, spacy jams of 1969-1970, and it wasn't the creamy smoothness of 1972-1974. Like being caught between a rock and a hard place. There are some good and even great jams in 1971, but you have to dig around for them.............

    For those who posted such things, it's been very interesting to hear what people would listen to "in my honor". "In my honor", omg that sounds so weird, does that make me an elder statesman, or just elder? Ah......ummm.......what was I talking about????

    I'll probably continue in a similar vein at some point in the future. Maybe restarting on February 18?????

    Rock on!

    Doc
    The past is never where you think you left it.........

  • daverock
    Joined:
    1971 jams

    They seemed to get more into jamming again when Keith joined from October onwards. In fact, from October onwards, I tend to think of shows as being closer to 1972 in terms of sound and approach than they are to ones from earlier in 1971. Certainly October-December 1971 shows sound more like Europe 72 than they do to February or April 1971. To my ears, anyway.

  • bluecrow
    Joined:
    5/31/80

    proud foot and wadeocu - 5/31 was my 3rd show - didn't realize at time how crazy it was to have (!!!!!!!) > (!!!!!!!) predrumz (oops already said too much). Pretty enthusiastic crowd that night leading to a somewhat unusual double encore. After US Blues, house lights went up and all signs pointed to that being all she wrote. But a whole bunch of people still didn't leave, just yelling and cheering. A buddy and I decided to see if we could sneak backstage. Roadies were breaking things down. We had made our way above the tunnel that led to the stage wondering if there was a way to get down into it. Suddenly here comes the band walking out of the tunnel again (maybe someone out in front of them to clue in the crew.) My buddy and I are like holy crap they're coming back out! And they played Brokedown. I think they remembered that MN enthusiasm the next year because if you want some more interesting song sequence go no further then Minneapolis the next summer. check out the s**dw**h coming out of Space (no fair peeking!)

    https://relisten.net/grateful-dead/1981/07/10 (Miller audience, no SBD seems to circulate.)

    BTW - Dave L. likes 5/31- its shown up in both Tapers Section and Jam of the Week I think.

    And Happy Birthday Doc!! Think I'll go Yale Bowl later today.

  • wadeocu
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    MR. STOLTZFOOT!!!

    I took your advice and that WAS fun! I checked out 5/31/80 being careful not to look at the setlist. It is astounding that after 35 years of studious (one may even say obsessive) listening, this band still has pleasant surprises to offer. This is one I have overlooked listening to or even taking note of the interesting set structure.

    SPOILER ALERT: If you want to play along at home like I did (you should, it was fun) read no further and get down to the real business at hand!

    The first surprise was the second song because I didn't realize that the Miller recording was not complete. After the next pairing, I knew what was going on there. Then the most delightful tidbit came next. Seems like a real improvisational moment. Then the next two were real surprises in both order of appearance and the delightful execution. Coming out of space I found myself wondering what Jerry would do - something sweet like UJB or Comes A Time or even Black Peter, but no. Bobby why must you always F with my mood and expectations! It still bugs me that you picked BIODTL after the all-timer Dark Star>Dew on 9/21/72 and I wasn't even born yet when you made that call! Anyway back to 1980, after the number out of space I thought I knew what the next two would be as that had become a bit too predictable in that era, but Bobby does pull a nice audible there at the end. Then the encore seemed a little pedestrian but even it has a bit of gusto to go along with it notwithstanding Bobby puking all over it with his slide guitarist impersonation again. The second turn up to bat after that was yet another pleasant surprise. Apparently even Healey was caught off guard given that we only have the AUD for that portion.

    Anyhow, thanks for the recommendation Stoltzie; I loved it! You have exquisite taste and I heed your advice on these matters when they come up. I am reminded of some of the discussions about Dick's Picks on The Well in the later 90s. It was said from time to time that "Dick can't pick a pumpkin"! Well sir, you know how to pick a fine pumpkin indeed - thank you for that!

  • wadeocu
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    Bolo bits

    Clearly it is going to be a 67 box set. The interview hint is tricky because one might be inclined to think 76 but of course we got a 76 box recently. The odd postings from Olob that I think I remember seeing here and there suggest that our insider friend may be dyslexic which points to 67 not 76. Or maybe it is me that is dyslexic and Olob is a figment of my own imagination??

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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Dick 36,,,,, real gone :-(

Left a notify me if it comes available,,,,, ha ha ha

ebay has one,,,, sold 290

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Ive been staying on top of this release! I bought myself one copy! I am blown away by how quick that sold out! Unfortunately to a lot of scalpers im sure. I saw all these websites doing preorders before the actual company that was selling them were actually selling them, and also real gone music had it " sold out" at first glance but it had never been available, idk it all seems like marketing scams, i got myself a copy at listing price, but i had to be on it like a hawk!

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Real Gone did email about Dick's 26 when they found another batch, and I like their 2 per customer limit, and that probably some people did abuse that and will see their order refunded. Just hope you're quick to that email. I missed that second batch of DP26 because I was checking out while riding in the back of a car in the backwoods of Florida, and just as I hit submit (after inputting my CC number one time already and submitting), I lost signal and didn't regain it for several hours at which time I lost it to someone else. I hope you get an email soon, and are able to snag one.

Really love this show, and especially glad they included the massive Folsom Field filler. (The inclusion of which raises the question of whether a potential vinyl version of DP 13 would include the hidden Scarlet Fire from 11/1/79, and whether it would be hidden, because it's 35 minutes, an entire LP!)

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Anyone else not receive their order? I'm a yearly subscriber and never received the cd's. Tried contacting and haven't had any luck.

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In reply to by InfiniteJest

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I got the email around 1pm but didn’t actually see it until around 6pm.
That’s OK because I had decided that it wasn’t a must have but that I might buy it if it didn’t sell out immediately.

It should have been limit 1.
Clearly resellers cornered the market on this one.
2-28-69 vinyl is still available (I don’t know what the production number was), so we’ll see where the resale price for DP36 vinyl is in several months.
Demand may not be as great as the resellers think.

Also, if you do want vinyl, 6-17-91 is under $75 now.

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17 years 4 months

In reply to by icecrmcnkd

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....I better pick some winning lottery numbers.
I still have all my vinyl from my 13-24 years old of being alive. There's a lot. I know me too well to dip my body in that again.
I want to visit Europe one day

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I was lucky enough to see Bunny and the Solomonic Reggaestra open for String Cheese Incident's first Red Rocks show in '99 I think. I love old Cheese and was overjoyed at being there for their backyard throwdown, but Bunny crushed it...

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And now, rockers, back to our regularly scheduled programming................

50 years ago today………………

March 3, 1971
Fillmore West, San Francisco, California

Set 1: Casey Jones-Hard To Handle-Playing In The Band-Loser-Me And Bobby McGee-Next Time You See Me-Beat It On Down The Line-Bertha

Set 2: Me And My Uncle-Truckin'>drums>The Other One>Wharf Rat-Sugar Magnolia-King Bee-Greatest Story Ever Told>Johnny B. Goode

Encore: Good Lovin'

The Dead opened and closed March with home town shows, one of which bordered on genius, while the other often fails to inspire. Let the listener decide which is which…….

Even a lesser light shines brightly on occasion, and this is no exception. There could be more grease, the Other One has its moments, and getting a Good Lovin’ encore is always nice. The original commonly circulating soundboard was sonically lacking, but the remasters released late last year are actually fairly listenable. And worth a listen they are, especially if you like the pared down, raw power of the quintet………….

Not a classic, and maybe not even “second tier”, but still…………….

Rock on!

Doc
Where we love is home - home that our feet may leave, but not our hearts……

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In reply to by InfiniteJest

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I'm hovering on this one-only due to the price. But when I think of all the money I've saved in the last year not going to gigs , and going out with friends - even buying newspapers, I think maybe I should treat myself. Again.

As to whether The Dead are best heard on vinyl or cd-that's down to all sorts of factors-not least of which is imagination. And there is nothing wrong with that. I seem play the vinyl I have bought in the last two years or so much, much more than the cds I have bought in the same time frame. Maybe because I have less of it - maybe its a throw back to the 70s. I actually like the fact that the music is separated into 15-20 minute sections per side.

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"But when I think of all the money I've saved in the last year not going to gigs , and going out with friends - even buying newspapers, I think maybe I should treat myself. Again."

There, in a nutshell, lies the rationalization by which I've gained the 2021 subscription, presumably the 2021 box (note: without knowing what it'll be), and selections from Dylan, Hendrix, the ABB, The Band.

Send me to the poor house, baby, but at least we rocked!

With nothing but time on my hands, I also have been looking for deals on music. I wish Real Gone Music would reproduce bonus discs too. Not since I lived at home, way back when, have I owned a turntable. I would not even know how to make a wise stereo/Hi Fi turntable system, despite reading an occasional article; but, would love to have one and start buying vinyl. Over the years these vinyl limited releases have come and gone and now reside on eBay for Highway Robbery prices. The phrase "Missed the Boat" comes to mind!

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In reply to by daverock

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/68 yahoo

/71 is, like Doc says, not the hottest show ever. But sometimes a piece of chewing gum is ok, even though you want an entire pizza.

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This suggests otherwise to me:

Side H
1. Mexicali Blues
2. Dark Star

Side I
1. Dark Star (cont.)

Side J
1. Morning Dew
2. Beat It On Down the Line

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Winterland October 1974: The Complete Recordings

Multi-track recordings from 74 - the need is real, the time is right!

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DAVEROCK, I had to smile when you mentioned only getting 15-20 minutes per side of a vinyl L.P. I bought vinyl from 1965-2001 or so. But I started buying cds in the mid-'80's. When I finally made the (permanent) switch to cds only, I had about 4,000 L.P.'s and 2,000 45's. I can't believe that I used to get up EVERY 15-20 minutes to flip/change discs. Of course in the 70's I had a stackable turntable(so cool!!). And more than that, as a child, I had mostly 45's, so you're talking about flipping/changing discs every 3-4 minutes. It's hard to believe I did that. And of course, it was normal and therefore, did not seem like an inconvenience at all. I think maybe my one habit that would drive most of my music listening friends crazy is that for the last 10-15 years, I will play a cd ALL THE WAY through front to back. I'm not sure why, other than my OCD, but if the artist presents it like that, I assume they intended for me to hear it like that. My listening habits would drive most people crazy. But, that's the glory of, that's the story of, love(of music)!!

In case you haven't heard, Music is the Best!! Also, Bird is the Word.

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In reply to by Mr. Ones

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Not saying I'm gullible or anything..
Hendrixfreak - Dead right. My order is in, and my pockets are empty ( not quite). Much happier that way than if I'd looked and it had sold out.

Mr Ones...maybe that's why we were all so thin in the 70s, all that getting up and down changing records ! I like vinyl during the day, and cds at night/early morning, when I am more likely to drift off into the land of nod. Cd's for background, too. 3/14/90 has been playing while I made my meal, had it, and checked this site. Pretty good this second set sounds, too.

Maybe DaveRock is on to something- a mix of CDs and vinyl in your collection. The two biggest problems I have with vinyl is the cost - no chance you are going to lay out vinyl money to take a flyer on a band you may or may not like, just restrict purchases to Kind of Blue and American Beauty, etc, real desert island picks. The second one is sound, but that’s just me - I don’t have the George Martin/Brian Wilson ear for the nuance of sound, likely due to a life of concerts and music listening, but I always found the sound of CDs (on a decent system) to be great.

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Didn't set out to do this per se but got in a 74 mood and started with the February Winterland run where Jerry debuted the lick. He pulled it out on the first and second nights. That led to other selections from the year featuring the signature lick. The band ended the year as they started it with one on 10-20. All of the 74 Slipknot moments came in the midst of some serious jam material - you dig?

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Man, when I was married, briefly, 20 years ago, my wife wouldn't even go to a Red Rocks show. She referred to the music lovers as "those people."

Fast forward to the past 20 years and, for a while there, I was averaging about 8-10 major shows a year and a few bar and club bands each month. I also noticed that I had to get serious about CD storage...

And, gentlemen, here we are, making light of each other emptying our wallets to search for the sound. Kinda funny.

Vguy -- I'm probably "retired" from the big live shows because someday I'd like to "retire" for real! That said, I'll catch Tedeschi-Trucks at Red Rocks next time they play. In 2024, I'll have been going to Red Rocks for 50 years! So I gotta at least keep up that little habit. And, of course, banging the drum for further releases on this cult-like forum.

Just finished 6-19-76 while working out -- a great way to catch a full disc or so on an every-other-day basis. That early '76 jamming is almost slow-motion in a way, but supremely calculated at the same time.

It's a sunny day in Colorado and as of this Friday, I'm eligible for the vax.

"It's gotta get better in a little while..."

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Yes!

Was just listening to Winterland 2-22-74, the first show of the year. Love Jerry’s many Slipknot teases near the end of that tasty PITB.

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From a reliable source: "May 1977 - The Days Between" Includes: 5/2, 5/6, 5/10, 5/14 & 5/16

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17 years 5 months
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Good call on 5-6. God the fat biking was nice here in WI today. Woo! Springfield '77 box it up with the Capitol! Oh yeah. :-)

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...if you believe it. Long live May '77 The Days Between! Toss up between 5-6 and 5-23-24 for me. That May '77 Dancin'>Frankin's>Comes a Time. Has to be heard to be believed...

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In reply to by wilfredtjones

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I am easily entertained.

First, that Mystery Science Theater 3000 clip is a gem. Hilarious. As for May 77, The Other, Other One I am stoked that we are getting a pristine box set from a wonderful year that somehow seems to not circulate. Way to go Dave, how did you manage to keep all this so secret. Can't wait for the seaside chat on this one.

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In reply to by JimInMD

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....and they hid them for so long because they were so good?
I'm slow sometimes.
Taking my tie-dyed foil hat off in 3,2....

The pistachio "story," I mean...

But not to worry! The inmates are rattling the cage for an announcement and even Bolo -- or someone with access to Bolo's account (!) -- has arisen from the covid fog to murmur sweet (totally) nothings.

I pray DL throws us a bone before we move on to the garbanzo bean jokes....

Does anyone ever wonder just how good Garcia would have been if he didn't have to push up his glasses just before they slipped off his face twice a minute.

I think he would have been Hendrix good, just sayin'

Rock on folks, be nice to one another.

Edit: Actually, I always thought he was Hendrix good.

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In reply to by JimInMD

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On the other hand, he might have channelled his energy into learning how to throw his guitar in the air, and sometimes catching it ! Maybe he was better as he was..

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Hendrix did what any savvy chitlin' circuit showman would do when he had the chance: show those white Brits a little under-the-radar soul spastics to get the room going. Then ... they expected it. And Jimi regretted that expectation when he had finally seized the spotlight and just wanted to stand there and play great guitar like ... Jerry or Roy Buchanan or Carlos Santana or ... etc.

That's what attracted me, or one of the things that attracted me, to the GD, Roy, et al. No showiness, just the music.

Gawd, all this posting and I feel like a snack. Let's see. Oh, maybe I'll have a few chili-encrusted pistachio nuts... NOT!

Just come out and blow our minds with music, not pyrotechnics.

Circles back to the discussion a few days ago about other acts having to grab the audience’s attention at the beginning.

I never paid attention to John Mayer before he joined D&C, but I wonder if it was an adjustment for him to come out on stage and just play. He did say before that he wasn’t used to not talking to the audience.

I have a bag of Sam’s Club pistachios, they’re pistachio flavor, not chili.
How about wasabi covered pistachios?

And where’s that Box Set announcement, Dave?

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In reply to by icecrmcnkd

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I saw a funny home video of a racoon sneak up to a bowl near a front doors and eat a wasabi pea. Next the racoon was upright on its back legs while furiously brushing his jaw and mouth with both front paws as if to say ew, ew, no, no ,no!

Racoons, oh the irony, have a very Ninja like appearance too.

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Advice requested from seasoned CD orderers. I ordered this CD in late January and a few days later got an email saying congratulations, that my order had shipped, with an order number and a tracking number for UPS. But the tracking number they gave me never corresponded to anything in the UPS system. I emailed CS and they said sorry about that we will re-ship it and send a new tracking number. Then nothing. I tried following up, but nothing. I tried the priority email, and got a canned email saying they were too busy to give me a personalized response.

I'm just worried that if on their end their computer is saying that the order shipped and there is a tracking number to prove it, and there is nothing they can do about it. Covid, baby. And I'm looking at the tracking number that doesn't correspond to anything in the UPS system that this is a Mexican stand-off (can I say that?) that may never get resolved.

Is there any way to get a human that cares about this? any other ideas. If someone were to tell me I wouldn't get it for several months, but I would get it, that would be fine. Thank you for reading.

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This is an entertaining documentary:
https://www.bing.com/videos/search?q=seattle+choir+movie&docid=60800865…
It's about a Central District choir from Seattle, in one interview the manager says "Really, of all the musical talent in the Seattle Central District, this guy (referring to Jimi) is the one who made it. THIS GUY, he was a bum."

This has been a subject flogged to death, but my take.

I think you get a notice saying "shipped", when dead.net processes your order. But, the items still needs to be sent to "ups mail innovations", once the item is there UPS makes a shipping label, then UPS will ship item via some secret routing method that is know only to those who understand logistics. Eventually it will be given to the USPS, who will get it to you the next day. I also think ALL movement thru UPS stops completely on weekends.

So your stuff will get there someday, just not when one thinks a reasonable time has past.

My latest 45 was "shipped" on 2/23,,,,, tracking number is useless. USPS is still waiting for package from UPS.

Finding the same problem with "Merch Mountain". "Shipped" doesn't mean it's been "Shipped",,,,,, just the process has started!

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3 years 8 months

In reply to by Dennis

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Thank you. I know this is oft discussed, I just never experienced it before. I will refrain from suggesting how things ought to work. Managing expectations would seem to be the minimum requirement for good customer service. Best, Mark

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In reply to by Quelagh

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It just means that your name and address were entered into the computer program that prints shipping labels. It doesn’t mean that a label was actually printed, or that a printed label as actually attached to a package for shipping. It certainly doesn’t mean that your package actually shipped.

Get the UPS and USPS apps on your phone and enter the tracking number. It will probably say ‘waiting for package’, but at least when UPS gets a hold of the package you will know.
Then a few weeks later USPS might get a hold of the package, and eventually the package might arrive at your house.

Not a well-oiled machine by any stretch of the imagination. In fact, more like a broke down rusted out piece of junk.
But does Rhino/GD care?
Not at all, because they already have your money and have no motivation to send you what you have already paid for.
It’s pretty much a huge scam.
Look at how many people never received a DaP36.

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