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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • proudfoot
    Joined:
    "The Dead do what they do"

    words of wisdom from the one and only Lemmy

  • twoswans
    Joined:
    A later 68 Box Set would be a great choice

    Since David has focused on the 80’s and 90’s with Giant Stadium, and the June 76 box, and last year’s DP’s covered 77 / 74 / 84 / 87. A late 68 series would definitely be a logical choice for the next set, as the band was really beginning to open up the set list, and still being freely experimental and free form. This was a transitional period for them and at times even they didn’t even seem to know where they were headed, which made for some wonderful moments of uncertainty, which was part of what I love about “live” Dead.

  • 1stshow70878
    Joined:
    A little late to the guilty pleasures party but...

    Any early Fleetwood Mac. Pre-Buckingham/Nicks, not that I don't appreciate Lindsey's finger picking guitar work which is excellent. And although Peter Green (RIP) was a guitar god and Then Play On is the classic early F/Mac I still like the Jeremy Spencer/Danny Kirwin era even more. Bob Welch starts the guilty part I guess but he really added what they needed in the in between time. My favorite albums have to be Kiln House, Bare Trees, and Future Games. Here's a topic for discussion; Bands that had the most different line-ups. F/Mac had around eight I think counting the new Mike Campbell version. And hey, that guy's pretty good too! Cheers from sunny Colorado today.

  • hendrixfreak
    Joined:
    Setlists

    Daverock, you make an interesting point on setlist variation and non-variation. I should add that in the two cases you cite for the GD -- FW '69 and Euro '72 -- they went into those shows seeking an outcome, a live recording for commercial use. So they did play the heck out of their live standards ('69) or their new songs ('72), hoping for a useful take. They wanted to capture that DS>St Stephen>Eleven>Lovelight medley for Live/Dead so they repeated it a few times. In '72 it was Mr. Charlie, Jack Straw, Brown Eyed, Tennessee, Ramblin' Rose, etc.

    That said, how to explain that the lengthy 'new' arrangement of Playing in the Band would be played (to my delight) every show? They weren't going to release a live version of that on the heels of Bobby's solo album, but they were hot on that newly explorative structure and enjoyed getting it on every show, having recorded Ace in Jan-March '72 (I think) and released in May (Euro '72 to follow in November). They weren't going to release any Dark Stars from that '72 tour, yet they played some of the best ever versions in spring '72. And look at China-Rider, as you suggest: not only very frequently played in '72 but across their entire history (I can't cite the beginning of that medley or the end, but it had quite a run). I'd call Euro '72 setlists pretty varied but with enough repeats to get a record (and they still did some studio dubbing, their prerogative).

    I'd suggest that '68 had a very limited setlist but they could whack out any of their standards in very different ways -- kinda like the one chord structure of Viola Lee Blues. Trying improving over one chord; it opens amazing opportunities. I do recall (I think) an early Rolling Stone review (that I read years later) in which the critic said the GD live were great, but that they had a limited repertoire. I'm dead sure Garcia read that and that, in part, led him to rapidly expand the setlist in late '68, early '69, when Hunter also came on board.

    I think I had a point, but lost it along the way....... and, I'm okay with that! Hope you are, too. Now I'm just rambling with my second cup of coffee with a dollop of tequila in it.

  • daverock
    Joined:
    Stones and varied setlists

    The Stones did start varying their set lists in the latter years. In Summer 2003 they played London three times, with a different set list every night. Their best recorded screw up is on The Bridges to Buenos Aires show from 4/5/98. The band swoop into "When The Whip Comes Down" and Jagger starts singing "Respectable." No sweat, Mick acknowledges the gaff and joins the band in a heartbeat.

    In a way, the more limited the set list, the greater scope for improvisation. The February- March 1969 Fillmore West run being a case in point. It also worked really well when they played Dark Star and The Other One at every other show ( with both at Bickershaw as we all know) during the European tour of 1972-with Playing in the Band every night ( I think). Those songs, along with the also oft repeated China Cat-I Know You Rider, represent the musical highlights of that tour for me, and they benefit through being played regularly.

  • Sydney Prentice
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    Duplicated Photographs

    Yes, that's right DeadVikes, also the back page photo in the booklet is the same as the centre spread of the digipak from Dap Vol 7.
    I'm pleased with the release, looking forward to giving this a lot of plays.
    Roll on the announcement that the Box is a '69 set of concerts, after all the back of my pick shows the #169, it's does mean something or another, surely I'm right in my prediction.

  • Vguy72
    Joined:
    Stereo on....

    ....TV muted.
    It worked today. Played Ween, Beatles and Boingo in the foreground. Here's my angry face. (this is the part where you peeps imagine my angry face and say "yeah. I get it.")
    Edit to dead vikes. Yea. I noticed it but I refrained from being a spoiler.
    Edit. https://youtu.be/80dcUvmVWzM

  • JimInMD
    Joined:
    Whoops

    Snafu - so true.

    Cone Kid, - "Anyway, I’m pulling a Vguy."

    That's a crack up. The worst thing that could possibly happen might involve attorney fees, but hey.. you might just become Senator.

  • snafu
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    The GD whoops

    No question if other bands say the Stones walked the tightrope of playing a large part of their songbook they'd be messing up regularly. That said except for certain periods they were notorious for not practicing which will cause trouble.

  • icecrmcnkd
    Joined:
    Where is KCJanes?

    Today could be his day.

    Anyway, I’m pulling a Vguy.
    TV on, sound muted, GOGD playing.

    Got DaP 37 loaded on my music player today and am now playing 4-18%.
    Split the shows up into respective folders and made all necessary edits and crossfades.
    FYI, Lazy/Supplication goes after Jed, but the last ~32 seconds of Jed is tuning for Scarlet. So, that edit needs to be made.

    Super Sunday for me.
    The Red Wings won!!!

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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Dick 36,,,,, real gone :-(

Left a notify me if it comes available,,,,, ha ha ha

ebay has one,,,, sold 290

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Ive been staying on top of this release! I bought myself one copy! I am blown away by how quick that sold out! Unfortunately to a lot of scalpers im sure. I saw all these websites doing preorders before the actual company that was selling them were actually selling them, and also real gone music had it " sold out" at first glance but it had never been available, idk it all seems like marketing scams, i got myself a copy at listing price, but i had to be on it like a hawk!

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10 years 9 months
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Real Gone did email about Dick's 26 when they found another batch, and I like their 2 per customer limit, and that probably some people did abuse that and will see their order refunded. Just hope you're quick to that email. I missed that second batch of DP26 because I was checking out while riding in the back of a car in the backwoods of Florida, and just as I hit submit (after inputting my CC number one time already and submitting), I lost signal and didn't regain it for several hours at which time I lost it to someone else. I hope you get an email soon, and are able to snag one.

Really love this show, and especially glad they included the massive Folsom Field filler. (The inclusion of which raises the question of whether a potential vinyl version of DP 13 would include the hidden Scarlet Fire from 11/1/79, and whether it would be hidden, because it's 35 minutes, an entire LP!)

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Anyone else not receive their order? I'm a yearly subscriber and never received the cd's. Tried contacting and haven't had any luck.

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In reply to by InfiniteJest

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I got the email around 1pm but didn’t actually see it until around 6pm.
That’s OK because I had decided that it wasn’t a must have but that I might buy it if it didn’t sell out immediately.

It should have been limit 1.
Clearly resellers cornered the market on this one.
2-28-69 vinyl is still available (I don’t know what the production number was), so we’ll see where the resale price for DP36 vinyl is in several months.
Demand may not be as great as the resellers think.

Also, if you do want vinyl, 6-17-91 is under $75 now.

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In reply to by icecrmcnkd

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....I better pick some winning lottery numbers.
I still have all my vinyl from my 13-24 years old of being alive. There's a lot. I know me too well to dip my body in that again.
I want to visit Europe one day

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I was lucky enough to see Bunny and the Solomonic Reggaestra open for String Cheese Incident's first Red Rocks show in '99 I think. I love old Cheese and was overjoyed at being there for their backyard throwdown, but Bunny crushed it...

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And now, rockers, back to our regularly scheduled programming................

50 years ago today………………

March 3, 1971
Fillmore West, San Francisco, California

Set 1: Casey Jones-Hard To Handle-Playing In The Band-Loser-Me And Bobby McGee-Next Time You See Me-Beat It On Down The Line-Bertha

Set 2: Me And My Uncle-Truckin'>drums>The Other One>Wharf Rat-Sugar Magnolia-King Bee-Greatest Story Ever Told>Johnny B. Goode

Encore: Good Lovin'

The Dead opened and closed March with home town shows, one of which bordered on genius, while the other often fails to inspire. Let the listener decide which is which…….

Even a lesser light shines brightly on occasion, and this is no exception. There could be more grease, the Other One has its moments, and getting a Good Lovin’ encore is always nice. The original commonly circulating soundboard was sonically lacking, but the remasters released late last year are actually fairly listenable. And worth a listen they are, especially if you like the pared down, raw power of the quintet………….

Not a classic, and maybe not even “second tier”, but still…………….

Rock on!

Doc
Where we love is home - home that our feet may leave, but not our hearts……

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In reply to by InfiniteJest

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I'm hovering on this one-only due to the price. But when I think of all the money I've saved in the last year not going to gigs , and going out with friends - even buying newspapers, I think maybe I should treat myself. Again.

As to whether The Dead are best heard on vinyl or cd-that's down to all sorts of factors-not least of which is imagination. And there is nothing wrong with that. I seem play the vinyl I have bought in the last two years or so much, much more than the cds I have bought in the same time frame. Maybe because I have less of it - maybe its a throw back to the 70s. I actually like the fact that the music is separated into 15-20 minute sections per side.

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In reply to by daverock

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"But when I think of all the money I've saved in the last year not going to gigs , and going out with friends - even buying newspapers, I think maybe I should treat myself. Again."

There, in a nutshell, lies the rationalization by which I've gained the 2021 subscription, presumably the 2021 box (note: without knowing what it'll be), and selections from Dylan, Hendrix, the ABB, The Band.

Send me to the poor house, baby, but at least we rocked!

With nothing but time on my hands, I also have been looking for deals on music. I wish Real Gone Music would reproduce bonus discs too. Not since I lived at home, way back when, have I owned a turntable. I would not even know how to make a wise stereo/Hi Fi turntable system, despite reading an occasional article; but, would love to have one and start buying vinyl. Over the years these vinyl limited releases have come and gone and now reside on eBay for Highway Robbery prices. The phrase "Missed the Boat" comes to mind!

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In reply to by daverock

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/68 yahoo

/71 is, like Doc says, not the hottest show ever. But sometimes a piece of chewing gum is ok, even though you want an entire pizza.

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This suggests otherwise to me:

Side H
1. Mexicali Blues
2. Dark Star

Side I
1. Dark Star (cont.)

Side J
1. Morning Dew
2. Beat It On Down the Line

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Winterland October 1974: The Complete Recordings

Multi-track recordings from 74 - the need is real, the time is right!

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DAVEROCK, I had to smile when you mentioned only getting 15-20 minutes per side of a vinyl L.P. I bought vinyl from 1965-2001 or so. But I started buying cds in the mid-'80's. When I finally made the (permanent) switch to cds only, I had about 4,000 L.P.'s and 2,000 45's. I can't believe that I used to get up EVERY 15-20 minutes to flip/change discs. Of course in the 70's I had a stackable turntable(so cool!!). And more than that, as a child, I had mostly 45's, so you're talking about flipping/changing discs every 3-4 minutes. It's hard to believe I did that. And of course, it was normal and therefore, did not seem like an inconvenience at all. I think maybe my one habit that would drive most of my music listening friends crazy is that for the last 10-15 years, I will play a cd ALL THE WAY through front to back. I'm not sure why, other than my OCD, but if the artist presents it like that, I assume they intended for me to hear it like that. My listening habits would drive most people crazy. But, that's the glory of, that's the story of, love(of music)!!

In case you haven't heard, Music is the Best!! Also, Bird is the Word.

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In reply to by Mr. Ones

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Not saying I'm gullible or anything..
Hendrixfreak - Dead right. My order is in, and my pockets are empty ( not quite). Much happier that way than if I'd looked and it had sold out.

Mr Ones...maybe that's why we were all so thin in the 70s, all that getting up and down changing records ! I like vinyl during the day, and cds at night/early morning, when I am more likely to drift off into the land of nod. Cd's for background, too. 3/14/90 has been playing while I made my meal, had it, and checked this site. Pretty good this second set sounds, too.

Maybe DaveRock is on to something- a mix of CDs and vinyl in your collection. The two biggest problems I have with vinyl is the cost - no chance you are going to lay out vinyl money to take a flyer on a band you may or may not like, just restrict purchases to Kind of Blue and American Beauty, etc, real desert island picks. The second one is sound, but that’s just me - I don’t have the George Martin/Brian Wilson ear for the nuance of sound, likely due to a life of concerts and music listening, but I always found the sound of CDs (on a decent system) to be great.

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Didn't set out to do this per se but got in a 74 mood and started with the February Winterland run where Jerry debuted the lick. He pulled it out on the first and second nights. That led to other selections from the year featuring the signature lick. The band ended the year as they started it with one on 10-20. All of the 74 Slipknot moments came in the midst of some serious jam material - you dig?

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Man, when I was married, briefly, 20 years ago, my wife wouldn't even go to a Red Rocks show. She referred to the music lovers as "those people."

Fast forward to the past 20 years and, for a while there, I was averaging about 8-10 major shows a year and a few bar and club bands each month. I also noticed that I had to get serious about CD storage...

And, gentlemen, here we are, making light of each other emptying our wallets to search for the sound. Kinda funny.

Vguy -- I'm probably "retired" from the big live shows because someday I'd like to "retire" for real! That said, I'll catch Tedeschi-Trucks at Red Rocks next time they play. In 2024, I'll have been going to Red Rocks for 50 years! So I gotta at least keep up that little habit. And, of course, banging the drum for further releases on this cult-like forum.

Just finished 6-19-76 while working out -- a great way to catch a full disc or so on an every-other-day basis. That early '76 jamming is almost slow-motion in a way, but supremely calculated at the same time.

It's a sunny day in Colorado and as of this Friday, I'm eligible for the vax.

"It's gotta get better in a little while..."

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Yes!

Was just listening to Winterland 2-22-74, the first show of the year. Love Jerry’s many Slipknot teases near the end of that tasty PITB.

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From a reliable source: "May 1977 - The Days Between" Includes: 5/2, 5/6, 5/10, 5/14 & 5/16

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17 years 4 months
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Good call on 5-6. God the fat biking was nice here in WI today. Woo! Springfield '77 box it up with the Capitol! Oh yeah. :-)

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...if you believe it. Long live May '77 The Days Between! Toss up between 5-6 and 5-23-24 for me. That May '77 Dancin'>Frankin's>Comes a Time. Has to be heard to be believed...

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In reply to by wilfredtjones

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I am easily entertained.

First, that Mystery Science Theater 3000 clip is a gem. Hilarious. As for May 77, The Other, Other One I am stoked that we are getting a pristine box set from a wonderful year that somehow seems to not circulate. Way to go Dave, how did you manage to keep all this so secret. Can't wait for the seaside chat on this one.

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In reply to by JimInMD

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....and they hid them for so long because they were so good?
I'm slow sometimes.
Taking my tie-dyed foil hat off in 3,2....

The pistachio "story," I mean...

But not to worry! The inmates are rattling the cage for an announcement and even Bolo -- or someone with access to Bolo's account (!) -- has arisen from the covid fog to murmur sweet (totally) nothings.

I pray DL throws us a bone before we move on to the garbanzo bean jokes....

Does anyone ever wonder just how good Garcia would have been if he didn't have to push up his glasses just before they slipped off his face twice a minute.

I think he would have been Hendrix good, just sayin'

Rock on folks, be nice to one another.

Edit: Actually, I always thought he was Hendrix good.

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In reply to by JimInMD

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On the other hand, he might have channelled his energy into learning how to throw his guitar in the air, and sometimes catching it ! Maybe he was better as he was..

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Hendrix did what any savvy chitlin' circuit showman would do when he had the chance: show those white Brits a little under-the-radar soul spastics to get the room going. Then ... they expected it. And Jimi regretted that expectation when he had finally seized the spotlight and just wanted to stand there and play great guitar like ... Jerry or Roy Buchanan or Carlos Santana or ... etc.

That's what attracted me, or one of the things that attracted me, to the GD, Roy, et al. No showiness, just the music.

Gawd, all this posting and I feel like a snack. Let's see. Oh, maybe I'll have a few chili-encrusted pistachio nuts... NOT!

Just come out and blow our minds with music, not pyrotechnics.

Circles back to the discussion a few days ago about other acts having to grab the audience’s attention at the beginning.

I never paid attention to John Mayer before he joined D&C, but I wonder if it was an adjustment for him to come out on stage and just play. He did say before that he wasn’t used to not talking to the audience.

I have a bag of Sam’s Club pistachios, they’re pistachio flavor, not chili.
How about wasabi covered pistachios?

And where’s that Box Set announcement, Dave?

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In reply to by icecrmcnkd

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I saw a funny home video of a racoon sneak up to a bowl near a front doors and eat a wasabi pea. Next the racoon was upright on its back legs while furiously brushing his jaw and mouth with both front paws as if to say ew, ew, no, no ,no!

Racoons, oh the irony, have a very Ninja like appearance too.

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Advice requested from seasoned CD orderers. I ordered this CD in late January and a few days later got an email saying congratulations, that my order had shipped, with an order number and a tracking number for UPS. But the tracking number they gave me never corresponded to anything in the UPS system. I emailed CS and they said sorry about that we will re-ship it and send a new tracking number. Then nothing. I tried following up, but nothing. I tried the priority email, and got a canned email saying they were too busy to give me a personalized response.

I'm just worried that if on their end their computer is saying that the order shipped and there is a tracking number to prove it, and there is nothing they can do about it. Covid, baby. And I'm looking at the tracking number that doesn't correspond to anything in the UPS system that this is a Mexican stand-off (can I say that?) that may never get resolved.

Is there any way to get a human that cares about this? any other ideas. If someone were to tell me I wouldn't get it for several months, but I would get it, that would be fine. Thank you for reading.

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This is an entertaining documentary:
https://www.bing.com/videos/search?q=seattle+choir+movie&docid=60800865…
It's about a Central District choir from Seattle, in one interview the manager says "Really, of all the musical talent in the Seattle Central District, this guy (referring to Jimi) is the one who made it. THIS GUY, he was a bum."

This has been a subject flogged to death, but my take.

I think you get a notice saying "shipped", when dead.net processes your order. But, the items still needs to be sent to "ups mail innovations", once the item is there UPS makes a shipping label, then UPS will ship item via some secret routing method that is know only to those who understand logistics. Eventually it will be given to the USPS, who will get it to you the next day. I also think ALL movement thru UPS stops completely on weekends.

So your stuff will get there someday, just not when one thinks a reasonable time has past.

My latest 45 was "shipped" on 2/23,,,,, tracking number is useless. USPS is still waiting for package from UPS.

Finding the same problem with "Merch Mountain". "Shipped" doesn't mean it's been "Shipped",,,,,, just the process has started!

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In reply to by Dennis

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Thank you. I know this is oft discussed, I just never experienced it before. I will refrain from suggesting how things ought to work. Managing expectations would seem to be the minimum requirement for good customer service. Best, Mark

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In reply to by Quelagh

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It just means that your name and address were entered into the computer program that prints shipping labels. It doesn’t mean that a label was actually printed, or that a printed label as actually attached to a package for shipping. It certainly doesn’t mean that your package actually shipped.

Get the UPS and USPS apps on your phone and enter the tracking number. It will probably say ‘waiting for package’, but at least when UPS gets a hold of the package you will know.
Then a few weeks later USPS might get a hold of the package, and eventually the package might arrive at your house.

Not a well-oiled machine by any stretch of the imagination. In fact, more like a broke down rusted out piece of junk.
But does Rhino/GD care?
Not at all, because they already have your money and have no motivation to send you what you have already paid for.
It’s pretty much a huge scam.
Look at how many people never received a DaP36.

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Product Magento URL
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