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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • billy the kid
    Joined:
    Anniversary show. 3/19/77

    44 years ago today, I was sitting up in the balcony at Winterland watching the Dead put on a great show. Big fun! Could these 3 shows be the upcoming box set? We shall see.

  • hendrixfreak
    Joined:
    I'll say it again

    The shows/experience and the tapes are two different worlds. And there are worlds within the tapes.

    I caught 'only' about 75 shows, 1972-1992, and stopped going after '87 (3 nights at Rocks, 2 days in Telluride in one week), as I'd been intensely onboard for 15 years, from age 15 to age 30. I caught some big shows:
    Sept '72 (1)
    Summer '73 (6)
    '76-79 (a shit ton)
    every single Rocks show they played

    At least (3) Red Rocks shows actually sucked, based on the high standards set by the band elsewhere (Jersey City '72, RFK '73, Watkins soundcheck, fall '73 Nassau Coliseum (upcoming DP), Capitol Theater '76 & '77, Boston Music Hall '77, Englishtown '77, Rocks '78 & '79, '80s).

    That said, the "average" GD show tended to be a real good time. The best shows changed my life. The worst shows = the price of admission to higher planes sometimes costs more than you originally were willing to pay...

    Then there are the tapes. Some shows that might have seemed a little tame in person become these perfectly executed sets on tape. Or the wildly exuberant performances become the slightly off-the-hook tapes. Or some tapes can be explored repeatedly and reveal new things -- impossible in the moment you're experiencing them in concert.

    Quite the enigma wrapped in a tortilla within a fortune cookie and still amazing after all these years. Now a solid 50 years for me. Sort of a "What in hell just happened" spread over a 20 year period for me. Then another 30 years with the tapes. (Although we had obtained tapes when the band was still in pre-hiatus phase.)

    Okay, ready for the Box News!

  • 1stshow70878
    Joined:
    Weather Report

    Had to use that title. Probably my favorite jazz players.
    Oro: Don't think it was '03 The Dead on The Rocks. That was my last Dead related show. 25th anniversary of my first show and Phil brought up that subject saying,"How many of you were here 25 years ago?", and a huge number said YEAH!! Then he follows with one of his cornier comments, "Whoah, your grandparents must have all our albums!". Wait, we were almost grandparents by then ourselves. It was nice and warm that night, but I guess it could have been cold the next night if there were two shows. It is Colorado. We all carry an extra layer every day of the year. That was the Jimmy Herring version of The Dead. I'm an ABB fan too and LOVED it. Every song had those jazzy intros where you have lots of time to guess what song it is, then they change key and you've guessed wrong. Seems like D. & Co. still do a lot of that. Loved how Jimmy added the ABB sound to so many Dead classics. Shades of when Warren Haynes first played with ABB (also a Red Rocks show for me, maybe '90?) and I got chills hearing Duane speak through Warren's guitar. Oh yeah, we got a Mason's Children that night too! Bonus! Cheers all!

  • Oroborous
    Joined:
    Good Day Sunshine!

    DMCVT: sounds idyllic!...cool band, nice vibe..

    PF: 😁 unfortunately I have to use the skip button more and more as years go by on certain songs,...but, then sometimes, still get shown that light...

    NAPPY 😁

    VGUY: NICE! Congrats on the twofer! Any side affects?

    HF: congratulations! Lol

    DOC/Augusta: wasn’t at Augusta, but those were exactly the kind of places we were looking for to freak freely as years blew by and the scene got crazy. Partially why we stopped going as much. Instead of those places they were doing huge blocks at the same big venues in the same big nasty cities etc...

    DENNIS: I think the breaks/timing, and even the set list of 7/4/86 was influenced by the Farm Aid live time slot they had to work with. But yeah it was nice, they played CR&S as it started raining, but the big synchronicity/psychedelic moment I recall was during Fire just as JG was peaking out, aaaaa, and so were we lol, all of a sudden the clouds parted just enough for this little shaft of sunshine to shine on him as if it was a follow spot. Can’t tell so much on the video, but I recall that one fondly, like WHOOOAAAA, “how do they do that” lol.
    Saw many of those over the years, enough to not be just coincidence, though one of my favorites, or the one I remember most lol, was the big storm at 3/30/95. I still think they some what staged it. Yeah there was obviously a big storm, but I recall them kinda waiting around on stage and Robbie Taylor was on the radio, and they were sorta looking out at the top/back of the stadium, so I’m thinking with the weather station they had at outdoor shows, they saw the front coming rapidly, so sent someone out front with a radio and told Robbie when that sucker was just about to hit the stadium and then as if on cue by the gods themselves “Raaaaiiiinn, I feel fine”...pretty fuggin cool!
    Didn’t have the pleasure of seeing the GD at Red Rocks but saw several Dead, Furthur etc shows there, and yeah, that place always has cool weather moments. HF, what was the one, I’m guessing the Dead around 03, 04, where it got all misty (like you could barely see and the lights were awesome etc) and pretty cold and the band rose above the diversity as only they could do! Perhaps some trippy Beatles and/or a that Miles tune they were doing? Maybe it was Phil and friends? Definetly a top weather show for this kid Whatever, cool place that awesome stuff happened at frequently. .

  • proudfoot
    Joined:
    gotta hear that Augusta again

    I am currently doing 3/18/71

    and then will do 7/19/74

  • proudfoot
    Joined:
    how did they do that

    a question I have always wanted to ask any band member...how did they keep their composure during the REALLY intense shows?

    There have been and are and will be times when things are so intense that I crawl out of my skin. They are making things happen...how do they keep it together?

  • Forensicdoceleven
    Joined:
    Maine out of season is unmistakably a great destination.....

    October 12, 1984, Augusta Maine

    Way down east. Excellent psychedelics. Maybe 20-30 feet back, dead center. No sardine effect, room to breathe and move around.

    OMG how did the Dead do that? We didn't think the Dead were capable of playing like that any more. Second life-changing Dead show (first was Providence in 1974).

    We spent the next 10+ years chasing Augusta. We never caught up to it again.........

    Doc
    Day off Friday

  • hendrixfreak
    Joined:
    Amazing Lightning...

    How do WE do that, the band asked itself.

    Early '80s at Red Rocks, we're up maybe 20 rows with a full view of Denver as a storm descends on downtown, not us.

    Big flash of lightning in the distance while the band jammed away, oblivious. Crowd collectively, audibly, goes oooooh!

    I see Bobby shoot Jerry a look: damn, we're good, aint' we, and the crowd knows it....

    EDIT: Ding, ding, ding: my first triple post! Dang, ain't I good.

  • hendrixfreak
    Joined:
    Amazing Lightning...

    How do WE do that, the band asked itself.

    Early '80s at Red Rocks, we're up maybe 20 rows with a full view of Denver as a storm descends on downtown, not us.

    Big flash of lightning in the distance while the band jammed away, oblivious. Crowd collectively, audibly, goes oooooh!

    I see Bobby shoot Jerry a look: damn, we're good, aint' we, and the crowd knows it....

  • hendrixfreak
    Joined:
    Amazing Lightning...

    How do WE do that, the band asked itself.

    Early '80s at Red Rocks, we're up maybe 20 rows with a full view of Denver as a storm descends on downtown, not us.

    Big flash of lightning in the distance while the band jammed away, oblivious. Crowd collectively, audibly, goes oooooh!

    I see Bobby shoot Jerry a look: damn, we're good, aint' we, and the crowd knows it....

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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Dick 36,,,,, real gone :-(

Left a notify me if it comes available,,,,, ha ha ha

ebay has one,,,, sold 290

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Ive been staying on top of this release! I bought myself one copy! I am blown away by how quick that sold out! Unfortunately to a lot of scalpers im sure. I saw all these websites doing preorders before the actual company that was selling them were actually selling them, and also real gone music had it " sold out" at first glance but it had never been available, idk it all seems like marketing scams, i got myself a copy at listing price, but i had to be on it like a hawk!

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Real Gone did email about Dick's 26 when they found another batch, and I like their 2 per customer limit, and that probably some people did abuse that and will see their order refunded. Just hope you're quick to that email. I missed that second batch of DP26 because I was checking out while riding in the back of a car in the backwoods of Florida, and just as I hit submit (after inputting my CC number one time already and submitting), I lost signal and didn't regain it for several hours at which time I lost it to someone else. I hope you get an email soon, and are able to snag one.

Really love this show, and especially glad they included the massive Folsom Field filler. (The inclusion of which raises the question of whether a potential vinyl version of DP 13 would include the hidden Scarlet Fire from 11/1/79, and whether it would be hidden, because it's 35 minutes, an entire LP!)

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Anyone else not receive their order? I'm a yearly subscriber and never received the cd's. Tried contacting and haven't had any luck.

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In reply to by InfiniteJest

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I got the email around 1pm but didn’t actually see it until around 6pm.
That’s OK because I had decided that it wasn’t a must have but that I might buy it if it didn’t sell out immediately.

It should have been limit 1.
Clearly resellers cornered the market on this one.
2-28-69 vinyl is still available (I don’t know what the production number was), so we’ll see where the resale price for DP36 vinyl is in several months.
Demand may not be as great as the resellers think.

Also, if you do want vinyl, 6-17-91 is under $75 now.

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In reply to by icecrmcnkd

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....I better pick some winning lottery numbers.
I still have all my vinyl from my 13-24 years old of being alive. There's a lot. I know me too well to dip my body in that again.
I want to visit Europe one day

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I was lucky enough to see Bunny and the Solomonic Reggaestra open for String Cheese Incident's first Red Rocks show in '99 I think. I love old Cheese and was overjoyed at being there for their backyard throwdown, but Bunny crushed it...

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And now, rockers, back to our regularly scheduled programming................

50 years ago today………………

March 3, 1971
Fillmore West, San Francisco, California

Set 1: Casey Jones-Hard To Handle-Playing In The Band-Loser-Me And Bobby McGee-Next Time You See Me-Beat It On Down The Line-Bertha

Set 2: Me And My Uncle-Truckin'>drums>The Other One>Wharf Rat-Sugar Magnolia-King Bee-Greatest Story Ever Told>Johnny B. Goode

Encore: Good Lovin'

The Dead opened and closed March with home town shows, one of which bordered on genius, while the other often fails to inspire. Let the listener decide which is which…….

Even a lesser light shines brightly on occasion, and this is no exception. There could be more grease, the Other One has its moments, and getting a Good Lovin’ encore is always nice. The original commonly circulating soundboard was sonically lacking, but the remasters released late last year are actually fairly listenable. And worth a listen they are, especially if you like the pared down, raw power of the quintet………….

Not a classic, and maybe not even “second tier”, but still…………….

Rock on!

Doc
Where we love is home - home that our feet may leave, but not our hearts……

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In reply to by InfiniteJest

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I'm hovering on this one-only due to the price. But when I think of all the money I've saved in the last year not going to gigs , and going out with friends - even buying newspapers, I think maybe I should treat myself. Again.

As to whether The Dead are best heard on vinyl or cd-that's down to all sorts of factors-not least of which is imagination. And there is nothing wrong with that. I seem play the vinyl I have bought in the last two years or so much, much more than the cds I have bought in the same time frame. Maybe because I have less of it - maybe its a throw back to the 70s. I actually like the fact that the music is separated into 15-20 minute sections per side.

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In reply to by daverock

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"But when I think of all the money I've saved in the last year not going to gigs , and going out with friends - even buying newspapers, I think maybe I should treat myself. Again."

There, in a nutshell, lies the rationalization by which I've gained the 2021 subscription, presumably the 2021 box (note: without knowing what it'll be), and selections from Dylan, Hendrix, the ABB, The Band.

Send me to the poor house, baby, but at least we rocked!

With nothing but time on my hands, I also have been looking for deals on music. I wish Real Gone Music would reproduce bonus discs too. Not since I lived at home, way back when, have I owned a turntable. I would not even know how to make a wise stereo/Hi Fi turntable system, despite reading an occasional article; but, would love to have one and start buying vinyl. Over the years these vinyl limited releases have come and gone and now reside on eBay for Highway Robbery prices. The phrase "Missed the Boat" comes to mind!

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In reply to by daverock

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/68 yahoo

/71 is, like Doc says, not the hottest show ever. But sometimes a piece of chewing gum is ok, even though you want an entire pizza.

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This suggests otherwise to me:

Side H
1. Mexicali Blues
2. Dark Star

Side I
1. Dark Star (cont.)

Side J
1. Morning Dew
2. Beat It On Down the Line

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Winterland October 1974: The Complete Recordings

Multi-track recordings from 74 - the need is real, the time is right!

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DAVEROCK, I had to smile when you mentioned only getting 15-20 minutes per side of a vinyl L.P. I bought vinyl from 1965-2001 or so. But I started buying cds in the mid-'80's. When I finally made the (permanent) switch to cds only, I had about 4,000 L.P.'s and 2,000 45's. I can't believe that I used to get up EVERY 15-20 minutes to flip/change discs. Of course in the 70's I had a stackable turntable(so cool!!). And more than that, as a child, I had mostly 45's, so you're talking about flipping/changing discs every 3-4 minutes. It's hard to believe I did that. And of course, it was normal and therefore, did not seem like an inconvenience at all. I think maybe my one habit that would drive most of my music listening friends crazy is that for the last 10-15 years, I will play a cd ALL THE WAY through front to back. I'm not sure why, other than my OCD, but if the artist presents it like that, I assume they intended for me to hear it like that. My listening habits would drive most people crazy. But, that's the glory of, that's the story of, love(of music)!!

In case you haven't heard, Music is the Best!! Also, Bird is the Word.

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In reply to by Mr. Ones

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Not saying I'm gullible or anything..
Hendrixfreak - Dead right. My order is in, and my pockets are empty ( not quite). Much happier that way than if I'd looked and it had sold out.

Mr Ones...maybe that's why we were all so thin in the 70s, all that getting up and down changing records ! I like vinyl during the day, and cds at night/early morning, when I am more likely to drift off into the land of nod. Cd's for background, too. 3/14/90 has been playing while I made my meal, had it, and checked this site. Pretty good this second set sounds, too.

Maybe DaveRock is on to something- a mix of CDs and vinyl in your collection. The two biggest problems I have with vinyl is the cost - no chance you are going to lay out vinyl money to take a flyer on a band you may or may not like, just restrict purchases to Kind of Blue and American Beauty, etc, real desert island picks. The second one is sound, but that’s just me - I don’t have the George Martin/Brian Wilson ear for the nuance of sound, likely due to a life of concerts and music listening, but I always found the sound of CDs (on a decent system) to be great.

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Didn't set out to do this per se but got in a 74 mood and started with the February Winterland run where Jerry debuted the lick. He pulled it out on the first and second nights. That led to other selections from the year featuring the signature lick. The band ended the year as they started it with one on 10-20. All of the 74 Slipknot moments came in the midst of some serious jam material - you dig?

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Man, when I was married, briefly, 20 years ago, my wife wouldn't even go to a Red Rocks show. She referred to the music lovers as "those people."

Fast forward to the past 20 years and, for a while there, I was averaging about 8-10 major shows a year and a few bar and club bands each month. I also noticed that I had to get serious about CD storage...

And, gentlemen, here we are, making light of each other emptying our wallets to search for the sound. Kinda funny.

Vguy -- I'm probably "retired" from the big live shows because someday I'd like to "retire" for real! That said, I'll catch Tedeschi-Trucks at Red Rocks next time they play. In 2024, I'll have been going to Red Rocks for 50 years! So I gotta at least keep up that little habit. And, of course, banging the drum for further releases on this cult-like forum.

Just finished 6-19-76 while working out -- a great way to catch a full disc or so on an every-other-day basis. That early '76 jamming is almost slow-motion in a way, but supremely calculated at the same time.

It's a sunny day in Colorado and as of this Friday, I'm eligible for the vax.

"It's gotta get better in a little while..."

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Yes!

Was just listening to Winterland 2-22-74, the first show of the year. Love Jerry’s many Slipknot teases near the end of that tasty PITB.

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From a reliable source: "May 1977 - The Days Between" Includes: 5/2, 5/6, 5/10, 5/14 & 5/16

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Good call on 5-6. God the fat biking was nice here in WI today. Woo! Springfield '77 box it up with the Capitol! Oh yeah. :-)

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...if you believe it. Long live May '77 The Days Between! Toss up between 5-6 and 5-23-24 for me. That May '77 Dancin'>Frankin's>Comes a Time. Has to be heard to be believed...

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In reply to by wilfredtjones

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I am easily entertained.

First, that Mystery Science Theater 3000 clip is a gem. Hilarious. As for May 77, The Other, Other One I am stoked that we are getting a pristine box set from a wonderful year that somehow seems to not circulate. Way to go Dave, how did you manage to keep all this so secret. Can't wait for the seaside chat on this one.

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In reply to by JimInMD

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....and they hid them for so long because they were so good?
I'm slow sometimes.
Taking my tie-dyed foil hat off in 3,2....

The pistachio "story," I mean...

But not to worry! The inmates are rattling the cage for an announcement and even Bolo -- or someone with access to Bolo's account (!) -- has arisen from the covid fog to murmur sweet (totally) nothings.

I pray DL throws us a bone before we move on to the garbanzo bean jokes....

Does anyone ever wonder just how good Garcia would have been if he didn't have to push up his glasses just before they slipped off his face twice a minute.

I think he would have been Hendrix good, just sayin'

Rock on folks, be nice to one another.

Edit: Actually, I always thought he was Hendrix good.

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In reply to by JimInMD

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On the other hand, he might have channelled his energy into learning how to throw his guitar in the air, and sometimes catching it ! Maybe he was better as he was..

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Hendrix did what any savvy chitlin' circuit showman would do when he had the chance: show those white Brits a little under-the-radar soul spastics to get the room going. Then ... they expected it. And Jimi regretted that expectation when he had finally seized the spotlight and just wanted to stand there and play great guitar like ... Jerry or Roy Buchanan or Carlos Santana or ... etc.

That's what attracted me, or one of the things that attracted me, to the GD, Roy, et al. No showiness, just the music.

Gawd, all this posting and I feel like a snack. Let's see. Oh, maybe I'll have a few chili-encrusted pistachio nuts... NOT!

Just come out and blow our minds with music, not pyrotechnics.

Circles back to the discussion a few days ago about other acts having to grab the audience’s attention at the beginning.

I never paid attention to John Mayer before he joined D&C, but I wonder if it was an adjustment for him to come out on stage and just play. He did say before that he wasn’t used to not talking to the audience.

I have a bag of Sam’s Club pistachios, they’re pistachio flavor, not chili.
How about wasabi covered pistachios?

And where’s that Box Set announcement, Dave?

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In reply to by icecrmcnkd

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I saw a funny home video of a racoon sneak up to a bowl near a front doors and eat a wasabi pea. Next the racoon was upright on its back legs while furiously brushing his jaw and mouth with both front paws as if to say ew, ew, no, no ,no!

Racoons, oh the irony, have a very Ninja like appearance too.

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Advice requested from seasoned CD orderers. I ordered this CD in late January and a few days later got an email saying congratulations, that my order had shipped, with an order number and a tracking number for UPS. But the tracking number they gave me never corresponded to anything in the UPS system. I emailed CS and they said sorry about that we will re-ship it and send a new tracking number. Then nothing. I tried following up, but nothing. I tried the priority email, and got a canned email saying they were too busy to give me a personalized response.

I'm just worried that if on their end their computer is saying that the order shipped and there is a tracking number to prove it, and there is nothing they can do about it. Covid, baby. And I'm looking at the tracking number that doesn't correspond to anything in the UPS system that this is a Mexican stand-off (can I say that?) that may never get resolved.

Is there any way to get a human that cares about this? any other ideas. If someone were to tell me I wouldn't get it for several months, but I would get it, that would be fine. Thank you for reading.

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This is an entertaining documentary:
https://www.bing.com/videos/search?q=seattle+choir+movie&docid=60800865…
It's about a Central District choir from Seattle, in one interview the manager says "Really, of all the musical talent in the Seattle Central District, this guy (referring to Jimi) is the one who made it. THIS GUY, he was a bum."

This has been a subject flogged to death, but my take.

I think you get a notice saying "shipped", when dead.net processes your order. But, the items still needs to be sent to "ups mail innovations", once the item is there UPS makes a shipping label, then UPS will ship item via some secret routing method that is know only to those who understand logistics. Eventually it will be given to the USPS, who will get it to you the next day. I also think ALL movement thru UPS stops completely on weekends.

So your stuff will get there someday, just not when one thinks a reasonable time has past.

My latest 45 was "shipped" on 2/23,,,,, tracking number is useless. USPS is still waiting for package from UPS.

Finding the same problem with "Merch Mountain". "Shipped" doesn't mean it's been "Shipped",,,,,, just the process has started!

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3 years 8 months

In reply to by Dennis

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Thank you. I know this is oft discussed, I just never experienced it before. I will refrain from suggesting how things ought to work. Managing expectations would seem to be the minimum requirement for good customer service. Best, Mark

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In reply to by Quelagh

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It just means that your name and address were entered into the computer program that prints shipping labels. It doesn’t mean that a label was actually printed, or that a printed label as actually attached to a package for shipping. It certainly doesn’t mean that your package actually shipped.

Get the UPS and USPS apps on your phone and enter the tracking number. It will probably say ‘waiting for package’, but at least when UPS gets a hold of the package you will know.
Then a few weeks later USPS might get a hold of the package, and eventually the package might arrive at your house.

Not a well-oiled machine by any stretch of the imagination. In fact, more like a broke down rusted out piece of junk.
But does Rhino/GD care?
Not at all, because they already have your money and have no motivation to send you what you have already paid for.
It’s pretty much a huge scam.
Look at how many people never received a DaP36.

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