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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3251
    Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • #3252
    JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • #3253
    DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • #3254
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3255
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3256
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3257
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

  • #3258
    rockthing
    Joined:
    > JimInMD
    "5/12/91 for…

    > JimInMD

    "5/12/91 for Tomorrow?" Sounds good.

    Just a few last impressions from 11/18/78

    The instrument/voice balance is definitely much better by It's All Over Now.

    I think the thing that seems unusual about the Scarlet/Fire, other than the clean cut which may be a result of the Archive's streaming system. There's always a short loading gap between songs.

    I was thinking that the jam at the end of Scarlet Begonias seems especially sparse, and then I started wondering where Phil was? There isn't a whole lot of deep bass in this recording, so that may be it. Not sure. I like Donna's off mic reaction to some strange noise that Bobby (presumably) made by accident. ...Ah, I got to the Fire patch. That's the cut that was mentioned. It sometimes feels a touch lackadaisical, but that sort of thing suits the transition into Fire.

    Miracle is ON, right out of the gate. No teething problems with this one. Just struck me that it sounds like Jerry's already using some kind of distortion/fuzz effect on his guitar here. I'm a bit of a gear nut. I'm gonna hafta look into that.

    Dayum. This Other One is waaay out there. Love it! The drummers totally running with it, complimenting the gooey, stretched out psychedelicized sense of time created by the guitarists with a frenzied lysergic background buzz. Still pre-Beast if I recall correctly, but plenty to keep the Rhythm Devils busy... and busy they are. Did someone say, "Go man."? "I knew you were about to come on."? This really is the beauty of the board tapes. Occasionally you get a glimpse into the verbal communication that goes on between band members. They're always talking to one another a lot more than I used to imagine. It wasn't till I started watching how much conducting Phil used to do that this aspect of their playing became evident. Things changed a lot when Phil started taking a less active role in the spontaneous orchestration during shows, I suppose.

    Ollin Arageed, what a nice treat. A little hold over from the Egyptian Vacation. 12/19 is the only post Egypt '78 show I've got in my library, and sadly I couldn't tell you anything about it right now. From there it's to the Godchaux's farewell show, and then Brent's debut or somewhere thereabouts. Again, thank you for filling in this rather sparse zone in my listening experience.

    The word I keep coming back to while listening to this show is "beautiful". I was about to use it again to describe the Wharf Rat. Keith is doing some really nice fill-in stuff between the vocals here. Certainly a sight better than his contribution at Giza (yikes!). .... oops... everybody completely missed Billy's cue to start the ending there. LOL. Oh, well. Carry on lads. :P

    Love how the transition to Sugar Mag thoroughly cross fades. That's brilliant how they kept a bit of Wharf Rat alive while slowly letting Sugar Magnolia develop. A lot of times Jer'll drop the intro of the next song and the others just stop what they're doing immediately for a couple bars instead of letting the songs blend. Sometimes it feels forced when Jerry does it that way, but this one is just about perfect, for my ears.

    One More Saturday Night was one of the more predictable Dead tunes, and I reckon if you were on tour it probably got kind of repetitive, but from a song-writing point of view, IMO this is one of Bob's best songs. It's the kind of built-to-be-a-show-stopper that I wish I could write someday.

    Ok, fast-forward a decade or so to 1991!

  • #3259
    JimInMD
    Joined:
    5/12/91 for Tomorrow?

    I haven't heard this one.. but I believe the run was well recorded.

  • #3260
    rockthing
    Joined:
    Sneakin' in one last Uptown Toodeloo

    Had a chance to stream the Miller sbd last night when I got home, but exhaustion prevented me from hearing it to the end. Early on the recording is so vocal heavy that I can barely make out what the band is doing without riding the volume control.

    Me and My Uncle is in full disco mode. When was it that Bobby introduced it as a Polka? Was that before or after this? I'm confused. At any rate, it sure ain't a Polka here. I like these Rhinestone Cowboy versions, perhaps knowing that they aren't forever.

    There were several comments about song placement, and that El Passo following Sugaree, and there having already been an Uncle > River seems a bit odd, but they had not yet settled into the one cowboy couplet per set routine yet, had they?

    It's All Over Now in the first set, though. That feels odd.

    From the Heart of Me is so beautifully done. I recall Jerry doing lots of really fast runs between vocal lines, but was not taking notes. This is a real gem.

    By the time Music Never Stopped rolled around, I realized that the mix seemed to have been brought to balance between the vocals and other instruments. From the Heart of Me had also benefited from an improvement in this area. Music Never Stopped, though. Wow. This is where the show really gets started. I think someone else already mentioned that. The whole first set is superbly played, but as became the norm the first set closer serves as a precursor to the second set with some nice group improv. Definitely wanna go back to check this out again.

    The Scarlet/Fire second set opener picks up right where TMNS left off. This is another track I want to return to. There seemed to be a somewhat different quality to this one, but at the moment I can't put my finger on it. Another highlight, but it's rare that this pairing is not a highlight.

    The early second set Miracle is definitely another interesting set choice, as pretty much everyone already said. I kept an ear out for the ending jam that was mentioned, and yes, why was there never more of that? I suppose once it settled into its post-space rave-up role, there wasn't much left on the table to fool around with.

    From this point on, I was drawn into the darkness of sleep. I think I'll restart this at It's All Over Now tomorrow and listen to the end again. The recording balance seemed to have improved by the end of the first set, and I missed the whole finale.

    Thanks for another interesting recommendation!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by JimInMD on Sun, 02/28/2021 - 21:19

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..and so ends a great winter. We are at flood stage and water is just now beginning to creep into the basement (largely cement). With perhaps a three to four foot base in the high country and 50 degrees, we got three inches of rain today and another inch in store before 8 am. Water is just beginning to enter the basement. It's officially a flash flood.

It's going to be a long night.. not that this is terribly unusual.. but always unnerving. Protect vehicle's, the big TV, computer eqpt and the sound system.

So what are the best GD flood songs? The Mighty Flood>Black Snake from 4/18/70 comes to mind.

And so the fun begins and the transition from winter to spring sports. I say who needs sleep anyway...

I do love rain and flood songs and train and railroad songs. It's baked into my being. Perhaps that will drive the pick of the day as much or more than the calendar. But I'm not picky.. so long as it;s good and hopefully GD or at the very least the JGB.

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Submitted by billy the kid on Sun, 02/28/2021 - 23:28

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I wish we could have some of your rain, we have only had a little over 3 inches, we are supposed to have at least 18 inches a year, we are in a terrible drought. I'm afraid the fire danger this year will be extremely high.

Its not by, or covered by The Dead, but "Tupelo" by John Lee Hooker is an amazing flood song. "When The Levee Breaks" by Memphis Minnie-and Led Zeppelin - is also a corker.

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Submitted by JimInMD on Mon, 03/01/2021 - 05:24

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Sending some rain your way.

I only saw the GD twice after 1991, I was simply too busy in that period of my life.. the last show I saw was the rain show. I think 80s fan and a couple others here might have attended too. 6/30/95 Three Rivers Stadium Pittsburgh. Their seventh to the last.

To open the second set:

Set 2:
Rain
Box Of Rain
Samba In The Rain
Looks Like Rain
Terrapin Station
Rhythm Devils

It was fun, not their best. Little did I know Jerry would be dead in less than two months. I wish I had seen more shows but I am content with the ones I did get to see.

Have a great week all.

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Submitted by The Good Ole G… on Mon, 03/01/2021 - 08:34

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Couldn't think of anything clever for my subject line.

6/30/95 might have to dust that off.
I remember in around '97ish my roomate telling me about that show and since I hadn't followed what the Dead were up to throughout most of the '90s, I was pretty interested in hearing their version of Rain as well as the "new songs" that he mentioned.

He talked about how they played Corrina at every show he saw, and I asked, what's that?
He put one on.
I was not overly impressed at what I was hearing.
I didn't dig into collecting 90s dead for quite awhile after that.

Funny.

Dead Air played a sweet upgrade to 9/11 & 9/12/73 last night.
It was kicking my ass.

And.. I stumbled on this today which is a really decent interview piece with Garcia & Weir if you haven't heard it:
https://archive.org/details/gd1981-00-00.interview.90795.flac16

So whose got a pick or are we gonna listen to the Rain show in honor of Jim?

Jim I hope the basement flooding doesn't get worse.

Monday... I'm def dragging my feet.

...It is then. At, but haven’t heard since...
then perhaps I’ll get to that 10/18/72 GOGD rated so highly.

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Submitted by The Good Ole G… on Mon, 03/01/2021 - 09:33

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Far out, I'll cue it up after this obligatory journey through 3/1/69 which is soooooo good.

And I will not compare the two.

OB - Prepare yourself to have your mind blown!! (I can't recall the quality of Pre-China Cat tunes, but man everything from China Cat on rules).

EDIT - I believe this is the first '95 POTD. I know we've talked about '95 but no "official" picks until today.

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Submitted by billy the kid on Mon, 03/01/2021 - 10:32

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What a show! I put this one on my Mt Rushmore of Grateful Dead shows. But what are the other shows that go there ?

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Submitted by The Good Ole G… on Mon, 03/01/2021 - 10:55

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BTK - The other 3 are Epic too! ;)

Jerry really nails it when he said if you put Aoxomoxoa & Live Dead together it gives you a vision of what we were doing at the time.

I add to that, if you put Aoxomoxoa 50th, plus Fillmore West '69 box, Live Dead & 2/11/69 FE together you get a view of what the band was really up to in early '69.

What a cool time for the band.

They'd passed through the late '68 turmoil in the band and Weir & Pigpen had managed to hang on and the band was going furthur.

Great Stuff!

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Submitted by gratefulgerd on Mon, 03/01/2021 - 11:43

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he was on duty, all the time.
he had the ability to look behind the mirror.
Great personality, sharp minded, he could analyse what's behind the scene.

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Submitted by billy the kid on Mon, 03/01/2021 - 12:51

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There is a quote on the Archive from Dick Latvala, "The best and the most exciting Grateful Dead show ever is without a doubt 2/28/69 Fillmore West". I dig this whole run myself, and 3/1/69 is my favorite, but I believe that all 4 of these shows could be placed on the Mt. Rushmore of greatest Dead shows ever. You would have to carve two more heads for 5/2/70 and 2/14/68.

Crested and beginning to drop. I should have given a full discloser, that Pitt show has some Jerry issues.. still, my last show. Since I have already absorbed what I can from that one.. I might follow BTK's lead and check out 3/1/69. Hope that doesn't offend anyone. I have to agree, if there is a run of shows that has more ferocity and focus than that run, I like to meet it and hang out with it for a while.

Cheers all.. the river is dropping and my pumps did their job. One one minor fiasco, but I did not take a big hit and this one is beginning to be in the rear view mirror.

Man.. I want to get vaccinated.. that would be grand. Setting the dials for 3/1/69 and cracking open a well earned beverage.

Good news.

I don’t have a flood song for you, but how about
River Deep, Mountain High by Burdon/Animals.

I saw a Take Me To The River in Memphis ‘95.

Good joke Vguy.

“It’s gold Jerry, it’s gold.”

Drums/Space in the latter years was usually quite good, and with a nice trippy light show.
And if you pee’d during the pre-Drums Vince song you got to then sit through all of D/S.

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Submitted by bob t on Mon, 03/01/2021 - 20:22

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I know it is not the pick of the day, or Grateful Dead but Wow!!! Haven't listened in a while... To quote Weird Science.... "Crazy.... Insane!!!" What a great Knockin on Heaven's Door and Stir it Up..... Volume 7 CD release... if that mean's anything.. Bob t

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Submitted by billy the kid on Mon, 03/01/2021 - 22:54

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It's to bad Bolo didn't find himself at the corner of Sutter & Vaness., but there certainly is some gold left at Post & Stiener.

Looking at Road Trips 4.2 which includes all of April 1, 1988, and part of March 31, 1988. I think this is a solid release.

Ler us know.

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Submitted by The Good Ole G… on Tue, 03/02/2021 - 07:00

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On the jingle-bell rainbow.

Wonder if proud walkers are where white walkers came from?

That George, he's a hoot. I think he dug Robert.
Did those two ever meet... hmmm.

April Fools & Jerry Band sounds fun!

PS - Dug that 6/30/95 show, one of the better shows of that year I would say.
Band sounding like they were enjoying themselves, and the crowd definitely sounded that way.
Far out.

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Submitted by JimInMD on Tue, 03/02/2021 - 07:57

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Good choices Bob and DVikes. I haven't listened to either in years. When I see Mission in the Rain or To Lay Me Down on a setlist, my ears perk up.

I like the artwork on Road Trips 4.2 and there's some interesting songs on those CDs. Ballad of a Thin Man, To Lay Me Down, a good Scarlet Fire, Estimated Eyes.. China Rider, Other One Wharf Rat.. and for good measure it's got a Cumberland.

Happy to see some palate cleansing Garcia Band too!

6/30/95: even better than I remember. I remember on the drive home we thought it had been worth the ten hour R/T drive time, and all enjoyed it, especially because of all the Rain. It was one of those you had to be there. Remember thinking “what are they doing up there” as they seemed to be waiting around with Robbie Taylor on the 2-way radio etc. I still think that between the radar weather station they had at those big outdoor shows, and they had someone out front of the stadium, and the band was waiting for the signal that the front had arrived, like they synchronized with the weather, because you couldn’t have choreographed that better if you were Bob Fosse!
It was a fun show especially due to the adversity, which the band rose above.
Unfortunately the recordings do seem to suck, but no so bad I didn’t enjoy the listen.
So onto 88 today...

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Submitted by Vguy72 on Tue, 03/02/2021 - 10:56

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....solid release. Except for the Watchtower on 3.31. It's pretty bad. Skip button territory.

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Submitted by Oroborous on Tue, 03/02/2021 - 12:08

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What VGUY said.
Your not Bob, Bob...

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Submitted by DeadVikes on Tue, 03/02/2021 - 21:23

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Have always loved this release and it reminds me of my youth. Ballad of a Thin Man never gets old and I wish they played it more than this show and the other gem from Hampton on 3/27/88.
I know this is a Healy recording but I don't think they ever revealed the source. Was this a Dat cassette? Sound quality is really good and would love to have some other 88 releases to compare it. Not sure when we will get another 1988 release. I liked this year, not as good as 1989, but there were some great shows. The four Alpine shows were a blast, of course I was a 17 year old hoping the train would keep rolling. It sure did for a while!

Bring on the next box release!

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Submitted by bob t on Wed, 03/03/2021 - 04:38

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I know zero about this show...sound board on archive... Opens with a Sugaree.... that's about all I can say. Bob t

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Submitted by bluecrow on Wed, 03/03/2021 - 07:23

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Thanks for shining a light on this DV. Been a long while. Great playing and a solid balanced recording by Healy (head and shoulders above most of his work in Spring '87). Really enjoying this listen (quite the raging Other One). Saw the shows in Hampton just prior (as did several others here.) After first night hanging with a dozen folks in motel room and Katie(?- name a little fuzzy 30+ years later) asks the room "What song would you like them to break out tomorrow night?" My choice was To Lay Me Down. Opening notes that night and I'm like OMG and I remember glancing down the row and there's Katie looking right back at me with this big smile on her face. Earlier in the set they played that first Thin Man and that was a crackling Holy Crap moment in itself. Such a powerful run of shows and other than a couple of shows in Pittsburgh my only shows in the East. Glad I got to experience Spaceship Hampton in person - thank you Grateful Dead ticket mail order!
12/28/78 is terra incognita for me also.
I've got a pick for tomorrow if I can beat you early risers!

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Submitted by Oroborous on Wed, 03/03/2021 - 08:42

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12/28/78:
Some times under a rock there’s only worms,...other times there’s gold!
BobT heading into the unknown jungle without bug spray or a flash light!
That’s the spirit!
ONWARD!

4,2: nice release. Some of these RT are pretty sweet. Remember this and the 82 release really surprised me when I got them. Yaasssss a Thin Man AND a Lay Me Down, AAAAND...it’s got a Cumberland!! good times!
BLUECROW bringing back wistful memories, especially about “spaceship Hampton”....siiiiiigggghhhh! I loved that place, the place itself and all the awesome shows I was fortunate to see there,....sighhhh...
Remember being a little disappointed with the year 87. Like they were back and all, but something was missing? Those Hampton 88 shows were like a drink of fresh water, just what the doctor ordered! The boys were back...

EDIT: yeah, BC, put your order in early! That way maybe it will get delivered on time ; )

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Submitted by DeadVikes on Wed, 03/03/2021 - 08:50

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Right on. Love that 3/27/88 Hampton show and sounds like it was a blast. More 88 please.

Bluecrow, give us the pick today and we will get it going tomorrow.

Stay well. Sun is out here in MN and mid forties, yeehaw!

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Submitted by JimInMD on Wed, 03/03/2021 - 11:37

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Ditto what everyone is saying. Thanks guys for keeping this rolling. I don't make each and every show, but I try....

I am declaring to day international fun day. Hoping others feel the same.

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Submitted by bluecrow on Wed, 03/03/2021 - 14:09

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Thanks for the green light guys. How about 3-17-93 Landover for tomorrow (3/4)? If this has come up before I missed it (my apologies.) There's a nice Miller board - https://relisten.net/grateful-dead/1993/03/17?source=99608. FYI - the encore is sandwiched between set I and set II. Spoiler alert - going to mention a few of the tunes below.

Got to thinking about this show last few days. Wasn't at this show but I was surprised to find out my youngest brother was when he joined me out west August '93. I remember Gans playing Set II material on GD Hour shortly after the show and it completely floored me. Garcia plays Handsome Cabin Boy (no lyrics) out of Space (a complete OMG / I can't even...) and then after the Other One its the 3rd ever Days Between. This was my first exposure to Days Between and remember feeling like a portal had opened into another world of myth and dream, just full on spooky and haunting. And its the same to this day. A Hunter/Garcia masterpiece.

I'm not sure my brother even had a beer for this show as he was in midst of exams or some such for law school. He said the energy surge that swept through the crowd (and his body) with the opening notes of the Lucy in the Sky encore was unlike anything he had ever felt.

"Solid" show front to end. No Cumberland, alas, but its got a Desolation Row. Also, an early Lazy River Road, another of the latter songs I really dug. Plus there's a Dark Star :)

Enjoy. Onward.

12/28/78: never would of gone there otherwise, so, glad I did. Nothing mind blowing but another solid Dead show!
And another notch on the proverbial bedpost....
Was Phil Singing backups on Truckin’?

3/17/93 works for me, mañana!

This is a really good show, thanks for the pick Bob t. What did you think?

78, what a year for the Dead. Most really love, including Dave, the first half of 78. Most likely because they feel it maintains the 77 vibe. I have really never felt that based on the releases to date. Great shows, but it really doesn't stack up to 77.
For me, late August through the end of 78 is the best part of the year. The energy just feels so different after they returned from Egypt. And the release of Shakedown Street!
This show is a monster, I will definitely listen to it again soon. The Shakedown is fantastic and the late 78 Estimated Prophets were really groovy, into a short really fast Eyes. And we get a Truckin (Sounds like Phil Oroborous) and Wharf Rat. I will have to check out the previous night as well soon.

Okay, Bluecrow, on to a 93 show for tomorrow. Looking forward to checking that one out.

Thanks all, this has been a great experience.

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Submitted by Vguy72 on Wed, 03/03/2021 - 22:06

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....I will not look at the setlist.
12.28.78 has a really good Shakedown and Estimated. Love me a ❤ Of Me as well.
Edit. Whelp. I glanced over bluecrows critique. Lazy River Road you say?

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Submitted by JimInMD on Wed, 03/03/2021 - 22:15

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I look to 2021 as a year of growth. When the E72 box was released.. I listened to each show in sequence, what a blast that was.. virgin listen after blow my mind virgin listen. It was so much fun and I had never done something like this before. From there I kept the torch alive and went in sequence show by show through mid year '78 at which time I got burned out on the whole ordeal. But that journey lasted years and was to me rewarding.

With the Doc Project and the 50th aniv of the '71 shows combined with newly restored Capitol run I am hell bent on listening to '71 in sequence. No reason, just because I think it will be fun, so far so good. I will keep the pace here too, as best I can.

Peace all.

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Submitted by Strider 808808 on Thu, 03/04/2021 - 05:33

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50th anniversary’s on the days and corresponding dates.
Safari so good. Thoughts on 3/3/71 Fillmore West. Five of the new songs get their west coast debut. March 1971 was when I turned 17. I can’t say enough about how great an era for the Grateful Dead it was. Jerry played several different guitars that year. Also a few personal changes in the band formation.
Somehow the fresh vibe of that exciting year comes through in the recordings.
I need to read Docs work about 1971.

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Submitted by The Good Ole G… on Thu, 03/04/2021 - 08:06

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Gonna Wave To The Curious People's in the Pick Of The Day Forum :)

Good stuff you all!

'88 Hampton sounds dope, and calling TLMD.. nice work BlueCrow.
The 3 nights I spent at Hampton were awesome, have loved that place ever since.
Energy Vortex!

12/28/78 was fun and I agree with DeadVikes observation about the band after Egypt.
I love set 2 of 12/30/78 at the Pauley.. that show rocks!
And then we all know what happens the next night, wow.

And then there's 1971, in which young Strider began to really cut his teeth on this here band.
Another big Wow.
Jim let us know how that '71 journey goes, that's dead-i-cation.
With a thirty year archive of music and the constant upgrades and releases, I have a hard time making it through a whole tour, let alone a whole year.
But we'll see.. maybe someday or maybe not.

However, today... it's 3/17/93
Which I'm glad this came up as I noticed a Soundcheck I didn't have.
Cha-Ching!

Alright, time for some good trouble :)

EDIT: 4 of the newer tunes and a cover bust out. Don't tell me this band ain't got no heart in the '90s ;)

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Submitted by The Good Ole G… on Thu, 03/04/2021 - 12:38

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As has been mentioned Drums > Space really was going some far out places in the final years.

Mickey's trance influences begin to appear and really help with the time traveling.

When Jerry comes in on this Space on 3/17/93 the dynamics of the recording are just about exactly perfect.

I keep thinking it's coming from somewhere else.. but it's right here in my head.

Nice Pick BlueCrow, This is a real cool show, digging it.

Playing In The Band > Dark Star > Drums > Space > Handsome Cabin Boy Jam > The Other One > Days Between

Pretty dope. :)

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Submitted by bolo24 on Thu, 03/04/2021 - 13:55

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...on this forum.

Kudos to the faithful for keepin' this train on the tracks! Y'all are good people.

Looks like Cousins is first with the box set reveal. Sweet!