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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #1281
    rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • #1282
    daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • #1283
    rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • #1284
    daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • #1285
    Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • #1286
    daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • #1287
    PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • #1288
    daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

  • #1289
    DeadVikes
    Joined:
    Dave's 13 and 42

    Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

    I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!

  • #1290
    rockthing
    Joined:
    5/19/74

    I've got a beta-max transfer of 2/24/74... which stayed in heavy rotation for a long time when it first hit my library, but low and behold Portland 74 has collecting proverbial dust in the old hard disk, too. Time for something brand new (to me).

    A Pat Lee master cassette passed down the generations.

    It's a little hissy, and I'm not getting much Phil at the start, but Jerry and Bob's gutiars are crystal clear. Jerry's voice coming in a close second in the mix with some occasional Keith flourishes wafting to the fore. Billy's cymbals sound crisp, if somewhat thin. Getting a nice Jamaican dub sound when he switches to the highhat. Kick is in there, clear, but with with a soft tone, and none of the hyper-compressed abrasive contemporary festival sound. Donna's harmonies are on, and blended well with Jerry and Bob for the Across the Rio Grande-oh finale of Halfstep. Jerry plays an aggressive outro solo.

    Mexicali: The mix and tape quality remain consistent. It's mostly a guitar oriented sound, but Bobby's voice is clear, if slightly too far back. Even in '74 they could do this one in their sleep. Have you ever heard a real train wreck during Mexicali? I can't recall one. A fan let's out a hoarse, "Whao!" apparently feeling the southwest polka vibes.

    Big Railroad Blues. Love me some BRB. There are short pauses in the tape where Pat Lee is clearly well aware of the need to conserve footage. Could do with A LOT more Phil in the mix. Might fiddle with the EQ in a bit.

    Black Throated Wind: Awkward song that I sometimes really like, and other times can do without.

    Scarlet: Crowd gives Donna a big cheer as the song reaches it's finale. Of course they egged Bobby on with some of his crazy antics, too, but it's nice to hear that early 70s audiences appreciated her contributions.

    Beat It On Down The Line: Always love this one. Nice double vocal from Bobby and Donna. Some unfortunate microphone feedback during Jerry's solo. Phil's backing vocals are there. The bass frequencies either never made it onto the cassette, or have evaporated through the generations of open reels and cassettes.

    Tennessee Jed: Nice bounce to this laid-back rendition. Another one of my favorite tunes, as I've mentioned before. Another nice, appreciative response from the audience who are almost completely unnoticeable for the majority of the time.

    Bobby McGee. I picture the audience mostly having a lie-down on the lawn during this first set. Just a nice day in the park with some live music in the background.

    Ok, well, that's as far as I'll get in this sitting, but really looking forward to that big Truckin' jam at the end of the show. Now spoilers! 😉 Just kidding.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by The Good Ole G… on Thu, 03/04/2021 - 14:37

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Wow!

I can't believe all those never-before-heard-of shows have been returned to the Vault.

The Days Between are going to blow all our minds.

And the vision that was planted in my brain

Still remains

Within the sound of silence

You're good people too Bolo.

Now give us a good clue!

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Submitted by icecrmcnkd on Thu, 03/04/2021 - 15:09

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5-12 has been playing in my car.
Some good stuff.
I bet Jim loves that Peggy-O.

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Submitted by icecrmcnkd on Thu, 03/04/2021 - 15:15

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Didn’t do 3-17, but I’m pretty sure I’ve heard it before.
I was at Omni 93, got two Lazy River Roads.
I did run to the bathroom towards the end of Drums the second night and it must have been really hot in there because as I was taking a pee the tiles on the wall in front of my face started melting....
Then had to squeeze through a mass of people in the lobby/concession area who were all saying wah wah wah....
It was very soothing and calming to make it back to my seat and listen to Space.

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Submitted by The Good Ole G… on Thu, 03/04/2021 - 15:32

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Hilarious!
Best laugh all day.

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Submitted by icecrmcnkd on Thu, 03/04/2021 - 15:43

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Space can put people over the top sometimes.
For me it was where I needed to be.
Seemed normal.

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Submitted by Vguy72 on Thu, 03/04/2021 - 15:45

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.....nice! I have a few. Once, I got so saucer-eyed, that i feared i couldn't make it to the bathroom by myself, so a friend led me by me holding onto his belt loop. That was the show where I mixed acid and ecstasy if I'm not mistaken. I'm pretty sure I'm not.

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Submitted by Vguy72 on Thu, 03/04/2021 - 16:02

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....yup. Don't do nitrous standing on pavement boys and girls. I still have a scar as a souvenir. Irvine Meadows. 4.30.89.

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Submitted by JimInMD on Thu, 03/04/2021 - 17:41

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It's been a while since I listened to 5/12. I will have to check it out. Maybe when things slow down we can add it to the deck.

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Submitted by DeadVikes on Thu, 03/04/2021 - 22:35

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Thanks for the pick Bluecrow. Nice sounding recording. Definitely a different vibe in 1993. Lazy River Road is great.
Not the rocking Wang Dang Doodle of say 1990.
When you are the greatest touring band of all time, you wonder what Phil, Bob and the rest of the crew thought of the last few years?
I used to read a lot of books about the Dead in the 80s. Might be time to look into some more recent offerings. One thing for sure, Bob loved to tour.
Would love to have the opportunity to See Dead and Co soon.

Would also love to see some Shoreline shows released. They always seemed to play nice and loose there.

Everybody hang loose.

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Submitted by bluecrow on Fri, 03/05/2021 - 08:09

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Glad folks enjoyed this. The Handsome Cabin Boy Jam > Other One > Days Between sequence is so emotionally powerful for me, really unlike anything else in the Dead canon in how it resonates. Jerry sliding into the Midi tones during Handsome Cabin Boy is so over the top dreamlike beautiful. And then that Days Between . . . . All of this a portal into a fantastical world.

Weekend incoming. On the road today. Be safe. Onward!

First, Alaska is fine with me.

Next, tales from golden nitrous canister:

One day in either the late 80's or the early 90's.. we found ourselves waking up early to climb the Middle Teton in Jackson Hole. It's really more of a hard core hike, no roped climbing, but with over 6,000 feet of vertical from the car to the top, planning to go up and down in a single day.. it was a big-en, much of it meandering up and down talus slopes which can and did munch up our footwear, my shoes were shredded by the end of the day.

Anyway.. and I'm pretty sure this part was my idea.. we decided to bring some party favors for the summit, which included a healthy number of those little nitrous canisters and one of those little balloon screw on thingies. So there were were at just under 13,000 feet having been pretty close to sea level just days earlier giddy with nitrous running through our veins huddled in some contrived stance to escape the wind and ice pellets that were pelting us in the face procrastinating the long hike (slide) down. Now Nitrous can have a wicked effect at these altitudes, it was all we could do to not fall off the mountain.. but it was a giddy high time full of laughter and stories that I will never forget. Somewhere there are pictures commemorating the event (which proved difficult to explain when my parents got a hold of the pics). We left at 4:30 in the morning and got back to the car well after dark to a car with a dead battery. Thank god it was a stick shift so we could push start it. What a grand adventure that was. At one point well into the afternoon still climbing up.. someone asked our fearless leader how much further, his reply.. I'm not sure. Both the other times we did this we all took acid. We knew we were in for a long day.

Believe it or not, this tale ties neatly into everyone's favorite fun band.. we were on a cross country climbing trip that culminated with a successful attempt at Devil's Tower and we had an off day in the Tetons with nothing planned. Climbing the Grand Teton was a bit more than we had in us so we were going to play it by ear and do something not quite so difficult.

One of my previous college roommates was rumored to be living in Jackson Hole and I really wanted to hook up with him, so I tried to look him up in the phone book to no avail.. (remember public phones when they used to have these thick phone books wired to the booth). So we got in the night before were were just walking around town checking things out. There was this bar and grilled called the Mangey Moose.. so we stroll by thinking to grab a beer or whatever and we hear the unmistakable sound of a Dead cover band, so we immediately head in. After about a half hour this guy grabs me on the shoulder, my old roommate.. and he puts us all up in the house he was renting (floor and sofa space), takes off the next day and was our tour guide for the hike.

Just a small detour on a side street and we are back to talking about everyone's favorite fun band, the Grateful Dead. What a small world where you can run into someone you used to be close to but have not contacted in years and randomly run into him 2,000 miles away from home. I bet many of us have similar stories.. we are everywhere!

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Submitted by DeadVikes on Fri, 03/05/2021 - 10:26

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A little Alaska in 1980 sounds good. Let's do it Vguy.

Good stuff Jim. Hopefully, soon we can all get back to living and making more good stories.

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Submitted by The Good Ole G… on Fri, 03/05/2021 - 11:35

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What has three legs and an asshole on top?

Either one of those drum stools behind me.

Hahaha.. Good one Bob.

Happy Friday!

PS - Nothing personal drummers, Bob said it.

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Submitted by The Good Ole G… on Fri, 03/05/2021 - 13:48

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It was in this behind the scenes video that Justin Kreutzman shot during The Dead rehearsals.

That Weir, he's funny!

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Submitted by Oroborous on Fri, 03/05/2021 - 13:55

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Man I haven’t been hit with the ole GD tractor Beam/third eye in ???...
This last Dave’s: The BFF Phil show, was similar in that I had no expectations and for whatever reason I really clicked with it. But this is on a different level...
It’s so funny since I wrote 93 off years ago because of, ...well, basically too lazy and closed minded! I saw only one show 6/13/93, that I thought was perhaps the worse show I’d seen (it wasn’t!) 28 years later, arm chair psychologist I’d say life was changing as it will do, and I needed justification for letting go of such an important/prominent part of my life for so long?
Well fug all that now as hopefully we’ve been able to lose that dogma and go furthur!
Also think being much older now, the more relaxed feel that was often the MO of the last era, is now a plus, whereas then only in my thirties, I was accustomed to the more balls to the walls 80s energy, ya know “too much of everything is just enough”, and thus often felt non plussed? Or, more precise: my perception/reference has changed with age...

And 93 seems to be a good example, as I’ve been pleasantly surprised by the shows I’ve heard recently, especially this one! From the sweet Shakedown opener, nice Wang Dang, sure not 83 bad ass, but still fine and not just the same old, same old Bob tunes. A nice Lazy River, which makes me think to our recent plunge into the Port Chester run that made me realize how when they were breaking out new tunes over the years, the JG ones always seemed more together and gelled quicker than Bobs...lol
Desolation was/is always a top Dylan or Dead song for me. Though perhaps it lacks the verve of an 89 version, it’s still fine. Decent Ramble On, and then to me, a huge energy drop with Eternity, Still sorta on the fence with this one? Guess I haven’t spent enough time with it yet? Wonder if it would resonate better if it didn’t plod so much? Guess that’s what I remember NOT liking about late era shows; the plodding sometimes...(one thing I don’t like about D&C sometimes)
But it’s played ok, and followed by a decent set closing Liberty...
Picasso Moon, for the rocking second set opener. Not sure I ever fully grasped the lyrics to this one, but always liked the flavor and energy. Dig any tunes that let JG rip!
Crazy Fingers, always a personal favorite, even if not always tight. Perhaps the fragility/delicateness of it makes it prone to occasional turbulence? Perhaps just a litmus test for how together JG and/or the band was on any given occasion? But JG seems on tonight and we get a nice sequence thru Playing and eventually a short but Sweet Dark Star. This devolves nicely into another of those lysergic 90s Drumzzz, with perhaps the biggest surprise (for me) of the final of only 3 ever 2 Soldiers Jam. Like BC said this whole sequence through TOO and sliding into a sweet Days Between is an emotional playground that only the GD could provide.
This song resonated with me from day one, another instint Hunter/Garcia masterpiece, and though not perfect, another great rendition that once again got this old Sod all choked up!
NOTE: I also thought “Cabin Boy” in the jam, but was so intrigued I looked it up in Deadbase 10&50 which listed it as the 2 Soldiers jam, which upon further review makes sense. Performed only twice before on 9/22/87 and 9/12/90.
After a decent Good Lovin’ another big Smile/wow moment with LSD, no not that ; )
Now I knew it was coming, but since I’m not sure I’ve heard them do it before, (ok, good part of being old/forgetful, I can enjoy movies and shit like I’ve never seen/heard before lol.), really dug it! So Cool, now really bummed I didn’t get to see it : (
Perhaps that was part of why I became disillusioned in the later years; I was hearing about then playing Dark Stars, and Here Comes SS, and Lucy etc, and after many years of lucking out, all I was getting were what seemed like endless; Sambas, Eternity’s, and harumph, Loooonnngggg, Waaaaaayyyys, wasn’t big on Corina then either. But as I say, thankfully I’m more open to MOST of that now (Sorry Vince...)
So yeah, after over forty years it’s still nice to get shown the light....! And THAT, to me, is the beauty of this board. To go where not many have gone before, AND find the Golden Yummies!!
Mission accomplished!
So big THANKS (again ; ) to Bluecrow!

Not sure I’ll get to Alaska today? (but another curiosity that hasn’t been sniffed yet)... Lovey’s home so we’re listening to “other” stuff, like some L.S.D. inspired Beatles! No not that! ; )
Until next time me amigos!

Man, they should've always played Mid-Set Let It Grows.

Just now working my way through 6/20/80.

Been awhile.

I took a detour yesterday and did a lil memory refresh with Terrapin > PITB > D > S > Truckin' > Stella from 6/21/80 and it hit the spot! Dig that. Feel like the Stella was really giving me the feels.

Might have to go through that again :)

PS - Check out JOTW if you haven't already, it's got a nice little bit of uncirculating filler from 9/6/69 of Casey Jones & ITMH which is worth a listen.

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Submitted by Oroborous on Sat, 03/06/2021 - 10:50

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imagine that lol.
Seeing 8/5/79, 6/29/80, 6/21/80, 8/3/82, and 6/26/73,....
Lovey’s at work next two days and I got a house to clean so I’m thinking I’m going all in on the Alaska run; 19, 20, 21.
Though that 82 will need attention at some point. 8/5/79: isn’t that Tigers 2nd show? Always up for some good 79 too.
Not quite ready for early 7os yet...want to leave room for more of Docs 71 pics...
Yeah...Alaska it is for this camper.
ONWARD

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Submitted by icecrmcnkd on Sat, 03/06/2021 - 11:08

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If you get confused just listen to the music play.

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Submitted by DeadVikes on Sat, 03/06/2021 - 13:01

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Great shows and will have to continue on with these.

Love these early versions of Easy to Love You. Why did this one disappear until 1990?

June box release?

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Submitted by The Good Ole G… on Sun, 03/07/2021 - 08:13

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1980 in the house.

Didn't do 6/19 but enjoyed 6/20 & 6/21.

Anybody else digging that Stella Blue on 6/21/80?

So, lil gas for the fire... you all still thinking we're getting a 1980 box?

And.. who's got an epic pick for the day?

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Submitted by DeadVikes on Sun, 03/07/2021 - 08:38

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Thanks for ending the drought GOGD.

2021 Box Set, yes still think we will be seeing the last five shows of 1980 from the Oakland Arena. Starting on December 26 and ending on December 31. Looks like they had one night off in there and the last night they started with an acoustic set.

Still working my way through these Alaska shows but can be diverted with a good pick.

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Submitted by Oroborous on Sun, 03/07/2021 - 09:06

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Musta been that sweet Alaska bud cause 19s fine and 20s even better. Seemed to come hot right outta the gate on the 20th. Digging the unusual song positions. Still have 21 to do today, but good day for a double header...
That 8/3/82 BC was sportin’ could be good, or is that too much eighties? Personally I’m kinda liking the early 70s fast, which is good because I’m sure we’ll want to hit some of Docs 71 pics along the way...
80 box...well there was that hint...

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Submitted by The Good Ole G… on Sun, 03/07/2021 - 09:13

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The Drought Ender!

12/26 - 12/31/80 huh?
You thinking any video with that?
There's video of 12/30/80, exported the SBD Audio as only Audience circulates.
(Oops, forgot about Tobin MTX which is good, props!)

Interesting.

I'm thinking of 3/30/94 today, last Dark Star, little nod to Dan Healy's leaving the band in '94.
Don't think Dan was FOH by this time, last show 3/6? To lazy to confirm.
But... I already listened to 3/5 & 3/6 and 3/30 looks kinda dope and it's sounding kinda cool too.
So, shall we go?

EDIT: Or what OB said.. took me awhile to be so wordy ;)

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Submitted by DeadVikes on Sun, 03/07/2021 - 09:54

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That 1982 show looks interesting. Let's do it. 8/3/82.

Not sure about video in the box, but would love it!

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Submitted by Oroborous on Sun, 03/07/2021 - 09:55

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...Looks like another good place to dip a big toe in the milk of 90s kindness!
Yeah Healys last was 6/6/94...was just reading “Healys last words” from the day before, but don’t think there’s any clues there.
Definitely seems like a “ more to the story” story, than the 2 usual themes: he messed with Bobs mix too much and/or he was giving too many DAT patches etc...probably some of that, substance issues, AND being on the road constantly with the same folks for 25 years can often lead to irreparable internal strife...wish I had more time to pull out the books.

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Submitted by Oroborous on Sun, 03/07/2021 - 09:57

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or not...OR, how bout we take today and tomorrow and finish Alaska, 8/3/82, and 6/30/94 in what ever order and report back tomorrow, and get a fresh pick for Tuesday?

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Submitted by The Good Ole G… on Sun, 03/07/2021 - 10:25

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This 3/30/94 space is trippy!

Yeah, I'm down.
I know the 2nd half of S2 8/3/82 rips, so down to revisit that bad boy.
Mid-Set Let It Grow, was just talking about those...
Funny I was just talking to a homey about 8/6/82 as well.
Coincidence or the universe?!?!

Healy's last words, great interview!
It's a cool vision into Healy's mind, which is deep if you ask me.
The guys that did that interview have a radio show Dead Air, and I think they're revisiting those final Healy shows tonight.
Hopefully they'll talk about what it was like to conduct that interview 27 years ago.
I'm excited to hear the show, and yes.. I'm a geek.

Alright, got some listening to do.
Listening and collecting.
Collecting and listening.

PS - speaking of Stella's check out the 3/30/94 version.. Oh Jer!

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Submitted by proudfoot on Sun, 03/07/2021 - 11:56

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:)))

4 18 86 never heard it
4/19 on cassette
4/21 on cassette but lost methinks
4/22 on disc here at Golden Gardens at Puget Sound

I highly recommend 4/22/86

Addendum
Until they start thriwinsteins

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Submitted by proudfoot on Sun, 03/07/2021 - 12:00

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First RCMH

Decent

No pick, or are posts not showing up?

I’m throwing one out there then, and today is not the anniversary.

3-9-81

Good sounding recording, and I think it’s on the list from years ago that Dave showed when announcing the DaP series, or in an interview. So it must be in the vault.

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Submitted by The Good Ole G… on Tue, 03/09/2021 - 07:12

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Got side tracked yesterday, and didn't get a chance to check out 3/9/81.

Lotsa upgrades and new sources dropping in the Grateful Dead-iverse.

This band that stopped in '95 is constantly still generating music from it's remarkable 30 years.

Speaking of... I'm ready to hear about an official release!

When's that gonna happen? Who's got the scoop?

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Submitted by JimInMD on Tue, 03/09/2021 - 07:22

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Took a couple days off myself. So much time and so little to do. Wait a minute. Strike that. Reverse it.

Any picks yet today?

Random question, I was running errands over the weekend and heard this D&C Help/Slipknot!/Eyes of the World that I want to hear again.. any ideas? While on the subject, there's a lot of pushback regarding D&C. I have one add.. instead of comparing John to Jerry or critiquing John, be careful not to take your ears off Jeff and Oteil. These guys are the real deal and the whole is greater than sum of the parts. Especially in songs like Eyes, Comes a Time, etc.

Anyway.. as you were.

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Submitted by icecrmcnkd on Tue, 03/09/2021 - 07:32

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Jeff and Oteil are the real deal.

Recall that in a Shakedown Stream interview Jeff said that he was a jazz musician that didn’t know any GD songs. He did a good job learning them.

And Oteil has plenty experience from being in ARU and ABB.
Check out Oteil singing Comes A Time and World To Give.

And John isn’t Jerry, he’s John playing GD songs. And he’s pretty good, but not a Jerry replacement. Nobody can be a Jerry replacement.