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    clayv
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    "And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

    We're doing things a bit different for this one - two complete shows on four CDs, bringing you one of Dave's faves and what very well could have been one of Dick's Picks. Yep, back-to-back nights from peak era 80s - the furthest we've gone into the decade, in fact - that will bring you to joyful tears. DAVE’S PICKS VOLUME 36: HARTFORD CIVIC CENTER, HARTFORD, CT (3/26/87 & 3/27/87) delivers emotional takes on tracks like "Row Jimmy," "Black Peter," Uncle John's Band," and serves up a hit list of covers ("In The Midnight Hour," "Good Lovin'," "Desolation Row," "Promised Land," "Little Red Rooster," "Morning Dew," Johnny B. Goode") that'll have you hootin' and hollerin'.

    Limited to 22,000 numbered copies, this one has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out.

    *2 per order. Very limited quantity available.

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  • JimInMD
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    Re: Dennis

    Perhaps, but don't be so quick to judge until you've tasted his turkey mole enchiladas. Maybe worthy of pardon power.

    (pulled off some Turkey Enchiladas Verdes a few days ago, they were a big hit as noted by their immediate consumption, the JimInMD house thanks you for the inspiration)

  • Cousins Of The…
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    Elvis and appropriation @Direwulf

    Elvis did not appropriate black music, he actually did just what you described as what the Dead did, I'll quote you:
    "because they fuse together both styles of Americana music, black heritage and white heritage to make something truly unique." Both the Dead and Elvis borrowed elements of Americana to create their unique blend of music; talking about pre-1956 Elvis, all his Sun sides are unique.
    You could argue that the appropriation label would apply more to early 60s Brit bands, who would basically copy vocal phrasings of black singers and note for note solos(Pigpen did the same). Nothing wrong with that, in my opinion, as long as the original artists got more recognition and royalties.
    Then there's the Yardbirds appropriating Tiny Bradshaws's Train Kept A Rollin' without crediting him; that's more like theft though.
    Anyway, both Jazz and Blues were influenced by western music and western instrumentation since the 1800s. That's a huge subject!

  • nappyrags
    Joined:
    Actually...

    I was about 50 feet from that...but like most I didn't know about it until the next day...

  • Dennis
    Joined:
    nappy & altamont

    I knew you looked familiar, your the guy next to the biker doing the stabbin', right?

    (too soon for that kind of humor?)

  • nappyrags
    Joined:
    Fifty One years ago today...

    I was at Altamont after hitching up from LA the day before...whew...

  • JimInMD
    Joined:
    Good Stuff Here

    An enjoyable Sunday morning read. Thanks all.

  • Cousins Of The…
    Joined:
    Origins

    It's never been black or white; Blues borrowed from folk, and Country borrowed from Blues. Black artists listened to white artists, and vice-versa.
    Take Chuck Berry's Promised Land, it's the melody of Wabash Cannonball with new lyrics(via Roy Acuff, who got it from AP Carter, etc.) Elvis' genius was to take R&B and Country/Bluegrass and come up with something new, seamless that was neither Country nor R&B. Elvis' first single, Sun 209, had a Bill Monroe tune one one side(Blue Moon of Kentucky), a Bluegrass waltz that Elvis changed to a 4/4 and on the flip side, an Arthur Crudup jump Blues(That's Allright Mama)

  • daverock
    Joined:
    Billy the kid

    And thank you for that great clip of Son House and Mike Bloomfield.
    Son House actually played in London on 1970 at a small venue called The 100 Club. I have been to the 100 Club many times, but that was before my gig going days. What I would have given to have been there that night - it must have been like seeing God. There is a great recording of it, too, which I highly recommend, called "Blues and Spirituals". On some tracks he is backed up perfectly on harp by Al Wilson from Canned Heat.

  • LedDed
    Joined:
    Blues

    Blues was of course the inspiration for rock and roll, as demonstrated by such greats as John Lee Hooker, Jimmy Reed, and Freddie King to name but three of my personal faves. Going back further you've got Robert Johnson, Leadbelly and Charlie Patton to name only a few. All of whom were influenced by field songs and hollers as well as gospel music. It has been said that some of these cadences go all the way back to Africa.

    In context, "popular music" suggests higher sales and wider exposure to a record-buying public and commercial radio airplay than blues music ever enjoyed. Blues was a fantastic subculture along with jazz that began to be most efficiently exploited by the white man with the mercurial rise of Elvis Presley.

    I see a path from the swing of Glenn Miller to the smooth, panty-wetting crooning of Frank Sinatra and then of course on into Elvis and the Beatles. I won't go post-Beatles because once you get into the Rolling Stones, Cream and Led Zeppelin where does it stop?

    All credit due to the African American musicians who broke ground and whose delightful art form sprung in part from their suffering. I consider that music sacred, but not "popular" in the sense, pre-Elvis.

  • billy the kid
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    Daverock/ great post

    Daverock, thanks for the great post, your posts are always so intelligent and well thought out.

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6 years 9 months

"And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

We're doing things a bit different for this one - two complete shows on four CDs, bringing you one of Dave's faves and what very well could have been one of Dick's Picks. Yep, back-to-back nights from peak era 80s - the furthest we've gone into the decade, in fact - that will bring you to joyful tears. DAVE’S PICKS VOLUME 36: HARTFORD CIVIC CENTER, HARTFORD, CT (3/26/87 & 3/27/87) delivers emotional takes on tracks like "Row Jimmy," "Black Peter," Uncle John's Band," and serves up a hit list of covers ("In The Midnight Hour," "Good Lovin'," "Desolation Row," "Promised Land," "Little Red Rooster," "Morning Dew," Johnny B. Goode") that'll have you hootin' and hollerin'.

Limited to 22,000 numbered copies, this one has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out.

*2 per order. Very limited quantity available.

Yes.. you are not losing your mind.. there must have been an error or mishap at some point in the supply chain and there apparently more than a few who have not received their DaP 36's yet. My guess is that they are having more made.

Send a PM to MaryE. That's probably your best advice. I bet they make you whole hopefully soon.

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11 years 6 months
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I too have not received my DaP36. I had an address change, notified customer service a month+ ago that I hadn't received it. Still nothing. Any help appreciated (Marye?)

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10 years 4 months
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Happy New Year everyone.

I once received the Treasure Trove of soundboards from one of the good guys here, and there was so much on it and I had so many commercial releases to still go through that it took me a long time to really get into them.

Then a couple of years ago, I don't know if you remember a guy on here known as wjonjd - he used to be a regular but I guess has moved on. Anyway, he once wrote the following to me about 12/31/72, which I just dug out of email archives by doing a search on the show date:

The Truckin'-Other One-Morning Dew sequence has to be one of the greatest jams of absolute all time. Simply fuckin' mind blowing. I remember turning on someone to the Dead in school, lending him that tape. A couple of days later he asked me, "Where does that come from? Where do you think the inspiration to keep creating like that comes from?"

So of course I immediately queued it up, and what I wouldn't do to have a Full Norman copy of the show. It's been my favorite New Year's Eve show ever since, with Cow Palace '76 coming in as a close second.

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13 years 1 month

In reply to by KeithFan2112

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Since DaP36 only tied the DP series, shouldn't DaP37 be celebrated as much as #36 since it's the tie-breaker?

What about a mirror image release?

DaP36 = 4 CDs / 2 shows / '87 = '78 \ 2 shows \ 4 CDs = DaP37...in the video for #37, Dave L. seemed to be unusually vague and a little giddy as far as the bonus material. It would be a great way to start the 10th year!

Or has this been announced already? If so sorry.

I hope all are well.

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13 years 5 months

In reply to by KeithFan2112

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Yes, KF.. Wonjonjd was last seen digging a tunnel 37 feet below the vault in a last ditch, vain attempt to free the master reels for 6/9&10/73 RFK. On the bright side, I hear ZuckFun has escaped and is laying low in an undisclosed location. Many thanks to whoever freed him.

Rumor has it wjon has been enslaved by Rhino and answers customer service calls 19 hours a day.

Sad. Someone needs to tell his wife and kids his hardship was not in vain.

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10 years 3 months
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Surprise appearance of Tom Constanten as an interviewee in the documentary "Rebirth of the King" about Elvis Presley in Las Vegas. Again shown on Brit T.V. over Christmas.

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15 years 4 months

In reply to by DaveStrang

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DaveStrange - The "mirror image" release for #37 won't happen, because the bonus disc is for the second release of the year, which will be #38 ( 9/8/73 Nassau Coliseum). The extra material is an hour + from the previous night, Sept. 9th. I listened to my audience recording of that show the day before they announced what #38 was going to contain, and it's a stellar show!

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In reply to by gusmozart

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I think it would be similar to last year: #s 33 & 35 were 3 disc releases, #34 had the bonus disc and #36 was 2 shows. This year could be #37 is 2 shows, #38 would have the bonus disc, and #s 39 & 40 would be 3 disc releases.

I realize this would only occur for milestone releases like #s 36 & 37, and in the future for DaP100 (!) if the series is still going. I know the odds for another 2 show release are mighty slim, but you can always hope, wish and dream right?

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10 years 11 months

In reply to by DaveStrang

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With about 90 min from another show on this tour, likely to be announced in the video, which should come out around next Friday or thereabouts. Glad there's filler, been annoyed at 2 of the '78 DaPs having very short 2nd discs and no filler, with plenty of good material laying there for use. But filler is also very good because it sometimes produces some of the best material of a release. I just finished my first complete listen to DaP 35 and I'm very thankful for the filler from the night before. I found it to be the best part of the release, the Scarlet Fire was good, too, but the filler is pretty darn good. Being a beggar does prevent me from being a chooser as well as I'm hoping the filler on DaP 37 is not from 4/12/78, which was surely the best thing to ever happen in that pit of hell Cameron Indoor Stadium, and that that show is released in its entireity since I imagine it was part of the returned Bettys. That should be several years worth of DaPs down the road before hitting April '78 again, 3 is pretty high already and no Fall 1972 since DaP 11 and Hofheinz were released in 2014, but hope that Duke show can come out sometime, it is spectacular. Incredible energy, as evidenced in the video on the youtubes https://youtu.be/I_zD1_J5eYs Not every day you see Jerry doing Townshend-like windmills. Though if anybody else witnessed Jerry doing windmills at other shows, I'd love to hear about it.

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6 years 1 month
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:'(

On Vol 35 they printed my address and phone number wrong... only got that one b/c I happened to run into the mailman wandering in the neighborhood looking for where to deliver it (I'm a westerner in China.. and he wandered up to me asking if I knew the person with the foreign name...). He said it was the third time they sent him out to deliver it...

I know it's old hat to complain about their shipping services.. but come on guys...

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15 years 7 months
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Does anyone know why I have received another copy of Dave's 36? It arrived in the mail yesterday with no shipping notification. On the back of it, where the edition numbers are usually listed, it says "Hindsight is 2020 limited edition: 92/300". I haven't actually listened to it yet but it looks exactly the same as the first one I got.

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I’m running out of patience after emailing four or five different email addresses (Dr. Rhino, wig, etc.) for the past five months now about a missing Dave’s 36. I have yet to even receive a “we received your email.” But yet they are allowed to continue selling product? Any ideas on how I can rectify this?

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7 years 4 months

In reply to by billfgrady

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I received mine Friday from the 300 run. I am really enjoying this right now, as times have been tough, and the matrix sound I like. The mix has brought my spirit up, so I won't dwell on the service. Billfgrady it was sent without notice, so you should be getting yours any day.

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17 years 6 months
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I finally got to listen to the first show (yeah, I'm way late, I know). I was floored! Once you get past the obligatory 80's fodder like "Push Comes To Shove" and "My Brother Esau", it is SOLID throughout. Even Looks Like Rain is tolerable. Gee, who knew? As always, go Brent!

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