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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • proudfoot
    Joined:
    love your comment about liking licorice, Vguy

    :)))

  • Vguy72
    Joined:
    comparing Keith & Donna's last and Brent's first....

    ....fun fact. They repeated eight songs.
    That being said, comparing the Passenger's alone is....interesting.

  • billy the kid
    Joined:
    Rock thing ,great write up

    Rock thing , that is a great write up on 2/17/79 you did. Big Railroad Blues hadn't been played since 1974.

  • rockthing
    Joined:
    2/17/79 Second Set

    PROUDFOOT, RE relieved to move on: Sounds about right.

    BILLY THE KID: Nice. I thought that Greatest Story does seemed special, too. It's got tight energy, but I also don't recall hearing a Greatest Story with that free-form a guitar solo from Jerry. I was definitely startin' to think I could go for a bit more fidelity on this show, too.

    THE GOOD OLE GRATEFUL DEAD: Yeah, man, from Playin' on, it's anybody's guess. The tape I Downloaded has that tracked as "Playin' >", "Drums >", "Space >", like you say. Playin' isn't really known for its drum solos, but I think I'd just keep all that as Playin' until they made a definitive move into The Wheel. I realize that no one else would ever do that. There's just Space all over the second set after Playin'. The Wheel disintegrates into Shakedown. That Shakedown back into Playin', though, eh? Definitely the stuff. You can hear Jer hinting at Playin' quite a while before they actually get there. Would not want to be responsible for seeding that. Where do I cut it?!?! :)

    Man, this second set jumps like a Willys in four wheel drive.

    Might as Well!!!: Went to a Dead show and a Jerry Band gig broke out! Yeah! Rocketing out the gate for the second set. Might as well. This show has a seriously stacked set list imo.

    Miracle: Damn. No chance to catch your breath tonight! Jerry’s soaring, then doing some crazy runs in the first solo. Pretty manic, really, just trying to make something happen. Nice ending jam too. A drummer seems to be losing his footing or a stick or something, but no one else… Whoa!!!

    Bertha!: I don’t think ANYBODY saw THAT coming, least of which the band. Whoever pulled the tempo back to something sensible is a hero, because that was about to set a record. Ohp, gonna get one of those big unison hits goin’? Not yet. Pickin’ up the pace again. Phil is not giving up on the big bang… unnnnn… not quite….hahaha. Phil’s still goin’ for it. The drummers are just hittin’ all ones like they're wired as hell. This whole second set is coming off with it’s teeth grinding. Crowd cheers an almost earthquake bass bomb, but Phill still can’t quite get everyone there. Test me! GONG. Got it. Memories starting to clear. Synchronization critical. Sounds like double kicks from the drums. What is this? The lets see how many notes we can play contest?

    Good Lovin’: Nice, seamless transition. Just, suddenly their playing Good Lovin’. Nice crescendos. Jerry’s boppin’ along for the solo. One of his more coherent solos so far. They seem to have a better handle on the dynamics now. This is a really, really nice performance of this tune. Bobby’s got just the right atmosphere here. He’s givin’ it everything, but not overblowing. This will be excellent if he keeps the rap under control. No danger of Bobby sellin’ the Brooklyn Bridge. Mickey goin’ crazy with some heavy percussion runs, but they are buried deep in the mix, might not even be goin’ through the main PA. Long cheers ensue. Well deserved. That was excellent. They are taking no prisoners tonight, but that really struck the perfect balance. Wouldn't normally gush over Good Lovin', but that was excellent. At this point, I think I’d almost be wishing for five minutes of tuning.

    Heart of Me. Ahh, nice farewell for Donna. Nice little breather for us, too. She sounds really good. Sounds like maybe Jerry missed a chord change and his fills are a little off key at one point early on. Nice little descending flutter from Jer that one of the drummers picks up on, adding some 16th high-hat cymbal to. Wow. Really nice. The ending was superb.

    Big Railroad Blues. Jerry came to rock tonight, that’s for sure. Goovin’ on the, which solo is this? They seem to have settled down a bit from the insanity that was the teeth numbing first half of the second set.

    Terrapin!: Sorta slips into the hall, almost without being noticed. Not the kind of thunderous greeting it would become accustomed to in later years. This performance seems almost quaint in its simplicity. One of the drummers continues to have happy foot. Cool guitar solo leads everyone out into open space as the various counterpoints begin to emerge, everyone expanding out into their own direction before drifting gently into a little space of equilibrium. Jer’s not quite ready for the big finale. He starts to play the melody that will bring everyone out of their trance, then decides to let the ride get a little more gentle as it drifts along. There it is. Not monumental, just recombining into a gentle reading of the last verse. Ahh.. Jer’s sweet old voice… Nice build up to counting stars, but Jerry’s vocal doesn’t quite soar. Finding the right mix of harmony without building up too dramatically and the finale has begun. This Terrapin seems, somehow, understated, but it’s difficult to say exactly what gives that impression. I mean, Mickey is off the hook as usual. Nice, Phil plays the signature melody line in a high register on the bass instead of Jerry, as Jerry continues to wiggle about with all sorts of lead lines. Mickey gets a bit too tricky for his own good, but that slightly clumsy moment doesn’t trip up anyone else.

    Playin’: Just where you’d expect “Drums” to begin, nice call. Not sure I really dig the four on the floor and the open and closed high hat feel for this tune. Don’t have any particular qualms with disco Dead, or the Disco Cowboy things they did, but it feels like it’s tying Playin’ down too much. And, as soon as I type that, the bottom drops out and they out into an open ended Playin’ jam with Jer out in the echoey distance working’ the envelope filter. Really nice atmosphere here. Jerry’s makin’ sure they don’t get back to the song any time soon. Little too much kick drum in the mix is sorta harshin’ my mellow, but always happy to see a thorough deconstruction of Playin’. …and it seems to be just petering out, but then someone adds some nice textures. Almost sounds like a Fender Rhodes, but I can still hear Keith plunking away, so maybe it was Bobby… Someone in the audience hoping they’ll play I Need A Miracle, forgetting that we already heard that, what seems like several lifetimes ago. Wow. Completely abstract, now. Oh, and there IS a “Drums” track, but this feels like Playin’ with a drum solo (ok, got it), but that Playin’ jam would have definitely qualified as “Space” in a latter day show, albeit out of conventional order. Still an array of all acoustic percussion. Do I smell a Not Fade Away out of the drum solo? I see that someone has tracked this as a transition into “Space”, but all I hear are drums, still. Not hearing any “Space” here. Oh, and just as I type that, Phil joins the jam with Jerry not too far behind.

    The Wheel: This setlist is a dream. Guess they didn’t have to save anything for the next night. This is a nice Wheel. They’ve really settled down into atmospheric mode after the totally outrageous start to the second set. Some cool tremolo picking from Jerry as the song breaks up.

    Shakedown: Starts off a little, not a little, really… er… shaky. Nice echo effect on Jer’s guitar. Drummers haul the tempo up from the crater left by Phil’s opening bass bomb. You really get the impression that they are not working with a set list tonight. Settling in a bit just before Jerry starts the first verse. Whoo! Oh, yeah. Dancin’ shoes on now. Such a contrast. First part of set two could barely stay on the rails, but now they’re so spaced out they forget to put their foot down on the accelerator. Not a complaint, at, all. I usually imagine Shakedown jams to be more rhythmic. There’s sill a hint of the groove in the background, but well, there it went. Phil just introduced a completely different groove. Getting loose like that let’s them slip into other things, which is, I think, what’s happening now…. or not… This must be the most abstract Shakedown jam I’ve ever heard. I mean, there are literally hundreds of tapes I’ve never heard, but still. Jerry really working out now. Super fast little tremolo picking like in the high registers. Drums have started driving again. Sounds like Jerry’s teasing a Playin’ Reprise. Did they even do that in the 70s? No doubt. Jerry is definitely hinting at the Playin’ lick. Either they’re taking the long way home or they’ve given up on it. Wow. Jer getting’ pretty avant garde now. Where. Is. This. Going?! Lovin’ it!

    Playin’ Reprise: Wow, Jer managed to get everyone on board for a Playin’ reprise after all that. And, damn, does it thunder onto the scene when it finally takes form. Still doin’ that insistent four on the floor thing that makes it feel kind of agro.

    Sugar Mag: Love how this comes up for air out of the disintegrating Playin’ reprise. This show has had something for everyone, from super high energy numbers to complete space outs. Even with the free form mood that took over in the second half of the set, this is nice and tight; moving right along. Everyone in. Bobby thanks Bill Graham.

    One More Saturday Night: Solidly above par. Wailing sayonara for Keith and Donna. I’m exhausted. What a show!

  • Vguy72
    Joined:
    4.22.79 New Kid on the block....

    ....sounds like he fit right in and liked licorice.

  • billy the kid
    Joined:
    2/17/79 4/22/79. Two great shows

    2/17/79 & 4/22/79 are two great shows that should be official releases. I went to 2/17/79, it was a benefit to stop environmental cancer called Rock for Life. The show started with the lights all on in the house as the Dead blasted out a killer version of Greatest Story. The version of Don't Ease Me In was great, they reworked it when Brent joined the band and it was never the same. I didn't make 4/22/79, it was my moms birthday, we were having a party. Charlie Daniels and Greg Kihn were both on the bill before the Dead. It's so nice to hear Brent's organ playing on Jack Straw for the the first time. The Dead seemed really pumped up and into it for the whole show. This show at Spartan Stadium wasn't to far away from where the Dead played their first show as the Grateful Dead, at the San Jose Acid Test on 12/4/65.

  • rockthing
    Joined:
    2/17/79 First Set

    Wow. I remember thinking this was a really upbeat show considering it was Keith and Donna's last, but they must have given them one hell of a going away party. It is all goin' off in, like, every direction. I was exhausted just listening to it. This show goes from absolutely manic teeth grinding rockers and old timey tunes that barely hold it together to some seriously out there space jams. You'd have to label this with, like, three "Space" tracks if you were inclined to breaking things down as much as possible.

    I already had the Bob Menke AKG source in my music library, so I was listening to that. Not checking the set list. Can’t remember what it was, other than Donna gets to sing a lot, iirc. Here and there saw the song title pop up. Sound is pretty thin. Really need to crank it.

    Greatest Story: Usually like this as an opener. Jer seems to have carte blanche once his solo starts. Always a good idea in my book. Really searching and experimental as the four on the floor drives away behind him. Isn't this tune usually a little more cut and dry?

    What’s Bobby saying’ about technical adjustments? Had to reach for the volume control, but still couldn’t make it out.

    Don’t Ease: Damn sure am glad I left the volume where it was after that announcement. Love this tune. Haha. Oh, yeah, this must be when Bobby was learning to play slide on the job.

    Mama Tried: Love this one too! Seems like there might actually be a bit too much energy, if there is such a thing. Seem to be just barely holding’ it together.

    Mexicali: Despite the fact that it’s Keith’s last show, he’s been really prominent in the mix so far. Departing gift? Emotive delivery from Bobby. Jerry’s chorus vocals are really standing out too, for better or worse. This is pre-MIDI, obviously, but damn, Jer’s guitar sounded just like a trumpet for a minute there. Read somewhere about Branford Marsalis commenting that Jerry didn’t need MIDI to make his guitar sound like another instrument. This may be the proof. Can’t believe I have so much to say about Mexicali Blues!

    Friend of the Devil: Chill slow tempo version. Some weird polyrhythmic syncopation goin’ on. Jer starts signing on the wrong beat, but has it together before the first verse is over. Keith gets several choruses for his somewhat aimless piano solo, before giving way to a spirited solo by Jer, who’s playing fast triplets and fluttery phrases over the slow tempo before bringing everyone in smoothly for the last verse and a strong final chorus.

    Passenger: Did they ever do this again? Kinda relies on Donna. I don’t keep a Deadbase handy, unfortunately. Someone seems to get a little lost going into the “Only Game in Town” part. Jer slide solo. Bobby’s guitar is pretty much inaudible. I think the sense of roughness I’m feeling is due to both lack of rhythm guitar and Jerry trying to double on slide and normal fretted runs. It’s a tough juggling act. Pretty wild ride, this one. Stretchin’ out the second solo. Thought they were gonna end it in a jam, but someone brings it back to sing one more chorus before the ending, but it appears the memo did not circulate widely. Donna seems to be the only one who managed to get back to the chorus on time, but everyone recovers beautifully to end. I read that Phil wrote this song because he wanted to hear some raunchy guitar playing from Jerry and Bob. Well, he got it that time.

    High Time: Wow. That's not something I normally expect to hear. Nice, delicate interplay from everybody. Pretty difficult song, actually. Not surprising it didn't see much action on stage.

    Looks like Rain: Never really warmed up to this tune. That said, sometimes it gets stuck on repeat in my head and no matter what I do, I cannot stop hearing it… What the hell’s with those loud snare hits? lol My guess is that prankster Mickey, but who knows? Still laughing. Sounds like someone wants to pick up the tempo a bit. This is actually a pretty sensitive rendering of this song.

    Jack a Roe: Electric! There’s something else ya don’t hear every day. Man, this show is absolutely stacked with tunes I totally love. Again, can’t hear Bobby’s guitar at all. Keith has been reigned into the mix better at this point. Phil’s givin’ it his all playing in and out of Jerry’s first solo. Ahh.. there’s Bob. Welcome to the show, dude. Sounds like only one drummer at this point, too. Pretty sparse, but then again, as much as I love this tune, there’s not a whole lot for everyone to do.

    Lazy Lightning/Supplication: Period piece. Dunno why Bobby gave up on so many of his old tunes in favor of blues numbers, and Dylan covers. Donna sounds strong here. I believe I read that she and Keith actually wanted out at this point, so perhaps that contributes to the sense of jubilance (not a word apparently) here and Keith’s relative engagement. Jerry really, really, flying again. Float in’ like a butterfly, stinging’ like a bee. Phil senses blood and a jamming frenzy ensues. I guess if Bobby never cued them to go back into the song everyone else’d just go on forever like that…hmmmm…. It is so manic at this point, I don’t see how you could even dance to it. Spinners’d be achieving physical lift off, I think, depending on the robustness of their skirts.

  • proudfoot
    Joined:
    Tonight on "Wha'appen?":

    My theory is the agreement to part ways happened, everyone was relieved about it, so they made 2/17/79 special.

  • The Good Ole G…
    Joined:
    Grateful Dead Memories

    2/17 is good stuff.

    Based on what I was reading, Donna mentions her & Keith discussing leaving the band through out the last tour. So maybe it was agreed upon between 2/11 in St. Louis & 2/17 in Oakland. Just speculating.

    In regards to Tracking, since Rockthing brought that up....
    I'm feeling it as Playing In The Band > Drums > Space > Wheel > Shakedown Street > Playing In The Band Jam > Reprise.
    The Jam after Shakedown seems to turn into a PITB jam at around 12:30.
    I like to give PITB as much labeling as possible, so that I'll pick that show out and listen to it again.
    PITB rules.
    (All of the above is killer! Listen to Jerry's voice in Terrapin & The Wheel segue is sweet, but that jam from Shakedown into Playing Jam is the stuff.)

    Alright, I feel I'd not be performing my obligation to the nation if I didn't mention the 4/17/79 Rehearsal tape as a potential listen before you blast off into 4/22/79.

    I gotta do it.

    Keep on Rocking, Rockers.

    PS - 2/9/73 was one of my first 3 bootleg tapes, it still gets me every time, so I'm with ya on that Jim.
    Mickey was right they were into Time Travel.

  • JimInMD
    Joined:
    Tapes / Spartan Stadium and Maples Pavilion

    I remember dropping off a 10 pack of TDKs with an acquaintance. I got 4/22/79 Spartan Stadium, 2/9/73 Maples Pavilion and 06/29/76 Auditorium Theater - Chicago in the same box. They contained their share of new songs (with Spartan Stadium, not so much songs but a new keyboard player).

    I ended up getting a few more boxes from the same friend before geography and time brought that to an end. I have a crystalline memory of these first listens, like opening up another world of shows, songs and peeks into parts of eras I had no prior exposure into. Like Christmas morning..

    In my mind all the shows from that glorious 10 pack take up the same real estate in my frontal lobe. Funny how memories work, especially grateful dead memories.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Oroborous

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Please forgive...what is the Danes reference? (strong beverage?)

My disc 4 of 5/13/73 just now: "I would ask the same of you", then disc stops

Beauty eh!
They seem to get a little tighter every show.
And yeah, that tape drop out in the jam was major orgasimas interferous.
That sheet was starting to rip, then....Doooooaaaaahhhhh!

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First date of the E72 run was this date 49 years ago, and 30 years ago was this Orlando show. This is the only time I ever saw Rubin and Cherise performed and it was epic. They brought the house down with that one. Awesome 2nd set with a great drums with Mickey pounding on the beam into a lovely space into a great Box of rain. The local newspaper posted a very good review the following day. Enjoyed the flashback.

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In reply to by unkle sam

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....i saw that Box out of Space Unkle Sam. Very cool. Also saw there is a Reuben & Cherise. Will listen later, but I'll probably pick an AUD source. For the crown reaction to Reuben if nothing else.

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In reply to by Vguy72

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4/7/71 diggin' it.

Love these '71 St. Stephen's and this one is particularly nice with Drums > Jam and... ouch nasty cut.

Remember when most tapes had nasty cuts?
At least most of the tapes I had did.
Used to kill me.
Now.. that's mostly taken care of with a crafty patch from an Audience recording.
No such luck on this one.
Oh well, just another picky Dead Head I guess ;)

Will try and make it to 4/7/91 today as well. I cheated a little and listened to Ruben already.
UNKLE let's hear some stories, were the rumors circulating about R&C 3rd of 4 played I believe.
Always down for a Crazy Fingers > PITB > UJB > PITB and Box out of Space, can't beat that.
'91 is a good year.

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4/7/71; 4/7/72; 4/7/91
trifecta, I’ve been using that word a lot lately.
4/8/71 has one of the few Dark Star appearances of 1971. Go deh , tomorrow .

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In reply to by Strider 808808

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Dead.

I didn't realize these '91 shows were at the Greatest Place On Earth.
(PS - Not Norway, it was at Disneyland, marketed as the GPOE;)

What a trip!

EDIT:
Strider they played a trifecta of Disneyland Dead in '91.
And PF you went long... never mind, my screen was small.

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In reply to by The Good Ole G…

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woooooooooooooooooooooooooooooooooooooooooooooooooooow

GD

THE GREATEST BAND OF ALL TIME.

THE GREATEST, JERRY!!! THE GREATEST!!!

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In reply to by proudfoot

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Another enjoyable performance/solid outing by the band beyond description!
Another I might not of ever hit if not for this board and all y’all’s turn ons.
Mañana I’m doing another double dip with 4/8/71 and then ???
Did some one say Dark Star?
😲

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In reply to by The Good Ole G…

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That’s just PF thinking outside the box.

Got 4-7-91 going now. Had it on cassette, and it was a pretty good sounding copy.

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If ya'll are into it, I encourage you to check out the KC Masterpiece that is 12/10/79.

Solid first set with a rocking CRS>GSET opening combo and a stellar Dancin'>Franklins that is the best of that 79 groove, and a nice, quick, high-energy Deal to close it out.

Killer 2nd set with an OFF THE HOOK FOTM (sadly, the Scarlet is only in AUD), but the Fire is stratospheric! A must listen, IMHO. After a bummer "Easy to Love You" (easy to love you, Brent, but ewww...) things get back on track with LIG>He's Gone>Truckin' that is lights out - the Truckin' is incredibly high-energy ROCK AND ROLL! then Drums>Space>Wharf Rat (gorgeous)>JBG (rocking!) ends the set, USBlues encore (also rocking!)

Not sure why this show seems to be under the radar - it is a SMOKER through and through. Here is a link to the Matrix:
https://archive.org/details/gd1979-12-10.126986.mtx.dusborne.flac16

Oh, don't let the flubs in Peggy-O set you off course. There is a TON of incredible stuff coming down the pike!

Peace
https://archive.org/details/gd1979-12-10.126986.mtx.dusborne.flac16

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Dark Star . Go for it. Today . 50 years later.

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It was a beautiful, sunny, hot day. Very humid for April and the lot was humming with the entire family of dead freaks and heads, bozos and bolos, even the pranksters were there too. It was a lovely site, the cops on horseback helping instead of rounding up, no real hassles except on this date the opd did chase a dude into the very deep (some said bottomless) sink hole lake (actually a big pond) out in front of the since torn down old "O"rina. Not a good day for that dude as he did drown but it did not stop the festivities for the entire 3 days that the band was in town.
Jerry and Mountain Girl and kids went to Disneyworld (not land) that morning and got back in time to rest up a bit and make the show. Jerry was well rested, had a big smile on his face throughout the show and laid down some very nice runs.
The first set starts off with a Jack Straw, a good one and we are on our way, the cops had been told "hands off" for this show and the smell of cannabis was everywhere inside the arena. It was like the old days, everyone happy, everyone stoned and the band in good spirits. Then into Sugaree, Jerry just fine, voice and playing, then into wang dang doodle which got the crowd groovin' into the meat of the first set with Row Jimmy, a bit slow and the crowd wanes a bit but the Black Throated Wind was extra good into the 3rd and final performance of Rubin and Cherise, which had a few around us looking puzzled, as they did not recognize the song. It was a fine version and Jerry belts it out. Followed by a promised land. There was a buzz around the lot earlier that they had broke out some old classics but no one mentioned Rubin, it was a big surprise and very well done, then into Promised Land to end a short but awesome first set.
The second set starts off with Crazy Fingers, you know it's gonna get good now, and it did. The second set is just sublime with Playin'>UJB into a killer drums with Mickey and Billy just wailing away, Mickey on the Bean which sent a few from the front running to the back. We got a kick out of that, newbees were not ready for that, into a beautiful space that Jerry shreds on into a nice box that was requested by someone who's dad was sick and Phil responded beautifully. Then GDTRFB, had not heard that one in quite a while and we all danced and danced. Then Bobby follows that up with Lovelight, never thought I would hear that song again, not the Pig version but still a rarity that didn't get much play since Pig left us. All over now was the encore and we left the orena and stumbled back to our room. We had rented a room at the Omni right next door to the orena and had it for 2 nights, party central and just about any favor that you wanted was there.
We got wasted on Black hash and red bud Colombian all night. I had brought some tripping lps with us and we rented a turntable from the hotel. Just after this show, the omni got sold and we paid for the rooms in advance but the rentals were extra and were to be billed to us later. We never got a bill. We slept in a bit the next day then wandered down to the lot for another day of full on partying until the next show, which is another story. Ps, another great show, so much fun that they added a third show.

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In reply to by unkle sam

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Good to hear from you Otis. I am going to check this out. I love 79. A lot of great shows in 79…..... Oh and in 1980..

Thanks for the pick.

Stay well.

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12/10/79 & 4/8/71
Maybe I was not clear on my recommendation for today.
I do not recommend every 50 year anniversary should be listened to. If it has some history involved, like Capitol Theater or Manhattan Center I would think it would behoove a deadhead to check it out.

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In reply to by Strider 808808

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I'm in on the Twofer.. keying the first one up.. approximately... now.

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In reply to by JimInMD

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I'm hip Fo Sure.

Kinda want to finish that 1991 Orlando run at Disney World too.
(I always have mixed up World & Land.. somethings never change).
We'll see where the day takes me.
But honestly.. I've never needed much arm twisting when it comes to Dark Star, so it's 4/8/71 first for me. ;)

Hot Dog!

UNKLE - Sweet memories! I always like reading stories that start out with "It was a beautiful, sunny, hot day."
You reeled me and kept me there. Dig it, Tripping in Disney World with the whole GD Fam.
There were days!
Spring '91 could really sparkle at times. Sounds like this April in Orlando was one of those.
Good stuff.
Keep it coming, I want to hear what happened the next day after all the hash and stuff ;)

Happy Twofer / Threefer Thursday
Threefer sounds like reefer.

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In reply to by JimInMD

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Thanks for the stories Uncle Sam, I think I like the stories these days as much as the shows lol. Cool show, cool scene!
You painted a nice picture, I could feel the vibe of old!

I think ole PF likes to just toss positive ideas out into the ether, it’s up to us what sticks or not lol, but yes, we’ve been a tad schizophrenic lately DV ; )
My take on the anniversaries is certain big year events, like 50s, especially that seem to have some sort of consensus, are good picks, or at least second picks...that’s why I’ve been trying to go twofer; the usual POTD, like today’s fine 79 pick, AND the historic 50th pick. Otherwise I find the same ole “anniversary” picks can get very predictable and boring.
I still find the coolest thing about this place is getting turned on to awesome left field stuff that you might never had gotten to. Perhaps today’s pick will be a good example? The unpredictability, like it was going to a show; “what will they play?” (especially fun if you don’t peak!) But hey that’s just me, and I believe the only rule we have is that we have no rules...well, perhaps to be respectful to each other!

Sorry for the editorial, now back to your regularly scheduled drumz/space...er a “twofer”

EDIT: yeah GOGD, I’d like to hear “the rest of the story” as well as the shows. We should pencil them in over the next few days perhaps as extras if other folks have picks?

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4/8/71 first set down (1st & down) Dark Star on deck.
12/10/79 just uploaded from relisten.
Phatty Patrol successful.
Ready to a- go go.

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Again a beautiful day in Oville as we rambled down to the lot that early afternoon, the sun was out, freaks on the streets, in cars, up in the trees, it was just out of site. We (there were 5 of us) were in the middle of a lot party, meeting lots of people, lots of ladies scantily dressed, everywhere there was dead music playing and just a big wonderful party. We had been smoking and drinking for about 6 hours and I was getting wasted, I pulled up along side of a big tree and sat down, the rest of the crew continued on.
As I awoke it was late afternoon and show time was fast approaching. Scurried back to the room to get the show favors and there was a head in the hallway whispering "downers" "downers" I approached, they were reds (or so I thought) and bought a couple as they used to be my favorites back in the 70's when you could still find them. He said his old lady had a prescription so I was like , big time score.
A few minutes later the rest of the crew showed up and I told them about the reds, of course everyone wanted some but I only could get a couple so they flipped for it and I gave the winner one.
On to the show, the place is packed, second show of the run and everyone is antsy, the feeling was electric. I think the band could feel it too cause they opened up with half step, a big favorite of mine, and the crowd loves it, in my past experiences, a half step opener usually means a real barn burner so I was stoked. I decided to eat the red and see what happens, an ok walkin blues into a sweet Peggy-O, then I start to feel it, it's knocking me off my feet, Me and my Uncle and Maggie's farm and I'm down in my seat a Dire Wolf beginning and that's all I remember. I woke up a couple of times I was told later and tried to get up, to no avail. During Drums and space my buddies were literally caring me around, going from space to space, and according to them, I was loving it. I woke up the next morning and was fit to be tied, those weren't reds, like the guy told me, the guy who got the extra said he thought they were Tylox, which if you haven't taken or heard of them, they are a powerful sedative/pain reliever given for kidney stones. Good thing I didn't take both of them, could have been a real bummer.
The hotel room had to be vacated at noon, so off we went down to the lot, found a place to park that was quite a ways away as we had been parked in the hotel lot but they told us we would be towed if we didn't move. As we were coming back from parking the car in the city garage, we run into this head who's selling sheets 100 for 150. he had a bunch of them, little red roses, we were set for the final show, and it was a real doobie dazzler.

new to me - just now listening to first set. some interesting unusual keyboard caught my ear - didn't sound like Pig. I thought this is Boston maybe this is a Ned Lagin show and sure enough he played the whole show per his website. So yeah some Ned keyboard as a bonus! http://spiritcats.com/nedbase.html.

Here's an interesting tidbit about 4/8 from Spiritcats: During the break Jerry asks Ned what he would like to play - he asks for "Alligator", "The Eleven", and "Dark Star". They do "Dark Star".

"Now they call you Prince Charming
Can't speak a word when you're full of 'ludes"

My mama said
to get things done
you better not mess with
pills

US's story is scary

gimme somma dat green instead, please

PS can you identify crosswalks when you are on 'ludes?

4/8/71: perhaps my fav besides/since 2/19?
They definitely have been getting tighter each show and by now perhaps were getting comfortable with the new tunes/format. Maybe that’s partially why they took a little detour back to the ways of old...and/or Ned was in da house?
Chever way it was great show!

12/10/79: only made it to drums before I got cut off...decent first set, really enjoyed the disco Dancin’.
Second set has been hot so far...yasssir that Fire is scorching...I even liked the Easy to Love lol, but that Truckin’ is worth the price of admission in itself! Yowsa dats the shit right there boys and girls! That’s why we listen to hours and hours of Dead, to find THAT!! That jam got the full Minglewood!

Mañana?? May I please request at least one show off of released disc as I won’t be able to stream all day lol.

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Dick's Picks 20? Two shows, almost. I haven't listened to that one in ages, so I need a refresh.

Ignore me if this was done already.

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In reply to by bolo24

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Good call on this show Otis. The matrix was really good. I like Easy to Love you. Brent's voice obviously changed a lot over the years. I really like the 79 Franklin's. Great second set. Not terribly long. Nice US Blues encore.

Could we please see some more love for 79-81?

Dick's 20 for tomorrow sounds great. I haven't listened to these two 76 shows since last year at some point. Let's do it. Thanks Bolo.

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In reply to by Strider 808808

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Bertha leads...

now on Sugaree

I love the sound of the band on this release...a multi-jointed creature such as a spider, walking down a roadway.

or something like that...

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In reply to by proudfoot

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Let me grab my old platform shoes and flared pants...oh, can’t forget the puffy shirt!

Ooopps, almost forgot my bullet ; )

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In reply to by JimInMD

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very good to hear that release again

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Finished 9/25/76 and need to get moving on 9/28.

The first 76 release and it still delivers. Great Minglewood, Peggy O. Love the second set. Last Cosmic Charlie. The Scarlet is awesome and you kind of feel it wants to go somewhere. Nice finish.

Always thought it was interesting when they came back in 1976 how long it took for some of the songs to reappear.
Truckin at Englishtown, Casey Jones and Dire Wolf in October-November 77. China Rider on New Years 77 and of course Dark Star on New Years 78.

Really looking forward to the next release. What are we, three weeks away.

Stay well out there folks.

17 years into the archival releases. I remember getting this one well.. I thought (think) it was (is) spectacular.

This was still early enough in the series where every release was special, and the first from 1976 if memory serves. Was it a Healy or Betty recording? Healy is referenced on wikipedia, which seems odd. Anyway....

I'm partial to the Cap Centre show but perhaps it's just a hometown vibe thing. Both shows are strong. But hey, it has a Peggy-O and perhaps my favorite supplication jam prior to '85. But the next two discs are perhaps better. The Playing in the Band sequence is a unique beast, really something.. the Comes a Time>Eyes>Tango>Dancin' is one of the better jams of the year. Wowwy.

This release always was held in good regard. It could be because it came so early in the release schedule and was a twofer for the first of the '76 shows released. It could also be because it really is a special sequence of shows. Not sure why.. but this, to me, is a listen to very stoned show.. really good Indica. After the work is done and you have earned a really good night off.. something to do when you have no responsibilities whatsoever.. just zone out and be yourself.

That's my read.. Been a long time since I listened to these two. Dick knew what he was doing and it was a good listen today all these years later.

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In reply to by JimInMD

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Yes, it was Healy on this one and Dave's 4. Rex was killed in a car accident I believe over Labor Day Weekend and Betty was off the road for a while.
RIP Rex.

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In reply to by DeadVikes

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that explains it

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In reply to by JimInMD

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6 17 75

Opened archive
I scrolled
There it is saying "PLAY ME"
6 17 75

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Detroit in 88 and Rosemont in 89... So i just went on archive to listen to the Joe Louis Arena show that i have not listened to in years... Had an audience tape that sounded like they were across the river in Windsor.... There is a Charlie Miller Board, and the notes says its one of the few boards of 88 with no ambient mics (Maybe this means no Healy Ultra Mix) On the opening Hell in a Bucket... Good quality board... Gonna give it a spin... Bob t recommending an 88 show!!!

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