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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • Oroborous
    Joined:
    38 production issues cont....

    Wow, lol, this is all over the place.
    I’ve tried twice to go through with the intention of noting precise instances with pad and paper, but didn’t because I didn’t want to waste a whole day on this but it obviously needs to be done lol. The situation is the boss!
    It’s a dirty job but somebody needs to do it, so guess that’s what I’m doing today lol.
    First, a few reply’s in an attempt to clear some things up or perhaps get more of us on the same page?

    - FIRST THE SOUND: there is nothing wrong with the “sound” of this, it’s some kind of production anomaly that hurts the “sound”
    - THE LEVELS TOO HIGH: I don’t believe this is the problems since the peak level is at -1db, which is perfect. You’ll notice on discs that are over mastered set at 0db with hard compression to make them LOUDER. IMHO this style of mastering is obnoxious and sucks! There has been much discussion on this the last ten years or so about this elsewhere if your interested. I stopped buying “remastered” stuff after getting some Floyd and Stones Some Girls since they sound like shit. All their doing is compressing the hell out of the mix to make it louder, but that ruins the dynamic range, which is one of the most important elements of good music I.e., see the GD! Luckily, the GOGD folks don’t do this!
    - BAD COMPRESSION: sometimes if the recording levels were too low there can be a bad signal to noise ratio. You’ve all probably heard this with a beloved tape that you have to turn up extra loud to hear, which then makes tape noise and hiss super noticeable. BITD sometimes folks would use a compressor. This cuts off some of the level peaks but boosts some of the quieter sounds, hopefully making the ratio of noise to sound more tolerable. But there are limits to how much you can use this method without causing hard compression or limiting which can cause the processor to distort.
    This is referring to all analog too, digital is even more unforgiving about clipping etc. I wouldn’t think they’d use this methodology on a distributed piece of professional work, but it could be possible? If they wanted this show released bad enough and the tape was noisy...? And/or If they felt that the vast majority of people would never notice it, who knows?
    - TYPICAL 73: agree, besides these issues, and perhaps some differences in the mix I.e., Bob is really nicely present, this sounds very 73...
    - THE MIX: this is not the mix. Whatever your feelings are on the mix, that isn’t the problem
    - THE USUAL: yes there are the “usual” “dropouts”, “unevenness”, etc, but none of these or the usual stuff people comment on, are the problem, this is different. In all my years I’ve never experienced this!
    - WASHY: not sure what that means, but I doubt that’s it either. Washy sounds like more of the “normal” idiosyncrasies found on 50 year old non professionally recorded tape.
    - WOBBLY: : same with this, not sure exactly what is meant as I’ve never heard it used in professional audio terms before lol, but I’m guessing it’s same as above in that it’s a “normal” item that occasionally is noticeable? If it’s meant in regards to variable tape speed issues, that is not the problem we’re referring to here.
    -“IN THE BEGINNING”: this problem has nothing to do with the often occurrence of the mix taking awhile to be dialed in by the mixer etc.
    DARK-STAR: though there is definitely a clipping factor here, I can assure you it’s not due to amplifier clipping. My MC 601 mono blocks have circuitry to prevent clipping, plus, I don’t push them that loud. That’s the whole point of having 600 watt amps, headroom! It’s all about phat tone, not volume! I don’t like super loud anymore, so I find around 90 db peaks or so at the listening position of about 7-8’ is plenty loud. At that volume, the amp meters usually are registering 60 watt peaks, so no where near clipping.
    I’m curious what you mean about your equalizer “evening” out the sound besides the eq? I’m assuming you have some kind of limiter in the unit? I’m curious what unit your using? EQ itself has nothing to do with this problem.

    A little info on EQ though: it is usually used for 1 of 2 reasons; professionally, it is used as little as possible to tune a room, like a studio or dedicated listening room using sophisticated analyzers and testing equipment.
    The second general use is for preference; the way many of you use it to suit your personal taste influenced by the gear, and speakers/headphones your using. It is also used similarly to mix individual sources for live and recorded music. Though live EQ is also used for room issues, it is more often used to “color” sound to preference, not to make things accurate. Whole nother thing there that the reader can look up about accurate vs “good” sound...
    But research increasingly shows that phase/timing issues are the biggest negative factor on sound and unfortunately EQ can cause unwanted phase issues. If you ever wondered why Mickeys studio stuff is the gold standard it’s because he doesn’t use EQ but instead painstakingly uses appropriate mics and mic placement. If you must use EQ, you should try to cut prominent frequency’s instead of boosting others. Like turn down the bass versus turning up the treble. You should never boost if possible. The little op amps in the knobs were not intended to be used as amplifiers, but that’s what your doing when you boost! Sorry, I don’t explain this stuff vert well. So if your having to boost all those upper frequencies, no offense, but you might have bad sounding speakers and/or significant hearing loss, something more common in us older folks than most might be aware of. Like you could have hearing loss and not even realize it unless you get tested! Of course all that really matters is if your happy with your rig, no matter how much or how little it costs etc, the only thing that matters is if your happy with it!
    - SMALL BATCHES: I disagree that it’s not possible for damaged small batches. Yes their using the same master, that’s why it’s called a master, but that doesn’t mean that batches of blank/raw discs couldn’t be flawed or that somehow a setting got changed during the master transferring. I don’t think it’s the former but could be the latter?
    It could be something as esoteric as there were weird power issues on the grid at the plant during part of the run? Again, I don’t think that’d be the case as any real professional facility would have isolated, professionally treated power, but it’s an example of the many weird things that can happen with electronics and electricity that most folks have no idea about.
    HOW PEOPLE ARE LISTENING: what your listening on may well be a factor if your not hearing it, but I doubt this is caused by what your listening on. This is definitely a production issue, either on the original tape, or during the subsequent production.
    I’m still wondering if they ever used a limiter and/or compressor on the original recording? It would make sense to have one since Kidd et el can’t be sitting there the whole time riding the mix like that. These guys had other responsibilities, so to ensure that something/someone doesn’t occasionally clip the recording, using a soft limit could smooth out those occasional peaks. But there are limits to this (no pun intended), if someone turns up significantly louder, it’ll still clip and can cause audible distortion by overdriving the limiter/compressor etc.
    This to me would explain the phenomena. If your sharing a unit via a aux mix on a mixing console, that means everything, all sources potentially get bussed through that unit. If the unit isn’t set just right, any time anything engages the unit, there could be audible artifacts caused by this. That’s why I think this may be it, since it’s not effecting only one source, and it’s not everything all the time. It’s effecting most sources but not all the time...

    LOL, being such an audio nut, not knowing what’s going on is more annoying to me than the actual problem, though I think it’s bad enough that I’ll need to look into replacements. It is definitely very interesting, at least to this geek!
    Anyway, I’ll go through song by song and document as much as I can and report back.

  • proudfoot
    Joined:
    GD, zits and all

    play on
    play on
    play on

  • That Mike
    Joined:
    A Sound Technician Walks Into A Bar…

    Jeffrey Norman walks into a bar, and orders a beer. The bartender takes one look at him, and says, “Ok!! But I don’t want to hear any problems from you!!”

  • stillwaters
    Joined:
    To All Those With Issues Regarding The Sound

    Please read the caveat emptor for Dick's Pick's.

    We now return to our regularly scheduled program.

  • dreading
    Joined:
    AJS

    I hear some loud hi-hat in places. Like the beginning of Jack Straw. If you get a chance can tell me if you hear the same kind of loud symbols on the "Big Railroad Blues" on PNW boxed set June 24, 1973 Portland? I sure do.

  • Angry Jack Straw
    Joined:
    Sir James

    That is pretty much what I currently have.

    About 6-7 years ago, I was looking for a new car. Well, new to me. Buying a new car is one of the biggest rip-offs known to mankind. You are much better off purchasing a slightly used one for a 1/3 or more less. Anyway, I went about my search by bringing a copy of DaP1 to the dealerships. The whole point was that since I spend so much time in the car, I wanted a nice sound system. I would simply turn on the car and listen to the music. After a minute or so, the salesperson would ask if I was ready for a drive. "Not needed" I would reply to a perplexed look. "Thank you for your time." Most wanted thousands more for an upgraded sound system. I wound up going with Acura because the sound was excellent and the price was significantly lower.

  • KeithFan2112
    Joined:
    Ha!

    Jim, you had me at "There is really only one solution". I sensed some chortle-worthy shenanigans on the way.

    Awesome Version Alert -

    My favorite part of Casey Jones is the finale where they repeat the chorus a bunch of times and everyone joins in and plays "denser" I guess you would say. The combo of Pigpen's Hammond, Jerry and Bobby laying it on thick, and Keith's piano gradually building in tempo - it's just fantastic on this night.

    I think Pigpen was really wielding that Hammond with some exceptional skill at that point. Never flashy, but he could play fast at need, was always on time, and always picked his spots with musical know-how. That was quite a period when they had both Keith and Pigpen playing together.

    Edit - whoops - would help if I provided a date - 5/18/72. I'm still rummaging through that show.

  • proudfoot
    Joined:
    lol moment last night

    went to bed early
    had my phone on archive 5/13/83 set two
    she comes up later
    I am asleep
    Space is full steam
    She hisses: "THIS IS THE WORST MUSIC I HAVE EVER HEARD!! THIS IS THE WORST MUSIC I HAVE EVER HEARD!!"

    uh, ok. I'll just turn it off....

  • JimInMD
    Joined:
    Re: AJS

    Clearly you need the Wall of Sound Mobile Edition T (C) (R).

    https://fi.pinterest.com/pin/382735668306627856/

    Pimp up your ride.

    (......honey, I got us a new car!)

  • Angry Jack Straw
    Joined:
    Follow up

    So, I listened to the release in the car this morning. Now I am more baffled by the fact that most folks can't seem to hear the distortion. The best way I can describe it, as I stated in my initial post, is that the cymbals are way to high in the mix. It's quite a nuisance. I also recant my earlier comment on the problem not being on the 9/7 release. It is very evident on HCS. Hell, even our dog can hear it.

    It's a shame because it detracts from an otherwise fine release.

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

Security was not, front row! Woohoo!

How will Dave make us laugh/smile this time ; )

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In reply to by Oroborous

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....and I caved and got the shirt too. Figuring how a probably saved a lot of money the past year by not going to concerts, I figured I would splurge on myself. Shirt looks cool.

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Gave #37 a re-listen last night, really looking forward to this one though. Long tent pole show, first in a while.....

Dave you b******d, didn’t even give us a crumb, LOL.
Just “it’s gonna be a good year”, ssssshhheeeoooottt, it’s May already,
some of us might not make it ; )

In the mean time, I do luvs me sum 73!

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It does look like Ann "Skelletor" Coulter...lol

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An excellent choice, Dave. Best guitar separation of Bobby and Jerry ever. Ramble On Rose, as noted, really highlights.

Bobby is best heard with a piano rather than an organ, which almost totally washes all his chord comping. No crowd noise either.

As I said at the beginning, excellent choice, Dave. What else ya got?

Byrd

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I'm looking forward to this release more than I have any other for quite some time. I think the fact that I didn't subscribe meant that I might miss out - so when my payment finally went through I felt more appreciative than I normally do

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In reply to by Oroborous

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Can someone who has received theirs please share with us the song list?
Sounds like potentially a couple hours worth...though if you add the 2 9/7 songs listed on the track listing for DaP 38, that’s about 32 minutes. The written description near page bottom says about 35 minutes, and Dave says about 40 minutes...yes I am greedy and want every luscious moment I can get ; )

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Listening party soundz a lot like DP #37...

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In reply to by Oroborous

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I haven’t listened but it looked funny; like, where’s the Candyman?
Ooopppss

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Always nice to have these new releases going into a weekend so they can get their due (Dew?)
Bonus disc is niiiiiice.

Also got mine in a very tightly sealed carboard box, which was in a green plastic bag. No chance it could get accidentally damaged or wet unless it was a steamroller. So odd there are clearly differing levels of attention in this detail as they go out.

Sixtus

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In reply to by ststephen123

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Ok...got mine today...will give 'er a spin...one thing though...I noticed for # 37 and the new one that they now ship in flimsy plastic mailers that offer no protection...previously we were getting them in small sturdy cardboard mailers...I'm afraid that with these plastic bags someone is going to get a damaged set...just my two centavos...excuse me now...gotta spin this before wifey gets home from work...

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In reply to by nappyrags

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My DaP 38 was in a cardboard box which was then in a plastic bag.

Oro,
Most of Set 2 is on the bonus disc (I think, don’t have it in front of me). Bird Song is filler on CD2 and Playing is filler on CD3.

Edit:
There are 2 Stella Blues too. Played two nights in a row.

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The Listening Party - nice though it is - consists of, as remarked earlier, tracks from DP 37, to wit, Let It Grow, Deal (end of set 1), and Candyman (track 3 from set 2).

But as my copy of DP 38 hasn't arrived yet, I'd like to hear the WRS, Ramble On Rose, and He's Gone.

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38 is now on sale to the general public and still no shipping notification for me in Denver. Don’t leave me hanging Dave! Excited for this release

wheeeeeerezzzzz my copy???

gimme gimme gimme
I need some more
gimme gimme gimme
don't ask what for

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In reply to by icecrmcnkd

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....i think they posted the wrong show.
edit. Ah. I see some of you have already noticed this.

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It would be a really nice t-shirt too, if it didn’t have Dave’s name plastered across the front. Is it a Grateful Dead t-shirt or a Dave t-shirt? Who the fuck knows? Take your pick.

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O.K. I gave it a second lesson on a different stereo system altogether. The first was with four speaker surround-sound, the second with just floorstanding speakers. I can still hear some kind of distortion or something going on. At first I thought it was the cymbals being too high in the mix. Not sure what it is.

Overall an excellent release. But, the sound quality keeps it below DaP5.

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I'm calling BS on the listening party tracks. The LIG is clearly from '77 era shows. And the other two tracks [ROR/He's Gone] don't match what's actually included in the stream. What do I win Jim?

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Very brief comment, as I have only had a chance to listen to first disc... the distortion I hear most shows up most clearly on some vocals, for example, esp. Jerry on Sugaree... mikes seem to be bit over modulated, levels a tad too high. The sibilants (Shake... juSt... Sugaree... ) usually will show it, could be a too close encounter with the mike, because its not heard on all sibilants... just SSSSSayin'

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3 years 10 months
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Is that a Taylor Swift t-shirt underneath there?

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After looking thru all the stuff in the Store, I think a name change to the Daveful Dead is probably in order. We never had an Owsley, Candalario, Healy, Betty, Bob, Bobby, Jerry, Phil, Billy, Mickey, etc., Dead, but hey, now, times change and who the hell will all be around to argue once the lawyers are done.

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The second part of the listening party (Deal, Candyman) might be from Dave's Picks vol. 37!
In this very moment I realize Deadeasy posted the same!
Well in 2 hours it's May here in europe!
Love
RNB

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In reply to by dmcvt

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Bonus disc filler Schwing

Bird Song ** Playing in The Band
Let It Grow -> Stella Blue
Truckin -> Drums -> The Other One Jam -> Eyes of the World -> Sugar Magnolia

Probably one or two more songs with the big jams. There's a lot of good stuff from 9/7/73 first set. Hopefully it's a couple of these They Love Each other El Paso or Row Jimmy Looks Like Rain back to back combo. There's been some smoking jams from 1973 on the tapers section here recently and these two nights at Nassau Coliseum have some of that same stardust

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Love the nod to David Byrd’s poster for the Nassau shows in March on the 15th & 16th, (and then a third night on the 19th not mentioned on the poster), with the folks in the background! He’s Truckin’ and She’s Posin’ as Byrd’s poster says next to these same characters! Excellent work Helen Kennedy!

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I have known Jay Kerley for going on 50 years. The man is in the know. Pretty sure I went to more Dead concerts over the years with Jay than anyone. Big up!

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The Deal on that listening party, sure sound a lot like something from say 1978 when Donna is screeching towards the end of the song. I've never heard that in prior years and certainly not 1973.

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Thankfully. Just finished it. Gorgeous He's Gone and Ramble On Rose, and a mighty fine debut of Weather Report Suite. Always been a fan of the whole thing more than what I feel is more abrupt and incomplete Let It Grow. Which, I still would have been pumped for a Let It Grow, especially set closer, but my introduction to the song was Jazz is Dead in 1999 when I heard their ripping jazz fusion instrumental version with Jimmy Herring playing the vocal lines, as well as searing leads and rapidfire rhythm https://youtu.be/UzpeMhtxrF4
I was blown away. Within the year, I happened upon the newly released Dick' Picks 14, which apparently was the last one to come out while Dick was still around, and here was 4cds of this band I had some familiarity with (Cornell, 3/1/69, 9/3/77), and here were 2 shows from an era I didn't have with songs I had just gotten to know in an instrumental jazz fusion fashion. And this set had not one, but two versions, and two Playing in the Bands, and opened and ended with Morning Dew. All there at Best Buy for like 25 bucks. So, made the easy call, and while I enjoyed the set a lot, it didn't initiate the deep dive into the Dead that took about a decade to really commence. And by that point I was catching up on DiP 12 with the monster WRS> Jam> US Blues, and the Winterland '73 box with its three excellent WRSuites, so this release is right in my wheelhouse. Can't wait for it to arrive. Received a shipping notice about 1am, still no tracking, but one can hope it's already out and about looking for me. The Listening Party was a good snack...

Oh, and was able to get another glass, so two for two thus far, and also got the shirt. Liked the look of it, and it not having a skull on it may allow me to wear around the wife without her pointing out the shirt I have on has a skeleton on it.

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The eyes from the bonus disk is real fine. Jerry really hits the high notes at the 16:55 minute mark. I also picked up the t-shirt which I love. P.S.- Is it me or does the crow on the bonus disk have a couple of claws twisted 180° in the wrong direction?

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But I was initially hoping for an official release of 6-9 and 10-73, which would be swell!

Maybe Dick Latvala didn't think it was that good but a lot of other heads, me included, seems to think so. I have a tape of 6-10-73 since 1985 but a bit muddy sounded and not in chronological order. It would be great to have it in order mastered by Jeffrey Norman. Including the third set with the Allmans of course. :-)

But I will appreciate DP 38 for the time being. ;-)
It was shipped on April 23rd and will hopefully be here before the end of May, or at least early June. :-)

Micke Östlund,
Växjö, Sweden

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In reply to by deadmike

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For the 50th anniversary of the Europe 72 tour I'd like to see the powers that be select a few of the shows and apply all of the new technology available to enhance the sound quality (Plangent etc...) of these shows. (Give Jeffrey some time). I'd buy it.

But it does look like her, dang Dave, gone Madonna on us?

Thanks for the cover art catch being from the spring show, not sure I would have caught that! And as I posted on 37, I have that poster.

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Dead.net WEB Site could use some TLC . Get rid of the "Who Are You" pop up (don't mind the song). Lately it seems every icon click leads to the table of contents instead of interior web pages. Did the monkey grab the keys to the IT Control Room? Would rather order merch from my laptop or desktop not my iphone. Oh Well, going to get some new flagpole rope to fly my new STEALIE flag.

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In reply to by icecrmcnkd

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I listened to the CD’s and all played fine with no distortion or audio problems. Have the files on a computer now as I convert to various formats for use on music players.

Note: on crappy computer speakers there is a lot of distortion (mostly Phil). I didn’t notice any when I played the CD’s on my stereo system.

Bonus track list:
111:37

Bird Song
Playing
Here Comes Sunshine
Let It Grow>
Stella Blue
Truckin’>
Drums>
Other One Jam>
Eyes>
Sugar Mag

Edit:
Now playing the bonus disc on home stereo and there is no distortion or audio problems.
When playing the files on a computer the audio levels (as shown by the audio software) were close to saturation. So, if you hear distortion try it on better speakers. This may account for the previous posts by people who listened with headphones and thought they detected distortion and/or saturation.

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In reply to by icecrmcnkd

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....I know. Toxic.
Seabird17 got a Stealie flag!
Now that's a flag I can get behind! Unlike the flags that perminated recent years. But I digress.
Edit....Nassau arriving on
May Day.
Double bonus bonus.

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In reply to by deadtony

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So I was reading an article about Jerry Garcia and the line where it said he died at the age of 53 really set me back. 53. Wow.

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