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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • JimInMD
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    Sound Issues / DaP 38

    There is really only one solution. It's a bit complicated.. so hang in there with me. This is what we all need to do.

    1) Get out the credit card with the greatest limit.
    2) Google, select and purchase the new Wall of Sound, Home Edition TM (C) R with this credit card. As soon as the purchase is made destroy this card.
    3) DO NOT TELL your partner/significant other.
    4) Go to the roughest bar in town and tell some raunchy mom jokes to the bouncer. Keep doing this until he pummels you.
    5) Come home and tell your partner / significant other you were mugged and robbed. Tell them all they took was your credit card.
    6) If your partner is suspicious file a police report.
    7) Install the WOS Home Edition in your listening room while your partner is not home. If complaints arise later, amnesia from the head trauma is your response. "honey, I am having trouble remembering anything from that week.
    8) Replay Dave's Picks 38 at high volume.

    Your sound issues are now resolved. Happy listening.

  • icecrmcnkd
    Joined:
    The levels are too high

    I mentioned that a while ago, after others had already detected it with headphones.

    I played the CDs twice on my stereo system are did not detect any sound issues.
    Onkyo 6-disc CD changer
    Cambridge Audio receiver
    Onkyo subwoofer
    Bose 301 speakers

    I then imported to computer and made ALAC files for my music players and AAC files to play from a USB flash drive in the car.
    When I played the imported AIFF files on the computer there was extensive distortion through the small external computer speakers.
    The colored bars that show the sound levels (not volume) on the computer audio software were almost hitting red. Clearly too high, but don’t know if that is on the original recording or the result of mastering.
    Recall that on 8-25-72 Norman boosted Phil’s bass beyond what was on the original recording.
    Maybe he boosted the levels for this release.

    I played the ALAC files with an iBasso DX120 music player connected to my Cambridge Audio receiver. Did not detect any distortion or other sound flaws.
    Been playing the AAC files in the car this week and have not heard any issues so far (set 2 started just before getting to work today).

    So, it definitely depends on your system whether you hear the issues.
    Crappy computer speakers sound terrible.
    Apparently a high end system like Oro’s reveals the sound problems too.
    My midrange system sounds good as does the audio system in my car.

  • unkle sam
    Joined:
    sound quality

    Upon several listens to these cd's, I concur, this release has a few abnormalities that don't take away from the overall enjoyment of listening to these discs, but they are noticeable and makes me wonder if it was the master tape or was it a mailed in mastering job?
    This has also made me wonder, will the rest of Dave's sound like this? I love me some Jerry right up front, why I'm here, but there should be a better balance of all the players in a band, not just one or two.
    Disappointing? yes, deal breaker? not sure yet, will have to wait and see, but if there is any more killer shows that they do want to release, lets hope that the folks who do the mastering of these ancient tapes does a little bit better job than this release.
    On a separate note, I was privileged to receive a code for the Dead and Company presale going on today at 10 am. Funny, I did not receive a code last tour, not privileged I guess. The price for these tickets is outrageous. A vip guaranteed reserve seat is over 250.00$. That's for one ticket.
    It was fun getting excited like the old days, yahoo, the dead to tour, get your head together, get some tickets, get excited, get ready.....then I realized that those days are over for me. I can go see Billy strings, get a great hotel room, then go to the hot air balloon festival and get to ride on a hot air balloon, all for the same amount of cash. Kinda seems like a no brainer here, twice as much fun for the same dollars.
    I realize that Bobby, Mickey and Billy are getting up there and there won't be too many more tours for them, and I would love to revisit these guys one more time.
    The last time I tried to get tickets and got them, the show was cancelled due to Mayer's appendicitis. I don't want to jinx it so I will pass on this tour, besides, it's just too soon for me to be out there with all those vaccinated and unvaccinated people. Too all those who decide to go, enjoy.

  • Angry Jack Straw
    Joined:
    Dreading

    I ultimately reached the conclusion that part of the issue is how people are listening. I do not listen on headphones, computer speakers or use any type of equalizer. So far I have not listened in the car. I did try using Dolby on one of our stereo systems, which reduced the noise to a certain extent, but not entirely.

  • dreading
    Joined:
    That's a fact

    I've been in the record business all my life and agree with AJS. There is almost no way an audio anomaly like what was described could occur on some discs and not others for Dave's Picks. These discs are pressed ùfrom the same master. There would need to be two different master mixes for a subset of CDs to contain an anomaly. I would say the player could be a factor, but Obo ruled that out already. I assume like Jim said we are not counting Bertha because it is uneven for obvious reasons. I hear a decent sounding 1973 show here. The master tapes sound better better than Pacific Northwest but not as good as DaP 5. I don't hear many audio issues at all. I would like to hear what Obo and AJS are disliking. I whipped out the Bose headphones and all I hear is Jerry "shredding". What a night he is having. Weir too. Early on somebody said Keith was gone and that is true. Every once in a while I will hear a section that sounds like a tunnel for 5 or 10 seconds, but they are few and far between. Or Weir will just stop playing like in China Cat Sunflower but he needs to rest sometimes. He played China Cat, HCS, EOTW and Bird Song all in one night ;-)

  • Angry Jack Straw
    Joined:
    Sound

    The chances are virtually nil that some defect would have only affected such a small number of discs. Furthermore, it only occurs on the 9/8 show, not 9/7. I am very surprised as well that others are not hearing it.

  • Dark-Star
    Joined:
    Oroborous

    I don't hear it, which isn't saying much. I rip everything to my hard drive as WAV files and run them through an equalizer with a bunch of sound options. "Concert Hall" is perfect for these old Dead tapes, plus I push up the four EQ sliders all the way to the right about halfway.

    That being said Oborious, this sentence got my attention. You say:

    I’ve noticed the phenomena/artifact on several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.

    This phenomena sounds like something Norman may have done in production. It sounds like a feature I have that prevents clipping at high volume. I am a fan of good sound but no engineer so I will copy the internet definition, which you probably know:

    Clipping is a form of waveform distortion that occurs when an amplifier is overdriven and attempts to deliver an output voltage or current beyond its maximum capability. Driving an amplifier into clipping may cause it to output power in excess of its power rating.

    When I play stuff too loud this feature cuts back on only the parts that are causing the clipping. It is obvious to the ear when this feature on my system gets activated. It sounds exactly like your description where you say 'several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.'

    My theory is that the master tapes Jeff Norman worked with had some hot spots so he used a feature like what I have on my equalizer to "even out" all the levels as he input the music from the master tapes on to a digital storage.

    I am not sure why I don't hear it but I guess my EQ is dressing it up. If I listen to the CD with no EQ it sounds like the treble needs to get turned up all the way. Even then it doesn't sound even close to the quality of the EQ and Concert Hall enhancement. It makes me curious if a lot of people out there listen straight off the CD with nothing 'extra' to improve the sound.

    On a different note I laughed heartily at the quacking duck interview. Well done whoever made that up. It sounds like something Jerry would say.

    And last, I listened to the Dark Star / Morning Dew that KF mentioned on 5/18/72. I don't know how I overlooked that one but it is much better than I remembered. Somehow the Europe 72 Dark Stars never stuck with me. Probably because I rarely play those shows. Only because I want them to be special every time.

  • JimInMD
    Joined:
    Re: That Mike

    Great joke.. made my day.
    I wholeheartedly agree.

    Yes.. the sound on 38 is a bit wobbly in the beginning. But isn't that Grateful Dead standard time? It sounds ok by the time they get warmed up.

  • KeithFan2112
    Joined:
    The Munich Invasion 5/18/72

    Next up on the E72 anniversary list. What at a great show. And it's Dark Star => Morning Dew night.
    I'm going to go out on limb here and say it's the first time they did this combo. This is one of my favorite shows from the tour. Jerry's guitar is louder than usual (and louder is always better). Crunchy guitars are tight!

    Sugar Magnolia really hits a groove, and Billy has this absolutely ridiculous drum fill at the....drum fill part; I've never heard him play it quite like this - it's like gets a running headstart. Great version despite a classic Bobby lyric miss early on (proof of the weed).

    Jack Straw is great. This is maybe the second one where Jerry sings the Watchman and Tulsa verses, and Bobby forgets it's not his line anymore - so they both jump the Watchman - not a fair fight at all.

    And some great banter after Black-Throated Wind. Jerry always makes me laugh up there. He was the king of one-liners:

    Girl Fan (to Jerry): Lovelight!

    Jerry: Turn on YOUR Lovelight baby.

    Girl Fan: You Turn on yours first.

    Jerry: Oh no, after you...

  • alvarhanso
    Joined:
    Sound quality on 38

    I was surprised this is the first real discussion about it. I got my copies a week ago, and have made it through the Bonus and Bird Song and Playing as I ripped and converted and had 9/7 first. Also, made it up to Weather Report Suite on the release. The sound struck me as incredibly washy, and while it's great to hear Keith and Bob much more than usual (some releases you wonder if Keith played on much at all from his presence on the tapes, but these are great for Keith fans!), so I just balance that with the cymbal heavy mix. Maybe they were trying new mic placements for the drums. Not Kidd Candelario's best tape by any stretch. He's usually top notch, though. Jai Alai Fronton last year is a phenomenal Kidd tape. That may be my favorite Wall of Sound release for sound quality.

    Also, I'm surprised, or have missed, no reference to the Bonus Eyes ending not with its Slipknotish jam, but ending with a Here Comes Sunshine jam. A fantastic Eyes! Phil with a different start to his solo, and a different feel, maybe reacting to the Wolf darting around? So far enjoying the release and bearing with the sound.

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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How about a Dylan and The Dead box set to celebrate Dylan’s 80th birthday. Obviously, it isn’t going to happen but it would be interesting to hear.

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Wow. Just wow. #4648 is sounding great here in Baltimore!

Love the artwork on this one too! Very cool the way they went with the Weather Reporter for the first ever WRS. It is stuff like that that keeps me coming back!

"Bertha" is a little bumpy, but thanks to the kind folks here, I knew to simply wait it out for a bit and that things would correct themselves - and boy, did they ever! Very happy with this release - it's got me shouting like Bobby at the end of this "Looks Like Rain!"

On to set 2!

Peace

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In reply to by nappyrags

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I love this
A show I am totally unfamiliar with
Oh for a soundboard of this quality of 9 11 73

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In reply to by nappyrags

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Thats cool
I think vguy found somma dat yesterday

I saw a screening of that flick years ago

I dont recall the song tho

Y'all be cool, Nappy

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This might be their favorite El Paso of all time? lol I like the '77-'78 versions myself :-)

I gotta dig deeper into this one.

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Otis my man! I couldn't figure out what the point of the artwork was. Then I actually commented yesterday about how the WRS didn't have its normal ending (as if they had not yet developed it) and I still didn't make the connnection. I also just saw the animated DaP 38 cover art from the email advertisement. Very cool. I guess I thought it was a windy night at Nassau.....

I am really loving what I've heard so far. I'm up to Truckin' now. A lot of what I'm enjoying is the clarity of Jerry and Bobby playing together. In the past when Bobby's been turned up loud, Jerry's been too low; but here they each pretty much own a speaker. It's a very unique mix. The separation between instruments reminds me of DaP 18 at the Orpheum, though it was more Jerry and Keith on that one.

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Among the biggest tentpole shows of tentpole shows imho.

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In reply to by SPACEBROTHER

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Polie of polies

- jack black

5 2 70 rox

3 7 81 rox

Gotta try again on 9 8 73
Too much trippus interuptus on the first go round

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In reply to by SPACEBROTHER

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Sums up 5/2/70. Often overlooked-this includes my favourite version of "Good Lovin'". As well as "Other One" and "Dancing in the Street." And maybe "Viola Lee". But the whole show is amazing.

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Wow, Gerd, that is seriously bad news. It was also cancelled last year. Two years no Oktoberfest! The whole world has turned to shit. 💩 Given the choice, I would much rather have beer than corona bat flu 🦇 but we are denied that choice.

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No not that 420!

Almost can't believe my ears, but at the 4:20 mark Not Fade Away part 1, I hear Keith playing some Hammond organ. The last time I recall anything with him playing Hammond was October of '71, and maybe his first couple shows. You can hear some on Dave's Picks 3.

Yes Daverock, The Other One 5/2/70. I bought Dick's Picks 8 based on these comments from listeners on the Heady Version site:

"Garcia's guitar tone here is pure liquid magic"

"High voltage tight lightning jam without a meltdown"

"Every time you think Jerry's peaked, he pulls out another blistering run"

"12:20 begins a sequence where Garcia and his guitar reaches uncharted territory. Did not know this level was even possible"

And my favorite:

"Garcia is in orbit - no other way to characterize it. Makes his case re the Nobel for Holy Fuck!"

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My ears had whiplash too, mouth agape and gobsmacked. I wish there had been more...and call me crazy but
I swear Truckin' is about to turn into Need a Miracle at about 7min. but then its only '73. Oh well, might as well listen to the whole show, again! Really enjoying this one!

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The ending of Let it Grow on this release is like delicious melting fudge. That is all.

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I think I can confidently say that this is my favorite Dave’s so far. Even though the sound quality isn’t as good as the last few Dave’s(especially the last one, very crisp), the playing is sublime. The mix is nice too, even if Keith gets buried sometimes. It’s almost weird to hear Bobby so loud, but it’s really nice especially during Row Jimmy and Ramble On Rose. Jerry’s playing is also very good, and Phil is nice and up front, at least to my ears. From what I’ve heard of the bonus disk so far, I’m really enjoying it. Overall, great release. Highlights for me are the WRS, Row Jimmy, Sugaree, Eyes>China Doll, and that entire 3rd disk is something very special.

Also, a May 73 box set would be wonderful; a perfect complement to this Dave’s. I would also like to a see a Fall 84 or Greek Theater 84 release sometime. Those Greek shows are gold!

As for the next Dave’s(or future Dave’s), I’m hoping for 9/15/85, 2/14/86(trust me, it’s really good), and 6/29/76.

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Like a board tape, unedited, oraganic and real. So many "live" albums as official releases have tons of overdubs. Not these, the Dick's and Dave's picks feature every note as played.

I would like to hear more crowd noise, but again just the natural audience banter not the piped in "KISS Alive" shit. Although I do love KISS.

The Grateful Dead are the most human sounding of any band I have ever heard. Sometimes loose, sometimes tight, sometimes sloppy, otherworldy, in and out of tune. It's what I love about them and it isn't a backhanded compliment.

I come to the well of the Dead for what I can't get anywhere else, and this release is absolutely primo in that regard.

Cheers everyone.

\m/

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With all the talk about 5/2/70 lately, I decided to take another listen to Dick's Picks #8. It really was a really great show! Over the weekend, I was also able to find and download an SBD version of the show that included the NRPS set in between the Dead's acoustic and electric sets! Gonna give that version of the show a listen to soon!

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No other information is available.....

Why can't this series be released in digital format? Every other release, other than Dave's is sold that way...

Only thinking, maybe because they can skim, cds off the top and sell them on Ebay. I truly wonder how many copies of this LIMITED EDITION and Numbered series. are out there...There a many copies abound with no numbers...wait I get it....the numbered series is limited, the unnumbered don't count.

Also, I see them on Ebay, being bid on, at twice the price or more. Yet, Dead.net, had not sold out, at that time.

To many hands in the cookie jar.

Keithfan-Caniol - yes, this version of The Other One is transcendental. Incredible that they could hit such peaks as this in a live performance, and then release "American Beauty" a few months later. AB is also magical, but in a way that couldn't be more different. I can't think of any other band that could produce such inspiring music in such contrasting genres in the same year. Great live AND in the studio during 1970.

I used to have a bootleg of this show with the NRPS set included back at the tail end of the 80s. Long gone now, unfortunately.

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Having problems finding decent artwork for Vol. 38 ... Need !!!

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In reply to by daverock

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With a deflating exhale, I will add today marks the 51st anniversary of "four dead in Ohio.." just a couple days after the famed Dicks Picks Vol. 8.

One of my all time favorite shows too. It's just spectacularly executed, they were on fire that day. ..and now it looks like I have to search high and low for the NRPS addition. Ah, found it.

Some of the all time classic shows to my ears occurred in 1970. Dicks Picks 4 and 8, the Sept and Nov runs at the Capitol and others. Plus.. the guy that was supposed to hit the record button was MIA most of the year. Can you imagine what would have been if the hit the record button buy hadn't sprained his hit the record button finger? What might have been... set the wayback machine for 2/1/1970, New Orleans.

and Pelazami - Jeff Smith does an incredible job creating digital images of the artwork. He lives in a cave up in the hills though.. so like me, it takes him a couple extra days to get his copy. I am really looking forward to getting and listening to mine. It's getting an awful amount of positive hype and good reviews.

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I've been driving myself crazy since I received my copy yesterday trying to figure out what that shadowy crab claw / batwing looking thing lurking in the wheat is. Dave's only hint on Twitter was "it's very meaningful in the Dead world..." I'm gonna feel really stupid if it is something obvious, but my mind just can't connect the dots on this one. Help!

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https://m.youtube.com/watch?v=0DZA7fXiSNI. I really enjoyed this show, Keystone Palo Alto was a pretty small place, I saw Garcia play there a lot of times . I remember one night when Hunter was on the bill with Garcia he said, "I remember when this place was a Purity Store, we used to shopliftit in here". I saw Muddy Waters play at Keystone Palo Alto one time, fun times!

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I do love this release and the bonus disc is really sweet. But Im wondering if all the hype from Dave in the seaside chat about how well Bobby was playing in the show was to prepare us for how low Jerry seems in the mix and how in the front Bobby is on the 9/8 show. The bonus disc from 9/7 seems better balanced but Im straining to hear Jerry at times in the main show and its a bummer cause what I can hear is smoking! All in all this is a solid release though and Im already on my second full listen!!!

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I was at the Kent state 1 year moratorium anniversary of the killing of 4 Ohio state students by the Ohio state national guard. It's hard to believe it's been 50 years. Seems like it went by in a flash.
It was a very somber day, there was a lot of people there, protesting the war and marking the anniversary of the killings. Lots of cops too. Some were angry, but most were sad. The war was still raging, the cops were still hating on everything hippie, the draft was still going on and young people were angry and afraid and anxious and fed up.
That was about the time I started to realize that they were never going to change. That I could not change them with all my yelling and protesting. It's like everything that I had been taught did not apply to them. The "establishment" was too established to bring down, or even change just a little. They made the rules but didn't have to live by them. A somber day indeed.
There was going to be a large gathering on the 50th anniversary of the killings, but Covid cancelled those plans. Joe Walsh (a student at the time of the murders) and David Crosby were scheduled to play a concert with Joe reforming the old Barnstorm line up for the show. That would have been great.
I do not know what that shadowy figure in the wheat is, anybody?
This is an excellent release, that 3rd disc is awesome.

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In reply to by wadeocu

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Thank you! Smacking myself on the forehead wondering how I missed that. :-)

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In reply to by sjbutler

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I saw an article recently about the woman/girl in the iconic photo. That photo really f'd up her life. She was identified, and people spewed hate on her. Sickening.

She was apparently a 14 year old runaway when the pic was taken.

America, you wonderful, digusting, admirable, foul entity...

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In reply to by sjbutler

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I thought it was the top of a cats head. After the crow, the china cat. Ears don't look right for a wolf?.?

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I'm absolutely loving DaP 38. It doesn't get much better than '73 Dead. Mine arrived yesterday, just days after the official release, and glory glory hallejuah, all the discs actually play! I've only had time to listen to discs 1 and 2, and they're as great as others have said. This is right in my sweet spot, a 10 out of 10, AFAIC.

I'll probably write more about the music at some point, but for now I just want to mention a couple things about the audio: one is that this is indeed one of the few shows where Bob's guitar is as loud or louder than Jerry's in the mix. In some ways, this is great, and I didn't really mind having the chance to really savor Bob's amazing, ridiculously under-rated guitar playing. BUT for anyone who's interested, I did notice that you can adjust this to a significant degree but adjusting the balance between your stereo channels. Bob's in the left channel, Jer in the right, and for me, putting the "balance" nob at about 1 o'clock brought Jerry up a little and, I thought, improved the stereo image.

Also, as some others have noticed, there is some weirdness is the extreme low frequencies at a couple points, and I could see how it could sound like a defect on some systems, but to my ears it sounded like something Phil was doing intentionally: not a classic Phil Bomb, but more like maybe his amp was distorting just a little at peak passages and he decided to just go with it and try to make something out of it? You now Phil. Remember that scene in the Grateful Dead Movie, where his bass starts making weird sounds as the guy holds the move camera near it, and instead of getting annoyed or freaking out, Phil tells him to keep doing it, and he immediately starts twisting nobs on his amp just to see what weird noises he can get? Love that guy.

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actually i think jerry is in left channel to simulate his location from the perspective of an audience member in 73, bob is certainly loud but i think there is plenty of jerry, i really like the mixes with guitars on either side, sometimes the recordists (or mixers for multitrack) put bob and keith on either side with jerry in the middle which also makes sense in a way, bob's sound in here comes sunshine is extra...

i will echo earlier comments about the rarity of keith on a hammond sounding organ, did they just have one at nassau and decided to give it a try? also i def thought it sounded like miracle at one point in the truckin jam, not too surprising for a driving E blues jam

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In reply to by leedesj

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Interesting comments on Daves 38, which I haven't heard yet. Bob's apparent presence seems to echo a discussion from last week concerning lead and rhythm guitar. Maybe its a bit misleading to regard a guitarist who favours a chordal approach as rhythm and someone who plays single lines as lead. I vaguely remember reading an interview with Jerry somewhere, in which he said that many times he followed rather than led, when he was playing. But because he was (usually) louder, it seemed as though he was the one doing the leading. To be sure, he often would have been-but not always.

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17 years 2 months

In reply to by proudfoot

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Define "wee bit of time" for me. The release date is now 3 days gone. My shipment hit my local Post Office a week ago. They have flat out told me they have no clue where the package is. I got email yesterday from Dead.net customer service asking for my info so they could look into it. Hopeful there at least.
Is this mail innovations thing just about the $? This must be the 4th or 5th DP I waited for long after the tracking showed a transfer to the PO. A couple made it. I'm pretty sure I had to have help from Mary on this forum to get a couple of them replaced. I'll pay extra money for UPS or Fed Ex. PLEASE anyone who has influence suggest this option. Put a big handling fee on there so you can do more free shipping to people who need it.
When the announcement of DP 38 on sale hit my inbox I ordered a copy just in case I never see my replacement order. I'd be out the bonus disc but surely could find that music somewhere.
If dead.net makes this right so I get the subscription order I will give the other copy to someone on here who missed out. I'll even pay shipping because I'll be so happy to get my proper copy.

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8 years 1 month
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Hey now my friends and freaks! DaP #38 was waiting for me in my my mailbox when I got home last night. And it's number 1780. I don't think I've ever gotten a lower number since I've been subscribing to the series. There is truly no rhyme or reason to the way the releases are allocated and I don't really care about that. It's all about the music and the memories!

Anyway, I'm downloading it now so I can listen to it today at work. What I've heard in the Listening Party and on Dave's SiriusXM special is awesome. This might have been a show I attended. The 60s and 70s are such a blur but I got to a ton of shows in the NYC/Philly area back in the day. Nassau was one of the venues I saw lots of shows at.

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8 years 1 month

In reply to by Huskerwing

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@HUSKERWING
Everything coming through the USPS is unreliable these days. Without getting into politics, I will say that the current Postmaster General hasn't helped the timeliness of our mail service. I accidentally ordered two subscriptions this year and my second hasn't shown up yet.

Hang in there!

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In reply to by Huskerwing

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wee bit of time would be until this Friday

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17 years 3 months

In reply to by proudfoot

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Ok thanks! I can wait.

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7 years 10 months

In reply to by msmiranda

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The shipping issues associated with this site has nothing to do with UPS or the Post Office, if it never leaves the warehouse.

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14 years 11 months

In reply to by DeadVikes

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I see what their game is. One indispensable release a year (Dave's 34...Dave's 38) to keep suckers like me to re-up. And that's fine.

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