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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • alvarhanso
    Joined:
    Who Summer '72 boots, Miami '74, etc.

    I have several liberated bootlegs of The Who in Summer '72, of course not clean SBDs like we have with the Dead stuff, but most are quite listenable. (A variable term for sure, depends on one's experience listening to hissy audience tapes, but there are definitely decent ones to be found.) And I like collecting them to get those sort of tunes that they played with Moon for very brief periods. Who boots will vary from awful to great, you just gotta poke around.

    If I had a Mt Rushmore of Dead shows, 6/23/74 just about makes it on mine. Maybe not the best show from the Wall of Sound era, but to my ears, it is by far the best sounding tape of that era. Jerry's picks are all a little odder than usual, but all are perfectly chosen. The Ship of Fools (and it's intro Jam) is a fantastic way to get back from the weirdness of Seastones. And that Dark Star> Spanish Jam> US Blues is just magnificent.

    And to the post about the actual Mt Rushmore and FDR over Teddy: we wouldn't have had any sort of President like FDR without TR. We'd likely still be a smallish country with no great impact on the world without Teddy. Similarly, one could say the same of Cornell or Veneta or 2/14/70, because for a lot of people the tapes of legendary shows introduced them to the wonderful music and led to the discovery of the bounties awaiting the collector of more tapes. Those shows may not endure as favorites, but they are still signposts to a new space, to steal a title from a Jerry interview/book. And if I were to switch out a face on Mt Rushmore, it would def be Jefferson for Madison. (In keeping with ones who had served by the end of construction.)

    If I have to choose 4:
    11/8/70 (so wish there was a SBD of this one)
    5/7/72 (just bc Dark Star & The Other One)
    6/23/74
    5/8/77 (my George Washington, where it started for me)

  • Forensicdoceleven
    Joined:
    I've always had an eye for the oddities in life.....

    Yo! Rockers!!

    “We’re tuning up a little bit for you folks, make it sound better cuz nothing’s too good for you………”

    12/2/71, it's a bit of an oddity. One of only two 71 shows with both Brokedown Palace and Black Peter. The only 71 show with both a Smokestack Lightning and a Lovelight. And unusual for 71 in that it didn't have a Truckin', Good Lovin', The Other One, or Dark Star........

    Back in the very early years of my crazy tape trading daze this was one of the first “local Dead show recordings” I had, so it has a special place in my Grateful Dead heart of hearts. It never seemed like the greatest Dead show ever, yet I still treasured it then---AND now.

    Think I'll listen to it on my way to work.......

    Rock on, my friends!

    Doc
    Odd how the creative power at once brings the whole universe to order......

  • Vguy72
    Joined:
    I went with the '74 Miami show.....

    ....you know. The one with the best segue from Dark Star into US Blues I have ever heard.
    Majestic....
    I learned to duck

  • KeithFan2112
    Joined:
    72 Who and 12/2/71 Dead

    Gratefulgerd - I looked up the set list for your 8/11/72 Who show. That must have been incredible - I would love to hear Relay and Long Live Rock with the gang in their live prime. Those two songs were freshly written at the time, and then quickly dropped from the set list. I doubt any relreasable tapes exist of the '72 tour you saw, but I found a decent YouTube show from later in the month with the same set list. Good stuff.

    Proudfoot - I checked out your 12/2/71 recommendation. Some hot spots in there. I like those late '71 Smokestack Lightnings with Keith in the mix. The piano suits that song. Brokedown Palace is nice - they nail the vocals at the end, which is always the icing on the cake. Also like this UJB. Solid version and Phil really nails the backing vocal on the "crow told me" verse. He used to sing some cool parts in those early days.

    Also checking out other December 1971 shows after Doc's 12/14 recommendation. Currently listening to DaP 22 at the Felt 12/7. After Tennessee Jed someone in the crowd hollers out "St. Fucking Stephen!" and Jerry impatiently responds with "Aw, Fuck your own St. Stephen!" So glad they leave the stage banter in these releases. These guys sounded like they had a LOT of fun at work. What a way to spend your life.

  • proudfoot
    Joined:
    12 2 71

    :)))

  • daverock
    Joined:
    Dicks 23 and 36

    Keithfan - yes, thanks, I'll bear your comments in mind next time I listen. I will try the two El Paso's, and look out for the contrast.
    I should say that my immersion in Dicks 36-9/21/72 - has been stimulated by its release on vinyl, and that's the version I listen to now. It sounds amazing to my battle worn ears-but I haven't compared it to the cd version. Price it cost, I'm a bit scared to!

  • KeithFan2112
    Joined:
    Daverock

    Hi Daverock. Yeah, that was a tough choice, DP 23 over DP 36. They have very similar set lists. If I had to choose between one or the other to bring as the only Dead CD to the desert island with the coconut rum and bikini women, I would go with DP 36, based on the Dark Star, Wharf Rat, and Morning Dew. I'm not sure which Bird Song I prefer; maybe I'll put that to the test later. But anyway,
    I like the performances and the recording of DP 23 more. Jerry is consistently loud throughout DP 23. On DP 36 he's certainly not low, but he tends to get washed out a bit when the whole band is playing and he's not swinging away at chords. You can hear what I mean for example with El Paso. If you compare the first minute of DP 23 to DP 36, you can hear Jerry loud and clear on 23 when he's doing all of that cool picking; meanwhile he gets buried by the band on 36. I also hear more flashes of brilliant playing from Jerry on 23. Another thing about DP 23 is the backing vocals sound better to me in a lot of places, like they're "blended" together more evenly. And then there's the monster 40 minute Other One - lots of great jamming here, and they almost jam out The Eleven at one point (Jerry starts it but nobody hops onboard).

  • BigDeadFan
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    anybody home?
    5 day sale…

    anybody home?

    5 day sale sign is still on web after a week?

    no box set announcement? No dave's picks announcement?

    is anyone there?

  • Gary Farseer
    Joined:
    Heavy Metal

    Did it, done it, occasionally revisit for nostalgia. I worked at the movie theater when Heavy Metal came out. Never watched the whole thing thru but saw all of the scenes in pieces. I have the Movie recorded on my DVR. Maybe today will be the day I revisit it. May try to watch twice before I erase it. If memory serves there were some other rock bands I uncertainly wouldn't call heavy metal. Let's see, Journey and Donald Fagan and others on there should never been associated with heavy metal.

    So I started thinking about it. I had written the first paragraph about 5 hours ago. Thinking about metal and some concerts I saw, when I started thinking about Judas Priest. I remember wow it was 1981 when I first saw them. Then it hit me that it was in summer July or August. I have the ticket but chose not to go digging through stuff. I check and 40 years ago right now, this music freak was preparing to go see Judas Priest, with Whitesnake opening and then Iron Maiden, at the Fox theater in Atlanta. Drove into town and heard the concert announcement on the rock radio station the night before. During afternoon next day went down the Fox Box Office and scored tics. Went back to room to chill out. Headed down to the show. All three of the bands were completely known to us. I had copies of British Steele and Point of Entry by Priest. I also had Iron Maiden Killers, and this was on the Killers tour, as well as their first album. Hard to believe 40 years went by like that. It was a true heavy metal concert. Well Whitesnake at this point was a heavier blues unit in the Zep and Purple line of hard rock. But damn did both Maiden and Priest drive that place hard. BTW, Maiden was the original maiden before Dickinson and the second drummer.

    Any way within 12 months I was clearly leaving metal behind and casting my gaze elsewhere.

  • gratefulgerd
    Joined:
    The Who

    saw them in Frankfurt, August 11, 1972.
    Wow, the loudest band I've ever heard in concert, indoor Festhalle Frankfurt.
    I mean extreme loud!!!!
    My biggest mistake in '72: I could've seen the Dead in April, 26, Jahrhunderthalle.
    But I didn't. Why?
    Too young and to far away from what was really going on in the international music scene.
    Simply said, I didn't know GD.
    On May 2nd in 1972 I saw John Mayall, at the same location, Jahrhunderthalle Frankfurt.
    Great show, wouldn't mind to trade it for a show a week earlier.
    Life happens

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3 years 2 months

"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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14 years 9 months
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How about a Dylan and The Dead box set to celebrate Dylan’s 80th birthday. Obviously, it isn’t going to happen but it would be interesting to hear.

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Wow. Just wow. #4648 is sounding great here in Baltimore!

Love the artwork on this one too! Very cool the way they went with the Weather Reporter for the first ever WRS. It is stuff like that that keeps me coming back!

"Bertha" is a little bumpy, but thanks to the kind folks here, I knew to simply wait it out for a bit and that things would correct themselves - and boy, did they ever! Very happy with this release - it's got me shouting like Bobby at the end of this "Looks Like Rain!"

On to set 2!

Peace

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3 years 10 months

In reply to by nappyrags

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I love this
A show I am totally unfamiliar with
Oh for a soundboard of this quality of 9 11 73

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3 years 10 months

In reply to by nappyrags

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Thats cool
I think vguy found somma dat yesterday

I saw a screening of that flick years ago

I dont recall the song tho

Y'all be cool, Nappy

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This might be their favorite El Paso of all time? lol I like the '77-'78 versions myself :-)

I gotta dig deeper into this one.

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9 years 10 months
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Otis my man! I couldn't figure out what the point of the artwork was. Then I actually commented yesterday about how the WRS didn't have its normal ending (as if they had not yet developed it) and I still didn't make the connnection. I also just saw the animated DaP 38 cover art from the email advertisement. Very cool. I guess I thought it was a windy night at Nassau.....

I am really loving what I've heard so far. I'm up to Truckin' now. A lot of what I'm enjoying is the clarity of Jerry and Bobby playing together. In the past when Bobby's been turned up loud, Jerry's been too low; but here they each pretty much own a speaker. It's a very unique mix. The separation between instruments reminds me of DaP 18 at the Orpheum, though it was more Jerry and Keith on that one.

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Among the biggest tentpole shows of tentpole shows imho.

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3 years 10 months

In reply to by SPACEBROTHER

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Polie of polies

- jack black

5 2 70 rox

3 7 81 rox

Gotta try again on 9 8 73
Too much trippus interuptus on the first go round

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In reply to by SPACEBROTHER

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Sums up 5/2/70. Often overlooked-this includes my favourite version of "Good Lovin'". As well as "Other One" and "Dancing in the Street." And maybe "Viola Lee". But the whole show is amazing.

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Wow, Gerd, that is seriously bad news. It was also cancelled last year. Two years no Oktoberfest! The whole world has turned to shit. 💩 Given the choice, I would much rather have beer than corona bat flu 🦇 but we are denied that choice.

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No not that 420!

Almost can't believe my ears, but at the 4:20 mark Not Fade Away part 1, I hear Keith playing some Hammond organ. The last time I recall anything with him playing Hammond was October of '71, and maybe his first couple shows. You can hear some on Dave's Picks 3.

Yes Daverock, The Other One 5/2/70. I bought Dick's Picks 8 based on these comments from listeners on the Heady Version site:

"Garcia's guitar tone here is pure liquid magic"

"High voltage tight lightning jam without a meltdown"

"Every time you think Jerry's peaked, he pulls out another blistering run"

"12:20 begins a sequence where Garcia and his guitar reaches uncharted territory. Did not know this level was even possible"

And my favorite:

"Garcia is in orbit - no other way to characterize it. Makes his case re the Nobel for Holy Fuck!"

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My ears had whiplash too, mouth agape and gobsmacked. I wish there had been more...and call me crazy but
I swear Truckin' is about to turn into Need a Miracle at about 7min. but then its only '73. Oh well, might as well listen to the whole show, again! Really enjoying this one!

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13 years 1 month
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The ending of Let it Grow on this release is like delicious melting fudge. That is all.

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I think I can confidently say that this is my favorite Dave’s so far. Even though the sound quality isn’t as good as the last few Dave’s(especially the last one, very crisp), the playing is sublime. The mix is nice too, even if Keith gets buried sometimes. It’s almost weird to hear Bobby so loud, but it’s really nice especially during Row Jimmy and Ramble On Rose. Jerry’s playing is also very good, and Phil is nice and up front, at least to my ears. From what I’ve heard of the bonus disk so far, I’m really enjoying it. Overall, great release. Highlights for me are the WRS, Row Jimmy, Sugaree, Eyes>China Doll, and that entire 3rd disk is something very special.

Also, a May 73 box set would be wonderful; a perfect complement to this Dave’s. I would also like to a see a Fall 84 or Greek Theater 84 release sometime. Those Greek shows are gold!

As for the next Dave’s(or future Dave’s), I’m hoping for 9/15/85, 2/14/86(trust me, it’s really good), and 6/29/76.

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Like a board tape, unedited, oraganic and real. So many "live" albums as official releases have tons of overdubs. Not these, the Dick's and Dave's picks feature every note as played.

I would like to hear more crowd noise, but again just the natural audience banter not the piped in "KISS Alive" shit. Although I do love KISS.

The Grateful Dead are the most human sounding of any band I have ever heard. Sometimes loose, sometimes tight, sometimes sloppy, otherworldy, in and out of tune. It's what I love about them and it isn't a backhanded compliment.

I come to the well of the Dead for what I can't get anywhere else, and this release is absolutely primo in that regard.

Cheers everyone.

\m/

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With all the talk about 5/2/70 lately, I decided to take another listen to Dick's Picks #8. It really was a really great show! Over the weekend, I was also able to find and download an SBD version of the show that included the NRPS set in between the Dead's acoustic and electric sets! Gonna give that version of the show a listen to soon!

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No other information is available.....

Why can't this series be released in digital format? Every other release, other than Dave's is sold that way...

Only thinking, maybe because they can skim, cds off the top and sell them on Ebay. I truly wonder how many copies of this LIMITED EDITION and Numbered series. are out there...There a many copies abound with no numbers...wait I get it....the numbered series is limited, the unnumbered don't count.

Also, I see them on Ebay, being bid on, at twice the price or more. Yet, Dead.net, had not sold out, at that time.

To many hands in the cookie jar.

Keithfan-Caniol - yes, this version of The Other One is transcendental. Incredible that they could hit such peaks as this in a live performance, and then release "American Beauty" a few months later. AB is also magical, but in a way that couldn't be more different. I can't think of any other band that could produce such inspiring music in such contrasting genres in the same year. Great live AND in the studio during 1970.

I used to have a bootleg of this show with the NRPS set included back at the tail end of the 80s. Long gone now, unfortunately.

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Having problems finding decent artwork for Vol. 38 ... Need !!!

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In reply to by daverock

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With a deflating exhale, I will add today marks the 51st anniversary of "four dead in Ohio.." just a couple days after the famed Dicks Picks Vol. 8.

One of my all time favorite shows too. It's just spectacularly executed, they were on fire that day. ..and now it looks like I have to search high and low for the NRPS addition. Ah, found it.

Some of the all time classic shows to my ears occurred in 1970. Dicks Picks 4 and 8, the Sept and Nov runs at the Capitol and others. Plus.. the guy that was supposed to hit the record button was MIA most of the year. Can you imagine what would have been if the hit the record button buy hadn't sprained his hit the record button finger? What might have been... set the wayback machine for 2/1/1970, New Orleans.

and Pelazami - Jeff Smith does an incredible job creating digital images of the artwork. He lives in a cave up in the hills though.. so like me, it takes him a couple extra days to get his copy. I am really looking forward to getting and listening to mine. It's getting an awful amount of positive hype and good reviews.

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I've been driving myself crazy since I received my copy yesterday trying to figure out what that shadowy crab claw / batwing looking thing lurking in the wheat is. Dave's only hint on Twitter was "it's very meaningful in the Dead world..." I'm gonna feel really stupid if it is something obvious, but my mind just can't connect the dots on this one. Help!

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https://m.youtube.com/watch?v=0DZA7fXiSNI. I really enjoyed this show, Keystone Palo Alto was a pretty small place, I saw Garcia play there a lot of times . I remember one night when Hunter was on the bill with Garcia he said, "I remember when this place was a Purity Store, we used to shopliftit in here". I saw Muddy Waters play at Keystone Palo Alto one time, fun times!

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I do love this release and the bonus disc is really sweet. But Im wondering if all the hype from Dave in the seaside chat about how well Bobby was playing in the show was to prepare us for how low Jerry seems in the mix and how in the front Bobby is on the 9/8 show. The bonus disc from 9/7 seems better balanced but Im straining to hear Jerry at times in the main show and its a bummer cause what I can hear is smoking! All in all this is a solid release though and Im already on my second full listen!!!

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I was at the Kent state 1 year moratorium anniversary of the killing of 4 Ohio state students by the Ohio state national guard. It's hard to believe it's been 50 years. Seems like it went by in a flash.
It was a very somber day, there was a lot of people there, protesting the war and marking the anniversary of the killings. Lots of cops too. Some were angry, but most were sad. The war was still raging, the cops were still hating on everything hippie, the draft was still going on and young people were angry and afraid and anxious and fed up.
That was about the time I started to realize that they were never going to change. That I could not change them with all my yelling and protesting. It's like everything that I had been taught did not apply to them. The "establishment" was too established to bring down, or even change just a little. They made the rules but didn't have to live by them. A somber day indeed.
There was going to be a large gathering on the 50th anniversary of the killings, but Covid cancelled those plans. Joe Walsh (a student at the time of the murders) and David Crosby were scheduled to play a concert with Joe reforming the old Barnstorm line up for the show. That would have been great.
I do not know what that shadowy figure in the wheat is, anybody?
This is an excellent release, that 3rd disc is awesome.

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In reply to by wadeocu

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Thank you! Smacking myself on the forehead wondering how I missed that. :-)

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In reply to by sjbutler

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I saw an article recently about the woman/girl in the iconic photo. That photo really f'd up her life. She was identified, and people spewed hate on her. Sickening.

She was apparently a 14 year old runaway when the pic was taken.

America, you wonderful, digusting, admirable, foul entity...

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In reply to by sjbutler

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I thought it was the top of a cats head. After the crow, the china cat. Ears don't look right for a wolf?.?

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I'm absolutely loving DaP 38. It doesn't get much better than '73 Dead. Mine arrived yesterday, just days after the official release, and glory glory hallejuah, all the discs actually play! I've only had time to listen to discs 1 and 2, and they're as great as others have said. This is right in my sweet spot, a 10 out of 10, AFAIC.

I'll probably write more about the music at some point, but for now I just want to mention a couple things about the audio: one is that this is indeed one of the few shows where Bob's guitar is as loud or louder than Jerry's in the mix. In some ways, this is great, and I didn't really mind having the chance to really savor Bob's amazing, ridiculously under-rated guitar playing. BUT for anyone who's interested, I did notice that you can adjust this to a significant degree but adjusting the balance between your stereo channels. Bob's in the left channel, Jer in the right, and for me, putting the "balance" nob at about 1 o'clock brought Jerry up a little and, I thought, improved the stereo image.

Also, as some others have noticed, there is some weirdness is the extreme low frequencies at a couple points, and I could see how it could sound like a defect on some systems, but to my ears it sounded like something Phil was doing intentionally: not a classic Phil Bomb, but more like maybe his amp was distorting just a little at peak passages and he decided to just go with it and try to make something out of it? You now Phil. Remember that scene in the Grateful Dead Movie, where his bass starts making weird sounds as the guy holds the move camera near it, and instead of getting annoyed or freaking out, Phil tells him to keep doing it, and he immediately starts twisting nobs on his amp just to see what weird noises he can get? Love that guy.

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actually i think jerry is in left channel to simulate his location from the perspective of an audience member in 73, bob is certainly loud but i think there is plenty of jerry, i really like the mixes with guitars on either side, sometimes the recordists (or mixers for multitrack) put bob and keith on either side with jerry in the middle which also makes sense in a way, bob's sound in here comes sunshine is extra...

i will echo earlier comments about the rarity of keith on a hammond sounding organ, did they just have one at nassau and decided to give it a try? also i def thought it sounded like miracle at one point in the truckin jam, not too surprising for a driving E blues jam

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In reply to by leedesj

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Interesting comments on Daves 38, which I haven't heard yet. Bob's apparent presence seems to echo a discussion from last week concerning lead and rhythm guitar. Maybe its a bit misleading to regard a guitarist who favours a chordal approach as rhythm and someone who plays single lines as lead. I vaguely remember reading an interview with Jerry somewhere, in which he said that many times he followed rather than led, when he was playing. But because he was (usually) louder, it seemed as though he was the one doing the leading. To be sure, he often would have been-but not always.

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In reply to by proudfoot

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Define "wee bit of time" for me. The release date is now 3 days gone. My shipment hit my local Post Office a week ago. They have flat out told me they have no clue where the package is. I got email yesterday from Dead.net customer service asking for my info so they could look into it. Hopeful there at least.
Is this mail innovations thing just about the $? This must be the 4th or 5th DP I waited for long after the tracking showed a transfer to the PO. A couple made it. I'm pretty sure I had to have help from Mary on this forum to get a couple of them replaced. I'll pay extra money for UPS or Fed Ex. PLEASE anyone who has influence suggest this option. Put a big handling fee on there so you can do more free shipping to people who need it.
When the announcement of DP 38 on sale hit my inbox I ordered a copy just in case I never see my replacement order. I'd be out the bonus disc but surely could find that music somewhere.
If dead.net makes this right so I get the subscription order I will give the other copy to someone on here who missed out. I'll even pay shipping because I'll be so happy to get my proper copy.

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Hey now my friends and freaks! DaP #38 was waiting for me in my my mailbox when I got home last night. And it's number 1780. I don't think I've ever gotten a lower number since I've been subscribing to the series. There is truly no rhyme or reason to the way the releases are allocated and I don't really care about that. It's all about the music and the memories!

Anyway, I'm downloading it now so I can listen to it today at work. What I've heard in the Listening Party and on Dave's SiriusXM special is awesome. This might have been a show I attended. The 60s and 70s are such a blur but I got to a ton of shows in the NYC/Philly area back in the day. Nassau was one of the venues I saw lots of shows at.

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7 years 11 months

In reply to by Huskerwing

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@HUSKERWING
Everything coming through the USPS is unreliable these days. Without getting into politics, I will say that the current Postmaster General hasn't helped the timeliness of our mail service. I accidentally ordered two subscriptions this year and my second hasn't shown up yet.

Hang in there!

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3 years 10 months

In reply to by Huskerwing

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wee bit of time would be until this Friday

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7 years 8 months

In reply to by msmiranda

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The shipping issues associated with this site has nothing to do with UPS or the Post Office, if it never leaves the warehouse.

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14 years 9 months

In reply to by DeadVikes

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I see what their game is. One indispensable release a year (Dave's 34...Dave's 38) to keep suckers like me to re-up. And that's fine.

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