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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Oroborous
    Joined:
    Do we have a pick today?/Was it a trifecta?

    Besides 4/22/71 natch, how bout either DaP 35 or 37? One last good ride before we (hopefully) get our new 38s...

    Dug 4/21. Really liked the first set. More of the same consistent tight, full throttle, but not manic. Cool jam and smoking Hard To Handle. Second set seemed to....? Don’t have good descriptor? Perhaps more like earlier in the tour when they were feeling their way more? Though I was more preoccupied so maybe it was just me?
    My overall impression was good, but perhaps I liked the last 2 more by this much 🤌

    Wow, talk about getting yer cherry popped lol. Can’t imagine knowing basically nothing about the Dead, dropping, and then peaking out during THAT! LOL. Was it your first time tripping too? If so, that’d be like the trifecta!
    - never heard the Dead (basically)
    - First Show
    - First Trip?
    Hee-hee, I had almost 2 years of indoctrination/training before my first show and I didn’t trip at a show until like my tenth show, and it was still almost too much !
    Favorite quote in quite some time;
    “act straight man, he cannot know” 😂😂😂
    Yeah, like an older head who tapes even, is not gonna notice those giant pupils, sheeeoot, he probably could smell the fear on ya lol. I mean just one look and I woulda started laughing......we used to call it “Cats that got that bright eyed look” sorta our code for it...
    Anyway, baptism by fire, I love it! Your lucky ya didn’t permanently fry some circuits!
    Great story! Nothing like starting with a bang!

  • DeadVikes
    Joined:
    Jim 4/19/82

    Holy crap Jim, I don't know how you guys made it through that Raven Space twice!
    Freaks me out now. What a first show!

  • rockthing
    Joined:
    OROBORUS: There's definitely…

    OROBORUS: There's definitely something to what Hunter is saying. I write lyrics for some friends' band, and they usually give me the vocal melody before I start for exactly that reason. The first album I did with them, I focused mainly on the meaning, but came up with a lot verse that didn't rhyme. The vocalist commented later that he was having a hard time remembering the lyrics to that album, so the second time I worked with them I put more thought into the rhyming schemes, and that made the lyrics more memorable for him, and I suppose for their listeners, too. Another member of the band who is not a native English speaker only wants one syllable words for the songs he's writing because he says it's easier to find the beat. I've read that Hunter didn't like the vocalists altering his lyrics, but when writing for myself a lot of editorial decisions about the lyrics occur as I'm trying to marry the page to the music. Some lines just look much better on paper than they sound when vocalized in rhythm. I've got the freedom to just say, well, I like that word, but it's never gonna work. To me a lot of songs that end up sounding awkward do so because the authors were too precious with their words, not being willing to alter the page to suit the performance. That has nothing to do with Desolation, of course. Dylan's lyrics are on another plane of existence. I don't have a specific problem with the song itself, just in the context of a show, it often feels like a prolonged drop in intensity to me. I guess I just haven't heard "the one" that will convert me. There have been songs that I just didn't get until I'd heard one performance that suddenly struck a nerve. From then on every performance became important.

    But anyway.....

    Still raven about 4/19/82.. I can totally see how that space would wig out both dogs and ravers on a ride. It's maniacal. The 9/15/88 space was just the opposite, so sweet and then evolved into a really nice I Will Take You Home, iirc. That's a really tight show all around. I'm gonna have to revisit that period, 'cause the tapes I had didn't leave as favorable an impression.

    4/19/82 Around and Around is pretty unique, too, at least to me. Beautiful Stella Blue. Man, what a first show. Trying to picture what the folks "up there" were doing when Bobby cautioned them during Broken Down Palace. Standing on the tracks, perhaps? :P

    When did they stop doing On the Road Again?

    First Earth Day in 1970, and The Airplane at the Central Park Band Shell... massive event envy.

  • Strider 808808
    Joined:
    Earth Day 1970

    I participated the first year at the NYC Central Park bandshell. The following month I saw the Jefferson Airplane for my first time, same location.

  • JimInMD
    Joined:
    4/19 & Happy Earth Day

    Happy Earth Day everyone.. hope that's something we can all agree on.

    Yea, that Space grabbed us too.. we left the arena thinking what the hell was that?

    I think I've told this tale here before so I'll keep it brief. The weirdest thing of the whole show was the setting. I went with a buddy and his older brother who was purportedly as straight as can be, but an avid dead fan and a taper. Me and my buddy were quick to depart him at the car.. got two steps inside and serendipitously bumped into a benevolent stranger underneath a dark stairwell.. and we both got two that set the stage for the rest of the night. I only knew of the GD from a couple of my older brothers studio albums. So I was expecting mellow, acoustic type playing. The last thing I listened to before we left was an 8-track of Terrapin Station so I was happy they played that.

    Well.. things turned dark during Drums/Space. My friend to my left started really wigging out. He was scared and not happy.. at a certain point I stopped looking over at him and began worry about myself. I looked over at the woman to my right who was not surviving this any better. Tears of fright. ..and that laughter, that taunting, looney laughter and the noises. It was all any of us could take. ......and eventually in those minutes that seemed like a lifetime, it all seamlessly melted into the delicious sounds of the most beautiful melody I had ever heard. A tranquil Wheel that came just as I this "my nerves were shot and I felt like I couldn't take it anymore" feeling had outlived it's useful life. I got a hug from the cutie on my right, she next hugged her boyfriend and everyone was happy again.. all was good with the world.

    So we survive the whole affair, and it really felt like survival. We miraculously met up with my friends older brother at the correct time and place (how we did this I will never know, surely divine intervention) but just before that got a very stern warning ".. act straight man.. he cannot know..." so we meet up, hop into the car and on the drive home he grabs a tape out of his Sony and fast forwards the second set tape and says we gotta hear that Space again man.. and listened to it at high volume on the first playback of his master which took most of the drive home.. so we had to survive it again, this time driving through the streets of downtown Baltimore, through the freeways on another trip through never, never land.

    I will remember that mad cap laughter and that trip for the rest of my remaining days and the feeling of fearlessness that I carried through school the next day. When things get weird.. there's a challenge and reward to put it in perspective and grind on through it with a smile on your face. Thanks for listening and commenting guys.

  • DeadVikes
    Joined:
    4/19/82

    What a great show Jim. Recording is fantastic. They Love Each Other really stood out to me. Love it when when a show does that. Peggy O, Cumberland. That Feel Like a Stranger Franklins is hot. Like that finish and the Brokendown encore is solid. But, the strangest part of the show was that Raven Space. What the hell was that?? My god, my dog went nuts when that came on.

    Keep it moving forward.

  • Oroborous
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    One man gathers,...

    LOL, this is why I love this place!
    Personally I love Desolation Row, but that certainly doesn’t mean you have to lol.
    Those 89 versions are sick. Or any that Jerry’s “on”...
    Man that is a lot of lyrics...how can Bob usually do well with this one but constantly mess up Trucking, lol, and Promised Land! Bet it has to do with where the vowels/consonants fall relative to timing and playing at the same time etc. Unfortunately I can’t remember where, maybe Relix book? But read an interview recently with Hunter discussing just how difficult it is to write so the singer can sing/breathe right etc.. Rockthing,.bet that’s why your having trouble in the same spot...

    Gonna hit up 4/21/71 just cause, “buy the ticket, take the ride”. Actually almost to the final stretch of the April madness.
    Hit up both those 88 shows yesterday and enjoyed both. 88 is another under radar year that needs more love.

    4/19/82. Been a big fan since I got the tape back then, perhaps even more so the previous night.
    Wasn’t sure I’d have time but the Mrs works late tonight so maybe if it’s on YouTube....I thought I saw some of this there once?
    So one step done and another begun...hup, hup, vamonos!

    Oh, ps, hey Vguy I think Striders trying to take away your class clown/site jokester title ; )
    Keep em coming boys! Not enough smiling or laughter “in this world of trouble, we got ta....”

  • rockthing
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    JIMINMD: 4/19/82: Helluva…

    JIMINMD: 4/19/82: Helluva first show. Wow. I had an hour drive each way to my work site today, so nearly got through the whole thing in the car. I'd just made it up to the most blatant Other One tease that turned into Truckin' when I got home. So much good happening from start to finish, but that Raven Space is fantastic. Not sure how I missed this one, considering it's my wife's birthday, and a few years ago I made a point of checking to see what shows landed on her birthday. Got stuck up in Orono, I guess. :P Only wish I'd not been driving so I could've listened with more attention and taken more notes about specific hot and not spots. All I know is, I wish I could say that was /my/ first show. I think I'm gonna be listening to this for a while.

    DEADVIKES: 9/15/88: Oh, yeah, I'm amazed they remembered the lyrics as well as they did, tbh, pulling songs out of nowhere on stage that way, well before the teleprompters became practical. It happens. I get it. Usually I have a laugh over it, 'cause sometimes it's the imperfections that are most endearing. I guess Desolation just doesn't appeal to me as much the other tunes in the set, or other Bobby tunes for that matter, so that missed lyric right at the climax of the 12 minute rendition of the song sort of added insult to injury, so to speak. lol. I guess Casanova was just being punished for going to Desolation Row. ;) On my first listen it kind of stood out as one of the few points in the show that weren't pedal to the metal. Don't get me wrong. I love it when Jer brings it waaay down with one of his dramatic ballads, and I love Bobby's role in the band. I know some people who're like, "I only listen to Jerry Band 'cause I can't stand Bob," but I totally do not get that.

    Normally I like the stretched out tunes, but I also dig the hot and tight atmosphere circa '87/'88. So many different approaches over the years. That's what keeps it fun.

    Speaking of flubbed lyrics, There's a line in Promised Land, "Right away I bought me a through train ticket right across Mississippi clean" that I've heard Bobby miss on multiple recordings. The reason I bring this up is that whenever I try to sing that song, I always forget the exact same line. Has Bobby hypnotized me?!

  • DeadVikes
    Joined:
    MSG 9/15/88

    Agree Strider, this is a great 88 show and so representative of the time. Short show. Love these 2 source matrix recordings.
    Rockthing, flubbed lyrics is part of the charm and deal with the Dead and so is stretching out those songs. Desolation Row, that song is stuck in my craw. Love it. Might be because it reminds me of the late 80s and being a different dumb kid.

    Going to check out 4/19/82 today. Jim's first. Oh and this is Dan Healy's master soundboard recording.

  • rockthing
    Joined:
    JIMINMD: I'd imagine anyone…

    JIMINMD: I'd imagine anyone who wasn't at the Pizza Parlour says they wish they'd seen'em sooner. :) Sorry I horned in with Maine when we were talking about (What's new in) Baltimore That sounds like a cool show. '82 is one of my weaker years, but I've been getting into several shows from that period over the past year, so I'm definitely curious. Now the queue.

    Currently diggin' on that 9/15/88 MSG gig. I was mistaken. It was another September MSG run that I'd spent time listening to. Sure never had heard this. Most of my '88 shows came from old tape trades several gens off the master, so this reminds me that maybe I should be looking to upgrade those. Steve Porter's Sennheiser ME80 pull appealed to me the most. Frequencies seemed most well-balanced. I always go for AUDs first and fall back on boards when it's slim pickins. This show, though. Man. Gimmie an E-N-E-R-G-Y! What's that spell? Great show. Grahme's first "Rock'n'Roll" is certainly noteworthy. Sugaree is rockin'! That's a song that I'm kinda used to feeling like it's draggin on a bit, but not this night. Wow. Desolation Row, otoh, kind of overstays its welcome a bit, and then Bobby flubs the climactic lyric. I love Dylan tunes, and obviously The Dead do too, but this song is rarely a highlight in a Dead show for me. All Along the Watchtower in the second set, however, really cooks. Jer could really rock some dirt in these later days, which makes the contrast with his wonderful clean playing in the early 70s a real treat, and also highlights how each era has its attractions. On the other hand, I prefer Crazy Fingers with Jerry's "silvery elf voice", but I'd never complain about getting a Crazy Fingers. Deal. This has got to be one of the band's most dependable numbers. Such a cool tune to begin with, but they always nail it. Good night for Bobby tunes, with both Cassidy and Playin'. I love how Phil seems to be the first to hint at going back to it during the jam out of Uncle John's. Pretty concise Drums/Space. The crowd clearly reacts to Brent's daughter coming on stage during I Will Take You Home. Interesting choice out of Space showing that Space wasn't all about melting face, but also creating some more gentle dream atmospheres, too. The Lovelight false ending is cool, like, in a James Brown throwing off his mantle kind of way. Bobby really strikes the right balance here delivering exuberant rather than psychotic. ;) They barely slow down at all. I'm not sure I've ever heard such a relentless show before. Nice call.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by proudfoot

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RE: Jerry rips on people who are calling for "Dawk Staw"

I usually associate that job with Phil.
<squeaky voice> Saint Stephen. Saint Stephen. Play Saint Stephen, man<end voice>.
He can come off pretty harsh sometimes, but mostly with the house lighting crew, maybe.

Oroborous: Nice summary. I've been having a hard time just getting through the 28th and 29th, but that April '71 project sounds well worth the effort. Hearing the interplay of the guitars so clearly on the 28th board really heightens the excitement of Hard to Handle. So much good stuff happening when Tom Contstanten joins at the end. I finally know how to pronounce his name!

Feels like we've been here before, huh?

51st Anniversary of one the all time greats today.

Had a good time listening to this last year, we'll see how it sounds this year ;)

The DaP V38 bonus disc has been in heavy rotation over here.
Hot stuff!
And Strider's pal Jay wrote some great liner notes, so cool to hear stories of the '73 Dead scene.

Hope all yours find you and raise a toast to the epic Evening with the Grateful Dead that happened 51 years ago today!

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NRPS opens, Pig with a sweet " Man's World" and it's available on vinyl! Whooo Hooo

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NRPS opens, Pig with a sweet " Man's World" and it's available on vinyl! Whooo Hooo
The vinyl version updated with new remastering, plantgent process, and includes Cold Rain and Snow

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We did listen to this a year ago. Another rites of spring concert. Good choice, (bears) choice. 5/2/70 is another of the early bootleg cassette favorites.

and

Led Zeppelin IV

LZ: when I am in the mood for LZ, they sound so.fn.good.

9/8/73: I gotta listen again. I thought the Birdsong was from 9/8. Derp.

9/7: still need to hear the PITB.

Okay Proudfoot, I will get this one rolling first thing tomorrow. Thanks for the pick.

My #38 is stuck with the dreaded label created, no shipping for four days. Anyone else experiencing this?

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In reply to by DeadVikes

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I couldn't get to it yesterday either.. but a bit of insomnia found me awake way before dawn checking it out. Cole Field House, University of Maryland.. this used to be their basketball stadium but was repurposed in 2015 to a multi-purpose sports and academic complex. This is an interesting show in search of a better recording. I've seen a basketball game or two there when I was a kid, the place did a good job of resonating the cheers and screams of the rowdy and sometimes rabid Terrapins (fear the turtle!). It was a loud venue, probably not the best acoustics.. but... might as well just play it loud.

A strong first set with a nice 17 minute bird song and a pretty smoking deal. The second set had an interesting almost ten minute jam out of Saint of Circumstance. A decent little show but perhaps in search of a better recording.

I have a soundboard of this one, or something labeled as a soundboard but it looks like the archive does not have any boards uploaded.. no bother, a couple of the audience tapes out there sound better anyway. The board has lots of ambient crowd noise pumped in and it and it sounds muddy and flat overall, it's not worth seeking.

Anyway.. it's the only time they played at the University of Maryland (at least that I know of), home of the Terrapins. I bet they would have blown the lid off the tin can of a stadium if they played Terrapin Station. ..what might have been...

Thanks for the memories proudfoot.. I haven't listened to this one in years. I like 1981.

(sigh).. 51 years ago today, four dead in Ohio..

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Handy tip for listening to DaP #38's bonus disc: check to make sure that the Dave's Picks sticker isn't electrostatically stuck to the recorded surface *before* inserting it into the CD player. That is all.

Has it come to an end, or is it just intermission?

I’ll throw out an anniversary listen:
5-4-77

I’m spinning an old CD-R of the show, although I’m pretty sure that I have an upgrade on a HD.

It’s got a Disco Dancing and a S/F…

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In reply to by icecrmcnkd

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..people are just captured by spring weather and getting their yards/houses/hobo boxes ready for spring (I think).

5/4 it is.. funny, I was going to suggest 5/13 or one of the shows from the 77 box v1. It's been a long time since I listened to one of those. 5.4 scratches that itch. I did fit in the 81 show this morning a half day late. A nice little show once you adjust to the recording.

I did a little solo boating and biked my way back to my truck after the run... Gives me a good 2 1/2 hours of uninterrupted show time. I never know what is loaded on my water devices.. I just grab one and go. The one today started with some 75, some 1970 (4/15??) followed by the second set from 5/26/72. 5/26 was perfect for the outing.
I never listen to that show anymore primarily because several cuts are on E72.. but it is a sleeping dragon that wakes up and catches fire sometime in the middle of the jam out of Truckin'. What a sequence after that. It doesn't get much play but when it does and I have time to listen.. it's amazing.

I've been following proudfoot lately, he seems to be inspired.. As soon as someone posts bail for GOGD.. he will back and all will be good with the world..

Speaking of Hobo Boxes... with 38 out of the way (well, for those that have theirs).. the next seaside caffeine overdose video should be of the box set reveal. Since the last box was pulled from returned Betty Boards.. my guess is another batch of multi-tracks not sure what year.

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In reply to by JimInMD

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I enjoyed this show. Decent sounding Wise audience recording. That Bird Song is long and interesting. Give me a Lost Sailor-SOC, Truckin, Black Peter and I am really excited. More or just some 81 would be welcome from Dave.

Pick of the day is not over, some of us have still been loving it. I think the arrival of Dave's #38 is definitely taking up some of the time.

5/4/77 you say Conekid? Sounds good, will have to give it a go tomorrow.

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In reply to by DeadVikes

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It ain't over. Just gotta poke around.

I agree. The weather's nice and the time is right for dancin' in the streets. Also I, for one, continue to be in a constant state of catch-up with work since April, and cannot afford to allow myself a trip down the rabbit hole every single day. In fact, even as I type this opus, I should at least be changing strings on my guitar. My listening habits generally tend toward listening to one show for several days while taking it all in... and also not always being able to get all the way through a show in one sitting a lot of times. I'm still finding things like, that Stranger from 4/20/84 to be deceptively interesting, and that was from weeks ago! I mean, I finally got 'round to 4/13 yesterday. I'm hopelessly out of sync.

DLing 5/4/77 as I type. It's the Moore source. A quick check of Deal made me think this was gonna sound nice.

5/4/79 is on deck. Seems like a toss up between Joani Walker ECM-250 and the Glassberg NAK 700s. They both have their merits and deficiencies, and sound completely different, but it's hard to say one is clearly better. I usually don't go for NAK 700 pulls, except for when I do. A/B-ing Mama Tried through Mexicali, I think the edge is going to the Walker source because the kick drums are far better defined... but the catch is that they're almost too much so....tough call... is Bobby playing Lovelight behind Jerry's solo in Mama Tried? Comments on the Archive are saying this was the first show at the Hampton Coliseum. Yeah, the Walker source has much less echo from the hall. It's as close as you're gonna get to a board for this one, I think. Oh, man, Brent sounding sweet on the Candyman harmonies already. Gonna be tough to shut this down until later. Suddenly "on deck" has come up to bat out of order! :P

5/4/72... man, I wish the Europe '72 Complete CD wasn't going for, like, four hundred bucks. The whole box is over a grand. ::shakes head:: Ended up missing the propeller press of Skull and Roses too. Pretty bummed about that, but that's how it goes. Approaching infinite consuming opportunities yet strictly finite resources to do so. I totally get how and why short run limited edition releases are the way to go, though, so can't complain (but sometimes I still do).

Did someone say Led Zeppelin? Don't get me started. IV has the most unusual sonic palette for an album that has sold a gazillion copies. Diggin' on their April 69 stuff at The Fillmore some over the past few weeks. They had a very nasty relationship with Bill Graham, so I normally consider Zeppelin as verboten in Dead circles. They were responsible for really hooking me on music, and introducing me to improvisation, though, so I can't abandon them. Getting into the Dead was in a way an evolution of from Zeppelin for me.

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I think that was the one I was listening to also.. not bad.

New Jerry Band released announced today. '91 MSG.

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In reply to by JimInMD

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after doing the whole April 71 run etc,....well, just needed to free range freak freely for a while;
a few shows from the PNW box, a couple run through of 5/2/70, dis and dat etc.
just got 38 so going to blow my day trying to get down properly and be one with the force....

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In reply to by Oroborous

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5/4/77 Half Step is really hot.

Some great complimentary interaction between Jerry and Keith. Finally got this rolling as I lay me down last night, and didn't make it very far before exhaustion led me into the arms of Morpheus. A bump of the high frequencies might really bring this Jerry Moore pull to life. Everything's there, but just slightly muffled. Stealth recording? Woke up early, so quietly skipped ahead to Brown Eyed Women, and now the funked out, but still mellow 70s, Dancin' in the Street is not really getting me in the mood to double down on some work that's getting away from me, but that's where I'm at.

Estimated to start the second set? Don't mind if I do. I gather there was a period in the 80s when they played this to death, but I wasn't around then, so it remains a favorite for me. Bobby doesn't completely lose it in these late 70s performances, either.

Peeking further ahead at the setlist, wow, they are really playing ALL the epic tunes. Playin' to end the show? WTH?! Looking forward to Comes a Time. That's one of my favorite songs.

Demon Rum! Missed the Harpur College anniversary. That show is like soul food for me. Can't count how many times that Maxell unspooled at home or in the car. In more of an exploratory mode, atm, so stickin' to these 5/4 shows this morning. 5/4/79 gig is great, btw. Passenger with Brent! As the show goes on, the B3 just seems to get louder and louder in the mix. Dan Healy must've been gettin' off on Brent's vibrant performance. I know I was.

TODO:
DL that 3/7/81 now, but I fear we'll be on to something else before I get round to it. Wise source. Check.
Since I didn't get the DaP 38 CD, a lo-fi rendering of 9/8/73 needs to be sorted.

Aren't you supposed to throw away the aluminum foil and eat the little piece of paper inside?

Have I been doing this all wrong.... some things should come with legible instructions.

Love the PITB>Comes a Time>PITB sequence. The whole second set is hot. OroB is taking a palate cleanse, it's up to us to pick some epics..

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In reply to by JimInMD

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Okay Jim, this one is for GOGD.
11/5/79. Also released as part of the Road Trips digital downloads.

Let me know.

Hang loose and feel free to mingle with others.

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For me to pick up the pace. And I’m not talking about the hot sauce. November fifth Nineteen Seventy Nine.

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In reply to by Strider 808808

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Full Show Road Trips from 1979, I'm hip.

Although, I can't even look at 11/5 without wanting to hear 11/6.
22 minute Playing In The Band from 1979... That's gonna happen for sure.

That being said.
China > Rider > Cassidy, FOTD to open a show at The Spectrum, that's a big Hot Damn right there.

Good call.

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....seems legit.

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Yes, thanks for hooking me up with this one GOGD, I really dig this show.

If anybody needs a copy, you know where to find me.

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Fuuuuugggggggddddddddeeeeeee (only I didn’t say fudge!)
Yeah, always get distracted by it’s 11/6 neighbor, probably my favorite 79 show (that I wasn’t at).
But because of that boisterous neighbor ole 11/5 doesn’t get the love it deserves, so it’s due....
I’ll have to sneak that in while I try to figure out 38? Not saying anything more on that one until furthur listening...

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In reply to by Oroborous

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CCS->IKYR to open the show.
Nice!

And then a Cassidy.
Nice indeed.

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In reply to by icecrmcnkd

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What an opener. ..they usually wait until they are warmed up for jello like that.

Still, to be honest.. I like it later in the set or into the second. It takes some of us a while to warm up too.. and they often play better later in the show (provided they don't overdue it themselves).

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In reply to by JimInMD

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Such a great example of how good 79 could be. 11/6/79, as you said GOGD, is also right up there.

79, 80 and 81, let's get more out!

Good to see the tractor Jim.

Who has a pick for tomorrow?

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In reply to by DeadVikes

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Sweet! Believe that has a good Jack Straw....seemed like they always played an angry Jack there...
Was @ but haven’t heard much so I’m stoked to get reacquainted.
Don’t know what’s available, but I’d stay clear of Auds as that place sounded horrible (like most of those dome stadiums)...

11/5/79: haven’t heard that one for long time. I like it, but don’t think quite hangs with the big boys...
Definitely like 11/6 and 12/1 etc better but so what, still a fine 79!

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I’m playing old CD-R’s, although I probably have a newer copy as a torrent.
I can hear all the instruments. I suspect that this show could be polished up and released. Sure, some people would complain about an 80’s release, but this sounds better than some of the other early 80’s shows that have already been released.

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Speaking of May 7th, it was my first show, 1977 it was, in the old Boston Garden, the night before, ahem, *that* show. We'd been at the local Sears in Bangor, Maine, looking for tickets to Santana in Portland, which turned out to be not available yet. But then we noticed that there were tickets for the Dead in Boston. Woo-hoo, we'll take those instead! Came down the night before from Orono, with a gang of friends -- none of them had been to a Dead show either -- stayed overnight at Wells Beach and hit Boston the next day. With no idea what to expect, we were hanging out at the bathrooms/concessions, when a huge roar went up in the crowd, and my friend's girlfriend grabbed my hand and we raced back to our seats, to the opening bars of Bertha (and speaking of Bertha flubs, though we couldn't hear it there, on the tapes there's a pretty good technical glitch in the beginning of Bertha, leading into some audible onstage mirth). Good times. Last time I saw them was there as well, September of '93. A different world altogether...

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..what a night to pick for a first show.

Any interest in picking a show on the E72 tour for a pick of the day sometime this week? We could toss in a Spring 77 for good measure too.

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Wow! Boston Garden 77 to start the ride. That must have been a wild show for your first. Did you make it to any other shows in 77?

Jim, sounds like a good idea, which shows do you want to do?

I think there are two Spring 77 shows that have not been released, those might be worth a listen.

E72-Yes!

Stay well out there.

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Or Feel Real Guilty.

Phil's bass on opening of Scarlet on 5/8/77 is killer. Why doesn't anyone ever talk about this show?

I kid, because I care.

Nice Pick on 9/24/82 ConeKidd! Rockin' The Carrier Dome.
Really good show all the way through, but that Set 2 is Hot for sure!
Brent opener followed by PITB > Crazy Fingers > PITB > Throwing Stones and it don't stop there.
Good times, I enjoyed that.

jefito 5/7/77 first show! Anymore stories / memories from that night?

And yeah folks, I'm telling ya this 5/8/77 show is really underrated ;)

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I will be doing the anniversary listen tonight, possibly from vinyl, although that requires me to get up from the couch about every 20 minutes. Oh well, I’ll just make the most of it and walk over to the fridge each time and grab a beer. Well, maybe not every time, that would be a lot of beer. Not that I can’t handle that much beer, just that I probably can’t handle vinyl without scratching it after that much beer.

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We are on track. Take a couple days and digest Get Shown the Light?

As for E72.. I was thinking Munich and Lille?

Two slightly off the beaten track shows. My favorite of late is Bickershaw. VGuy got me to take a deep dive a year or so ago and I found stuff in that show I had never noticed before. My favorite Lovelight of the tour and a great segue into GDTRFB, not to mention the other great stuff that came before. Concertgebouw is another off the radar gem. And then there are the monumental shows.. we can save a couple of those for next year.

Anyway.. spending some down time with classics is fun too.

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Works for me. I went back to 5/7/77 while driving today. Hard not to like this show.

Concertgebouw or Paris sounds like a plan. Monday?

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@DeadVikes -- the next show we caught was 5/28/77, in Hartford, officially released as "To Terrapin". That was fun, too. And that was it for '77, except for catching Garcia at the Orpheum in Boston in December. Had to wait until the following November of '78 and the two Boston Music Hall shows before we saw them again.

@Good Ole Grateful: not too much more to relate. We caravanned in to the Garden with several cars, and were doing well until we hit Chinatown (which was pretty sketchy at the time), and the lead car just stopped dead, a passenger door flew open, and one of our entourage flew out and disappeared. We sat, stunned, trying to figure out what had happened. After seemingly a long time (i.e. 5 minutes or so), he reappeared, got back in and we proceeded to the show. Turned out that he had a bad case of Full Bladder Syndrome and couldn't hold it any more. Kids, sheesh.

Basically we were trying to figure out what was going on during the show, since there was not a lot of live stuff that we'd heard by that point, mostly just Live Dead, Europe '72, and Skull & Roses (and Anthem, though we didn't really realize that it was live stuff then), a bit of bootlegged stuff from '76 and the choice Alligator sequence from 4/29/71; what we were seeing wasn't really like that. The Bertha opener was cool, as it opened Skull & Roses, but then it all turned different. We were trying to figure out names for the Terrapin songs, coming up with "The Soldier and the Sailor" and "California on the Burning Shore". The slow tempo of Friend of the Devil threw us. Peggy-O was cool, and stood out. Sampson, I knew from an old Peter, Paul and Mary record that my dad had. Eyes, we knew, and remember liking The Wheel once we finally figured out what it was. Looking back, Drumz was quite short, which is fine by me (not a Drumz/Space fan). I wrote what I could figure out of the set list on the only piece of paper I could find -- my college meal card -- which torqued the meal staff for the rest of the semester.

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That would be grand. Add in either a spring 89 or 90 + the pre slotted '77 and a random other couple shows and we have a week long party.

Any disagrees get first pick of an alternative. We should make a point of celebrating Spring. So many great shows, so little time....

The Right of Spring, dead style.

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@jefito - thanks so much for the great share!
I'll speak for myself, but for somebody that started seeing shows in '86, that was a super fun read, especially the part about trying to figure out what songs were being played.
Hearing Estimated & Terrapin for the first time, is miles apart from hearing the first I Will Take You Home.
Far Out!

So.. any memories about 5/28/77 experience?

Second show vs first show, scene and what you remember?

Great stuff man and thanks again for sharing!

Alright, Jimbo.. call the show bro!
Looks like 5/10/72 anniversary today.
Could be a good listen.

Dug listening to some May '77 this weekend.
That was a pretty good tour, really surprised people don't talk about it more :)

Keep those good time stories coming!

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5/7/77 and 5/28/77, what a way to start and shows in 78! Great memories I am sure.

5/10/72 is on GOGD, and it is a big show.

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1) Pick out a smallish venue with great acoustics
2) Make sure the venue is outfitted with Meyer Sound's best (and loudest) system
3) Hire Candace Brightman for the evening to provide the proper mood lighting
4) Invite the leaders from all the problematic areas - Russia, China, Iran, U.S.A., North Korea, etc. - mandatory attendance. Chemically-induced attitude adjustment optional
6) Select a passage of Grateful Dead music (not too long, say 30 minutes max) for proper face melting - turned up to 11, of course
7) After the hugs and apologies that will inevitably ensue, sit down in a drum circle, hash out the various issues, and promise to be kind to everyone

There. That oughta do it.

My musical selection would be the NFA>GDTRFB>NFA from 11/17/1971 (Albuquerque - DaP 26). That outro going into the second NFA is pure magic, especially as it's improvisational. I can't think of another musical ensemble that would even attempt such a thing, much less be able to pull it off so seamlessly. No way anyone can have dark thoughts or evil intentions after absorbing those 19 minutes of musical bliss.

Your selection?