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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • JimInMD
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    Sound Issues / DaP 38

    There is really only one solution. It's a bit complicated.. so hang in there with me. This is what we all need to do.

    1) Get out the credit card with the greatest limit.
    2) Google, select and purchase the new Wall of Sound, Home Edition TM (C) R with this credit card. As soon as the purchase is made destroy this card.
    3) DO NOT TELL your partner/significant other.
    4) Go to the roughest bar in town and tell some raunchy mom jokes to the bouncer. Keep doing this until he pummels you.
    5) Come home and tell your partner / significant other you were mugged and robbed. Tell them all they took was your credit card.
    6) If your partner is suspicious file a police report.
    7) Install the WOS Home Edition in your listening room while your partner is not home. If complaints arise later, amnesia from the head trauma is your response. "honey, I am having trouble remembering anything from that week.
    8) Replay Dave's Picks 38 at high volume.

    Your sound issues are now resolved. Happy listening.

  • icecrmcnkd
    Joined:
    The levels are too high

    I mentioned that a while ago, after others had already detected it with headphones.

    I played the CDs twice on my stereo system are did not detect any sound issues.
    Onkyo 6-disc CD changer
    Cambridge Audio receiver
    Onkyo subwoofer
    Bose 301 speakers

    I then imported to computer and made ALAC files for my music players and AAC files to play from a USB flash drive in the car.
    When I played the imported AIFF files on the computer there was extensive distortion through the small external computer speakers.
    The colored bars that show the sound levels (not volume) on the computer audio software were almost hitting red. Clearly too high, but don’t know if that is on the original recording or the result of mastering.
    Recall that on 8-25-72 Norman boosted Phil’s bass beyond what was on the original recording.
    Maybe he boosted the levels for this release.

    I played the ALAC files with an iBasso DX120 music player connected to my Cambridge Audio receiver. Did not detect any distortion or other sound flaws.
    Been playing the AAC files in the car this week and have not heard any issues so far (set 2 started just before getting to work today).

    So, it definitely depends on your system whether you hear the issues.
    Crappy computer speakers sound terrible.
    Apparently a high end system like Oro’s reveals the sound problems too.
    My midrange system sounds good as does the audio system in my car.

  • unkle sam
    Joined:
    sound quality

    Upon several listens to these cd's, I concur, this release has a few abnormalities that don't take away from the overall enjoyment of listening to these discs, but they are noticeable and makes me wonder if it was the master tape or was it a mailed in mastering job?
    This has also made me wonder, will the rest of Dave's sound like this? I love me some Jerry right up front, why I'm here, but there should be a better balance of all the players in a band, not just one or two.
    Disappointing? yes, deal breaker? not sure yet, will have to wait and see, but if there is any more killer shows that they do want to release, lets hope that the folks who do the mastering of these ancient tapes does a little bit better job than this release.
    On a separate note, I was privileged to receive a code for the Dead and Company presale going on today at 10 am. Funny, I did not receive a code last tour, not privileged I guess. The price for these tickets is outrageous. A vip guaranteed reserve seat is over 250.00$. That's for one ticket.
    It was fun getting excited like the old days, yahoo, the dead to tour, get your head together, get some tickets, get excited, get ready.....then I realized that those days are over for me. I can go see Billy strings, get a great hotel room, then go to the hot air balloon festival and get to ride on a hot air balloon, all for the same amount of cash. Kinda seems like a no brainer here, twice as much fun for the same dollars.
    I realize that Bobby, Mickey and Billy are getting up there and there won't be too many more tours for them, and I would love to revisit these guys one more time.
    The last time I tried to get tickets and got them, the show was cancelled due to Mayer's appendicitis. I don't want to jinx it so I will pass on this tour, besides, it's just too soon for me to be out there with all those vaccinated and unvaccinated people. Too all those who decide to go, enjoy.

  • Angry Jack Straw
    Joined:
    Dreading

    I ultimately reached the conclusion that part of the issue is how people are listening. I do not listen on headphones, computer speakers or use any type of equalizer. So far I have not listened in the car. I did try using Dolby on one of our stereo systems, which reduced the noise to a certain extent, but not entirely.

  • dreading
    Joined:
    That's a fact

    I've been in the record business all my life and agree with AJS. There is almost no way an audio anomaly like what was described could occur on some discs and not others for Dave's Picks. These discs are pressed ùfrom the same master. There would need to be two different master mixes for a subset of CDs to contain an anomaly. I would say the player could be a factor, but Obo ruled that out already. I assume like Jim said we are not counting Bertha because it is uneven for obvious reasons. I hear a decent sounding 1973 show here. The master tapes sound better better than Pacific Northwest but not as good as DaP 5. I don't hear many audio issues at all. I would like to hear what Obo and AJS are disliking. I whipped out the Bose headphones and all I hear is Jerry "shredding". What a night he is having. Weir too. Early on somebody said Keith was gone and that is true. Every once in a while I will hear a section that sounds like a tunnel for 5 or 10 seconds, but they are few and far between. Or Weir will just stop playing like in China Cat Sunflower but he needs to rest sometimes. He played China Cat, HCS, EOTW and Bird Song all in one night ;-)

  • Angry Jack Straw
    Joined:
    Sound

    The chances are virtually nil that some defect would have only affected such a small number of discs. Furthermore, it only occurs on the 9/8 show, not 9/7. I am very surprised as well that others are not hearing it.

  • Dark-Star
    Joined:
    Oroborous

    I don't hear it, which isn't saying much. I rip everything to my hard drive as WAV files and run them through an equalizer with a bunch of sound options. "Concert Hall" is perfect for these old Dead tapes, plus I push up the four EQ sliders all the way to the right about halfway.

    That being said Oborious, this sentence got my attention. You say:

    I’ve noticed the phenomena/artifact on several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.

    This phenomena sounds like something Norman may have done in production. It sounds like a feature I have that prevents clipping at high volume. I am a fan of good sound but no engineer so I will copy the internet definition, which you probably know:

    Clipping is a form of waveform distortion that occurs when an amplifier is overdriven and attempts to deliver an output voltage or current beyond its maximum capability. Driving an amplifier into clipping may cause it to output power in excess of its power rating.

    When I play stuff too loud this feature cuts back on only the parts that are causing the clipping. It is obvious to the ear when this feature on my system gets activated. It sounds exactly like your description where you say 'several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.'

    My theory is that the master tapes Jeff Norman worked with had some hot spots so he used a feature like what I have on my equalizer to "even out" all the levels as he input the music from the master tapes on to a digital storage.

    I am not sure why I don't hear it but I guess my EQ is dressing it up. If I listen to the CD with no EQ it sounds like the treble needs to get turned up all the way. Even then it doesn't sound even close to the quality of the EQ and Concert Hall enhancement. It makes me curious if a lot of people out there listen straight off the CD with nothing 'extra' to improve the sound.

    On a different note I laughed heartily at the quacking duck interview. Well done whoever made that up. It sounds like something Jerry would say.

    And last, I listened to the Dark Star / Morning Dew that KF mentioned on 5/18/72. I don't know how I overlooked that one but it is much better than I remembered. Somehow the Europe 72 Dark Stars never stuck with me. Probably because I rarely play those shows. Only because I want them to be special every time.

  • JimInMD
    Joined:
    Re: That Mike

    Great joke.. made my day.
    I wholeheartedly agree.

    Yes.. the sound on 38 is a bit wobbly in the beginning. But isn't that Grateful Dead standard time? It sounds ok by the time they get warmed up.

  • KeithFan2112
    Joined:
    The Munich Invasion 5/18/72

    Next up on the E72 anniversary list. What at a great show. And it's Dark Star => Morning Dew night.
    I'm going to go out on limb here and say it's the first time they did this combo. This is one of my favorite shows from the tour. Jerry's guitar is louder than usual (and louder is always better). Crunchy guitars are tight!

    Sugar Magnolia really hits a groove, and Billy has this absolutely ridiculous drum fill at the....drum fill part; I've never heard him play it quite like this - it's like gets a running headstart. Great version despite a classic Bobby lyric miss early on (proof of the weed).

    Jack Straw is great. This is maybe the second one where Jerry sings the Watchman and Tulsa verses, and Bobby forgets it's not his line anymore - so they both jump the Watchman - not a fair fight at all.

    And some great banter after Black-Throated Wind. Jerry always makes me laugh up there. He was the king of one-liners:

    Girl Fan (to Jerry): Lovelight!

    Jerry: Turn on YOUR Lovelight baby.

    Girl Fan: You Turn on yours first.

    Jerry: Oh no, after you...

  • alvarhanso
    Joined:
    Sound quality on 38

    I was surprised this is the first real discussion about it. I got my copies a week ago, and have made it through the Bonus and Bird Song and Playing as I ripped and converted and had 9/7 first. Also, made it up to Weather Report Suite on the release. The sound struck me as incredibly washy, and while it's great to hear Keith and Bob much more than usual (some releases you wonder if Keith played on much at all from his presence on the tapes, but these are great for Keith fans!), so I just balance that with the cymbal heavy mix. Maybe they were trying new mic placements for the drums. Not Kidd Candelario's best tape by any stretch. He's usually top notch, though. Jai Alai Fronton last year is a phenomenal Kidd tape. That may be my favorite Wall of Sound release for sound quality.

    Also, I'm surprised, or have missed, no reference to the Bonus Eyes ending not with its Slipknotish jam, but ending with a Here Comes Sunshine jam. A fantastic Eyes! Phil with a different start to his solo, and a different feel, maybe reacting to the Wolf darting around? So far enjoying the release and bearing with the sound.

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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This bonus disk is incredible. The HCS and the LiG>Stella are great, but the Truckin>Drums>TOO>Eyes>Sugar Mags is simply the best. This is probably my favorite Eyes after my listen, with 6/9/76 and 6/17/91 close behind. Its very tight and the jams sparkle. The jam hints at Slipknot! and has an incredible breakdown at around 9 minutes in. Everyone just stops for a few seconds to let Jerry build on the jam. Very good very good
Also, the thing on the bottom right hand corner of the bonus disk art looks a lot like the Wolf(as in the one on Jerry’s guitar). The shape of it mimics the original design, and this show was the guitar’s debut. That’s what I think anyway

I did a bunch of reading about HDCD earlier this year while considering new (used) CD players for my system. I can't find it now but on one of the audio "science" type boards there was a great post about HDCD where a guy had messaged Jeff Norman about it. He got a great response where Mr Norman basically said that the HDCD light will come on if they used the Pacific Microsonics software while working on the tracks but he didn't always use the actual db boost because he often didn't like the sound. So basically, the light coming on might mean expanded sonics or it might not. :0) I still don't have a copy of the release but I'll try it on three HDCD compatible players when it arrives and let you know what happens on mine. Cheers

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I arrived this morning after a visit with relatives and found the mailman stuffed a package in so tightly it bent up my DaP38 case! Come on man!

I think I'm with the camp that finds this one special. I just finished the bonus CD. I agree with you Daverock. I always thought Dave leaned towards shorter songs. Short for the Grateful Dead. He seems to like a good 2nd set jam as much as the next Dead head but he also seems to in the Dave's Picks series go for less super long Dark Stars and Other Ones. Not that he does not release them but there are lots of either or shows where he seems to hold off the big ones. He seemed to release more longer ones in Dicks Picks after Dick passed and in Road Trips like that huge Dark Star Burnsey talked about. Dave's 30 seems like a rare exception where the 30 min DS and 2 The Other Ones are the best the best part of the release. I liked this one through and through anyway. I agree Keith is mysteriously gone but returns for the bonus CD. Keithfan look at the CD package gatefold pics.

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I store all my Daps individually into quart size freezer zip lock bags and placed inside the container store clear rectangular storage boxes which seem like it was created for Daps. They hold 14 Daps perfectly and they are stackable. I am kind of a neat freak. It also looks cool. Just a tip for neat freaks looking to store Daps w/o worrying about smoke and moisture. They are only $6 or $7 each.

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My copy of "All Good Things: Jerry Garcia studio sessions" came with not one but two bonus discs.

The first bonus disc, which has already been mentioned here, is “All good things redux: Jerry Garcia studio sessions” which has 4 tracks, namely 2 tracks from the “Garcia (Compliments)” sessions: "I saw her standing there" and "Russian lullaby"; 1 studio jam from “Reflections” sessions: "T.L.E.O. jam" and 1 track recorded in 1982: "Visions of Johanna"

The second bonus disc is a “Pure Jerry” sampler with 3 tracks from the (then) forthcoming Jerry Garcia Band “Pure Jerry” series release “Theatre 1839, July 29 & 30, 1977” which are "Mystery train", "Gomorrah" and "My sisters and brothers"

All this (including artwork) can be found at:

http://www.deaddisc.com/disc/All_Good_Things.htm

http://www.deaddisc.com/disc/All_Good_Things_Redux.htm

http://www.deaddisc.com/disc/Pure_Jerry_Theatre_1839_Sampler.htm

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morning rockers. wait that's Doc's line. Doc did they not play at the beginning of in May '71? your April reviews were a treat.

Carlo - you're almost not going to believe this but that's exactly how I store my Dave's Picks boxes. I keep the actual CDs in those white paper slipcovers though, not in the actual case itself. and of the white slipcovered discs go neatly into 30 Trips boxes. I used to keep everything on display in my family room on the shelves, but I ended up taking up both rows in the entertainment center, and then I had to move stuff for Christmas decorations every year. anyway the coincidence is uncanny because I use both the ziploc bags and the sturdy plastic containers.

Dark-Star I almost wish you hadn't pointed that out. I was in such a rush to rip the CDs and put them on my phone that I didn't even look at the pictures and completely forgot about the booklet. I spent about an hour listening to different versions of Sugaree to compare Bobby's guitar sound to 9/8, but there's worse things right? so I guess it's official - he pulled out the Gibson SG that night. I listen to so much live Who from the Tommy era that I can pick that guitar out of a crowd pretty well. Townshend stopped using them by '71, not sure why. I guess developing his sound.

Go back and listen to Dick's 1. Listen to Playin' in the band.....Notice how some of Phil's playing has been edited out, at his request.
Also if you have the 5 cd box set, with a different era on each disc, listen to disc 5. The So Many Roads is missing, one of Jerry's solos. Just look at the track timing, compared to others on Archive.org. Its a couple minutes short. They have also used patches, to complete songs, that have been damaged, one way or another. I think Uncle Johns Band from 5/2/70 is a different source.
If you are looking for live Led Zeppelin, check out Guitars101.com/forums/lossless-audio-bootlegs. 145/.
Enjoy

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How long are they gonna wait before they tell us release details for the 2021 Box Set?!?!? BRING IT THE F ON ALREADY!!! Last year they announced that 1976 thing in Febewary.

RCMH/WARFIELD 1980 - BRING IT ITS TIME!!!!.....and no this should not be acoustic repeats, they've already put out all the acoustic material from 1980 that needs to be released

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You claim that on Dick's Picks Volume 1 some of Phil's bass on Plying in the band has been edited out at his request. Whilst I am not an expert in audio technology, I am fairly certain that editing possibilities are extremely limited when it comes to 2 track source tapes such as were used for Dick's Picks Volume 1 As far as I know, altering the level of an individual instrument or editing it out altogether is just not possible. What are you comparing it to? Other sources, such as audience recordings will naturally have different levels for the instruments compared to a soundboard mix and will therefore sound different.

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In reply to by Oroborous

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'bout dat bass...

A logical conclusion might be that the original 2 track recording just didn't have a whole lotta Phil Punch, thus it's duplicate in our hands lacks it as well.
Just speculatin'. Otherwise, I know very little, if anything, and I'm still happy! And not a Robot!

Sixtus

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A conspiracy theory all of our own.

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Having started re-reading some of Philip K. Dick's novels a few weeks ago, I am not sure any of us can claim, with 100% certitude, that we are not robots.

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Has anyone else noticed only tracks 1 and 8 on the bonus disc are HDCD? The other six are missing the HDCD layer and are 16 bit. Is this a production error? An inquiring mind wants to know......

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JD, do mean to say they edited a section of PITB out because Phil didn't like his playing for a min or two?

KF, Mick Taylor and Angus Young play the SG as well. Taylor also plays the Les Paul a lot. Where do you think the Wolf falls?

I forget who wrote best Eyes of the World ever on 9/7. I have to listen again. There are so many good ones I think I missed something outstanding on this one.

I think it's time for a 1969 box set. Fall and Winter. DP 16 is a favorite from that period. The sets were beginning to include more variety.

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The Dead played a free concert in Golden Gate Park, they played Good Lovin for the first time and Garcia sang lead vocals on it.

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Happy Friday,

I finished up my first full round of listening to this release this morning. It is a great one for sure. I hear the band playing with intensity.

After 1 listen, the bonus disc is the highlight for me. Other one jam >Eyes is off the charts. Super intensity. I thought the intro to the Other one was unique and great. Dave was not exaggerating. That disc is top shelf in the whole series.

I listened to all this on my home system - decent amp and good speakers. I have to say I thought the sound quality on the 9/8 show as a little rough, compared with other Dave's picks. The mix felt harsh to me, particularly the first set. The third disc less so. Maybe it was recorded "hot" with high levels coming in?? That's how it sounded to me. I heard a noticeable change in sound quality in the 9/7 show, more what I'm used to.

I will be listening to this one a lot more in the coming days. Have a good weekend everybody! Turn it up!

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In reply to by estimating prof

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some uninterrupted time to "get" this show.

with visiting family and Mother's Day in store, I think I might need to wait a bit longer

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Spot on. I posted the same thing about the sound quality a week or so ago. Great show, but the overall sound is sub-par to DaP5 (UCLA) and Road Trips 4 volume 3 (Denver).

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Wow wow wow wow wow wow wow wow wow.

Jerry's little guitar melody to end it sounds similar to the end of Rain Song.

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The pressing isn't exactly perfect, but I see it's designed that way (based on the photo in the store.) I was going to complain a bit, but I notice it's designed that way. Maybe this helps anyone wondering about it. A reminder to always give it a few moments. :-)

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I have to preface this with.. this just happened, and it really did happen. but there's a bit of a story here...

So having a less than productive end to the week is enough to piss off anyone.. plus it's been raining non stop for days, the rivers are swollen and no outdoor adventures of any kind for almost a week. So after a pretty shitty day dealing with a yet unsolved plumbing fiasco (any plumbers in the house, please PM me) I got fed up and decided to do a little solo kayak/bike adventure. I basically needed to get out, just me.

The rivers here are pretty pumped.. and I had a great but really freaking cold day. I guess I under dressed and it rained a bunch. Temps in the mid to lower 40's and windy. Anyway.. upon my return.. no wife, the teenage boy unfed and it's getting on 8.. so, still in my wet clothes, I hadn't changed yet,.. I cobble together some dinner and then head out to soak in the hot tub and resume my first listen to the new Dave's Picks. No wife, kid fed.. oh, I was a little stoned and had both a lower cal IPA and a small glass of single malt scotch, because.. well.. cold kayaking and biking your way upstream to get your truck in the rain early in the season when you are not fully in shape (well in shitty shape but you did it anyway) deserves a reward.

Anyway.. to the point. I started where I left off yesterday.. at Row Jimmy.. sublime, great slide leads and the tone and subtle changes were simply amazing. Totally isolated comfortable and finally warm.. listening with good headphones, I get back to my virgin listen. That Weather Report Suite grabs me, really incredible what Jerry pulls out of the wolf, totally focused and a big wake up from a little shaking start to the first set. Eyes starts and just towards the end of the jam before China Doll.. so at about 9:25 PM on the far western boarder of MD on the boarder with WV, I see the lights of a plane just enter my fiend of vision. Then quickly I notice another moving in sequence. Then I look and there is a tight packed series of 'planes' moving in unison in an almost perfect straight line. It is starting to fill up the entire line of sight and they are flying so close together and at exactly the same speed at exactly the same direction.. so I decide to count them.. one, two, three.... soon there is a line that fills up most of the horizon @ approx 10k feet. I believe my count was accurate, there were sixty, flying in amazingly close proximity flying at exactly the same speed.. there was no individual variances these objects were hauling ass and moving in an almost eastly pattern, or East, South East.. East.. East. Living almost equidistant from Pittsburgh and Baltimore/DC. Then the weird part.. no air traffic for a noticeable amount of time, a few minutes before I see the next plane to get some perspective on their altitude. The first commercial jet that flew by after this happened seemed to about twice as high in the sky, so call it 26k feet give or take, then the line of planes would have been somewhere between 10k and 15k in elevation but going much too fast for helicopter drones.

Then they were gone. I have never seen anything like this, probably some military drill or something. Still freaky and wild and a great thing to see just after that amazing Weather Report Suite. Utterly amazing.

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but here, where there are few lights, not much ambient light in the sky.. they were much brighter and seemed to be moving both faster and closer together. I thought it important to count the number, there were exactly 60 speedballing across the night sky. In what seemed to be an airspace cleared of other aircraft. They were hauling ass and flying really amazing close together. It was really an amazing sight to see, and in a perfect mood enhanced frame of mind after having a bit of an adventure. I have never seen anything like it before... The amount of computing necessary to pull this off.. well, it would take several Commodore 64's strung closely together in a daisy chain or a really new smart phone. Totally kick ass.

And.. to keep this all related to the Grateful Dead (as it always seems to be) occurred during a monumental part of my first listen to the new release.

Edit: They were in fact 60 Starlink Satellites launched by SpaceX in Florida Tuesday finding their orbits. Wild.

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Great minds think alike.

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What was it that Jim saw? I am curious to know but the 8newsnow link that Vguy posted doesn't work in the European Economic Area due to privacy problems so I can't read that. Damn this sort of first world problem. If David L had seen it I would guess that it was a line of geese flying east (?) for the summer. I wanna know!

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It was space x starlink. Unless they can get approved for a higher orbit its "cool" but not cool. Personally I dont want orbiting satellites that obvious in the night sky and from how many countries can we expect these in the future? For me, this is could be the beginning of the end of the beauty of local space. Really sad potentially... but its progress?

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15 years 11 months
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Yes...Phil had some of his issues with some of his notes, and they were removed from the Playin' on Dick's picks 1...Google Dave's or Dicks picks overdubs....

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10 years 2 months

In reply to by direwulf

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There's always something magical about seeing lights in the sky at night. But I would tend to agree, the less air pollution and the avoidable air travel that causes it, the better.

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I can't even imagine how much single malt would have gone down the hatch if there had been 38 lights in the sky instead of 60 and then a bonus light a minute later....or how quickly a locksmith would have preempted the plumber.

Commodore 64s were tight!

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4 years 4 months
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It's finally my turn. First time I received a damaged disc and need a replacement. Other than sending the obligatory email to customer service as instructed, is there anything I can do to help speed up the process? thanks!

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Every once in a while I revisit this Latvala note page:

http://www.agitators.com/gd/

This is what Dick said about our current release:

[Latvala].....right away 9/8/73
sticks out begging for attention. Even the night before (9/7/73)
had fairly thrilling versions of TLEO, Jack Straw, PITB, WRS-
>Let it Grow.There is not a weak moment from "Truckin' "
through the ending tune "Sugar Magnolia". Even as good as this
night must sound, the following night things really explode. I
really can't put my finger on it because from the songlist, there is
nothing apparently compelling. Well, you guys will soon find out
what I mean, since I intend to release this one whenever the time
is right.....

For my part, someone mentioned that Jerry started playing the Wolf on this show. I'm not sure about August (did they play after his birthday?), but I read his last show with a Strat was 8/1. Just wondering what he played in between, and of course I can't find that guitar link I posted a while back. But what I'm getting at is I think when Dick said he couldn't put a finger on what was great about this show, maybe he was hearing the rocked out sound we're hearing from Jerry and Bobby both picking up louder guitars (and Ramrod tripping over Keith's feed to the soundboard)......heh, well that's what I'm hearing.

Daverock - maybe this will shine a light on DaP 21 for you:

[Latvala].....4/2/73- Boston is one of the best, as are versions of "Greatest
Story Ever Told", "Big River", "China Cat->Rider" and "Playing
in the Band". But the highlight has to be the JAM segment
following "Here Comes Sunshine"......

I noticed Dick didn't mention Bird Song. Hmmmm. I become government conspiracy-theory suspicious of Deadheads who gloss over '72/'73 Bird Songs. Like how is this only the 2nd 1973 Bird Song to be released? And the first only came recently with the PNW box set. Suspicious as night lights. 🧐

snapperjoe: I rarely have issues to speak of, and when I do it's invariably a postal issue. When the email customer support folks are busy processing replacements for others having postal issues (underwater CD cases, postal workers crushing the package, etc), I wait a week for an email reply. If they are that tied up I will PM marye. She is a site admin who diligently watches the message boards, I think because she's a DeadHead herself and enjoys the banter; but she also helps facilitate communication with the good Dr Rhino, who sends replacement CDs as needed.

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SpaceX and Elon Muskrat have a lot to answer for with their low orbit space junk pollution. Why do we need 1500 beer cans flying around the planet disrupting the view of observatory telescopes and more. Isn't there already enough crap flying around up there without this?

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13 years 4 months

In reply to by simonrob

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Doesn't space impact weather, it must somehow.... so Looking up the sky at the conclusion of the first ever performance of Weather Report Suite and seeing a looked like an organized alien takeover of earth seemed appropriate for the setting. Man.. Jerry was on fire.. bending notes with reckless precision, simply an amazing version. I have listened to this show before but did not get out of it what I got last night. You can tell he is taking the Wolf out for a test drive and seeing what he can do. Treating his guitar like an alchemist works his brew. I guess I could say there was a Dark Star in this release after all, and it was spectacular. I can't wait to finish this show and hit the bonus disc today.

Interesting discussion about space craft vs. space trash. I can see good and bad from a move like this.. but I am hesitant to think putting our internet infrastructure in space is a good idea. We do need this discussion. Additionally, if stuff up there starts crashing into each other things we take for granted and rely on might become problematic.

I was skeptical about the form but I had email from them in less than 24hrs and they shipped my replacement in a couple days time.

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10 years 2 months
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If no-one else is going to mention it, I think I should point out that today would have been Robert Johnson's 110th birthday.

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1973

2 9
2 15
3 21
3 16
5 13
5 26
7 1
8 1
12 18

...

...

...

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4 years 11 months
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https://m.youtube.com/watch?v=fHv0wU8Rnyg Robert Johnson, on my Mt . Rushmore of pre war blues artists, along with Son House, Big Bill Broozy, and Blind Lemon Jefferson. My post war blues Mt. Rushmore would have, T Bone Walker, Muddy Waters, B.B. King, and Paul Butterfield's original blues band with Mike Bloomfield.

@Daverock & Billy the Kid
This song really means the blues; Happy Birthday Mr Johnson. I recently revisited Peter Green Splinter group with a lot of R Johnson'songs. The sessions for Robert J by Clapton is exeptional (cd+ dvd).
DP38 is expected in Europe soon. Stay safe everybody.

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7 years 6 months
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I tried to take out a few flying beer can satellites with my pistol, but only winged one of them.

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13 years 4 months

In reply to by carlo13

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You're hurtin' my feelings. No love for 10/19? One of my favorite releases...

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4 years 3 months

In reply to by proudfoot

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I am citing unreleased 1973 GD

9 11

...

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14 years 9 months
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When my singles mailer arrived empty a month ago, I e-mailed GD customer service, they responded immediately, and a week later I had a replacement in my mailbox.

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