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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • daverock
    Joined:
    Origins of Heavy Metal

    A term first coined by William Burroughs, I think.

    Keithfan -9/17/72 ahead of 9/21/72? Maybe I should check the earlier show out again soon.

  • KeithFan2112
    Joined:
    Cream Rushmore

    I don't even know if it was a Cream magazine, but I got on board with The Who in 1982 as a ten-year-old kid, shortly after seeing The Kids Are Alright movie. In 1982 they didn't look anywhere near as cool as they did when Moonie was around. Townshend had shaved the beard, cut the hair short, parted on the side, and wore atrocious 80s clothes with sleeveless shirts and geriatric sneakers. There was a photograph of him looking like this on stage, doing one of his trademark guitar leaps; the caption read: "Who ever thought Pete Townshend could look like such a dink?" And that caption and photo just always stuck with me.

    It's funny the Rushmore thing is going on. I was thinking of suggesting everyone's three favorites from each year, but realized that would be a monumental task that would never get off the ground. Oh. Get it monumental? Rushmore. Total coincidence.

    Before I get to my batardized version of Rushmore, I must announce: I completely underestimated the Dark Star from 4/26/69 DP 26. There aren't too many 1969 Dark Stars that sound all that much different to me, but this one sounds excexceptional lately.

    Rushmore. Jeesh 4. shows + a bonus. I don't think I can do it. Well first I will say, I'm on board with the notion that there are many shows as good as Cornell now available from '77, and I can think of preferable versions of most songs.

    Veneta I like a lot. Most of the songs are in my top one or two favorite versions. The jamming on it features some of the best interplay I can recall between Jerry and Keith. They used to jam with this co-lead dynamic in '72 that would emerge for some shows with more energy, creativity, and synergy. Veneta I think is one of those days. Feels like the whole band is having an A plus performance. I'm listening to it now. I'm a dozen songs in, already, have heard Playing in the Band, Bird Song's just begun, and Dark Star still lays ahead. I think part of this musical intuition that came out between Keith and Jerry was largely enabled by Keith's use of the Grand Piano. He could play that thing loud and boisterous without washing Jerry out. I think that changed a bit the more he integrated other types of keyboards, as something like a Fender Rhodes didn't lend itself to that kind of playing, and by post-hiatus it didn't matter what he played, as the two drummer setup altered the jamming dynamic in such a way that the two periods were almost incomparable. And while Europe '72 is a goldmine of greatness, the songs developed a lot more with Keith come 2nd half of '72 (I can hear it when I compare something at Veneta to an E72 version where Keith is actually up in the mix). Maybe the quality of Veneta would even out like Cornell if many more shows from that era are released. One can hope.

    I also just recently listened to February 14th 1970, and I walked away thinking Lovelight was better on the 14th than the13th, where it's considered 1/3 of that 90-minute triad. I'm not a big fan of the Pigpen dialogue moments, but my recollection is that the 14th was heavy-duty jamming mostly, with a very on-fire Garcia. It may literally have been only the second time I've listened to that version. I immediately went to Dick's Picks 4 to do the comparison and at this writing I'm sticking with the 14th performance of Lovelight.

    I guess for Rushmore there's the problem of "release" vs show. I'm going with a release as long as it doesn't span more than four CDs. For example Jai-Alai 6/23/74 plus Bonus Disc, or Dave's Picks 29 with Bonus Tracks. I would not count something like the Grateful Dead Movie Soundtrack, or a 3 show box set like Winterland 1973 Complete; but I'm letting Ladies and Gentlemen The Grateful Dead slide in there. I think Dick's Picks 18 is fair game too.

    2/14/68 "And now for our next morbid selection..." * Road Trips '68
    8/24/68 * Two From The Vault
    2/22/69 * 30 Trips Around The Sun
    11/8/69 * Dick's Picks 16
    5/2/70 * Dick's Picks 8
    9/19/70 * Unreleased
    4/28/71 * Ladies & Gentlemen Complete
    11/15/71 * Road Trips Autumn '71
    4/26/72 * E72
    8/27/72 * Sunshine Daydream
    9/17/72 * Dick's Picks 23
    10/19/73 * Dick's Picks 19
    11/11/73 * Winterland Box Set
    2/24/74 * Dave's Picks 13
    6/23/74 * Dave's Picks 34
    3/23/75 * Blues For Allah Live
    7/17/76 * Dave's Picks 18
    12/31/76 * Live at the Cow Palace
    2/26/77 * Dave's Picks 29
    5/25/77 * Dave's Picks 1
    2/3/78 * Dick's Picks 18
    12/31/78 * Closing of Winterland

    And Fuggit - I love this DaP 38 + Bonus. I'm often at odds with Dick's commentary about a lot of shows, but I think he was on target here. Even if Dick hadn't introduced these shows to Dave, I think Dave would have discovered it himself.

  • Strider 808808
    Joined:
    Heavy Metal

    The creator of Heavy Metal lives nearby. Proximity to luminaries does not usually translate to becoming illuminated. The animated films of Ralph Bakshi are genius. Seeing Fritz the Cat in my hometown movie theater back when it was released in 1972 in a very altered state of consciousness is permanently etched into my gray matter. American Pop is also a fantastic film from Ralph. Many notorious and highly accomplished artists are best left alone. 34 years ago I asked Laird Grant if he ever met Jack Kerouac. If my memory serves me well Laird ran into him in Vesuvios Bar in North Beach next to City Lights Bookstore . The story goes something like Laird asking Kerouac some question and an extremely intoxicated Jack replying “What the fuck you want .....”. Some folks are best left alone.
    Fame is a double edged sword.
    Enjoy the new moon of July.

  • daverock
    Joined:
    More to life than books?

    Gary-great stuff, thanks for letting me know. As Morrissey from the Smiths wrote, "There's more to life than books, you know. But not much more."
    As for being old fashioned, I would probably qualify, in the eyes of the world. In the last month I have read books from different centuries. Some of them were written before I was born.

  • proudfoot
    Joined:
    10 23 73

    Recommended

    Also...12 9 71

  • proudfoot
    Joined:
    Heavy Metal the movie

    I remember seeing that in theater 1981 or 82

  • Vguy72
    Joined:
    Creem & Kerrang....

    ....yup. I remember those. Good times. Heavy Metal still rules in my home from time to time to time.
    Had my bedroom walls covered with the gatefolds from those magazines and also tapestries back then. Mom & Dad got a little worried, but not too worried. I was a good kid. Ignore that shoplifting thing on my rap sheet though. I stand by my statute of limitations.
    Music Is The Best. No matter what category.
    Been on a Judas Priest thing lately.
    My musical tastes are like the cycles of the moon. But when it comes to the GD, it's always always a full one. I will never be not in the mood to listen to the boyz.

  • icecrmcnkd
    Joined:
    Thanks PF

    And I was never in the dog house, she left the stadium with a smile on her face.

  • proudfoot
    Joined:
    Ice cream kid refused to leave even though gf...

    didnt like Space.

    You are a hero, Ice Cream. :)))

    Leave. Chix. @. Home.

  • icecrmcnkd
    Joined:
    The Last One

    26 years ago today.

    Definitely not a Mount/Desert/Rush/Island/More show, but I’m glad that I was there.
    About this time that day I was between the stadium and the big parking lot listening to The Band. Once they finished I got in line to enter the stadium. I was on the floor in front of the soundboard and to the left.
    I made it to all 9 Soldier Field shows and was on the floor for 7 of them.
    Had a good time at all of them, even the first night in 93 when it was cold and raining during Space. My girlfriend (her 2nd show) was wet, cold, and not enjoying Space. I refused to leave. :)

    Was in the bowl that night. The other time in the bowl was 7-8-95 (Visions was the highlight that night).

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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One word. Stockpile. I spun disk 3 of Dap 21 and was amazed at how good it sounds even when I am 3 deep in vodka martinis. Its similar to 38 in some ways.

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In reply to by sheik yerbones

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Billy the Kid-Sheik Yer Bones- if you haven't already got it, the double cd "The Centennial Collection" from 2011 presents Robert Johnsons recordings with a clarity I have never heard before.
I have never heard either of the Peter Green or Eric Clapton cover albums-maybe I should check them out.
Among my favourite cover versions are those by Larkin Poe - there on youtube under "cover versions". Just two young women and a couple of guitars - great unassuming versions of "Come On In My Kitchen" "Sweet Home Chicago" and even "Hellhound On My Trail".
Good choice of blues singers on Mt. Rushmore, Billy. If Blind Willie Johnson could be called a blues singer, he would be one of my choices in the pre war slot. Probably the blues artist I have got most cds by, though, is John Lee Hooker. Maybe cause he recorded the most!
Deadwise I have been ducking and diving around eras, travelling the roads less travelled. A great one from Europe 72 is the Beat Club, Bremen from 4/21. A single cd with two covers of "Playin in the Band" and jam out of "Other One" that never wants to stop and was never repeated ( I don't think).
5/5/77 is also easy to overlook-but its got a great "Sugaree" in there.

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Garcia said something about John Lee Hooker once, he said, John Lee Hooker is the kind of a guy who can scare you playing just one note. I saw John Lee Hooker play a few times. he always put on a good show.

John Lee Hooker lived in Redwood City in the 80s, he used to have his breakfast at the Lyons in San Carlos on El Camino(long gone now) He was quite a sight; impeccably dressed, a feather in his hat.

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In reply to by proudfoot

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All is good with the world again.

Happy Mothers Day folks.. how about a happy reply from a happy mother out there somewhere reading this.

What's a good Mothers Day show to listen to today??

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I saw Mr. Johnny Lee play in a college residence hall auditorium in the late '70s. His band came on without him and played for 30 minutes before the man himself was helped onto the stage and sat down on a stool in front of the band. He couldn't walk without assistance but was still impressive, even though he appeared to be on his last go-round. As it turned out, he still had decades to go. He was too bad of a man for the Reaper to take.

My blues Mt. Rushmore:
Pre-war: Charlie Patton, Robert Johnson, John Lee Williamson (the real Sonny Boy), Memphis Minnie
Post-war: Muddy Waters, Elmore James, Jimmy Reed, Albert King
Of course there are many names that could be rotated onto either list on any given week.

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https://m.youtube.com/watch?v=x5g9HaUs3qo. Lebowski, I think you're right, were going to have to carve another head on Mt Rushmore for. Howlin Wolf. Jim, 1973 DEAD, what do you think about a May 1973 box set with 5/13,20,26/73., Des Moines, Santa Barbara, and good ole San Francisco. I think it is something that is gonna happen in the near future, what do you think about that?

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Don't sleep on Omaha. 2 days after DP19.

P.S. Apparently, NOT a robot.

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I do not believe the borderline '73 heads would be much interested, based on the PNW non sellout. The 1974 shows in that box were extraordinary for '74, but I thought the 1973 shows were spotty. That is not to say there was not some brilliant must have Dead moments, but they did not hold on to me from end to end like the fall and winter shows. DP 19 is a great example of how great '73 could be. Also the Winterland Complete Recordings Box Set. I have listened to the May shows and Kezar is a winner from the three BTK mentioned, and would most likely be a good Dave's Picks or packaged with 6/9 and 610.

This current release is hot in my book. There has been some great analysis so I don't have anything new to add. The absence of Keith on 9/8 is strange, but the "mix" we got is very good to me. Interesting guitar discussions about the Wolf and the SG accounting for much of the aggressive sound. I never would have considered these things unless they had pointed out. It is always an adventure with the Grateful Dead!

May '73 is right up my wheelhouse. I agree with DReading on the topic, however.. I wouldn't expect to see this come out over the next couple to several years. I agree with his comments on the '73 shows from the last box too. They are not light the fuse and run away from start to finish. It's more an acquired taste, but there are strong moments in every show. I find myself pulling down segments from this box more than listening start to finish.

..but I still love this box. The Portland '74 China Rider for example is one of my all time favorite versions and I am just skimming the surface. I still consider the PNW box mandatory listening.

So May '73, hell yes.. but I am patient. We still have June '73 to ponder also. Putting all these thoughts to the forefront right now.. I think we have just one option. Finish the tunnel underneath the vault and take all of 1973 to mockingbird studios and make this happen. Dave is slacking... it's up to us. Who's with me?

Does that explain....

When I built a fire on Main Street
And shot it full of holes

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"They're not light the fuse and run away from start to finish". I would buy anything from '73, but agree, it's unlikely they would return there so soon.

Let's get the big '72 box going already. So much great stuff just waiting to be Plangentitized.

Completely underestimated the 4/27/69 Dark Star all these years. Top-shelf.

I'm going Spring '77 anniversary tonight - 5/9/77 Buffalo. Bertha is really cool and mellow and smooth. A cut above the other '77 versions.

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Sir James,

My apologies for the late post. I spent the day at a soccer tournament. No doubt something the fathers organized.

Each year on Mother’s Day I spin 3/27/86. The only time Revolutionary Hamstrung Blues was played. I was fortunate to be there. Still can’t figure out the lyrics, but a cool tune.

God bless all you mothers out there, the GD and the state of Maine. Coolest place to see shows.

5/7/77. Agreed on Bertha. One of the best concerts of all time and they open up by saying their equipment doesn’t work. Good luck explaining that to your teenage daughters. My favorite versions of Bertha, Peggy-O and 1/2 Step ever.

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क्या यह पोस्ट करने के लिए सही जगह है?

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I’d just looked at the UPS and USPS tracking for #38 and they were still saying
UPS - We’ve given it to USPS on 3rd May
USPS - We have been told, electronically, to expect it but we don’t have it yet, also on 3rd May

So I was about to send an email to see what was happening when I saw our postie heading to the door through the driving rain. After they had done their best to dismantle the letter box I discovered my #38 and bonus disc sitting on the floor.

Isn’t that wonderful, you know it certainly is.

Hopefully, I’ll play it tomorrow and check that it works.

Let’s hope some more get through to the UK soon.

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11 years 11 months

In reply to by Angry Jack Straw

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I was fortunate enough to be there also. I remember calling my buddy the next morning with the setlist and told of this "new" song.

Here are the lyrics

"Revolutionary Hamstrung Blues"
Words by Robert Petersen; music by Phil Lesh and Brent Mydland
Halfway past cool on Monday for the sight of her
Rode in town while he built afar [a fire?] with the riders and then the poor
Hot damn, it's a mother's day, don't you all look fine
Promenading down long car ocean, yes it's mine and it's sniffing white

They got poets, shuckers and godzilla's 'round
Mother's sweet little frozen no suit
We got Speed Racer and his archaic as words Revolutionary Hamstrung Blues

Bringin' all the mares hide in your cabs, honey now loosen your load
You belong to this has-no-name, what I
I remember some chicks from the sciz would come along and sit and squeeze too
Silly says, I say it once, for you it's cold steel and slow
Its sounds have all ruptured, it sounds just like glass
Suspect out in the corners, sounding verse and kickin' ass
I felt the city have a narly, don't make the 6 o'clock news
Speed Racer and the band here playing

As I recall I went for the window, but I never did get me there
Hit me hard with his hickory stick was the last thing I saw, met you
Drag me down and tangle, you carry the charges if you feel
Pray for the day that one yourself, but then figure we'll lick a few

But when I try to look up, don't want to let me loosen your load
Here alone take this grenade for me, well I

The fore runner radiates wild help up far now, gun ships pass so far
Pass me a vote, silly, and how we did it all over
Did it all over, did it all over the road

We got broads, suckers and guys in this jail mother sweet little frozen no suit
We got Speed Racer and his archaic am words Revolutionary Hamstrung Blues

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11 years 11 months

In reply to by Colin Gould

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Same boat here, hope mine shows up today before work,,,, around 2 my time.

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In reply to by Dennis

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why can't I order it?

(I am being silly......)

I am slowing warming up to this release. It still feels truncated, though, somehow.

- Another Picky Deadhead

I was at the Rose Palace in Pasadena CA (What a dump) for a show featuring Grateful Dead, Kaleidoscope (David Lindley's first band) and a group called Southwind...Headlining the bill was a showing of the Cream Final Concert film from London's Royal Albert Hall...

I listened to 5/10/69 recently on a solo road trip to Oregon.

HOT.

As happy as I am to have gotten on the bus when I did (82), to have experienced them in 1969....woooooww....

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I'm on my second listen, and for me the first set doesn't really take off until WRS. As is frequently the case, the band seems to be warming up during the first few songs.

I haven't seen mention of the "Roll out the Barrel" ditty at the end of cd1. It's not listed, and there is a lot of silence before it appears.

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Anyone catch a hint of I Need A Miracle at around the 6.58 mark lasting around 15 seconds?

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Hey now - I have a Vol. 38 plus bonus disk (opened only to rip music) will trade for a vol.38 collectible glass. Please contact via direct message. Thanks!

I think you will the bonus disc worth more down the road than the glasses,,,, seems they always want a lot of bonus disc.

I've been luckily on the glass front, 2 for 2. Really hoping to get all four. Wish I had gotten the hatchet, Jim made it sound so nice.

https://www.youtube.com/watch?v=DfsAb35jyfw

Nappy - Kaleidoscope seemed like a good band in their own right. Their first two albums, "Side Trips" and "Beacon From Mars" are classics.

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In reply to by frankparry

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Yes indeed sir. Made my ears to a double take. I mentioned this the other day and got a response like "of course they're in a driving blues jam in E." Yeah ok. Doesn't account for the time period being 73! Thank you for pointing out how weird it is to hear that riff show up so early. Not an "of course," but an "oh my, thats about 5 years to early!" Funny it struck .e as something so standoutish I can't remember another Truckin' that quite does that. I wonder how long that riff was bouncing around before landing jn Miracle. Anyone else know of a show where that specific riff shows up so blatantly and cleanly before the Miracle daze...or days?

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How's about the GSTL can koozie? Woo wooooooo!

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In reply to by direwulf

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Slipknot! was played live before 1975, and there is a WRS Prelude on a previous DaP release (don’t remember the #).

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I finally saw John Lee Hooker at Long Beach Blues Fest in 1997. He really was on his last legs; he sat down as he played and mumbled a bunch of shit like, 'you you you you you..." It went on too long and was out of rhythm and sync. But, it was a paying gig and the man showed up and I can say I saw him.

John Lee, Jimmy Reed - those dudes had a pocket a mile wide. "Bright Lights, Big City" Shit! "Dimples." "Big Legs, Tight Skirt." "One Bourbon, One Scotch, One Beer." Don't give me any cancel culture bullshit. The blues is and was as real as it gets. Men like women, they like booze, and they sang about it righteously.

"Going Down" as sung by Freddie King is another peak moment. What a groove! "Ain't No Love In The Heart Of The City," Bobby "Blue" Bland. Sly Stone. Jimi Hendrix. Rick James. Otis Redding. Stevie Wonder, Ray Charles, Bob Marley, Miles. I cannot name all.

Soul. Black folks have it, white folks have it. Everyone can have it, it ain't color specific. I do not, generally, like rap music. I don't find any warmth there, much of a pocket. I'm not going to disparage it because I know it means a lot to many and I'm not looking to pick a fight here.

But I will say, Gary Clark Jr. is a breath of fresh air in today's musical landscape, as is Christone "KingFish" Ingram. I love hearing the brothers with soulful voices lay down beautiful blues in the rich tradition of the greats, and I wish there was more of it. Maybe it will come back one day.

God bless everyone.

\m/

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BTK - So glad to see you include Son House in your pantheon, he's (unfortunately) one of the forgotten greats. I know that Muddy Waters (among others) held him in high regard as one of his idols but you rarely see his name mentioned with the truly original masters such as Robert Johnson, Leadbelly, etc.

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Yeah they're pretty similar, the Miracle riff and the Truckin' jam.
The Truckin' jam is distinguishable as the part they play while Bobby, sings "hey now get back Truckin' on" (except they continue jamming to it for a few minutes after he stops singing).

It is, as someone stated, a common driving Blues riff, but it doesn't always sound so obviously like Miracle as it does on 9/8/73, because they don't always accent the same beats (specifically, Bobby throws a couple of quarter notes into the second measure to transform the Truckin' riff into Miracle). This happens from time to time in a lot of versions of Truckin', where someone throws those quarter notes in. Pigpen actually does it with the Hammond on the E72 Bickershaw Truckin' between 6:48 and 7:15.

The first time I remember catching a little bit of this was on the Truckin' from the 30 Trips Around the Sun, Lindley Meadows show, 1975. It seems to pop up from time to time, but perhaps not so prominently as on this current release. It all comes full circle to how fricken loud Bobby is on DaP 38. Otherwise, the call to Miracle would have been something happening deep in the mix, as it has a bunch of times before in the 175 versions of Truckin' we now have. Wow... do I really need that many? Great question for another time....

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Thanks for posting that footage Billy The Kid. Never saw it. I love these rare 60s clips when you see a very animated Jerry onstage. Has anyone read if they tripped every performance? I've always had a fascination with what take on stage.

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In reply to by KeithFan2112

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Very cool.. at first I did a double take.. a 4:40 Morning Dew?

Choppy video but very cool.

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in Germany. That was pretty quick, again.
What a grateful day!!!

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17 years 4 months
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In the Netherlands. UPS tracking had said it arrived in the country on Saturday and today it was delivered. Shipping notice was received on April 30. Quick!

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13 years 4 months

In reply to by simonrob

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Great hear. I still haven't been able to finish my first proper listen. Sending some good vibes and listening synergy. It is a bit of a relief to see a little more equity in receipt timing.

Makes for a happy Tuesday.

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In reply to by KeithFan2112

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somewhere in the US, I was 4 years old

Jerry-cise! look at him go!

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11 years 9 months

In reply to by direwulf

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I was very lucky to see Kaleidoscope as often as I did in So Cal as they opened quite a few shows I attended...those LP's you mentioned and especially "Beacon From Mars" are killer as you say...It's too bad Lindley seems not to want to acknowledge that band, something to do with ca$h of course which is his right...Some years ago a friend took a vintage vinyl copy of "Beacon" and a new copy of the two CD retrospective of Kaleidoscope to a gig Lindley was doing in Santa Fe NM and he politely told my friend he wouldn't sign those for him...anything else no problem...too bad....

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In reply to by nappyrags

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No I wasn't at that particular show...I only ventured South a few times back then...one memorable show was the Danny Kirwan/Christine Perfect led version of Fleetwood Mac at the Sports Arena down there...while looking through some stuff I had come across on Google Images I saw the poster for another Rose Palace show that happened a few weeks before the one I talked about earlier...the bill was The Butterfield Blues Band (Keep On Moving was the current release for him) Grateful Dead and opening was some band from England called Jethro Tull...I did see The Carlos Santana Blues Band (as they were then called) at the Rose Palace opening for Procul Harum...Porcul was touring behind "Salty Dog"...being Chicano me and my buds flipped out on Santana!

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