• 8,079 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • 1stshow70878
    Joined:
    5-3-72 Paris

    Huge and another damn near perfect show with 3 Other Ones! The crowd seems more engaged and yelling a bit more than some of the more polite audiences. And interestingly they didn't understand that the show wasn't over at set break. Read attendee Bob Welle's review in DeadbaseX and his cool viewpoint of having been cruising around EU and just luckily caught this one, wondering who are these new people on stage.
    After all these good ones in a row it's hard to see the almost Barton Hall fervor over this one though. I'm having a tough time doing a top 5 of the first 11 shows they are all so good but this one is certainly in there. Onward indeedy! Didn't expect anyone to join in my insanity to do them all so good on ya' Oro. Had to do it once in a lifetime, lol.
    Cheers

  • JimInMD
    Joined:
    Ha

    I was talking about a mini box of Feb '74 before they released 2/24 (and now 2/23), but I like the way you think.

    I always assumed, probably incorrectly, that there were problems with the recordings of much of the October 74 run. I know Owsley was very vocal that they had excessive bleeding from mic to mic, etc.

    As for something to listen to today.. not that I am strictly a Today in GD History person but 9/18/70, 9/18/74 and 9/18/87 were all excellent shows. 9/16/87 was surprisingly good for the period also.

    That's all I have for now.

  • Oroborous
    Joined:
    Ok, back to Europe

    Hit 5/7, 5/10, and 5/11 this WE. Of course I’ve forgotten the finer points and things I wanted to say, but I’ve not wanted to be overly analytical, or get distracted with notes, and instead, just get right, relax, and try to enjoy them. (Which has not been hard ; )
    5/7 is just too much! It’s not always the most precise or perfect of the tour, but that’s because it’s a freight train on steroids!
    I’ve always preferred full steam ahead Dead even when that leads to more worts, not that this one has many, perhaps just a few more noticeable than some of the more reserved, precise (hey, they were trying to make an album) shows.
    Actually, I think the album factor is one reason this tour is so good. They’re in a place where they’re ontop of their game and can let it rip, but keeping it just enough under raps to keep the consistency high for recording purposes.
    Win win, but 5/7 seems more about the live gig, the large miserable crowd that seems to really appreciate the effort etc, more than playing it straight for the tape machine?
    Choo Choo, all aboard! what a beast! Garcia starts out in 5th gear and doesn’t let up for almost 4 hours!
    Dark Star AND an Other One! Full on grease fest with six beauties, including a nice LL that fits the format better than going on too long, and a nice unusual Segway into GDTRFB. Clearly they were enjoying themselves in spite of the conditions? They joke about blowing the big ones, but not this time bubba!
    I’ve had this one so have heard it several times, but it was a real treat to sit outside in a warm but not super hot day and just groove on this one!
    Yesterday I hit 5/10 for the first time and unfortunately didn’t get quite the best listen, at least to the later parts.
    But I did enjoy it, even if it was perhaps a little more laid back than 5/7 etc. Hey they all can’t be rocket ships lol.
    The word that kept coming to me was Smooth…this show seemed smooth. They’re gelling as a unit so well by now, and the consistency is so good. Sure there’s a miscue or clam every once in awhile, (I dare you to find a show that there isn’t ; ) but the overall tightness, energy, musicianship is truly better or on par with any tour they ever did!
    Of course there’s the sweet He’s Gone they finally got right, and why it’s the one! Another Sing me as they’ve worked that one in the repertoire nicely. And if I remember correctly, this had another of those unusual Other Ones, kinda jazzy perhaps and similar to 4/16? Unfortunately this one’s a blur for various reasons including hitting 5/11 afterwards. I’ll definitely want to rehit this, 5/3, and the Wembleys after the tour…but for now I want to go in order…
    Ok, 5/11, this one for whatever reason has always been perhaps my favorite?
    Not saying it’s the best show of the tour, just for whatever reasons perhaps my favorite?
    Certainly the set list is part of it: Nice Playing if not huge opener, plenty o grease, including a cool and final Caution, with final WHO Do You Love tease, Nice Truckin ender to mix it up, and a very cool, perhaps unusual Dark Star!
    Maybe it’s just because I think this might have been the first ala cart show I bought when I hand to the head realized what I was missing not having these Dark Stars? (Now realizing same about the cool spacey TOO’s)
    Other One can get real repetitive but these ones are often very diverse and different! The weirder the better I say!
    Whatever the reasons, this show, even after taking the tour plunge, still resonates very strong for me? Hey, I even think the cover art might be my fav? Ok, maybe I’ll hit it again streaming while working, before moving onto 5/13 and 5/16, both I’ve never heard yet, so hoping I’ll get to spend some extra time with em during the week…
    ONWARD! Ok, who stole my Heineken Dark?

  • Oroborous
    Joined:
    More shows

    That’s all I ment.
    Everyone’s made good points, and there’s no easy answer.
    I was going for a conversation starter more than just to editorialize.
    Like most things, no easy answers.
    It’s just now that I’m all addicted to this collecting nonsense, I need as many RJ shows as they’ll give us, and I’m afraid things are going to start slowing down, and eventually it won’t be worth it to them, and so many great shows will never get fixed up and released. And don’t you worry 1stshow ole buddy, there’s still plenty of RJ shows in the vault.
    As a rabid nut trying to tag as many of em as I can before I croak, I’m here to tell ya there’s plenty of gold left in them there hills! Yes many are cassette, but the gang has been getting better and better every year at fixing em up!
    And, there’s still lots of DATs and still a decent amount of killer multitracks, all just rotting in the vault!

    I totally get what yer saying, but think of it this way: suppose the summer 78 box was never released and only a couple others from that year. If they came out and said “this is your one chance to get the 20 best of 78”, including those shows in the July box, would you not find some way to get it? For sure, not everyone is going to want all of em, but I think you’d be able to scrape up at least 10k folks who would want at least one or 2?
    Really they should be digitizing them all, or at least the top 20 or 30 from each year that haven’t been released, and have a system where they announce a certain number, or block at a time, and do pre orders, to have inventory control.
    Some shows might sell big, some not so much. Perhaps have a rule that shows that don’t meet a certain threshold won’t get released?
    I guess the solution would involve somehow having a cost effective way to prep them, but pre order so you don’t always have to have such big sales numbers for every show? Perhaps DL like you say, but that hasn’t worked so well, so far anyway…
    Again, no easy answers, and I totally understand other pov. I just would hate to see so much good music not get the treatment it deserves. And yeah, the archive is awesome, but there’s nothing like getting a great show that’s been fully fixed/Normaned!

    Hey DV, where ya been hiding? Good to see ya, and sorry, I won’t mention you know who. It has got to be really tough being a fan. It’d be one thing if they just stunk, but they have potential, if only they could stop beating themselves.
    A well, it’s early still…

  • DeadVikes
    Joined:
    Releases

    Would love to see more shows released. My preference is still CDs.
    It would be interesting to know what the terms of the contract are with Rhino? Are they able to release as much as they want or are there limits?
    Do they even have the ability to release more per year then they currently are? Is Jeffrey Norman able to mix and master much more than he is now. He might need help. Maybe you could assist OB?

    There are some shows they already mixed and mastered that could be released on CD. For example, the two shows from the first Road Trips that they released as digital downloads, 11/5 and 11/6 1979. Also, the shows from the download series.
    Would also be interested in more video. Why not release the shows from the MUATM. They did this with the 91 show in the Giants stadium box, but would love to see the others released at some point. The 91 Chicago show was really good.

    Okay, seems others are talking about 1988 for #48. We will see next month.

  • 1stshow70878
    Joined:
    Box discussion

    I'm a dinosaur as Oro describes it and know zero about streaming and how younger folks get their music, movies, and TV but I'm guessing the Dinos are the ones buying hard copy CDs. My question is, if the '80s and '90s scene was populated by more younger concertgoers in huge stadiums in numbers way beyond the earlier shows shouldn't there be a demand for those shows in a format they like? I'd bet lots of folks will buy a show they attended. Mickey's model may fit that some day. That said, I'm ignoring the fact that some earlier shows had attendance in the 100,000+ range (Englishtown?) but there were just a few of those. I know Dave said that the last increase to 25,000 copies per release would be the last increase and maybe that's the limit for profitability for hard copy. I'm guessing the download option would be more profitable regardless of sales numbers (if they could ever get the damn things to work!) as all you need is a bank of servers and a few tech savvy people to run it. Large box offerings could be done as a pick and choose your favorite with quantity discounts for more shows. I know I won't be buying twenty shows from individual years I don't like as much and there is likely some truth in the theory that a good portion of "the good stuff" has already been released. Seems like, as with many things, tech is going to have to save us in this dilemma. Affordability is key either way. I can't afford $500 boxes even if I like the offering. It's as simple as that. So Mickey, let's get digitizing! Us Dinos will just have to figure out how to download and stream.
    Cheers
    Oh, and the price of the downloads needs to come down. Currently makes no sense if the price is almost the same just without the shipping. No incentive to be green.

  • Oroborous
    Joined:
    Y’all are missing the point…

    I’m not talking about preferences, if I was, I’d be down with Conekids idea.
    I’m talking about the reality of only a somewhat limited number of boxes getting released.
    Their not going to do this forever!!!
    For example, say they only releases 8 or 10 more years at one box a year.
    With 3 show mini boxes that’s only 30 more shows. Plus say 40 more Dave’s. (4x10).
    There’s still way more than 70 great shows in that vault…
    My plan,
    25 for primal 67-70
    15 for 71
    20 for 72
    20 for 73 (at least!
    ? 74 might just be mostly scraps
    20? for 76? Maybe
    77 is already over represented so he can spit the last few out on DaP
    20 for 78
    20 for 79 and 80
    20 for 81 & 82
    20 for 83 & 84
    20 for 85 & 86
    20 for 87 & 88
    20 for 89 including fall tour (alpine should be a stand alone
    90 not sure you’d need to do 20 as it’s already fairly represented?
    20 for 91 & 92
    20 for 93-95
    These plus DaP and special separates and one might say we’ve received most of the best!
    Take pre orders plus run an extra 10% so your not stuck with inventory but have a few for Johnny come latelies…
    You could still make them “limited”…
    Release 2 a year, everybody wins cept maybe the finicky heads who probably won’t buy much more anyway…

    Voila, all hardcore heads gets represented,

    And remember when Mickey made his bold pronouncement about making all shows available (about the same time he said Phil must have got the liver of a jerk) .
    But I’m sure things won’t change, sales eventually will make cost prohibitive and the vault will go to waste, but hey at least we will have most of 77…and four versions of October 74…
    Think about the cruel reality of only 3 to 5 shows a year for only 8 more years….the horror!
    Tic toc…

  • daverock
    Joined:
    Winterland 74 box

    Yes, next year hopefully - vinyl too. Bit of leisure wear to listen to it in. Nice.

    Mini boxes score where you might not want 17 shows or whatever. I wouldn't mind a few shows from Europe 1990, having attended the London ones - but I'm not sure I would want the whole lot !

  • icecrmcnkd
    Joined:
    Winterland Oct 74 Box, and we need more releases Dave/Rhino

    Hopefully it’s moving into production soon so that we get it for the 50th anniversary next year.
    With all the video included.

    I’ll take mini-Boxes.
    3-show mini-Boxes, released once every other month, and not during a month where a DaP is released. Thus, the DaP’s and mini-Boxes would give us a release 10 months out of the year. The other 2 months would be RSD and Black Friday RSD.
    Sounds like a grate plan to me.

  • JimInMD
    Joined:
    Winterland

    Agree..

    Can anyone tell me why we did not get a Winterland '74 Box Set? The box design would, of course, been a mini Wall of Sound.

    Wars have been fought for less.

    Oh, the horror.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by proudfoot

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Interesting first set, second ok, went with ok aud, better recording might of helped...
Good background working music...

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Classics.

With the weather improving day by day... and many of us getting vaccinated and moving about.. it's getting more and more difficult to pull off the infamous DHBrewer Hattrick.

But we carry on the best we can...

Let's do it Jim. Which show did you have in mind. All four of them are outstanding. I think we did 5/26/72 at some point. But that doesn't preclude us from doing it again.

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How about 5/25 and for extra credit the China Rider through PITB from 5/24?

A great run of shows...

Edit: Of course we could just do them both, in fact I think I will. Keithfan just posted this on the Dave's Picks page regarding 5/24.. which contains my personal favorite China Rider of the tour. I just love how silky smooth the transition is on this one.

________________________________
(shamelessly stolen from the Dave's Picks 38 page)

Last Lovelight

5/24/72 - night two of the Lyceum run, but more notably, the anniversary of Pigpen's last Lovelight. It's my favorite. They streamline it down to a smooth 12 minutes that includes some Allman-like jamming, which was par for the course for Lovelight by '72; but unlike its two counterpart versions from the tour, they get into that great 'doot-doot-doo' melody at10:05. Pigpen's improvised lyrics over this quiet drumless guitar / bass melody are some of the best. Nothing about refrigerator repair men or pocket ball or legs-up-against the-wall. This one is....ahem....closer to the heart. Don't have that E72 show? No problem - it's on Rockin' the Rhein as well (bonus track). To Pigpen.

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In reply to by DeadVikes

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Sounds like a good plan. I will hit up 5/24 today and 5/25 tomorrow.

In the meantime I have been listening to the first set of 6/20/91. Nice show, I believe Download Series #11.

Will switch over to 5/24/72.

Got through 5/24 and the first set of 5/25. Simply wow. Great shows.. which leaves the spectacular second set of 5/25 tomorrow and 5/26/73 Kezar Stadium for Wednesday.

It's a mind blown week, and it's only Monday.

But back to 5/24/72.. one of the under-rated, sleeper shows of arguably one of great tours ever performed. Do not underestimate this one.. from Cold Rain and Snow to OMSN, it's start finish greatness.

I got a hoot out of KFan's lovelight comments. I had my eyes on 4/26 and 5/7. To me, they still ring true, but the Lovelight>Two Souls is really classic stuff.. and in a great way highlights the end of the Pigpen era. This tour is simply magic in a bottle, pick your show and you can find yourself.. the under-rated shows are really appealing.. Lille, this show, Munich,... so many. Great stuff.

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In reply to by JimInMD

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Finished this up yesterday afternoon Jim and I agree great show. Also liked the Truckin into the Other One and then into Sing Me Back Home. And we had a little WRS tease in this show.

On to 5/25/72!

Oh and when will that box be announced??

I saw a post last week they will be doing a MUATM this year.!

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Yes, I noticed that too. On to the second set of 5/25 for me.

Have a good day everyone...

I guess we should set up a go fund me for GOGD.. clearly he has not been able to make his $6 bail..

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In reply to by JimInMD

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The better of the two shows. The second set is sublime..

Hope you all are having a good week.

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In reply to by JimInMD

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Enjoyed 5/25 as well. Nice Good Lovin, The UJB ,Wharf Rat, Dark Star into Sugar Mag are really good.

Of the four Lyceum shows 5/26 is my favorite. I won't hit that one up today as I need to change it up a bit.

Moving on to Kezar today Jim? They have the reels for this one now after the ABCD transaction, I hope it comes out at some point.

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Yes to Kezar.. agree on 5/26, but I hit this one up about a month ago. Plus.. a good bit of it was released with E72.

I haven't listened to Kezar in years, so it will be a good listen.

Our go fund me to get GOGD out on bail is up to $4.50.. so we only need a buck and a half to get him out of prison on six dollars bail. Things should pick up a bit here when he's back.

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In reply to by JimInMD

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Put me down for a $1.50 Jim.

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72 (listened a year or two ago)
73 (listened over the past weekend +)

95 (my final in-person GD show)

here's another $1.50, JiminMD

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My brother went to this show, he saw Garcia and Peter Grant ( The pedal steel player on Aoxomoxoa), standing on the side of the stage watching Ralph Mooney, the pedal steel player in Waylon Jennings band play.

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The sports guy for a local Bay Area TV station has been reporting from the "vinyl room" at his home during Covid. He has albums lining 2 walls that he changes out every day.

I couldn't help but notice the absence of a certain San Francisco band that people seem to like around here. Just figured they weren't his cup of tea.

Wrong - check this out (scroll until you get to the panel under the 10:53 PM marker, then play). Get ready to hit the pause button after the ads to check out his display!

https://archive.org/details/KTVU_20210526_050000_The_Ten_Oclock_News_on…

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At the time I was a teenager having a ball in 'Swinging London' (some parts of it were still Swinging in '72) and lucked into a job with Apple Records as a general gofer which put me right in the middle of the London music scene. Just for added fun I had a part-time job at the Marquee Club three nights a week. With a girlfriend who worked for another record company and a flatmate musician working with a music biz management team you can imagine I was never short of some live action.
I had been to the first of the Wembley shows in April '72 and dug it enough to look forward to the Dead's return in May. Now it gets a bit vague regarding dates but I had tickets for one of the Lyceum shows which was even better than the Wembley gig. But then the next day at work one of the Beatles' resident chauffeurs (either Alf or Lou, they were both usually around) happened to mention if anyone wanted to go see the Dead that night he had an invite he could pass on; I think I remember there was a connection to Don Murfitt who was known around town for security at the major shows and would have been known to the Beatles' entourage. I doubt there were many Deadheads at Apple at that time but I jumped at it and went along for the second night in a row.
Except this time I had to report to the backstage door with a message for someone on the crew; I can't remember the secret password but it got me in with a right royal reception and was promptly invited to lick the back of the hand of one of the crew which I duly did although the girlfriend declined. From there on this Deadhead was in heaven for quite a few hours tripping on the best acid I ever had and marveling at the night sky as the theater had a giant sliding roof that opened which seemed entirely the thing to do for Dark Star.
Somewhere around two in the morning, the Dead were still playing but the girlfriend was getting bored and demanded to be taken home; being the true gent I was (still am) I insisted on taking her across town in a taxi and then took same taxi home, the total cost of which was equal to a weeks' wages back then (she was hot though, worth looking after for sure).
But it was all worth it.
I can't honestly remember which two of the four nights I attended but I do know I was never quite the same after.
Anyway, I now live in Australia and much water has passed under many bridges. The girlfriend was eventually replaced with an even hotter one (that I married) and my career took a turn from the music business to the motor trade leading to working on race cars until I retired to the beach but I have all four Lyceum shows to listen to over and over and am still out there enjoying every second.
So if I still say I consider the Europe '72 shows are my favorite period of my entire GD collection you will understand there is good reason.
Thanks guys.

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Thanks for sharing @Chris Martin, that's great stuff.

Anybody else instantly think, "I wanna help Chris figure out which of the 4 shows he was at." ?

I couldn't help thinkin' that.
Would love to hear more about backstage scene and how that all went down.
What a trip!

Far out.

Bolo's tellin' us to watch the sports guy for some epic glimpses of SF's favorite hometown band memorabilia.

And May '72 is in the air.

Good to be back in town catchin' up on what's been goin' down.

Don't tell me this town ain't got no heart...

Sold for a buck & a quarter.

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Very cool story.. made my night just to read it.

GOGD.. good to see you back.

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Wow! What a story. Can't imagine what it would have been like to be in London at that time in 72. Great stuff! But wait, you left before the show was over? Okay, I can understand, you had a good reason.
Thanks for sharing.

Good to hear from you GOGD.

Kezar 73 is still top stuff. A few audience patches throughout, but the recording is great. Official release when it comes out will be even better.

Everybody hang loose.

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Chris-great review - sounds very special. I also left a Dead show in London early due to a fed up girlfriend on 10/31/90.
I'd do it again, too. Must be something in the water.

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How about 7/7/89?

July 89 is as good as Bobby says it was. Such high levels. You could even watch this one on Video if you have it.

I believe Keithfan was in attendance.

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great show

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Ha, sportscasters name is Ibanez!

Chris, great story!

5/21, 22, 23/82: did the run, The 21st seemed a tad tame for a Friday, but the Sunday was more like a Friday! All good shows, but I thought they got better progressively...really liked Sunday, Rocking!
5/25/72: don’t have all,of the 24 and the streaming offerings were lacking so went with the 25th, which was nice...72 Dawwwkk, Stawwww!

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"wahh! I'm bored! sacrifice your happiness for me! I don't care if you bought the tickets and we invested time and energy and money and anticipation! wahh! I wanna go home!"

leave
them
at
home

Re leaving the Lyceum gig while the Dead were still playing, I have three excuses:
1 - I had been to the show the night before and having a regular day job too even I was burning the candle both ends.
2 - She was a red hot babe and I thought I was in love so yes, I always gave her what she wanted (even walking out on the Dead) but she was worth it.
3 - At that age it did not occur to me that I might have to wait two years until they came back - Alexandra Palace September '74 - so leaving early did not seem like a crime.
The really strange thing was when I got home - about 3am - I was still tripping and I leaned out the window of my apartment in Finchley which is about 9 miles from the Lyceum and I was sure I could hear the band still playing. Whatever I had heard earlier that evening the acid made sure the show went on in my head for quite some time after.
Anyway, as I said I did not buy the tickets, it was a free pass and I doubt I missed much after 2am, I think the night before they finished soon after 2ish, maybe 2.30, but yeah, lesson learned I don't think I took her to see the Dead again.

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GOGD asked what was it like backstage? Well allowing for the fact that this was nearly fifty years ago and my memory may not be completely unaffected by the intake of various substances over the years but some details I do remember. I was told to report to the door at the back of the stage, which I did, I think it was red but I can't remember if it was open or did I have to ring a bell? Someone let us in, I guess I must have said who sent me or something similar but I was immediately made welcome like an old friend. I do clearly remember the door led directly to the back of the stage and I was immediately aware of a large scaffolding frame right in front of me towering up to the roof which was filled with speakers. The area was mostly in darkness but I was sure I saw most of the band hanging around, and several of the crew seemed busy running around although as this was not the first night of the four night run (I was there the night before too) I doubt they would have had a lot to do setting up the gear. It was one of them who told me to lick his hand. Certainly the Dead must have traveled with their own supplies and it was the real deal, it took effect fairly soon after and lasted all night, clean and clear with no downside. Whoever it was who let us in asked if we wanted to stick around, I think there were a few flat wooden benches behind the stage, and drinks and smokes were being passed around but we would not have been able to see the band on stage from there so we were let through a side door to the main auditorium.
As for what nights I attended, I really could not say. I do know they were two consecutive nights and I had to go to work the next day after both so that rules out the 26th which was a Friday (I did not work Saturday). I would probably have been eager enough when tickets went on sale to have bought for the first night (23rd) so the next would have been the 24th but that is only guessing. It could have been 24th and 25th. I have all four CDs just to be sure I have the ones I was at and they all still sound great, but having been to other shows and after all this time I can't honestly remember what they played or maybe more relevant, what they left out. New Riders of the Purple Sage were on the same shows and there was a lot of waiting around between sets so probably the Dead did not start playing until very late.
One thing I should be ....ahem...."Grateful" for is that with hindsight many still think Europe '72 saw the band at their best and certainly on the evidence of the recordings available they were on top form.

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In reply to by JimInMD

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This show has a great flow to it. That Box of Rain still gives me chills.
Finished up the last part of the show on DVD. Wish we had more shows on DVD.

Who has a pick for today? Bob t?

I don't think we will see a box announcement until August, but hey at least they released the Garden Club???
I remember when this site was packed with music.

Enjoy it.

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with checking out shows I’ve never heard, 5/12/74. A lil 74 goodness for a Fri- day!
Perhaps later, 3/25/83 depending on chever way?

Hopefully Doc will lead us all on more 71 adventures Saturday and Sunday?

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A great show. I like energy of the close to the first set.. say from Memphis Blues through Blow Away.

I'm all in with OroB's lead. Either show is fine. 5/12 is the windy show where the stacks of speakers over Bills head were swinging wildly and it freaked him out. They changed the setup going forward. I can see why it spooked him.
Sometime I want to draw us back to an earlier time... something off the beaten tracks with a good Smokestack or School Girl.

It's raining here, but we need the rain. Lots of vacationers starting to show up and fill the town. Rivers are running.. what's a guy to do?

Happy Friday everyone. Do something extraordinary.

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How about some gardening?

while you wear your pretty little apron, listen to 5/12/74. You'll be glad you did.

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5/12/74 ✔️ Interesting sequence in the last set, good sheeet mon. Overall perhaps not top 74 tier, but a fine show though the version I went with was not...

3/25/83✔️ Strider recommended so I had to check it out. Good energy, Bob even comments at some point about hopefully we can keep it going....first H-S-F, good set list, but again, the tape got weird for part of it....

So I was going to hop on the Doc train and go with 5/29/71 today, but I drank some cider and now I feel funny?

Chris - thanks for sharing that very cool story. that's some sweet happenings

Jim - thanks for suggesting that Lyceum run. had not really been on my radar compared to many of the shows on the continent. total eye opener. a magnificent 4 nights.

Senator Oro - spring '83. early on I had clean board of 4/17 Set II. It is smoking from the opening notes of H>S>F. great great tape.

DV - will have to check out 7/7/89. I was elsewhere during most of that year.

glad all it took was a $6 to spring GOGD from the pokey.

someone mentioned Fox Atlanta 5/18/77 I think (PF?) seemed like Set I was a pretty slow pace for that tour. High Time might be the slowest I've ever heard. Something seems to "change" in Estimated and holy moly the eyes of the World that follows is fantastic with an expansive opening jam by Jerry and beautiful soloing between verses. gorgeous.

finally had a mind meld with DaP 38. had been spinning it in my car for awhile - pretty okay but a bit sharp. But one evening relaxed and with Sennheisers it was like the mix totally changed - unbelievably smooth and sweet. Curious if I'll be able to find that spot easily again. I do think there are a couple of somewhat rough patches that may have come from another show - Bobby's guitar jumps from right to dead center for brief periods.

enjoy the weekend and be safe everybody

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Damn that “cider” was strong! ; )
Just starting to feel right again, phewww
Another fine show. Perhaps not quite the Thunder of the years previous shows, but there’s some cool, almost DS like exploring during some of the out jams, I guess particularly TOO...
More of the laid back home town vibe versus the coke induced overdrive of some of the east coast shows.
Did the Aud for most of the first section, and the CM SB for the rest.
Both are flawed but I didn’t mind the Aud, back in the day we would have been happy as it’s got a good mix etc, and though it has Winterlands unique room coloring, it’s not bad.
The SB was mostly good but had some level/distortion issues.
These 71s are growing on me.
Onto 5/30 today.

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The famous cider show at Winterland.

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Another fine Lil 71 show. Didn’t have the cool jam of the previous but a solid show except for shug megs, ouch..
Good helping of pork, pass the napkins please, including a somewhat rare but nice Rub, and a spicey LL.
Cool little Dew in the first, And!,... it’s got a Cumberland!
Tapes were similar to the 29th: Aud for first section, SB for rest. The Aud was worse though than the previous, and I almost didn’t listen, but wanted to hear this at least once. Like most, eventually I was able to get past it and entrain with the music, but it suffered more from venue sonic anomalies than the previous night. The SB was mostly good, perhaps an occasional clipping instrument, but usually short duration.
Ok, hopefully we’ll see Doc (and Strider ; ) here on the 21st!

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but the cider was strong..

A bit behind having made the best of a strong holiday weekend. I was dependent on waterproof, bike and river devices for much of my listening this weekend.. which do not get updated based on this thread very often. I did find myself once again enthralled with 5/23 and 5/24/1969 a week after it's aniversary. I have to admit though.. hearing disc 2 into disc 3 you get a He Was a Friend of Mine, Death Don't Have No Mercy and Morning Dew almost back to back.. I was thinking, is something really bad just about to happen to me? So I had to switch it up a little and fast forwarded into the 80's for the end of the weekend.

I might re-hit William and Mary this week too. I only had one decent listen of that one since it came out.

Hope you all had as good a weekend as you could. What's the show du jour?

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is thing on?
Mornin’ Jim,
Did 7/25/74 for the first time yesterday.
Nice little show, would make a good Dave’s.....

Was thinking of continuing on with my quest for unheard shows, and specifically 4/9/83.
Been digging spring 83 lately, especially some of the awesome Auds!

Ooops, sorry PF, you weren’t there before lol

Sounds like a plan. I am in a 76 mood today.. so there's that.

As for 4/9/83.. happy to do that one. I was there. I might have to conjure up a tall tale from the cobwebs of my failing memory.

I tried to bring to life the next night a few weeks ago. If you have ever seen both venues (Hampton and Morgantown Coliseums), the are remarkably similar. In the right frame of mind, you might mistake them or UFO's (or are they)? I did miss 4/10 which is silly because it was closer to where I was living at the time. Morgantown is the closest 'city' to where I live now, I have a soft spot for the Mountaineers.

I am only seeing the second set that circulates for this show, at least through Relisten. Would love to check it out. And 83 is always worth a listen. Thanks guys.

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I did Morgantown back when it came up as I had a tape bitd and was interested. Couldn't remember about it, perhaps good show, not so good tape? I did remember "the girl with lobotomy eyes" comment!
Heard a great ayd version this time around!
Been there a few times, some wild stories considering we were there to visit the "20 year olds" grandma...but never saw the dead there.
Heard this opening night Hampton was good, and it seems to be.
I'll try for 76 later...

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Doah, dbl time...

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Aside from a 20 minute appearance at the Human Be-In on January 14, 1967, I always thought 11/10/1973 was my first "official" Dead show. I recently had the opportunity to go through some of my late brother's belongings. Lo and behold, I found a ticket stub glued to a piece of paper with a caption - First Dead concert with "Bolo" (name changed to protect the guilty). I was floored for two reasons: 1) that he would keep something like that - not his nature, and 2) that I would have been wrong all these years.

So, in memory of my big bro', I propose 12/10/1972 for POTD on Thursday. Caveat: a big chunk of set 1 is missing, but the rest is pretty sweet.

R.I.P. brother

And so it is. Great story Bolo. I will fly my freak flag half mast.. and hopefully enjoy Thursday's show to the fullest.

I will be sure to play the good parts extra loud.

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My second show and the first one we travelled to. We had tickets, our plan was simple.. get to the show and get in.. then find someplace really cheap to sleep or drive East and sleep on the beach.

The show features the East Coast breakout of Help on the Way/Slipknot!/Franklin's Tower, played just twice earlier in the spring since the fall of '77. Great China Rider to close first set, high energy and good for the era. The other thing that stands out to me is how fresh the new material sounds. West LA, Brother Essau are Throwing Stones are just finding their place. A super fun and high energy show.

We ended up driving East without much of a plan and played on the beach till the sun came up magically without drawing any attention to ourselves.. then crawled back to this dive in either Va Beach or Newport News, I cannot recall.. the dive we slept in was called the Strawberry Motor Lodge, which I am sure is long gone by now. There might have been rain or mist involved too.. it was Spring, perhaps colder temps but somehow we made it to dawn outside before retreating for a couple hours sleep and the drive home. We should have just headed to Morgantown for the next show.

So ended my second show. My only birthday show and it might have been my only Satisfaction. I think I caught another Smokestack (maybe).. All in all a fun little show.

That's about all I can remember. There must have been something in us that made us want to stay up all night... my guess is fungalificaiton but all these years later I cannot be sure of anything.