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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • #1361
    Oroborous
    Joined:
    38 production issues cont....

    Wow, lol, this is all over the place.
    I’ve tried twice to go through with the intention of noting precise instances with pad and paper, but didn’t because I didn’t want to waste a whole day on this but it obviously needs to be done lol. The situation is the boss!
    It’s a dirty job but somebody needs to do it, so guess that’s what I’m doing today lol.
    First, a few reply’s in an attempt to clear some things up or perhaps get more of us on the same page?

    - FIRST THE SOUND: there is nothing wrong with the “sound” of this, it’s some kind of production anomaly that hurts the “sound”
    - THE LEVELS TOO HIGH: I don’t believe this is the problems since the peak level is at -1db, which is perfect. You’ll notice on discs that are over mastered set at 0db with hard compression to make them LOUDER. IMHO this style of mastering is obnoxious and sucks! There has been much discussion on this the last ten years or so about this elsewhere if your interested. I stopped buying “remastered” stuff after getting some Floyd and Stones Some Girls since they sound like shit. All their doing is compressing the hell out of the mix to make it louder, but that ruins the dynamic range, which is one of the most important elements of good music I.e., see the GD! Luckily, the GOGD folks don’t do this!
    - BAD COMPRESSION: sometimes if the recording levels were too low there can be a bad signal to noise ratio. You’ve all probably heard this with a beloved tape that you have to turn up extra loud to hear, which then makes tape noise and hiss super noticeable. BITD sometimes folks would use a compressor. This cuts off some of the level peaks but boosts some of the quieter sounds, hopefully making the ratio of noise to sound more tolerable. But there are limits to how much you can use this method without causing hard compression or limiting which can cause the processor to distort.
    This is referring to all analog too, digital is even more unforgiving about clipping etc. I wouldn’t think they’d use this methodology on a distributed piece of professional work, but it could be possible? If they wanted this show released bad enough and the tape was noisy...? And/or If they felt that the vast majority of people would never notice it, who knows?
    - TYPICAL 73: agree, besides these issues, and perhaps some differences in the mix I.e., Bob is really nicely present, this sounds very 73...
    - THE MIX: this is not the mix. Whatever your feelings are on the mix, that isn’t the problem
    - THE USUAL: yes there are the “usual” “dropouts”, “unevenness”, etc, but none of these or the usual stuff people comment on, are the problem, this is different. In all my years I’ve never experienced this!
    - WASHY: not sure what that means, but I doubt that’s it either. Washy sounds like more of the “normal” idiosyncrasies found on 50 year old non professionally recorded tape.
    - WOBBLY: : same with this, not sure exactly what is meant as I’ve never heard it used in professional audio terms before lol, but I’m guessing it’s same as above in that it’s a “normal” item that occasionally is noticeable? If it’s meant in regards to variable tape speed issues, that is not the problem we’re referring to here.
    -“IN THE BEGINNING”: this problem has nothing to do with the often occurrence of the mix taking awhile to be dialed in by the mixer etc.
    DARK-STAR: though there is definitely a clipping factor here, I can assure you it’s not due to amplifier clipping. My MC 601 mono blocks have circuitry to prevent clipping, plus, I don’t push them that loud. That’s the whole point of having 600 watt amps, headroom! It’s all about phat tone, not volume! I don’t like super loud anymore, so I find around 90 db peaks or so at the listening position of about 7-8’ is plenty loud. At that volume, the amp meters usually are registering 60 watt peaks, so no where near clipping.
    I’m curious what you mean about your equalizer “evening” out the sound besides the eq? I’m assuming you have some kind of limiter in the unit? I’m curious what unit your using? EQ itself has nothing to do with this problem.

    A little info on EQ though: it is usually used for 1 of 2 reasons; professionally, it is used as little as possible to tune a room, like a studio or dedicated listening room using sophisticated analyzers and testing equipment.
    The second general use is for preference; the way many of you use it to suit your personal taste influenced by the gear, and speakers/headphones your using. It is also used similarly to mix individual sources for live and recorded music. Though live EQ is also used for room issues, it is more often used to “color” sound to preference, not to make things accurate. Whole nother thing there that the reader can look up about accurate vs “good” sound...
    But research increasingly shows that phase/timing issues are the biggest negative factor on sound and unfortunately EQ can cause unwanted phase issues. If you ever wondered why Mickeys studio stuff is the gold standard it’s because he doesn’t use EQ but instead painstakingly uses appropriate mics and mic placement. If you must use EQ, you should try to cut prominent frequency’s instead of boosting others. Like turn down the bass versus turning up the treble. You should never boost if possible. The little op amps in the knobs were not intended to be used as amplifiers, but that’s what your doing when you boost! Sorry, I don’t explain this stuff vert well. So if your having to boost all those upper frequencies, no offense, but you might have bad sounding speakers and/or significant hearing loss, something more common in us older folks than most might be aware of. Like you could have hearing loss and not even realize it unless you get tested! Of course all that really matters is if your happy with your rig, no matter how much or how little it costs etc, the only thing that matters is if your happy with it!
    - SMALL BATCHES: I disagree that it’s not possible for damaged small batches. Yes their using the same master, that’s why it’s called a master, but that doesn’t mean that batches of blank/raw discs couldn’t be flawed or that somehow a setting got changed during the master transferring. I don’t think it’s the former but could be the latter?
    It could be something as esoteric as there were weird power issues on the grid at the plant during part of the run? Again, I don’t think that’d be the case as any real professional facility would have isolated, professionally treated power, but it’s an example of the many weird things that can happen with electronics and electricity that most folks have no idea about.
    HOW PEOPLE ARE LISTENING: what your listening on may well be a factor if your not hearing it, but I doubt this is caused by what your listening on. This is definitely a production issue, either on the original tape, or during the subsequent production.
    I’m still wondering if they ever used a limiter and/or compressor on the original recording? It would make sense to have one since Kidd et el can’t be sitting there the whole time riding the mix like that. These guys had other responsibilities, so to ensure that something/someone doesn’t occasionally clip the recording, using a soft limit could smooth out those occasional peaks. But there are limits to this (no pun intended), if someone turns up significantly louder, it’ll still clip and can cause audible distortion by overdriving the limiter/compressor etc.
    This to me would explain the phenomena. If your sharing a unit via a aux mix on a mixing console, that means everything, all sources potentially get bussed through that unit. If the unit isn’t set just right, any time anything engages the unit, there could be audible artifacts caused by this. That’s why I think this may be it, since it’s not effecting only one source, and it’s not everything all the time. It’s effecting most sources but not all the time...

    LOL, being such an audio nut, not knowing what’s going on is more annoying to me than the actual problem, though I think it’s bad enough that I’ll need to look into replacements. It is definitely very interesting, at least to this geek!
    Anyway, I’ll go through song by song and document as much as I can and report back.

  • #1362
    proudfoot
    Joined:
    GD, zits and all

    play on
    play on
    play on

  • #1363
    That Mike
    Joined:
    A Sound Technician Walks Into A Bar…

    Jeffrey Norman walks into a bar, and orders a beer. The bartender takes one look at him, and says, “Ok!! But I don’t want to hear any problems from you!!”

  • #1364
    stillwaters
    Joined:
    To All Those With Issues Regarding The Sound

    Please read the caveat emptor for Dick's Pick's.

    We now return to our regularly scheduled program.

  • #1365
    dreading
    Joined:
    AJS

    I hear some loud hi-hat in places. Like the beginning of Jack Straw. If you get a chance can tell me if you hear the same kind of loud symbols on the "Big Railroad Blues" on PNW boxed set June 24, 1973 Portland? I sure do.

  • #1366
    Angry Jack Straw
    Joined:
    Sir James

    That is pretty much what I currently have.

    About 6-7 years ago, I was looking for a new car. Well, new to me. Buying a new car is one of the biggest rip-offs known to mankind. You are much better off purchasing a slightly used one for a 1/3 or more less. Anyway, I went about my search by bringing a copy of DaP1 to the dealerships. The whole point was that since I spend so much time in the car, I wanted a nice sound system. I would simply turn on the car and listen to the music. After a minute or so, the salesperson would ask if I was ready for a drive. "Not needed" I would reply to a perplexed look. "Thank you for your time." Most wanted thousands more for an upgraded sound system. I wound up going with Acura because the sound was excellent and the price was significantly lower.

  • #1367
    KeithFan2112
    Joined:
    Ha!

    Jim, you had me at "There is really only one solution". I sensed some chortle-worthy shenanigans on the way.

    Awesome Version Alert -

    My favorite part of Casey Jones is the finale where they repeat the chorus a bunch of times and everyone joins in and plays "denser" I guess you would say. The combo of Pigpen's Hammond, Jerry and Bobby laying it on thick, and Keith's piano gradually building in tempo - it's just fantastic on this night.

    I think Pigpen was really wielding that Hammond with some exceptional skill at that point. Never flashy, but he could play fast at need, was always on time, and always picked his spots with musical know-how. That was quite a period when they had both Keith and Pigpen playing together.

    Edit - whoops - would help if I provided a date - 5/18/72. I'm still rummaging through that show.

  • #1368
    proudfoot
    Joined:
    lol moment last night

    went to bed early
    had my phone on archive 5/13/83 set two
    she comes up later
    I am asleep
    Space is full steam
    She hisses: "THIS IS THE WORST MUSIC I HAVE EVER HEARD!! THIS IS THE WORST MUSIC I HAVE EVER HEARD!!"

    uh, ok. I'll just turn it off....

  • #1369
    JimInMD
    Joined:
    Re: AJS

    Clearly you need the Wall of Sound Mobile Edition T (C) (R).

    https://fi.pinterest.com/pin/382735668306627856/

    Pimp up your ride.

    (......honey, I got us a new car!)

  • #1370
    Angry Jack Straw
    Joined:
    Follow up

    So, I listened to the release in the car this morning. Now I am more baffled by the fact that most folks can't seem to hear the distortion. The best way I can describe it, as I stated in my initial post, is that the cymbals are way to high in the mix. It's quite a nuisance. I also recant my earlier comment on the problem not being on the 9/7 release. It is very evident on HCS. Hell, even our dog can hear it.

    It's a shame because it detracts from an otherwise fine release.

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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Submitted by Deadheadbrewer on Sat, 05/29/2021 - 01:07

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Not that many years ago (4?), a friend and I went down to the local arena with cash in hand to try to get in to see Stevie Wonder. I thought we would have an easy time of it, but we didn't. Once in a while we would get offered one, but we held out for two. At some point, someone from a church that had won/purchased a bunch of tickets hands us one, saying, "Someone didn't show up--enjoy." We weren't going to leave the other behind, so at some point I say to my friend, "Follow me." The show is about 20 minutes in, and we walk up to the turnstile. I say to the 20-year old watching that entrance, "I'm going to hand you this ticket and $60 cash, and my friend and I are going to walk in and never speak of this again." He gets indignant. I try again, but this guy really isn't budging. He finally tells me that he is not allowed to do any such thing, so my friend and I go hand the ticket to one of the guys who had been hanging out with us trying to snag a ticket, then go to the cool bar near the arena and drink Sazerac for a while.

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Submitted by Forensicdoceleven on Sat, 05/29/2021 - 02:22

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50 years ago today…………….

May 29, 1971
Winterland, San Francisco, California

Casey Jones-Me And Bobby McGee-It Hurts Me Too-Promised Land-Loser-Playin' In The Band-Hard To Handle-Me And My Uncle-Truckin'>drums>The Other One>Wharf Rat-Sing Me Back Home-Cumberland Blues-Sugar Magnolia-Deal-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

Over the years, there has been some disagreement over the true dates of the May 1971 shows and the setlists. Deadbase AND the Dead’s own website list them as the 29th and 30th. While there is some dispute from eyewitnesses, for now I think I’ll go with what the Dead themselves claim.

Apparently the acid flowed like water, described as a mini-acid test by some, creating psychic problems for others. The music itself is fairly straightforward, hard rocking, mid-1971 Dead, no bells & whistles, and probably not enough greasy Pigpen………..

A poor-to-fair audience recording of the complete show circulates. There are fades/edits at the beginning and ends of virtually every individual song. There are no audible between-song banters or set break announcements. A soundboard recording (Miller remaster) of Truckin’ through the end of the show does circulate. Not first tier, or even second, but still worth a listen………..

For excellent documentation/discussion of the show, see: http://deadsources.blogspot.com/2012/07/may-29-1971-winterland.html

Rock on!!!

Doc
The moment a musician doesn't play, things start to get a bit rusty……

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Submitted by JackstrawJay on Sat, 05/29/2021 - 04:18

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Time for the Ark Box: April 1969....

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Submitted by Forensicdoceleven on Sat, 05/29/2021 - 05:40

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Yo! Rockers!!!

I still vote for Fall 72 Texas box, but that's just me........

Rock on!!

Doc
I perhaps ought to say that individually I never was much interested in the Texas question.............

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Submitted by musicnow on Sat, 05/29/2021 - 07:33

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please Dave?

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Submitted by Oroborous on Sat, 05/29/2021 - 10:19

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If yer going Ark, why not add Avalon’s? THAT would make a hellava box.

Ok, only Leafs/Habs left in first....Leafs better just get this over with!
Awesome comeback the other night, it’s a shame they couldn’t pull it off.
I don’t think I’d be messing with that funky T town mojo, best get er done!

Mañana, the big Vegas/AVs matchup, woo-hoo, should be some top shelf hockey eh!
Whatever happens, just so the refs don’t fug it up. That BS last year still festers...

Bruins/Isles, go Isles, give that old barn (and the illegal cop operation below) a fitting fair well, besides, I bet a majority of folks hate the Bruins only slightly less than the Tommy pats ; )

Canes/Lightning, go canes, I guess? Used to like TB but sick of some of the same old teams mucking things up. Though it’s hard to root for the Canes after they lucked out against the Sabres in 2006, but their hot and they’d be a nice change.

Hopefully the Leafs will get past the Habs and then the Jets...

Ok, need to start getting ready

Back bacon ✔️
Bla-doors ✔️
Horts: coffee and donuts ✔️
Lucky tuke ✔️

Hot girls on skates.....?
Ok, still have some work to do!

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Submitted by billy the kid on Sat, 05/29/2021 - 10:38

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April 1969, 6 shows, all real good. Hard to Handle is kind of a train wreck, the Dead were just breaking it in, but the rest of the music is a knockout. Death Don't Don't Have No Mercy from the Avalon, is right up there with the best versions.. It's bbq, beer, and music time, have a great long weekend everybody.

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Submitted by daverock on Sat, 05/29/2021 - 10:44

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It would be great if the posts on here had an influence on future releases - Avalon/Ark 1969 or Texas 1972 would be right up my tree. Unfortunately, I would be very surprised if either of them are featured. But I hope one of them is.

Incidentally, they seem to have forgotten to put any weed killer in with the gardening club. As Tom Waits sang-"You can drive out nature with a pitch fork / But it always comes roaring back again."

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Submitted by JackstrawJay on Sat, 05/29/2021 - 12:52

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Daverock wrote: if the posts on here had an influence on future releases ....

Exactly...crackin me up!

Haha! As they say “SCORES!”

I’ll be welding shut all access to my TV room tonight so as to prevent my wife visiting to fill me in on any subject BUT the game tonight. The dog doesn’t say much, so he can stay!
A man’s gotta do what a man’s gotta do…

How nice would a 2021 Edition box set be for those down times between playoff series…

Has any one ever noticed that at the 40:22 mark of the 12/6/73 Dark Star, Kieth, after playing some cool shit in general, breaks into what to my ears sounds like the chorus to none other than MJ’s BEAT IT for about 8 seconds, and then moves on?
So what you say? Well, that song wasn’t released until 1982! Same 12 notes over and over indeed!

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Submitted by Forensicdoceleven on Sun, 05/30/2021 - 02:13

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50 years ago today…..

May 30. 1971
Winterland, San Francisco, California

Set 1: Bertha-Me And Bobby McGee-The Rub-Loser-Playing In The Band-Next Time You See Me-Morning Dew-Promised Land-Good Lovin'

Set 2: China Cat Sunflower>I Know You Rider-Sugar Magnolia-Cumberland Blues-Big Boss Man-Me And My Uncle-Deal-Truckin'-Turn On Your Love Light-Uncle John's Band-Casey Jones

Encore: Johnny B. Goode

Sonically similar to May 29, yet oddly different enough as well. Rare Rub, unusual late first set Dew, crankin’ Good Lovin’ to close the first set, nice China/Rider to open the second set, rappin’ Lovelight. Not a lot of big jams, decent dose of grease, not the worst and not the best……

A poor to fair audience recording circulates, for completists only. Miller’s circulating soundboard copy has a portion of Know You Rider, and the remainder of the second set, but without the encore. Most of the second set and encore was released on vinyl LP in conjunction with Record Store Day in November 2012.

Rock on!!!

Doc
Personally I have no bone to pick with graveyards

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Submitted by billy the kid on Sun, 05/30/2021 - 06:37

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https://m.youtube.com/watch?v=lQQJC2FIM38. This sounds great! This show would make for a great 1969 release. This show and the previous nights show in San Bernadino, were written about in the August 1969 issue of Rollling Stone, Garcia is on the cover of the issue. It's a very cool story, if you haven't read it, check it out. Time for bbq day 2.

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Submitted by That Mike on Sun, 05/30/2021 - 07:54

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I’m not hearing MJ in that Dark Star either. Maybe a little “Moon River”, but no MJ…

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Submitted by nappyrags on Sun, 05/30/2021 - 08:13

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Sorry to say but I can't pick myself out of that pic you posted...where I think I should be is just too small to figure out...oh well and thanks for the pic, some stuff!

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Submitted by unkle sam on Sun, 05/30/2021 - 08:47

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what kind of weed killer would be on the dead site? I can't see weed killer....Killer weed maybe but weed killer?
back in the day when I was a landscaper, we had crack weeds, now if you did not know what crack weeds were, you had to ask the question....I have heard of weed and I have heard of crack, but what is crack weed? as the name implies, crack weeds are weeds that grow out of cracks, not smokable, but fun to say.

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Submitted by Oroborous on Sun, 05/30/2021 - 10:11

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I swear it wasn’t (just) the drugs!
On archive version it starts at 40:13, cd version 40:22, it’s really brief, but it’s there!
Not the actual beat it part, like a measure or two in the song before that, the iconic lick...

Cheese and rice, rooting for the Leafs is as bad as rooting for the Sabres lol
Another great comeback but couldn’t git er done, again!
@#$&***ing Carey Price, the man is possessed!
I’m getting a baaaaaaddddd feelin...

Ok, tonight’s the night...
https://m.youtube.com/watch?v=RTGjVvQPVWg

I offer the best of luck to my esteemed colleague from the great state of Nevada.
What ever happens, hopefully it’s clean,
primo Hockey at its best!
May the best team win, and may the refs not fug it up!
ONWARD!

NAPPY: yeah that’s a lot of freaks eh?
I’ve always dug that photo.
Must of been a cool scene fo sho!

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Submitted by Bolderdash on Sun, 05/30/2021 - 12:12

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Hi y'all. I have an older Rotel CD player that decodes HDCD and has an indicator light when it is detected (a unit which I purchased almost entirely to accommodate all the Dead releases in my collection...). I noticed that my Bonus Disc for Vol.38 is not encoded with HDCD and was wondering if anyone else can verify whether or not theirs is. I am probably going to contact Dead.net Customer Service about this but, given their response times, I expect it will be a while before I hear back.

....bad news. It's shattered. First glass came in bubble wrap. This glass came with paper "padding". Really?? Fuck off dead.net.
I'm pissed off now.
To those that ordered this, I wish you the best possible outcome.
Inexcusable.
YOU DO REALIZE YOU'RE SHIPPING GLASS, RIGHT!!!! ITS NOT FUCKIN ROCKET SCIENCE!!!!
AVATAR CHANGED ACCORDINGLY. I RARELY GO ALL CAPS, BUT HERE I AM!!
THANKS FOR RUINING MY DAY! SIT ON THIS WHOEVER IS IN CHARGE OF PACKAGING!
🖕
For every hit the Golden Knights put on Colorado tonight, I will forward them to dead.net. I'll gladly accept a boarding call for the greater good.
Now, how do I get my money back.

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Submitted by billy the kid on Sun, 05/30/2021 - 13:02

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https://m.youtube.com/watch?v=l5AiSBzv8fk. The great Charlie Nusslewhite, better then ever. He just put out a new CD with Elvin Bishop that is fantastic. Daverock, I'm sending this out to you, and the great country of England, I wish you were here today drinking beer , bbq, and digging the Blues & Dead. Come to Calif and we will have high time.

The shipping of your collector glass doth sucketh. I’m sorry to hear it. I’ll bet some hip granny is opening up her “SHALL WE GROW ARTISAN APRON” (!!) from dead.net, wondering why her unbreakable apron is wrapped like an Egyptian mummy such that a surface-to-air missile couldn’t damage it.

Lousy job, dead.net. Make this right, and Do Better.

Oro - I started last night’s game with a pretty good head of hair, but by the end, pure Uncle Fester. Damn you, Leafs!! Get off my lawn!! (Shaking fist)

PS - Somebody on the site put a plug for the new Dickey Betts “Bootleg Vol 1” - good call, it is a fine sounding collection!

Billy- thanks for the compliment-that's very kind. That would be quite something, to pop over to California. I have only been once, 31 years ago - such a beautiful place. Great harmonica playing by Charlie Musselwhite too.

I watched the blu ray of "The Rolling Thunder Review" last night-Martin Scorsese's documentary of Bob Dylan's rag tag and bobtail tour across America in 1975. Its quite an experience - Allen Ginsberg and Patti Smith also featured. What intrigued me was the Blues For Allah sticker-"The Fiddler" by Phillp Garris - on Scarlet Rivera's violin. She is asked about it, but disappointingly doesn't reference The Dead in her reply.

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Submitted by Angry Jack Straw on Mon, 05/31/2021 - 06:47

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Is it just me, or does anyone else think that these Dead & Company tickets are obscenely overpriced?

Vguy. Yeah, tough day for you. We all knew the Avs were good. McKinnon is crazy fast.

Mike. I’m counting on our Leafs tonight. Don’t let me down. I’ve been a fan for almost a week now.

I took look at VGuys new Avatar and realized he must have taken my advice and got bigger speakers.

For everyone celebrating Memorial Day.. have a grateful day.. Many thanks to all here.

Back to your regularly scheduled The Eleven.

Edit: Yes, D&C tickets are priced way out there. It's too bad.. send the kids to college or catch a few shows this summer... mmmmm

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Submitted by billy the kid on Mon, 05/31/2021 - 08:52

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Proudfoot, although I'm flattered at your suggestion if Dave retires, the man for the job would be GOGD. He is very well wriitin and spoken, and his knowledge and passion for the Grateful Dead is way beyond mine. But thanks anyway, time for bbq #3.

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Submitted by unkle sam on Mon, 05/31/2021 - 10:22

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AJS you are not the only one who thinks that. Trying to make up the loss of income from no shows last year? I wonder how much longer they are going to milk it. Bobby said he was going to go until he was 75, then see how he felt. Billy and Mickey are all ready 75.....how much is enough I wonder. I guess that as long as they can sell tickets, they will play.

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Submitted by That Mike on Mon, 05/31/2021 - 10:38

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I’ve been following these Leafs for nearly three score (pun intended), and they have let me down more times than dead.net shipping. When they last won it all in 1967, the Dead pulled in to town a few months later for a week with the Jefferson Airplane for “Bill Graham presents "The San Francisco Scene in Toronto"”. New Potato Caboose was one of the highlights of the Dead’s sets that week.

A lot of water under the bridge since then. However, I’ll be watching.

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Submitted by billy the kid on Mon, 05/31/2021 - 13:03

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he just stumbles and hops, Just out of prison on six dollars bail, mumbin bitches and a wagging his tail. Cole this one's for you, I.wish you were here drinking beer right now, I miss you..

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Submitted by proudfoot on Mon, 05/31/2021 - 14:59

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but how pricey are dnc tix?

$200 a piece before all the add ons?

Phuqdat.

You got to be crazy
You gotta have a real need

That $ will buy a whole lotta refreshments you can enjoy while listening to your GD collection

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Submitted by direwulf on Tue, 06/01/2021 - 06:07

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I got really great seats both nights at Mansfield under the pavilion and the one in Hartford for about 120$ + fees. What isn't an overpriced rip-off these days? And with only one pandemic to live through, I could use the excuse to get out and spend some money. Lawn seats friends have bought are even cheaper.

Lawn seats in Mansfield are $51.50 right now, standard pavilion seats are $82.50. Maybe look it up first and buy a ticket? :)

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Submitted by Mr. Ones on Tue, 06/01/2021 - 06:07

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Like most here, I will not pay $200.00 to see anyone who has not recently risen from the grave. It was beyond astounding to me that my first post-Covid show was my favorite living musician Bill Frisell, in my favorite(trio) format.
What a blessing. Tix were $45.00, and I probably would have paid more. I have tickets to 4 other shows this year(so far, with $75.00 being the highest price). It is up to each individual how much they are willing to pay(obviously), but some of these prices seem to be aimed at people who have way more dollars than sense. No real harm intended. There are folks who $1,000.00 for a night out won’t make them blink, and God bless those folks. For the rest of us, we can only hope for many live releases to come(I still haven’t figured out why EVERY band doesn’t release copious amounts of live music).
Blessings to all, and keep that music coming, because, as we all know: Music Is The Best!!

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Submitted by JeffSmith on Tue, 06/01/2021 - 07:15

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I remember tix to the big acts in late 60s, early 70s going for about the price of a 1 ounce 'lid' (<$10). I got D&Co 'lawn' tickets for Dallas and both Denver shows for $75 + 20 apiece. Coulda been better, coulda been worse. The 'VIP' packages are another story. . . Both of these venues hold 15-17,000. 'GA Lawn' is no further from the stage than the back of 'GA Pit' at larger arenas. For me the big kick in the seat is the 8 hour drive to Dallas, and later a three hour drive to El Paso for a Southwest flight to Denver. Onward.

I will miss May, but time marches on

later this month...S&R release wih 7/2/71 material

and maybe...just maybe...box announcement

still not a robot, bitches

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Submitted by Angry Jack Straw on Tue, 06/01/2021 - 08:00

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Late yesterday afternoon, one of the pictures in our study fell from the wall, landed on a coaxial cable behind the credenza and disabled our internet. I took that as a sign from above that the evening was doomed.

What a pathetic showing. Nothing more needs to be said.

I'll back the Jets now, but I don't see anyone stopping the Avs.

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Submitted by JimInMD on Tue, 06/01/2021 - 08:42

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First.. BTK, out of prison on six dollars bail. I might have been listening to the Alligator from 5/24/69 when you posted that. Love that lyric.. it paints a story, certainly a work of fiction but if bail ever was $6 (and I am sure in some cases it was) think of the people the could not afford it an ended up breaking up rocks for the great highway to pass the time while locked up. If that doesn't capture a part of depression era Americana.. I don't know what does.

As for tickets.. yes, it is what it is. I am seeing at least one show anyway.. but I got lawn which is unlike me. As for a lid of grass costs ten bucks.. by the time I came of age, a two finger dime bag was the standard (1/4 oz for $10). It was not uncommon to find seeds and stems, they would not disappear for a few years yet. My how times have changed. How does the saying go, two steps forward, one step back (strike that, reverse it).

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Submitted by That Mike on Tue, 06/01/2021 - 09:46

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He was watching the sad sack Leafs. Talk about folding like a Coleman starter tent on Everest. My son texted me this morning to say that game deprogrammed him for good, no longer part of the Leaf cult.

I won’t count out Vegas or Boston, but Colorado looks unbeatable.

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