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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • Angry Jack Straw
    Joined:
    Speakers

    Get a pair of the Dominator MX-10s. That will solve the problem.

  • DeadVikes
    Joined:
    Carlo

    Carlo,

    Ha!

    Man, we need a box announcement. How about tomorrow or today depending on your time zone. Let's get it out Thursday, May 20.

    And stop yelling out songs we already played tonight.

  • carlo13
    Joined:
    Tea

    I remember once at a giant's stadium show, I meet this chick who offered me some mushroom tea and being new to this way of consuming shrooms, I sat in my car staring up at the ceiling and realizing I swigged too much. I then started to hear the show beginning but I waited it out till I could contain myself. I finally got out of the car feeling enough time had passed and realized that the music was only a boom box playing a dead tape next to my car. I felt like a total doorknob and never mentioned it to anyone till now.

  • JimInMD
    Joined:
    Re: Oro

    It sounds to me like your bass cabinets are not tall enough. A standing bass wave is 17 meters in height.. you need bigger speakers, stacks of them, preferably able to play in quadraphonic.. one 17 meter stack for each string of the bass guitar.

    That is all. See my previous post on what measures to take to make this problem go away. Don't forget to destroy the credit card.

  • estimating prof
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    It's the tapes man...

    Great discussion going here. I can't resist getting drawn in with my own 2 cents.

    Caveat emptor - I am not an audio engineer or expert in such areas. I do listen to a lot of music and grateful dead shows.

    My two cents is the audio "distortions" that we have commented on here are in the source recordings of Sept 8 1973.

    Why do I think this?

    - Dick talked about releasing this show in the 90s and Dave says it's one of his favorite 73 shows, and it was just now released 20 some years later. If you've followed Dave for any length of time, you know that he doesn't release shows with lesser audio quality unless he really has to. He's also too good of a salesman to come out and say "we didn't release this until now because the tape has some issues. Jeffrey worked on it again and says it's as good as it's gonna get, so we're releasing it because it's A Tremendous Show"...Right?

    - Seems to me on any given night a recording of a grateful dead concert might not be perfect because those involved in making it were distracted - for any number of reasons.
    In the grand scheme of things, it's seems to me much less likely that we would end up with as many really good recordings as we have. They stopped caring about recordings for a lot of the 80s and a lot of those tapes don't have good audio - compared to a Betty board.

    - My experience with this release is that the recording of 9/8 sounds significantly different than 9/7.
    9/8 was indeed jarring when I first put it on.

    All that said, it really is a fantastic and unique show. I've been loving it. I listened to discs 2 and 3 at proper volume with some beverages last weekend and it knocked my socks off again.

    Just can't resist a good mystery.

  • Sixtus_
    Joined:
    ORO

    I bow to my new sound technician overlord.
    What a fantastic and forensic analysis.
    Bravo.

    Sixtus

  • icecrmcnkd
    Joined:
    Nice work detective Oro

    Caveat emptor indeed needed

  • Oroborous
    Joined:
    Sorry/thanks..

    I’ll go back to lurking now ; )
    GO AVs!

  • Oroborous
    Joined:
    Caveat Emptor Indeed!

    DaP 38
    No doubt Mike, but I think some of us were concerned it was a production issue versus usual GOGD zits and all..
    But!,

    After furthur review, I think this is just a perfect storm of normal, smaller issues that combined can be very noticeable and thus annoying.
    I think perhaps this was a case of a great show, but not the best source? Perhaps the ravages of time were more than they considered, but bye the ticket...once committed, they had to see it through?

    Examples you say? Since I spent all day...
    $ = quick and dirty references if you don’t want the full report lol ; )
    BERTHA starts with usual opening idiosyncrasies that are not part of our focus except in how these “usual” suspects interact and combine with our target issues. Listen though to the snare, and eventually the Hi Hat (that shows up more later). Part of the problem is the snare wires resonating and bleeding through other mics. Then you throw in Bob who’s really loud. It seems his speakers must be set up in front of Billy somewhat as Bobs guitar seems to exasperate the snare problem...
    You can really hear this in the quiet just after the song when Bobs banging some chords, listen to the snare wire rattle etc! It gets better but I think it’s a reoccurring ingredient of this aural stew. Bobs level and distortion (both intended and otherwise) are another stew ingredient.
    Listen to both guitars and keys during the instrumental section. Think this is more normal type distortion but again, adds sometimes to the stew...

    ME & MY UNCLE: more of the same early in especially...I found it useful to use my balance control throughout and it’s often the right channel where the problems mostly live.
    By SUGAREE it sounds like maybe some kind of processing added for the snare issue? Early on not too bad, occasionally usual type moments of old R& R tape and/or guitar distortion, but around 6:18 you can hear some noise on the snare roll etc, by 6:23 through 6:33 you can get a good taste of the overall phenomena. But generally the song wasn’t bad.
    Status quo fir next couple, LL RAIN I seemed to notice the Hi Hat more prevalent and adding to and getting snare bleed etc. Made me think there’s something up with one of the Drum overhead mics? If so, bleed from everything! would exasperate an issue there? Perhaps another stew ingredient...Bob has some noticeable distortion, perhaps “normal” around 3:45 or so and 4:40+. It overall kind of kicks in on the end chorus’, but not too bad overall.
    JACK STRAW not so bad, a little somethin round 3:40 with snare/hat/cymbals?
    Also, I think this show suffers overall from the goofy custom condenser vocal mics that add to our stew. Listen to the end of Row J between the 8:30 and 9:00 mark...
    Let It Grow is overall not too bad. Get usual Phil spikes occasionally on peaks, and my notes suggest that I’m convinced much of the “problem” here and throughout is Bobs too loud? Not sure if too loud is correct, perhaps he’s playing really loud (it was a big hall with loud NY crowd for that period?) and the recordings fine, your just hearing his rig distort? But though I really dig his sound and prevalence in the mix, cause he’s killing it, perhaps he’s occasionally a tad loud relative to other sources? (Good example in upcoming tape splice)
    Oh, and what the hell was that weird “organ” sound starting around 12:55 or so lol, certainly not a B3! Pretty wild whatever it was.
    ROLLL OUT the Barrel sounded pretty good lol.
    EYES you can get a good taste during the instrumental section around 2:30..and a good example of normal piano clipping (sensitive pickups), but then he switches to ? guessing the Rhodes, which occasionally has its own distortion characteristics, but this is more of what I call normal stuff.
    Listen around 9:40+ for what I call FM like static. This is another stew ingredient that is harder to hear, not always there, but there on occasion?
    More of the same minor stuff through to about 3:30 in BIG RIVER, though Bob goes way outta tune at 2:25 in GSET and seems to take a few tunes to fully get back lol.
    $ LET ME SING is perhaps the best overall example of many things going on on this release. This and $ CHINA CAT are the most obvious examples of the idiosyncrasies on this release. Check out LMS at 2:00 mark and at the end etc.
    check out Weirs intro licks to China Cat and some of that drum stuff at 1:30+...eventually it gets better and by RIDER it’s sorta status quo again (meaning instances but nothing huge).
    From there on I mostly stopped with notes and just listened, though $ Trucking, GDTRFB etc are good examples of the “stew” especially the blending of the cymbally snare FM static with Bobs distortion whether intentional or not, it all adds up.
    EDIT: $$$ end of show especially One Mo Sat is really dirty all the way around, and
    TRUCKIN’ TAPE SPLICE? $$ Check out how “it” almost disappears at 4:56, actually something starts to be tweaked a little before that? Bobs not there at all until around 6:00 but he’s back at 6:22. Sounds like a tape splice, perhaps using a cassette, or perhaps some processor kicked in and out, but what’s most interesting is listen to Bob comparatively during these 2 sections, before, during, and after, it’s amazing how much different the 2 sound, especially Bob, and seemingly our phenomena too!
    By George I think we’ve figured most of this out!

    Conclusion: it’s the battered old tape, complicated by a perfect storm of minor, often normal anomalies, and an unusual Weir mix for good or for ill, and when occurring simultaneously, often during song peaks, it can unfortunately be distracting.
    Listening equipment, environment, and personal habits no doubt play a roll in individual experiences. I can see how many folks might not notice much of this.
    But on revealing equipment with certain ears it can be so obvious as to be jarring on first occasion.
    Like many uncertainties, once the knowledge is gained, the dissonance is usually manageable. Getting better with every listen, though at low volume : (
    VERDICT: Caveat Emptor indeed, but with perhaps an extra pinch...

    EDIT: this in no way shape or form describes the musical content, which is superb!

  • That Mike
    Joined:
    Point Set Match to Oro

    Oro - That is quite a great dissertation on sound production! You know your stuff!
    I’ve never had the ear of a Brian Wilson/George Martin, and I know Dick’s & Dave’s come with the odd hiccup and blemish, but at the end of the day, it’s The Grateful Dead.

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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Not that many years ago (4?), a friend and I went down to the local arena with cash in hand to try to get in to see Stevie Wonder. I thought we would have an easy time of it, but we didn't. Once in a while we would get offered one, but we held out for two. At some point, someone from a church that had won/purchased a bunch of tickets hands us one, saying, "Someone didn't show up--enjoy." We weren't going to leave the other behind, so at some point I say to my friend, "Follow me." The show is about 20 minutes in, and we walk up to the turnstile. I say to the 20-year old watching that entrance, "I'm going to hand you this ticket and $60 cash, and my friend and I are going to walk in and never speak of this again." He gets indignant. I try again, but this guy really isn't budging. He finally tells me that he is not allowed to do any such thing, so my friend and I go hand the ticket to one of the guys who had been hanging out with us trying to snag a ticket, then go to the cool bar near the arena and drink Sazerac for a while.

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50 years ago today…………….

May 29, 1971
Winterland, San Francisco, California

Casey Jones-Me And Bobby McGee-It Hurts Me Too-Promised Land-Loser-Playin' In The Band-Hard To Handle-Me And My Uncle-Truckin'>drums>The Other One>Wharf Rat-Sing Me Back Home-Cumberland Blues-Sugar Magnolia-Deal-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

Over the years, there has been some disagreement over the true dates of the May 1971 shows and the setlists. Deadbase AND the Dead’s own website list them as the 29th and 30th. While there is some dispute from eyewitnesses, for now I think I’ll go with what the Dead themselves claim.

Apparently the acid flowed like water, described as a mini-acid test by some, creating psychic problems for others. The music itself is fairly straightforward, hard rocking, mid-1971 Dead, no bells & whistles, and probably not enough greasy Pigpen………..

A poor-to-fair audience recording of the complete show circulates. There are fades/edits at the beginning and ends of virtually every individual song. There are no audible between-song banters or set break announcements. A soundboard recording (Miller remaster) of Truckin’ through the end of the show does circulate. Not first tier, or even second, but still worth a listen………..

For excellent documentation/discussion of the show, see: http://deadsources.blogspot.com/2012/07/may-29-1971-winterland.html

Rock on!!!

Doc
The moment a musician doesn't play, things start to get a bit rusty……

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Time for the Ark Box: April 1969....

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Yo! Rockers!!!

I still vote for Fall 72 Texas box, but that's just me........

Rock on!!

Doc
I perhaps ought to say that individually I never was much interested in the Texas question.............

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please Dave?

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In reply to by musicnow

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If yer going Ark, why not add Avalon’s? THAT would make a hellava box.

Ok, only Leafs/Habs left in first....Leafs better just get this over with!
Awesome comeback the other night, it’s a shame they couldn’t pull it off.
I don’t think I’d be messing with that funky T town mojo, best get er done!

Mañana, the big Vegas/AVs matchup, woo-hoo, should be some top shelf hockey eh!
Whatever happens, just so the refs don’t fug it up. That BS last year still festers...

Bruins/Isles, go Isles, give that old barn (and the illegal cop operation below) a fitting fair well, besides, I bet a majority of folks hate the Bruins only slightly less than the Tommy pats ; )

Canes/Lightning, go canes, I guess? Used to like TB but sick of some of the same old teams mucking things up. Though it’s hard to root for the Canes after they lucked out against the Sabres in 2006, but their hot and they’d be a nice change.

Hopefully the Leafs will get past the Habs and then the Jets...

Ok, need to start getting ready

Back bacon ✔️
Bla-doors ✔️
Horts: coffee and donuts ✔️
Lucky tuke ✔️

Hot girls on skates.....?
Ok, still have some work to do!

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April 1969, 6 shows, all real good. Hard to Handle is kind of a train wreck, the Dead were just breaking it in, but the rest of the music is a knockout. Death Don't Don't Have No Mercy from the Avalon, is right up there with the best versions.. It's bbq, beer, and music time, have a great long weekend everybody.

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In reply to by billy the kid

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It would be great if the posts on here had an influence on future releases - Avalon/Ark 1969 or Texas 1972 would be right up my tree. Unfortunately, I would be very surprised if either of them are featured. But I hope one of them is.

Incidentally, they seem to have forgotten to put any weed killer in with the gardening club. As Tom Waits sang-"You can drive out nature with a pitch fork / But it always comes roaring back again."

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Daverock wrote: if the posts on here had an influence on future releases ....

Exactly...crackin me up!

Haha! As they say “SCORES!”

I’ll be welding shut all access to my TV room tonight so as to prevent my wife visiting to fill me in on any subject BUT the game tonight. The dog doesn’t say much, so he can stay!
A man’s gotta do what a man’s gotta do…

How nice would a 2021 Edition box set be for those down times between playoff series…

Has any one ever noticed that at the 40:22 mark of the 12/6/73 Dark Star, Kieth, after playing some cool shit in general, breaks into what to my ears sounds like the chorus to none other than MJ’s BEAT IT for about 8 seconds, and then moves on?
So what you say? Well, that song wasn’t released until 1982! Same 12 notes over and over indeed!

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50 years ago today…..

May 30. 1971
Winterland, San Francisco, California

Set 1: Bertha-Me And Bobby McGee-The Rub-Loser-Playing In The Band-Next Time You See Me-Morning Dew-Promised Land-Good Lovin'

Set 2: China Cat Sunflower>I Know You Rider-Sugar Magnolia-Cumberland Blues-Big Boss Man-Me And My Uncle-Deal-Truckin'-Turn On Your Love Light-Uncle John's Band-Casey Jones

Encore: Johnny B. Goode

Sonically similar to May 29, yet oddly different enough as well. Rare Rub, unusual late first set Dew, crankin’ Good Lovin’ to close the first set, nice China/Rider to open the second set, rappin’ Lovelight. Not a lot of big jams, decent dose of grease, not the worst and not the best……

A poor to fair audience recording circulates, for completists only. Miller’s circulating soundboard copy has a portion of Know You Rider, and the remainder of the second set, but without the encore. Most of the second set and encore was released on vinyl LP in conjunction with Record Store Day in November 2012.

Rock on!!!

Doc
Personally I have no bone to pick with graveyards

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https://m.youtube.com/watch?v=lQQJC2FIM38. This sounds great! This show would make for a great 1969 release. This show and the previous nights show in San Bernadino, were written about in the August 1969 issue of Rollling Stone, Garcia is on the cover of the issue. It's a very cool story, if you haven't read it, check it out. Time for bbq day 2.

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I’m not hearing MJ in that Dark Star either. Maybe a little “Moon River”, but no MJ…

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In reply to by That Mike

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Sorry to say but I can't pick myself out of that pic you posted...where I think I should be is just too small to figure out...oh well and thanks for the pic, some stuff!

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what kind of weed killer would be on the dead site? I can't see weed killer....Killer weed maybe but weed killer?
back in the day when I was a landscaper, we had crack weeds, now if you did not know what crack weeds were, you had to ask the question....I have heard of weed and I have heard of crack, but what is crack weed? as the name implies, crack weeds are weeds that grow out of cracks, not smokable, but fun to say.

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In reply to by unkle sam

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I swear it wasn’t (just) the drugs!
On archive version it starts at 40:13, cd version 40:22, it’s really brief, but it’s there!
Not the actual beat it part, like a measure or two in the song before that, the iconic lick...

Cheese and rice, rooting for the Leafs is as bad as rooting for the Sabres lol
Another great comeback but couldn’t git er done, again!
@#$&***ing Carey Price, the man is possessed!
I’m getting a baaaaaaddddd feelin...

Ok, tonight’s the night...
https://m.youtube.com/watch?v=RTGjVvQPVWg

I offer the best of luck to my esteemed colleague from the great state of Nevada.
What ever happens, hopefully it’s clean,
primo Hockey at its best!
May the best team win, and may the refs not fug it up!
ONWARD!

NAPPY: yeah that’s a lot of freaks eh?
I’ve always dug that photo.
Must of been a cool scene fo sho!

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Hi y'all. I have an older Rotel CD player that decodes HDCD and has an indicator light when it is detected (a unit which I purchased almost entirely to accommodate all the Dead releases in my collection...). I noticed that my Bonus Disc for Vol.38 is not encoded with HDCD and was wondering if anyone else can verify whether or not theirs is. I am probably going to contact Dead.net Customer Service about this but, given their response times, I expect it will be a while before I hear back.

....bad news. It's shattered. First glass came in bubble wrap. This glass came with paper "padding". Really?? Fuck off dead.net.
I'm pissed off now.
To those that ordered this, I wish you the best possible outcome.
Inexcusable.
YOU DO REALIZE YOU'RE SHIPPING GLASS, RIGHT!!!! ITS NOT FUCKIN ROCKET SCIENCE!!!!
AVATAR CHANGED ACCORDINGLY. I RARELY GO ALL CAPS, BUT HERE I AM!!
THANKS FOR RUINING MY DAY! SIT ON THIS WHOEVER IS IN CHARGE OF PACKAGING!
🖕
For every hit the Golden Knights put on Colorado tonight, I will forward them to dead.net. I'll gladly accept a boarding call for the greater good.
Now, how do I get my money back.

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https://m.youtube.com/watch?v=l5AiSBzv8fk. The great Charlie Nusslewhite, better then ever. He just put out a new CD with Elvin Bishop that is fantastic. Daverock, I'm sending this out to you, and the great country of England, I wish you were here today drinking beer , bbq, and digging the Blues & Dead. Come to Calif and we will have high time.

The shipping of your collector glass doth sucketh. I’m sorry to hear it. I’ll bet some hip granny is opening up her “SHALL WE GROW ARTISAN APRON” (!!) from dead.net, wondering why her unbreakable apron is wrapped like an Egyptian mummy such that a surface-to-air missile couldn’t damage it.

Lousy job, dead.net. Make this right, and Do Better.

Oro - I started last night’s game with a pretty good head of hair, but by the end, pure Uncle Fester. Damn you, Leafs!! Get off my lawn!! (Shaking fist)

PS - Somebody on the site put a plug for the new Dickey Betts “Bootleg Vol 1” - good call, it is a fine sounding collection!

Billy- thanks for the compliment-that's very kind. That would be quite something, to pop over to California. I have only been once, 31 years ago - such a beautiful place. Great harmonica playing by Charlie Musselwhite too.

I watched the blu ray of "The Rolling Thunder Review" last night-Martin Scorsese's documentary of Bob Dylan's rag tag and bobtail tour across America in 1975. Its quite an experience - Allen Ginsberg and Patti Smith also featured. What intrigued me was the Blues For Allah sticker-"The Fiddler" by Phillp Garris - on Scarlet Rivera's violin. She is asked about it, but disappointingly doesn't reference The Dead in her reply.

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In reply to by daverock

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Is it just me, or does anyone else think that these Dead & Company tickets are obscenely overpriced?

Vguy. Yeah, tough day for you. We all knew the Avs were good. McKinnon is crazy fast.

Mike. I’m counting on our Leafs tonight. Don’t let me down. I’ve been a fan for almost a week now.

I took look at VGuys new Avatar and realized he must have taken my advice and got bigger speakers.

For everyone celebrating Memorial Day.. have a grateful day.. Many thanks to all here.

Back to your regularly scheduled The Eleven.

Edit: Yes, D&C tickets are priced way out there. It's too bad.. send the kids to college or catch a few shows this summer... mmmmm

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Proudfoot, although I'm flattered at your suggestion if Dave retires, the man for the job would be GOGD. He is very well wriitin and spoken, and his knowledge and passion for the Grateful Dead is way beyond mine. But thanks anyway, time for bbq #3.

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16 years 2 months
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AJS you are not the only one who thinks that. Trying to make up the loss of income from no shows last year? I wonder how much longer they are going to milk it. Bobby said he was going to go until he was 75, then see how he felt. Billy and Mickey are all ready 75.....how much is enough I wonder. I guess that as long as they can sell tickets, they will play.

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10 years 1 month

In reply to by Angry Jack Straw

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I’ve been following these Leafs for nearly three score (pun intended), and they have let me down more times than dead.net shipping. When they last won it all in 1967, the Dead pulled in to town a few months later for a week with the Jefferson Airplane for “Bill Graham presents "The San Francisco Scene in Toronto"”. New Potato Caboose was one of the highlights of the Dead’s sets that week.

A lot of water under the bridge since then. However, I’ll be watching.

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he just stumbles and hops, Just out of prison on six dollars bail, mumbin bitches and a wagging his tail. Cole this one's for you, I.wish you were here drinking beer right now, I miss you..

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4 years 4 months

In reply to by billy the kid

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but how pricey are dnc tix?

$200 a piece before all the add ons?

Phuqdat.

You got to be crazy
You gotta have a real need

That $ will buy a whole lotta refreshments you can enjoy while listening to your GD collection

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17 years 2 months
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I got really great seats both nights at Mansfield under the pavilion and the one in Hartford for about 120$ + fees. What isn't an overpriced rip-off these days? And with only one pandemic to live through, I could use the excuse to get out and spend some money. Lawn seats friends have bought are even cheaper.

Lawn seats in Mansfield are $51.50 right now, standard pavilion seats are $82.50. Maybe look it up first and buy a ticket? :)

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7 years 5 months
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Like most here, I will not pay $200.00 to see anyone who has not recently risen from the grave. It was beyond astounding to me that my first post-Covid show was my favorite living musician Bill Frisell, in my favorite(trio) format.
What a blessing. Tix were $45.00, and I probably would have paid more. I have tickets to 4 other shows this year(so far, with $75.00 being the highest price). It is up to each individual how much they are willing to pay(obviously), but some of these prices seem to be aimed at people who have way more dollars than sense. No real harm intended. There are folks who $1,000.00 for a night out won’t make them blink, and God bless those folks. For the rest of us, we can only hope for many live releases to come(I still haven’t figured out why EVERY band doesn’t release copious amounts of live music).
Blessings to all, and keep that music coming, because, as we all know: Music Is The Best!!

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10 years 6 months
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I remember tix to the big acts in late 60s, early 70s going for about the price of a 1 ounce 'lid' (<$10). I got D&Co 'lawn' tickets for Dallas and both Denver shows for $75 + 20 apiece. Coulda been better, coulda been worse. The 'VIP' packages are another story. . . Both of these venues hold 15-17,000. 'GA Lawn' is no further from the stage than the back of 'GA Pit' at larger arenas. For me the big kick in the seat is the 8 hour drive to Dallas, and later a three hour drive to El Paso for a Southwest flight to Denver. Onward.

I will miss May, but time marches on

later this month...S&R release wih 7/2/71 material

and maybe...just maybe...box announcement

still not a robot, bitches

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12 years 2 months
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Late yesterday afternoon, one of the pictures in our study fell from the wall, landed on a coaxial cable behind the credenza and disabled our internet. I took that as a sign from above that the evening was doomed.

What a pathetic showing. Nothing more needs to be said.

I'll back the Jets now, but I don't see anyone stopping the Avs.

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13 years 5 months

In reply to by billy the kid

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First.. BTK, out of prison on six dollars bail. I might have been listening to the Alligator from 5/24/69 when you posted that. Love that lyric.. it paints a story, certainly a work of fiction but if bail ever was $6 (and I am sure in some cases it was) think of the people the could not afford it an ended up breaking up rocks for the great highway to pass the time while locked up. If that doesn't capture a part of depression era Americana.. I don't know what does.

As for tickets.. yes, it is what it is. I am seeing at least one show anyway.. but I got lawn which is unlike me. As for a lid of grass costs ten bucks.. by the time I came of age, a two finger dime bag was the standard (1/4 oz for $10). It was not uncommon to find seeds and stems, they would not disappear for a few years yet. My how times have changed. How does the saying go, two steps forward, one step back (strike that, reverse it).

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10 years 1 month
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He was watching the sad sack Leafs. Talk about folding like a Coleman starter tent on Everest. My son texted me this morning to say that game deprogrammed him for good, no longer part of the Leaf cult.

I won’t count out Vegas or Boston, but Colorado looks unbeatable.

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