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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • JimInMD
    Joined:
    Sound Issues / DaP 38

    There is really only one solution. It's a bit complicated.. so hang in there with me. This is what we all need to do.

    1) Get out the credit card with the greatest limit.
    2) Google, select and purchase the new Wall of Sound, Home Edition TM (C) R with this credit card. As soon as the purchase is made destroy this card.
    3) DO NOT TELL your partner/significant other.
    4) Go to the roughest bar in town and tell some raunchy mom jokes to the bouncer. Keep doing this until he pummels you.
    5) Come home and tell your partner / significant other you were mugged and robbed. Tell them all they took was your credit card.
    6) If your partner is suspicious file a police report.
    7) Install the WOS Home Edition in your listening room while your partner is not home. If complaints arise later, amnesia from the head trauma is your response. "honey, I am having trouble remembering anything from that week.
    8) Replay Dave's Picks 38 at high volume.

    Your sound issues are now resolved. Happy listening.

  • icecrmcnkd
    Joined:
    The levels are too high

    I mentioned that a while ago, after others had already detected it with headphones.

    I played the CDs twice on my stereo system are did not detect any sound issues.
    Onkyo 6-disc CD changer
    Cambridge Audio receiver
    Onkyo subwoofer
    Bose 301 speakers

    I then imported to computer and made ALAC files for my music players and AAC files to play from a USB flash drive in the car.
    When I played the imported AIFF files on the computer there was extensive distortion through the small external computer speakers.
    The colored bars that show the sound levels (not volume) on the computer audio software were almost hitting red. Clearly too high, but don’t know if that is on the original recording or the result of mastering.
    Recall that on 8-25-72 Norman boosted Phil’s bass beyond what was on the original recording.
    Maybe he boosted the levels for this release.

    I played the ALAC files with an iBasso DX120 music player connected to my Cambridge Audio receiver. Did not detect any distortion or other sound flaws.
    Been playing the AAC files in the car this week and have not heard any issues so far (set 2 started just before getting to work today).

    So, it definitely depends on your system whether you hear the issues.
    Crappy computer speakers sound terrible.
    Apparently a high end system like Oro’s reveals the sound problems too.
    My midrange system sounds good as does the audio system in my car.

  • unkle sam
    Joined:
    sound quality

    Upon several listens to these cd's, I concur, this release has a few abnormalities that don't take away from the overall enjoyment of listening to these discs, but they are noticeable and makes me wonder if it was the master tape or was it a mailed in mastering job?
    This has also made me wonder, will the rest of Dave's sound like this? I love me some Jerry right up front, why I'm here, but there should be a better balance of all the players in a band, not just one or two.
    Disappointing? yes, deal breaker? not sure yet, will have to wait and see, but if there is any more killer shows that they do want to release, lets hope that the folks who do the mastering of these ancient tapes does a little bit better job than this release.
    On a separate note, I was privileged to receive a code for the Dead and Company presale going on today at 10 am. Funny, I did not receive a code last tour, not privileged I guess. The price for these tickets is outrageous. A vip guaranteed reserve seat is over 250.00$. That's for one ticket.
    It was fun getting excited like the old days, yahoo, the dead to tour, get your head together, get some tickets, get excited, get ready.....then I realized that those days are over for me. I can go see Billy strings, get a great hotel room, then go to the hot air balloon festival and get to ride on a hot air balloon, all for the same amount of cash. Kinda seems like a no brainer here, twice as much fun for the same dollars.
    I realize that Bobby, Mickey and Billy are getting up there and there won't be too many more tours for them, and I would love to revisit these guys one more time.
    The last time I tried to get tickets and got them, the show was cancelled due to Mayer's appendicitis. I don't want to jinx it so I will pass on this tour, besides, it's just too soon for me to be out there with all those vaccinated and unvaccinated people. Too all those who decide to go, enjoy.

  • Angry Jack Straw
    Joined:
    Dreading

    I ultimately reached the conclusion that part of the issue is how people are listening. I do not listen on headphones, computer speakers or use any type of equalizer. So far I have not listened in the car. I did try using Dolby on one of our stereo systems, which reduced the noise to a certain extent, but not entirely.

  • dreading
    Joined:
    That's a fact

    I've been in the record business all my life and agree with AJS. There is almost no way an audio anomaly like what was described could occur on some discs and not others for Dave's Picks. These discs are pressed ùfrom the same master. There would need to be two different master mixes for a subset of CDs to contain an anomaly. I would say the player could be a factor, but Obo ruled that out already. I assume like Jim said we are not counting Bertha because it is uneven for obvious reasons. I hear a decent sounding 1973 show here. The master tapes sound better better than Pacific Northwest but not as good as DaP 5. I don't hear many audio issues at all. I would like to hear what Obo and AJS are disliking. I whipped out the Bose headphones and all I hear is Jerry "shredding". What a night he is having. Weir too. Early on somebody said Keith was gone and that is true. Every once in a while I will hear a section that sounds like a tunnel for 5 or 10 seconds, but they are few and far between. Or Weir will just stop playing like in China Cat Sunflower but he needs to rest sometimes. He played China Cat, HCS, EOTW and Bird Song all in one night ;-)

  • Angry Jack Straw
    Joined:
    Sound

    The chances are virtually nil that some defect would have only affected such a small number of discs. Furthermore, it only occurs on the 9/8 show, not 9/7. I am very surprised as well that others are not hearing it.

  • Dark-Star
    Joined:
    Oroborous

    I don't hear it, which isn't saying much. I rip everything to my hard drive as WAV files and run them through an equalizer with a bunch of sound options. "Concert Hall" is perfect for these old Dead tapes, plus I push up the four EQ sliders all the way to the right about halfway.

    That being said Oborious, this sentence got my attention. You say:

    I’ve noticed the phenomena/artifact on several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.

    This phenomena sounds like something Norman may have done in production. It sounds like a feature I have that prevents clipping at high volume. I am a fan of good sound but no engineer so I will copy the internet definition, which you probably know:

    Clipping is a form of waveform distortion that occurs when an amplifier is overdriven and attempts to deliver an output voltage or current beyond its maximum capability. Driving an amplifier into clipping may cause it to output power in excess of its power rating.

    When I play stuff too loud this feature cuts back on only the parts that are causing the clipping. It is obvious to the ear when this feature on my system gets activated. It sounds exactly like your description where you say 'several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.'

    My theory is that the master tapes Jeff Norman worked with had some hot spots so he used a feature like what I have on my equalizer to "even out" all the levels as he input the music from the master tapes on to a digital storage.

    I am not sure why I don't hear it but I guess my EQ is dressing it up. If I listen to the CD with no EQ it sounds like the treble needs to get turned up all the way. Even then it doesn't sound even close to the quality of the EQ and Concert Hall enhancement. It makes me curious if a lot of people out there listen straight off the CD with nothing 'extra' to improve the sound.

    On a different note I laughed heartily at the quacking duck interview. Well done whoever made that up. It sounds like something Jerry would say.

    And last, I listened to the Dark Star / Morning Dew that KF mentioned on 5/18/72. I don't know how I overlooked that one but it is much better than I remembered. Somehow the Europe 72 Dark Stars never stuck with me. Probably because I rarely play those shows. Only because I want them to be special every time.

  • JimInMD
    Joined:
    Re: That Mike

    Great joke.. made my day.
    I wholeheartedly agree.

    Yes.. the sound on 38 is a bit wobbly in the beginning. But isn't that Grateful Dead standard time? It sounds ok by the time they get warmed up.

  • KeithFan2112
    Joined:
    The Munich Invasion 5/18/72

    Next up on the E72 anniversary list. What at a great show. And it's Dark Star => Morning Dew night.
    I'm going to go out on limb here and say it's the first time they did this combo. This is one of my favorite shows from the tour. Jerry's guitar is louder than usual (and louder is always better). Crunchy guitars are tight!

    Sugar Magnolia really hits a groove, and Billy has this absolutely ridiculous drum fill at the....drum fill part; I've never heard him play it quite like this - it's like gets a running headstart. Great version despite a classic Bobby lyric miss early on (proof of the weed).

    Jack Straw is great. This is maybe the second one where Jerry sings the Watchman and Tulsa verses, and Bobby forgets it's not his line anymore - so they both jump the Watchman - not a fair fight at all.

    And some great banter after Black-Throated Wind. Jerry always makes me laugh up there. He was the king of one-liners:

    Girl Fan (to Jerry): Lovelight!

    Jerry: Turn on YOUR Lovelight baby.

    Girl Fan: You Turn on yours first.

    Jerry: Oh no, after you...

  • alvarhanso
    Joined:
    Sound quality on 38

    I was surprised this is the first real discussion about it. I got my copies a week ago, and have made it through the Bonus and Bird Song and Playing as I ripped and converted and had 9/7 first. Also, made it up to Weather Report Suite on the release. The sound struck me as incredibly washy, and while it's great to hear Keith and Bob much more than usual (some releases you wonder if Keith played on much at all from his presence on the tapes, but these are great for Keith fans!), so I just balance that with the cymbal heavy mix. Maybe they were trying new mic placements for the drums. Not Kidd Candelario's best tape by any stretch. He's usually top notch, though. Jai Alai Fronton last year is a phenomenal Kidd tape. That may be my favorite Wall of Sound release for sound quality.

    Also, I'm surprised, or have missed, no reference to the Bonus Eyes ending not with its Slipknotish jam, but ending with a Here Comes Sunshine jam. A fantastic Eyes! Phil with a different start to his solo, and a different feel, maybe reacting to the Wolf darting around? So far enjoying the release and bearing with the sound.

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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In reply to by icecrmcnkd

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Tomorrow’s vinyl release probably counts as one.

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9 years 4 months

In reply to by icecrmcnkd

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thanks, your memory is good. When talking of Buckeye a few weeks back thought it was you there but read the post that it wasnt. Thanks for the answer, so sorry i am constantly behind. I am getting there but folks are really gettin there and I have to help some...

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Billy the Kid raises a good question: will it be a full 1973 show? Are there really 2cd shows in '73? My vote would be 2/9/73 for all the debuts and its general magnificence. Awaiting Skull and Roses, which will be cool, never had a physical copy of that one. But really looking forward to trying my hand at Record Store Day tomorrow to get 5/3/72 Olympia Theatre, Paris. My first time to stand in line, if there is one, for RSD anyway. I've only done two other RSDs, and that was because I had a band playing. The second time, I was sure I didn't need to stand in line for Billy Breathes, Phish's best album, but was sorely mistaken, as it sold out quickly, and the owner had gotten maybe a dozen copies. I've called around to several places tonight and it may be dicey. The clerks on the phone seem to think the pricing may be prohibitive to selling out in the first hour... For anyone else venturing out tomorrow morning, may the force be with you!

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In reply to by Gary Farseer

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Wow, I had a dream last night,,,, based off all the hockey talk and meeting famous people. I have never met anyone, but last night I dreamed the famous hockey player came in the store,,, Franco Harris!

When I woke up I thought, wasn't he a football player?

He had big hands!

You can sometimes obtain an unopened copy 9-15 months later for less than the original selling price.
But not always, which is the gamble that must be assessed.

But what really boggles the mind is that this one has yet to sell out, although it’s priced more than what I paid at a local shop when it originally came out.
Did they print more copies than what it says on the release, or did people just not want it?

https://store.dead.net/music/lp/fillmore-west-san-francisco-ca-2-28-69-…

Not wanting to take that chance on a Europe '72 show. Plus, the 2/28/69 vinyl is a special case, because they royally screwed that release up. It was "released" to record stores, but not shipped to them before orders were placed. It wasn't an RSD thing where product was delivered with instructions not to sell until RSD, so some stores were fulfilling months later, while others seemed to have gotten physical copies and shipped them out. I had 3 different orders for it, 2 of them canceled by the store, the last canceled by me after the 4th order came in from England. And I had placed the orders in June I believe and received in September, and the very next day dead.net put them onsale here. For more than I paid. And to make matters worse, 3/1/69 seems delayed by 2 years...

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17 years 6 months

In reply to by alvarhanso

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Hola, good to see ya, hope your doing well!
As Conekid said the “other one”, my bazaro Jerry alternate double, is the Sculptor with the cool older stories than thou.
Unfortunately, we haven’t heard from my good twin in way too long! If your out there amigo, hope your doing well.
Or SKULLTRIP? Where you boys at?

As I think I explained, at Buckeye 88, I had just broken my ankle so was kinda over the top on “snacks” and kinda miserable. It wasn’t the best place for crutches lol. We were just to the sorta front right of the soundboard.
That show has really grown on me over the years.

DENNIS 😁

WOTF Bonus; wondering if he’ll do a chop job?
You’d think he’d go with I believe 9/15 or 9/17, since they have six songs off the yet to be released WOTF album.
There both pretty good shows too! Personally I like the horns once in awhile as it’s yet another version of the band, but I feel like most people slag em. They would be the most appropriate, but as we’ve seen so far his/their idea of this and ours are often very different lol.

FOLSOM 15th: had a decent tape of the second set that I loved as a kid. Haven’t heard that show in forever.

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In reply to by Oroborous

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Thanks man.. for reposting the Skull and Roses Seaside Chat and clarification on remaining releases. If I am hearing this correctly, he says besides the four Dave's Picks there are three more or at least three more.. but he doesn't feel an urgent need to discuss this, not being secretive, etc. because Rhino does such a great job announcing these releases, yada yada.

So if there are an additional three, we have Skullfuck, the Record Store Day release and the mysterious, elusive, not discussed box set. That would make three, right? Hopefully more but I am not sure he told us much.

Oh.. I had never seen that seaside chat before and it might be my favorite one so far. I need to watch it start to finish first.. but in this episode of Seaside Chat Fugitive.. Dave L, with his dark maroon tinted sunglasses knows his freedom is in jeopardy. He keeps looking over his shoulder, looking up, looking left, looking right.. every two and a half seconds he is looking behind him.. Is that an eagle or the cops? He remains jittery, like he knows they are closing in on him.. they know who he is, where he is, his deepest secrets.. they are tapping his phones, have frozen his assets.. the Marshalls (Mounties) are closing in and there is nothing he can do but run from justice and continue living on the lamb. It has been weeks without any real sleep and fear of being captured has taken hold of all his senses each and every second of a 24 hour day... Mr. Lemieux knows deep down inside the jig is up.

Stay tuned for the next episode of Seaside Chat Fugitive where David L. discusses the Summer 1973 Box Set and gets a passport under his new identity from the dark web, just in the nick of time. (or is this all a setup, a ruse to draw out of hiding)? Stay tuned to find out, and be kind.. subscribe.

Found this item I wrote on my FB page 2 years ago today....

"I really don’t care much about hockey, but the idea that 17,000 Bruin fans are gonna go home pissed off makes me cross eyed giggly with delight! Oooh another goal, 4-0 Blues... way to defend home ice Boston..."

It's a thing maybe not today or yesterday or whatever but for a city of 700,000 the teams of all sports have historically been badass. And the city is more psychotically sport crazy than cities 11 or 12 times as big hint hint

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16 years 8 months
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Does anyone know why only 10 songs from 7/02/71 are being released

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I believe that they don't have the whole show in the vault, I think that somebody mentioned that on here. I hope that they release full shows for Bears Choice & Wake of the flood, I'm more than happy to pay the extra money for an extra CD rather then get a chopped up show.

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Hope everybody else looking for it is able to snag 5/3/72. Sweet packaging, love they kept the colorful track listing. Had forgotten the show has Sing Me Back Home and Wharf Rat, plus He's Gone, so those three plus that massive Other One makes it worth it. Plus 5.5 180g LPs for $145 is a good deal. Waited in line over an hour for a small record store doing their first ever RSD, and when I got my chance I asked where the Dead release could be found, was handed the last copy, and immediately checked out. They told me that one of their regular customers had told them he had a dream that he got in a fight with somebody over them getting the last copy of 5/3/72, and they were egging me on to find the guy. I was like, "No thanks, I'll just take a bag, and shuffle away." Hope that guy gets his copy and doesn't have to fight for it. Enjoy thy weekends everyone!

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4 years 4 months

In reply to by JimInMD

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I guess that any Dead is good Dead
So I took what I could get
Yes I took what I could get
She looked at me with those big dilated pupiled eyes and said
"Where TF is that box seeeeeeeeeeetsetsetsetset?"

Good stuff, Maynard

Also good: 11 15 71

Drove through Ballard neighborhood this mo"nin'
Saw a big line up
"Why?"
Alv answers my Q
RSD!
Sonic Boom is a recstore in Ballard

Fascinating, sez Spock

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10 years 3 months

In reply to by alvarhanso

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I logged on to Rough Trade Records about 15 minutes ago, and was informed I was about number 1,500 in a queue. I was also informed that I would be likely to be let through the virtual door in about 2 minutes. And I was. And there was Paris 5/3/72 waiting for me. I had a seconds doubt.. I have had the show on cd for 10 years...but then bosh...now I have it on vinyl too.
There is still nothing like listening to actual records for me, and all the recent Dead I have bought on vinyl has been exceptional-without exception. Not quite as hungry for that box now.

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Happy Record Store Day! Or should we say, Record Scalpers’ Day?

I went downtown this morning and got in line about an hour before my local record store was due to open, and I wasn’t surprised to see that there was already a line down the block and around the corner. From what I’d heard, that was normal for RSD, and that’s the reason I’d never tried to get there early before. I always figured that, no matter how early I got up, there’d be people who got up earlier, and those door busting early birdies would get all the good stuff and I’d be picking through the picked over remains.

But this year I gave it a try, for one reason and one reason only: the Paris ‘72 vinyl set. I really really wanted that one. Even more than I really really wanted the Buffalo ’77 vinyl set last year. So I got in line, behind maybe 70-80 people, and waited. And waited. An hour later, the line started to move. About 45 minutes after that, I was within 30 feet of the door, hoping for the best. The people in line definitely didn’t look like Deadheads, so I figured there was a chance they’d still have a copy of the Olympia vinyl by the time I got in. But just before I did, a guy from the store came outside and made an announcement like, “hey, thanks for coming, blah blah, and oh by the way, if you’re here for the Grateful Dead or Lady Gaga, we sold out on those right away.” (The Dead and Lady Gaga... there's a pairing I wouldn't have expected.)

So I left, after two hours, without ever getting into the store, and without a copy of the Paris set. When I got home, I went online, and yep, just as I suspected, there’s about 100 copies available on eBay, selling for about $225 and up.

Oh well. I’m not sure whether Record Store Day really helps those independent record stores so much, but it’s like Christmas in June for the flippers and scalpers.

I didn’t wait in line, I figured that f I get a copy I get a copy.
Arrived at the store around 12:30 pm and there were a lot of people in the store and outside but no line to get in.
Grabbed 1 of the 3 copies of 5-3-72 that were still available ($139.10 after tax) and waited a couple of minutes in line to check out.
Listened to the first side and it sounded pretty good. Will do the whole show tonight.

Of note, last year I went to the same store on Tuesday after RSD and there were 2 copies of 5-9-77 still available. There was another guy there who grabbed one and I grabbed the other.

This year I decided that I would go on RSD but wasn’t going to wait in line.
My plan paid off.

So what was my RSD disappointment?
The taco shop across the street was closed. I was so set on getting tacos after getting some vinyl….. :(

I too venture out for my first foray into RSD.

I saw the comments about long lines the other day, found the "big" local store, called because their webpage said they were opening at 5 AM. No that was wrong, they were opening at 7 and had 5 copies.

Got up at 530, there by 6. Line around building. Took a 1/2 hour for the line to move up and they gave you a ticket with a number. Mine was 115. They let 20 at a time at the RSD stuff. 1.5 Hours my turn, none left.

Thought about driving to the other "local little", decided to head home. Got home call the other joint, yeah I got 3 sitting here with 9 more coming. Drive downtown, waited on line again for 30 minutes,,,, all gone.

Guy says UPS is bring 9 more TODAY. Give us your number and will call when here. OK. Almost get home and they call UPS has been there and they got one for me. Turn around, head back,,,,, still a line. 45 minute wait. Go in and guy hands me one. They also had a copy of The Very Best of Jerry Garcia (5 LPs),,, 90 bucks. Grab that too because it was limited to 4,000. What the hell.

So I was on the road or in line from 5:30 until 1:30,,,, worth the wait? I got em, but..........

The whole time I thought is this suppose to endear me to come to brick and mortar record stores??? If so they failed!

The silver lining to it all is you get to hang out in lines like the old days of getting tickets and meet the people around you. They may not be there for the dead, but they are there for music. The old thing,,,,, yes odder than Franco Harris,,, yakking with this guy, says he's a drummer and metal is his thing. I tell him my boss knows, knew, Dimebag, he grew up with the guy. He played in a band that opened for Pantera on two tours. The guy was wait, you said your boss's name is Mike,,,, Mike what. Mike Madison I say, his band was Red something. I know Mike,,,, we worked together 30 years ago at this record store, used to go to the same parties!

It really can be a small world!

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14 years 1 month

In reply to by Gary Farseer

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That's a good suggestion, I was there for those two shows, my first foray into Colorado for shows. I should dig out my recordings of the shows, although they probably aren't great, as I recall I was in the bleachers recording.

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Decided to try a small Denver area record store. If there was a line, I was leaving.
Showed up at 10. No line. Uh oh...
Asked manager if they still had copies.
He hands one to me. I buy it.
3 minutes. I'm gone.
Maybe I should buy a lottery ticket today?

Dennis, Crow, icecrmcnkd et al - love the stories on how things went for RSD. Sorry it wasn’t always what you hoped, but it is a super-hyped event now, and I wonder how many of the guys jumping on the bandwagon are shelling out the big bucks, but then get home and are gripped by extreme Buyer’s Remorse?
Dennis - great story on a “small world”, and a reminder of how much fun it used to be to line up for tickets at box offices long before the Ticketmasters etc changed the game.

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In reply to by That Mike

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By the sound of it, RSD is the worst day of the year to go to a record shop. I have always managed to buy what I have wanted-sometimes from an independent shop - online. Sometimes I have paid more than the asking price on the infamous day, and sometimes - 5/19/74, for example - considerably less.

I did used to go to record shops, and buy up, whenever I went to London in pre Covid days - just not on RSD. Hopefully those days will come again.

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15 years 3 months

In reply to by nitecat

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Nitecat, I was there too...we ran into each other on the flight home. The set lists were nothing special(except the hot aforementioned UJB -> Playin' -> UJB), but the playing was stellar, they sounded very tight and rehearsed. June '80 had some great moments besides Boulder; Portland, Seattle and Alaska are all good.

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Dock Ellis pitched a no hitter today 51 years ago . He didn't know he had to pitch that day, so he dosed, but he still went out and took care of business. Final score. Pittsburg 2. San. Diego. 0 No hitter

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13 years 5 months

In reply to by WharfratWhitey

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Simple tasks can befuddle me when tripping. How on earth? I guess he got in the zone and never broke his concentration.

I have to wonder if anyone ever tried this again?

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17 years 5 months

In reply to by proudfoot

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....need a vote amongst my fellow dead.netters. Yay, or Nay.
Baked Alaska. I brought that up years ago it seems.
Reading up on RSD stories. Waiting in line is a prime time to banter with other in liners. Make some friends along the way!
I was busy buying a new car.
Google buying cars and its not pretty.
I know. I work in the automobile industry. The lots are dry.
Ugh.

Nappy - I like the look of those tee shirts put together by djtees that you mentioned the other day. The Happy Trails one is the one I would go for - hopefully they do long sleeved ones.
Hot Dead show for me yesterday was 5/14/78 from 30 Trips. The Eyes is a bit boy racy, but the rest of it is right in the pocket-great Estimated.
Top non Dead-Kind of Blue - perfect for this time of year. Or any other, come to that.

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I love that story.
Reminds me of what a friend once said. “ Cocaine is for people who can’t handle acid”.

Fuck the weasel dust.

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17 years 6 months
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Idaho, Alaska

Her New Jersey.

Alaska box set, YES!! Those shows Rock the casbah!
Or was that Egypt?
Egypt-sheen Egypt-shine, she was a jackal headed woman with a large kimbo “ Firesign Theater

I know you're used to the heat being where you are but take care this coming week...Living at Altitude we will have low 90 degree temps and all kinds of heat warnings are popping up everywhere for here...down at Phantom Ranch along the Colorado River temp forecasts are calling for up to 120 degrees by mid week...I always tell folk on tours that temps at the bottom of the Canyon correspond with Las Vegas & Phoenix...worst of all because of high heat, drought and no humidity Park Service has put a ban on open campfires and Charcoal BBQ usage for the time being, so no Asada for me...be well my friend...

For Alaska! Did those shows somewhat recently (Covid time so I’m not sure when lol)
A couple old tops here say Portland’s good too? And Folsom...hmmmm,, sounds like a box lol.

TRIPPING: I found that if you’ve built a tolerance and trip while doing something you do a lot, which for us was playing music, but I can see pitching being similar, in fact the weird thing would be when you stopped....like when you were doing “what ever” you were fine, but as soon as you stopped THEN you realized how high you were lol.
Of course I’m talking shrooms or lower doses, not 400 of high test.

ROUND THREE starts today, who we rootin for? I think I’m going islanders as I’m assuming their the underdogs and Tampa’s too same old, same old, let’s get some new blood on the cup!
Like the Kiniggits! I’ve enjoyed the Habs because I love rootin for the underdog, kinda like being a Deadhead, but tge Habs have won it a lot and Vegas has not, and they (team and fans) have got the fire in the nuts, so it’d probably be more fun getting on that train...man, what a slam fest Isles and Knights would be. Makes me sore just thinking about it ; )

Strider the jokester!

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Nice to hear you touting the 5/14/78 show from 30 Trips Around the Sun. I was pleasantly surprised with that one, especially considering I didn't like DP 25 too much. I recall being excited for the first officially released Mississippi Half-Step of 1978 on that one. First 3 songs are super solid. They Love Each Other has some great Keith stuff going on in there. Looks Like Rain & It Must Have Been The Roses slow things down a bit, but I've never been one to let a setlist ruin a good performance. It also has that super long Let It Grow. I keep meaning to compare that one to other post-hiatus versions.

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13 years 5 months

In reply to by KeithFan2112

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On 5/14/78. This was about the period that 78 really warmed up to me in general.. and then not too far away we got the July 78 box which to me is simply killer. This was also about the time I seemed to notice Jeffrey Norman fine tuning his craft. Except for a few one-off's, for the most part the sound in Boxzilla is quite good. Glad I got that box.. I should revisit some of the lesser played shows one day.

Onward.. so little music, so much time. Scratch that.. reverse it.

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