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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • KeithFan2112
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    So Odd

    Oroborous, I found exactly what you're describing to be what I hear on the 1973 PNW shows. The 1974 shows are fine; it's just 1973. Let me preface this by saying this is by no means any reason not to get the box set - it's an awesome triple dose of '73, Dark Star a la mode, plus the three 1974 shows that sound better than any 1974 show I've heard.

    So what I hear on those 73 shows sounds like what you're describing. Unevenness. Artifacts. Loud symbols. Dropouts. Hiss. Certainly not throughout the entire three shows, but enough to get on the radar of someone who listens to shows with headphones most of the time. And the odd thing is that I don't think anyone else took this from the 1973 revordings on PNW.

    I didn't catch this on Dave's Picks 38, except for the warm-up tune Bertha, which I'm good with, because it's the first song. I listen to Dave's Picks 38 about half a dozen times and then put it down for the last week. I'm putting it back on to see if I hear anything differently. Where are some places that you hear it in the show? Also I'm curious if Playing in the Band and Birdsong are doing it?

    Edit - just listened to a few tracks from Pacific Northwest 73 in the car on the way to get some pizza and it's not nearly as noticeable on regular speakers. DaP 38 sounds better still on the couple of tracks I had time to compare a little bit of. Not that I want to hear anything bad on Dave's Picks 38, but I would be willing to take a listen to whatever tracks you're hearing things on.

  • That Mike
    Joined:
    A Music Archivist Walks Into A Bar…

    Dave L walks into a bar, and has a seat at the front. “I’ll have a beer, bartender”
    The bartender replies “What!? No 2021 Box Set!?”

    Put down the fishing pole, DL, and release that Box!!

  • proudfoot
    Joined:
    box box box PLEASE

    #38 sound is wobbly here and there

    I just go with it....but it is uneven, fo' sho'

  • billy the kid
    Joined:
    53 years ago today..........

    The Dead played at the Santa Clara County Fairgrounds, along with Big Brother and the Jefferson Airplane. The Dead played a great version of Alligator , hopefully they have a tape of this in the vault and will release it as part of a 1968 box set. My brothers friend went to this show.

  • Oroborous
    Joined:
    RE: DV

    In some places it’s noticeable enough most people should be able to tell with at least a moderate volume, and being top notch GOGD I’m sure many have cranked it lol. It’s prevalent enough I’m guessing you’d have noticed it even with just a casual listen. I only hope I don’t ruin this for others who haven’t heard it, but go looking for it and then can’t not hear it LOL.
    But I’m thinking it has to be a small sample problem, though I find it hard to believe only 3 of us have had it?

    EDIT: I hear ya 1st SHOW, and truth be told there are many shows I wouldn’t care so much, but these shows, though I don’t agree with best of year hyperbole, are so up my wheelhouse, and otherwise sound so good, that it just bums me out. But hey, just like most dead “worts and all” ; )
    PS: love that if you don’t mind quote!

    DBL EDIT: wonder if they used any compression/limiting on the original tape feed? If said device was not set well it might explain...it’s puzzling that they’d use such a tape? Perhaps they felt it the benefit out weighed the negative and figured most folks wouldn’t notice? Interesting what ever the case.

  • 1stshow70878
    Joined:
    I'm glad you brought that back up Oro

    I recently got a new amp in my system and am hearing details like never before. You have covered all the sonic equipment possibilities thoroughly so I have to go with operator error on the original recording that could not be Normanized away. Maybe the sound quality is why this took so long to get released. It doesn't seem as bad on the 9/7 material. Worth putting up with for sure but it kind of spoils playing it really loud. The old church of the IDM. (It Don't Matter) From ancient Denver AM radio with Charley & Barney in the morning. They had their own religion: "If you don't mind, then it don't matter". The 9/7 second set is worth it with that amazing Eyes jam.
    Cheers!

  • DeadVikes
    Joined:
    Oroborous

    Wait, we are supposed to listen to these releases??

    I just got my copy last week and have been able to listen to it once. I think it is a great release. Sound quality is not as good as say Dave's #21 or #5, but still good. I have a good old wired system in my basement that I am sure it is nothing like yours, but it is still good. Anyway, I will have to put this one again and try to see if I hear what you are talking about. Typically if there are issues with the recording I usually pick it up on the first listen. I didn't on this one. Is it perfect, no, but like I said I still think it sounds really good and the performance is stellar.

  • Oroborous
    Joined:
    Schizophrenic 38 (production issues?)

    On one hand, most of the music on here (and Bonus) is awesome! Even the complicated new stuff is hot...
    On the other hand, I can’t believe Angry Jack Straw, DCVMT, and I are the only ones having issues or hearing???, not even sure what the hell it is?.....
    I’ve purposely held off on posting about this until I spent significant time on this first...
    I’ve tried the actual discs in different players, server playing on several different systems,... same weird results?
    Worst part is not being able to figure out what it is?...
    The overall levels are not too hot, peaks set at -1 dB which is how I like it; no need to chance over saturation by going 0 db (that’s what a volume control is for...). So don’t think the mastering level is too hot...
    My guess is something in processing/mastering? Perhaps a synchronicity issue between processors?
    Perhaps some hard compression/limiting. I’ve noticed the phenomena/artifact on several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time which would lean towards some kind of overall level problem. It’s only on individual sources at mostly individual instances, though there times when more then one source distorts...
    Don’t think it’s original tape over saturation because it would be highly unlikely that that would of gone unnoticed by recordist and wouldn’t have been so prevalent on so many different sources. Meaning you might have one guy who’s level is too hot because he turned up extra and the recordist didn’t catch it and adjust right away, but I’ve never heard a tape with basically, potentially, all the sources distorting like this.
    It’s often very subtle, other times it’s not. Haven’t noticed it as much on the bonus disc. Seems to start a little as LIG picks up volume, only the louder parts of Stella, but from then on its more prevalent.
    38 itself is pretty much riddled with these distortion artifacts.
    Complicating things are other variables like Bob using some kind of distortion peddle, which I’ve never heard from him this early on? Kieth occasionally has some noisy stuff kick in/out? Cymbals often trigger it, but everything, including occasionally vocals too.
    Agree with All that you can really hear and appreciate Bobs playing on all of this, in fact I liked the overall mix. I can see why this show was regarded by DL so highly, which makes this ?? all the more annoying.
    Oh, and I don’t think it’s my gear as all my previous stuff still sounds the same, so it’s something going on with the production of this release.
    Don’t know any of the specifics about plangent, but wouldn’t think that processing would alter volume peaks like this?
    My guess is that perhaps there were signal to noise issues on the original tape, or inconsistent levels between instruments (one significantly loader than another), where some compression was used to bring the overall level up, which then caused certain, individual sources to occasionally, noticeably, distort due to hard compression, but that would usually be more quick, arrack only phenomena.
    And you wouldn’t think that pros of this caliber, with the gear they have access to would do such a thing?
    I’m just desperate to figure out what the hell is going on since it’s driving me nuts and ruining what would otherwise be a long term, go to release, maddening! It’s no secret I’m a fall/winter 73 nut, so this of all releases being almost unlistenable is Murphy on 11!
    I’ve listened to this at least a dozen times already trying to just enjoy the awesome shows/music, but this phenomena keeps rearing its ugly head, uggggggg!
    It really freaked me out the first virgin spin as I was really psyched for some killer fall 73 so prepped accordingly, including firing up the big boy system extra loud and putting on the ole proverbial seat belt. So when it started to become unmistakable it really freaked me out! Now it’s just an unfortunate, un-ignorable annoyance.
    But mostly, this is deeply disappointing that such a great show, from one of the best eras is basically unlistenable.
    This is so frustrating too, as I’m sure many of you are scratching your heads wondering what the hell im taliking about lol. But at least 2 others; Angry Jack, and DCVT have experienced the same thing, so it’s not just me.

    The question then; is this a product defect, if so, is it comprehensive or just a small sample, and thus should we be asking for replacements?
    I’m guessing unfortunately/fortunately it’s a small sample problem or this board would be filled with displeasure!
    Possibly many folks listening on “normal” modest gear, at lower volumes, with normal ears might not notice much of it, but not everyone! I have to believe if this was a comprehensive problem more folks would be noticing it?
    So fortunately it’s probably not a problem for most, and unfortunately, because it’s sometimes hard for just a few to get acknowledgment of such a unusual idiosyncrasy.
    Ugggggg, my brain hurts from this release pulling me in two such diverse directions!
    Luckily I have several hundred other shows to listen too ; )
    Would love to hear if anyone else out there is experiencing this same problem?

  • annalee10
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    Joined:
    My Dave’s 38

    Got my replacement Daves 38, big thanks to MaryE and Doc Rhino for taking care of me.....Have listened to it all three times and this is an AWESOME release. One of the best Birdsongs ever, can’t stop playing it. Great first version of WRS and Let it Grow. The bonus disc is fantastic, been listening to that eyes almost every night for the last week, killer version.
    I agree with the calls foe a fall 72 box or the Ark.....please Dave😊

  • 1stshow70878
    Joined:
    Tuscaloosa '77 (and Atlanta too)

    Fun story about the duck "calls". Never even noticed or heard about it. To me what is famous about the show is Bobby's intro to Jack-a-Roe. Very inventive and the kind of stuff Jerry was probably watching and listening closely to and would weave into the fills. Not sure I even caught the significance of it until Phil brought it up in the "Phil Zone" CD.
    Latvala! And cheers!
    EDIT: Listening to Fox Theatre Atlanta 5-18-77 now and blown away by The Other One > Brokedown. Source is a tape recorded in 1994 from the GD Hour radio show. David Gans must have been using DAT direct from the vault source as the sound is amazing for a TDK DS-X100 tape. (recorded in Dolby C, but I don't often use the Dolby on replay as it dulls the treble too much) Unfortunately David Gans was not allowed to offer whole shows back then as I recall.

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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So it’s June 1980. I’m in Kalispell, Montana near where I used to live and work and I look at the newspaper box holding the Spokesman Review out of Spokane. 237 miles or just under four hours away, a stones throw ( throwing stones ) in in the mountain west. “ Shit is that a photograph of the Grateful Dead on the front page”. They played the night before in Spokane. “Well fuck me blue”.
I made up for it a year and a half later and went to six Dead shows in the Bay Area in December 1981.
I get a feeling I’ve told these stories before.

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In reply to by Strider 808808

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....my wife is a truck driver and is currently in Spokane.
She won't let me slap a Dead sticker on her rig.

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In reply to by Strider 808808

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Like the corners of

Screw That!

34 years ago right now...(well 1987/06/13) I was on Ventura Beach, Beyond High but the most relaxed I have ever been. Cool westerly breeze, palm trees dancin with bolts of lightning in the fronds .At this point they would have been maybe around Estimated as it was a 2pm start. Second Set Shakedown opener was sweet, as it was slow and slinky and funky, but what really made Ventura a special place was that it was small venue and Phil Bombs made the sand we were standing on vibrate under our feet. As this date was a Saturday, it was an intense party. The fellas had a huge night time bondfire for the freaks and at midnight they showed Refer Madness and other goodies on the big screen. That was outside the venue on the beach proper. Never saw such a powerful small group of heads and absolutely no law enforcement any where that I saw. Only downside I heard, was some youngsters that came to the party and got drunk, and threw objects thru the local liquor store window. And not even sure about that as it has been days gone by.

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Is there a 1972 shortage in the Vault? Let's get this Box Set rolling with '72 Dreams.

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In reply to by Gary Farseer

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My first California shows. Had a great time.. windy and chilly after the sun set as I recall. I have no memory of where we slept that run.. my guess is we camped there if they allowed it. I completely forget where we stayed for the Greeks.. but it wasn't in Berkeley. We had already left for Ventura before our Greek tickets arrived.. so we had to get them fedexed to a distant relative in Gilroy. Life before cell phones and GPS.. how did we do it?

So three Ventura into three Greeks into three Alpines. Then someone got married or something so I had to make a brief visit home. Great times.. my only wish is that it wasn't 10 or 20 years earlier.

I wish some of the soundboards sounded better. 87 is kinda all over the place. Just try and find a good recording of any of the Alpine shows that year. There are often audience tapes that sound better than the soundboards from this summer. He did clean things up in 88 a bit though.. for example, the 88 Greek shows sound really good.

Ooops, didn't mean to ramble. Loved Ventura. as you were.

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82,83,84,& 85. wild times, I'm sure they can find a box set in there somewhere.

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17 years 5 months

In reply to by billy the kid

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....the boys from Vermont put one out.
It's not that hard.
Their website is tight. As is Jerry's site.
This site is like circa 2012. And that fact is legit.
Get your shit together dead.net. Was hoping for stellar 3D projections and holograms by now.

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In reply to by Vguy72

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I'm partial to the 84 run, but admittedly, I have not listened to all the shows from some of the earlier years..

The recordings are pretty clean.. Jerry's voice is still holding out, but not for long. I sort of think of this run as a prelude to all the new songs that they broke out in 85 simply because it has early reintroductions of the old arrangement of Dancin' in the Streets and a rare modern Midnight Hour.

To me, the 84 Ventura shows are special. ..but Billy, you have peeked my interest in the 82 and 83 run. A good series shows to toss out on the what's playing today thread.

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In reply to by JimInMD

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First show 7 18 82

One of the best experiences of my life

In the top five

1. birth of three kids (tied for first)
2. 7 18 82
3. 7 13 84
4. 6 9 90 Cassidy
5. Wife being on Jeopardy

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In reply to by proudfoot

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All are cool, but #5 is way cool. Hope she won.

I'll Take Psychedelic Misfits for $500 Alex.

Well, this ones a daily double dose.

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In reply to by JimInMD

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but if there is any claim to fame, it's that she was on the last episode of AT's final full year as host

and I got to be in the audience

it was a truly awesome day

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Well, I hope we get a release this week of some kind, preferably a whole show if it is a 50th anniversary release, but if they released a whole acoustic set from 1970, that would be cool. For all the hockey fans, today is the day that Lord Stanley died, 6/14/1908. I've seen the Sharks play live several times, and seeing hockey live is fantastic, very exciting.

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In reply to by proudfoot

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I never saw The Dead there, but I played it myself when passing through in 1990. We stopped in some sort of bar, and this guy was playing an acoustic guitar. When he finished, my girlfriend told him I played too, so he handed it me and asked me to play something. Gulp. I strummed through "Ripple" (click , buzz) and after I had finished, he told me that it was American music, and didn't I know anything British. In a word..no.

That reminds me....another, time, about 10 years ago, I visited a social worker friend of mine who worked in a hospital with people who had been confined due to having severe mental health problems. Again, messing around I played "Ripple", which he thought was a beautiful melody. Next time I saw him, he told me he had played the song himself at a singing group in the hospital, and that he had them all singing and playing along as best they could.

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50 years ago today………..

June 14, 1971
Central Park, New York, New York

CANCELLED SHOW?

Bill Graham clearly references this proposed gig at the start of the April 29 Fillmore East show: “……on June 14, these gentlemen will be in Central Park………”, but for whatever reason, the show never took place.

Rock on!!

Doc
Stated clearly enough, an idea may cancel itself out

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In reply to by Vguy72

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If I remember correctly there was an underpass leading from the parking lot area entrance to the town area...it seemed as if that walk under the 101 Hwy was "The Boundary"...stay on the Ocean Side and it was cool...and you took your chances if you wandered out...such times...

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In reply to by JimInMD

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First set of 7/13/85 is perhaps my favorite first set! Ripping!
You can hear how stoked they are on the tape between songs too...

Have a great tape from 84 with Brentski doing Just Want Make Love To You....

Worked merch there on 96 furthur tour, made me envious...must of been awesome seeing the Dead there!

Go Isles!
and,
Big game tonight!

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In reply to by Oroborous

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listened to my cassette of set two side A after getting home from 7/19/87

I was glowing ;)))

that was funfunfun

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In reply to by nappyrags

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Sad to say, but I can't remember shit about my one and only trip to Ventura except that I was there and I recall feeling underdressed at least one night after the sun set. Wicked, cold breeze.

I recall the carnival atmosphere outside the venue and all around.. roller skaters, etc. but sadly not many specifics. It was super fun.. perhaps I had more fun than I should have which decades later seems to have affected my memory. If so, it was not alcohol that did me in.. I tried real hard not to mix too much alcohol with my Grateful Dead. Risky behavior if you drove...

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My only time there. I had a three day weekend off from trail work in Northern Mew Mexico. Flew into L.A. Friday morning, rented a car at LAX. Drove up to the fairgrounds. Three days of “fun, fun, fun”. Just no t-bird. First night slept in the car up near Point Conception. I should have rented a Cadillac. After the Sunday show I drove like Neal Cassady to make my flight. Phil Mazonzon caught a ride with me. I’m across the street from the car rental stuck in traffic and fuck it I drive the rental car over the 10” high median curb, bump -bump. Pull in the rental lot , throw the keys to the attendant , tell her I’m running late, get to the boarding area, the plane is delayed by 2-3 hours. The jet (from the promised land) lands in Albuquerque at 4am Monday morning with two hours to get to work. I drive my Peugeot (sic! Clouseau was right) 70-80 mph up to (.......... ........ ........) arrive just before 0600 starting time. No sleep on the jet, could not have if I wanted to. Casually walk into the recreation shop, Say good morning to my boss, go out to the barn, saddle up the pack horses, load them with the camp gear and trail tools. Ride five miles up ....... Canyon , drop off the equipment. The rest of the trail crew hikes up and sets up camp and hikes up canyon to the work site. I return with the pack string several miles down canyon back to the barn. Take the saddles off, turn the horses loose in the pasture and start hiking the several miles back up the canyon. I slept during my half lunch break , wake up and work building a trail reroute for the rest of the 10 hour work day.
Had one of the best nights sleep of my life that night.
This is a true story. Truth is stranger than fiction.
The 1987 Ventura Grateful Dead concerts were worth that Neal Cassady level of energy to pull it off.

Persistence Furthers. The Southwest heals. Music unites!

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In reply to by Strider 808808

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that reminds me of not only the MO for sneaking to many Dead shows, but much of my twenties....

I’d stay out all night until about 4:30 or 5:00, get up a couple hours later, shower, eat and off to work.
Everyone in the shop turned the 15 minute breaks into a half hour, so I’d go sleep then in the supply room...would wake up to the sound of when they got the presses rolling again. Would eat lunch while working so I could get another half hour/45 minute snooze in during lunch, another quick nap at 3:00 break. Come home, sleep until around 7-7:30, take the dog for walk and burn one, eat and watch the 8:00 movie, then back out again around 11:00, damn near everyday! Oh the hubris of youth!
No wonder I’m so tired and broken now.

Sounds like I need to check out those shows some time

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In reply to by Strider 808808

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6 14 69.

The Dead played at Monterey Performing Arts Center.

Bookended the show with LOVELIGHT.

PIG WAS ON!!! ...especially during the opener.

Enough said (aside from the setlist)

Love Light-> Me & My Uncle-> Doin' That Rag-> He Was A Friend Of Mine, Dire Wolf, Dark Star-> Saint Stephen-> The Eleven-> Turn On Your Love Light-> Drums-> Turn On Your Love Light

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I think maybe the second time there were Ventura shows we witnessed a perfect example of alcohol not going well with outdoor all day shenanigans...in line waiting for the gates to open we noticed one group of youngsters (we were already all in our mid 30's or so by then) getting pretty schonkered and especially one guy in particular who was already swaying to and fro...gates open, we go in and settle into are usual dead center 20 ft in front of the board location...running over to the restrooms for my pre-gig pee i saw a couple of the guys we had seen partying coming out of the head saying stuff to the effect "serves him right, screw him we told him..." etc...I went in and there was a small utility closet to the left of the entrance that had the door open and their friend was laying on the concrete passed out cold...during the show my friends and I would go to use the facility and everytime he was still there passed out but as the day went on he was covered little by little in garbage, by the end of the show he was totally covered with only a bit of his face showing...I saw one of his buds and he told me they had to go check on him from time to time to make sure he was ok and that the trash was the penalty for ruining the show for them...you crash, you burn as we always used to say...

I listened to the board of 6/13 last night and I really forgot how great a show it was. Now it was always a favorite of mine but the board tape second set really shines.

Jim I cant remember which day/night was so cold. I think it may have been friday because I was like we are in Southern California in June on the beach how can it be this cold. Of course, it really wasn't cold, it was the wind. I think highs all weekend were in the low to mid 70's but the dang wind was 25-30 miles an hour both Friday and Saturday. What the wind did was mess up a lot of tapes. Even on the first set board you can hear an up and down swishing noise. That is the wind blowing so hard, that even with their mouths directly on the microphones, the wind still played with their voice. And out front, it added to the psychedelic frenzy. One reviewer over at Archive says the tapes are not good enough for release, and it is primarily due to the wind. Now the second set where less singing and more jamming goodness happens, you do not hear that swirling noise because the wind only impacted the drums (mics) at that point. I had a blast last night reliving that day.

During Shakedown, we were taping FOB to the right of Healy. Always wanted to abide by the rules of not interfering with his line of sight. There were 4 of us in a circle. Shakedown pumpin, 2 joints and 2 pipes, all with different strands of weed. Hit, pass, hit, pass. All of a sudden slinking thru the crowd comes a real old hippie. I mean this guy was in his 70's (no offense to those that are 70). He was slinking to Shakedown and swimming thru the crowd when he spots our circle. He just jumps right in. He was smoking one of those huge (extra large) Sherlock Holmes (??) type of pipes. We all just hung there in space and time, hit, pass, hit pass. He had on a white t-shirt with I heart drugs on the front. I had on an all black taper shirt, so on the front left chest area was a reel to reel with mic stands. On the back was a big eagle wings again with the tape deck and mic stands, at the center. Written over the top was "Death before Dishonour" and below was "Drugs before Lunch." We never spoke a word, he just danced his way on out of the circle with a wink and a nod. We were in our early 20's and so it was kind of like a passing the torch moment.

Jim, I remember us writing about Ventura several years back as we both did the Ventura-Greek-Alpine trifecta. Talking about get back home and patch my bones, it was needed. Seems I remember a story about you having your favorite hippy car breaking down on that journey. I don't know how you did it. We spent 2 weeks in California that trip. Flew in to LAX, as Strider ( I think said), the Monday before the Friday Ventura show. Hung out in LA, then went to Ventura (actually stayed in Santa Barbara) before heading to the bay area for the Greek shows. After those shows we drove back to LA to fly back home. Stayed home 2 days before driving to Alpine Valley.

This was a very fruitful run as we (I) made friends with 5 tapers from San Diego, New York, Pittsburgh. We also made some other contacts that help us fund our fun times. Plane tickets hotels food tapes etc. You know, little shipping powders back and forth thing.

Speaking of passing out. There was a guy from the Navy there for his first Dead show. He was hammered as we were setting up the taping equipment. He ended up passing out just a few minutes before they hit the stage. Ends up throwing up, and then sleeping rolling around in a vomit/sand concaction for the whole show. Dead finish, we are packing up equipment, he comes to, pops up, and a couple of buddies find him and were asking him where he had been. We didn't tell them he was a pig in slop the whole day. However, they could tell by his clothes and his funk.

Nappy, I think it was your post about a bridge and one side cool and other side, not so much. I am having a hard time remembering that. We parked Friday and Sunday in the lot. And if I remember street parked a couple of blocks away on Saturday. Saturday is when we left after the show for a while and some drunk teenagers were walking in front of us. Horsing around but kept getting in our way. My brother is a pretty big guy. One of them pushed a friend into my brother. His sunglasses came off and went right under my brothers feet. Crunch. They were so young they just let it be and got out of our way.

Any way more on Ventura, next time we run this ground again.

Got to post this first as it was longer than expected, will come back and edit in a few...

OK did a little editing...

As all shows there is still a lot more to write.

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In reply to by JackstrawJay

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hot hot hot

a wonderful candidate for a Daves

oops, I jinxed it

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I learned early on that alcohol is not my friend

alcohol + GD show for me: doesnotcomputedoesnotcomputedoesnotcompute

I have never passed out or vomited while green
I have never passed out or vomited while lysergic

I have never passed out, but got darn near close, with alcohol
I have VOMITED (oh yes, oh yes) with alcohol

Just saying: alcohol and I do not get along.

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a low chant and slow clap going for that fall '72 box?

They've got plenty of good fall '72 tapes in the vault. Of course, the 2021 box is already being mixed and mastered and artwork proceeding furiously, while Dave keeps an admirably tight lid on the contents.

The only other era I can see getting the treatment is spring '69; plenty of available tapes (presumably, arrgghhh) for that era as well.

That is all.

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VGuy - About an hour to go now. You’re getting in the Zone. A little music, perhaps, while your thoughts percolate. You have shooed the little lady and the family out of the viewing area. Your Knights are here, the third round (some say the toughest round), and the only thing keeping them from the Run For The Roses - the FINAL - is the Habs, a team the Orcs would be if they could skate. Only the Habs (and their remarkable goalie Carey Price) are keeping you and the Golden Knights from vanquishing “the rest”, before getting to the Final. The Big One. The Stanley Cup.

You got this.

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'86 of course...we met at a friend's the night before the planned departure in the morning...word came of Jerry's health crisis...F**K...what to do...we had a large group (30 or more) coming in from all over the Western US...folks were driving in from Boulder, the Bay Area, some friends were flying in the next day to LAX from the East Coast...we decided to go ahead and make the trek...by this time we were already staying at the camp grounds at McGrath State Beach in Oxnard...we went and set up shop as others slowly filtered in...we had a great weekend of body surfing, playing in the sand and hellacious campfires at night...we'd have the obligatory "Get Well Sucker!!!" vibe sending...one funny thing was one early evening a few of us were making our way to the camp ground showers and an elderly woman stopped us and said, pointing to my dye, "you know, I see a lot of people here with shirts like yours, are you some kind of club?" I said "Yes Ma'am, we're a music appreciation society"...she smiled and said "How wonderful" and went her way...Yes ma'am it was wonderful

Definitely not caliber of the Wild or AVs - Montreal is only there because of Price. I won’t say “sweep” - overconfidence is never a good thing - but definitely looking like to the Finals for Vegas!
PS - Mixed feelings for Max Pacioretty when he returns to Montreal, a team he was a respected captain for.

Since Dave has literally gone fishing, it would appear, just wondering about “The Fox Box”, by the latter day Allmans, would like to hear some feedback from others who may have this one?

Watch your parking meters!

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Reading the posts on alcohol reminds me that getting out of your head is a skill, like any other. It has to be learned, if you want to last and remain functioning. I have seen people damage themselves on every substance known to man or God - including acid and weed - through overuse, combining things that shouldn't be combined, unknown strengths or simply and unfortunately being incompatible with what you have taken.
I was no different in my teens, regarding the road of excess. You live and learn-hopefully.

As for this here box...Fall 1972 or Spring 1969 would be perfect-either one would suit me to a tee. Collecting Dead music is one habit that I haven't managed to curtail over the years. In fact, its got worse.

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Hopefully not injured filming the Box Set Announcement Video...

I hear he almost lost an ear to an Oyster Catcher with bad eyesight on the last video. Many people don't realize just how dangerous it is being a tape archivist, one of the riskiest professions out there.

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Great Post!

Never realized I was so um...cultured. A member of "The Great Musical Society." Do they make tie-dyed tuxedos?

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por favor, Dave

The GD Music Appreciation Society hereby invites you to a Seaside Chat to reveal the next box set.

Tie-dye tuxedo optional.

RSVP

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Dennis: from the Gene of my dreams...Wasnt Franco's hands the thing that made possible the immaculate reception? If memory serves.

BTK: Your posts about shows always makes the fire of jealousy burn deep in my soul. Well not really, although I missed a lot of opportunities because of the geography of my residency, I am still quite satisfied with the shows I did see. Question: You being from Mill Valley and all, are you a complete California head? Did you ever venture east? To me seeing both sides is quite satisfying and always an interesting chew. The east coast energy was just as real as the west coast laid back vibe. Not to start a food fight, or east coast west coast gang war, but I go West Coast. The California shows were always so laid back in every possible way. As debated before here and many other forums, there was a direct impact on the shows due to the band flowing in real time with the energy. I love both sides of that coin. But not having to worry about a mounted horseman cracking my skull open (Cap. Center) was a relaxing blood pressure lowering ecstasy. A lot of people do not like View From the Vault III, but I love it. Starting with Estimated thru China Doll is like a massive opioid dream, very laid back California jam. When you compare that to say the opening of 1982/09/21 Madison Square Garden and that level of energy is an incredible juxtaposition.

Always loved this Playin-Crazy intro.

https://archive.org/details/gd1982-09-21.sbd.miller.33684.sbeok.flac16

Any way got more to post but more coffee, watched some of the hockey last night, but I also watch the misogynistic "Street Outlaws" as I have friends that are racers and watching them build cars made me love cars. Who remembers "I'm in love with my car?"

Coffee Coffee Coffee, Beer!

G

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you were ever bumped into by a brown maniac wearing a parrot mask at Ventura or the Greek, excuse me...it was hard to see out of that thing...(see new profile pic)

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Box Announcement por favor, More Coffee, yes please..

GFar.. you must have seen a dead show at the Crapitol Centre.. I have nightmares of the cops on horseback. My MOST HATED VENUE.. eva. RFK wasn't much better.

Ok, bad vibes be gone.. Deep breath, calming thoughts...ahhh.

back to some sweet Ethiopian fresh roasted goodness and some placid Grateful Dead. I'm finishing a review of the recent Dave's Picks. Some winners here..

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That was b side of bohemian rhapsody, methinks

Listened to it a few times when i had the br single.

5th and 6th grade. Shazam!

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Nappy’s new avatar

Ventura Stories etc

“The Habs, a team the Orcs would be if they could skate” lol

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HeyGary, hope all is well. I never really thought about East coast heads or West coast heads, we just went to the shows to get high and hang out. I went to see the Dead in Nevada a couple of times, but that's the furthest I ever went East. I don't live in Mill Valley, that's a very wealthy area up in Marin County where some of the Dead lived.. I used to go record shopping up there at Villiage Music. I was born ,n the Bay Area, but I live down on the penninsula. Now it's time for that BIG. 1969 SPRING BOX SET, AVALON / ARK, Alright Dave, lay it on us.

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All this box set talk,, whew. I just want something big and expensive. Just so my wife can say "what the fuck???"

Forty years of marriage and you live for the small things. :-)

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