• 8,066 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Dennis

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I guess I am the opposite. If I eat enough.. by the time I come down you can list the house as new. I get into details like that..

Stated another way, nobody likes housework, but if you have to do it.. it numbs the pain quite nicely. ...and it had to get done.

Dennis.. at the very least hit up the Let It Grow, and the second set. A fun show that I had never heard before. Also, I will shoot you some pictures tonight when I get back..

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Nice, but my vote for GREATEST LET IT GROW goes to 12/31/85, the NYE show, that Let it Grow is a monster. Jerry is on fire seems uncontainable. Bobby rhythms are front and center in my copy,,,, Brent's keys are anything but "plinky" to me and the drummers sound like they've taken a blackjack to the skins. GREATEST 4 Sure!!

But 83,,,, great year. A couple of weeks b4 at the Meadowlands (4/16/83) has the greatest LL Rain at about the 7 minute mark Jerry is on fire, I don't think he could squeeze anymore notes into a measure. Bobby vocals are right there. My fave!!!!

On the subject of Let it Grow since you are the canoe man,,,,, sorry kayaking man,,,, I always visualize Let it Grow as a great example of moving from running the rapids (at incredible speeds) and spilling into mirror smooth water. Do you find Let it Grow a great kayak song?

I will definitely check that one out.

Yes.. I have definitely listened to hot LIG's when hitting the harder stuff. Sometimes music helps me get into a groove, into the flow and helps with timing and muscle memory. ..but pick the wrong music and it can work against you. No more scary dark stars on really difficult stuff with consequences.. bad trip music can manifest itself into upside-downness in a hurry. Which is bad.

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In reply to by JimInMD

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Jim, I am a day late but I am going back to Dave's #35, 4/20/84. This show continues to get better to my ears after each listen, so I am looking forward to it.

Funny how I don't come 'round here no more. I'm a binge drinker personality, I suppose.

JimInMD:
I'm in for 12/31/85. One I've had on cassette for years. Unfortunately Let It Grow did not leave such an indelible mark on my memory... or well, never mind... Definitely looking forward to revisiting it based on Dennis' assessment. Interesting how things can just pass you by sometimes. My main memory of 12/31/85 is Ken Kesey on the FM, or wherever it was that my copy was dubbed from. Man, to me, this show is all about that Kesey intro. Gold.

DeadVikes:
I go back to the 4/20/85 show a lot, too. I'd never heard it until it came up as pick of the day earlier this year, but that was definitely a find for me. Thanks, everyone!

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In reply to by DeadVikes

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that Baltimore show from March '73 is super fantastic cool. release it dave.

that Shakedown opener from 4/26/83 is top shelf.

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12/31/85

Thanks for giving me an excuse to break out this old familiar that hasn't had a listen in a while.

Out of the gate like a rocket with Touch ...just a touch too fast.

Everybody takes a deep breath and, somewhat ironically, they take Tons of Steel at a much more sensible pace. Sounds like Brent's playing a DX-7. Bobby seems to give a little off-mic HAA! just before the guitar solo.

CC Rider keeps it on a slow boil until Brent stokes the flames with his B3 during the second round of solos. I love the guy to death, but I've never really been able to buy Bobby as a blues man, despite his apprenticeship to Pig, but this thing is really escalates into a resounding climax. Hot stuff.

Dupree's is a cool song to have back, but they probably should have thought about doing it in a different key 'cause it's totally out of Jerry's vocal range at this point.

Cassidy. Love this tune. Feels more like a Brent lead vocal as Bobby is almost rapping it, while Brent carries the melody. Jam feels good with the drummers going off as usual, but it feels more like a warm up, seeming to end rather quickly.

Brown Eyed Women, man, this is like all time hall-of-fame level piece of songwriting and it's criminal that this isn't well-known outside of Dead circles. I love the "drink down a bottle and you're ready to kill" line, but "the bottle was dusty but the liquor was clean"? just sheer brilliance. One vivid image after another.

Not sure if the rhythm section listened to Bobby's admonitions about getting too busy before Let It Grow. It's all full of 16s and marching rudiments. Phil's takin' it kinda easy, but it's hard to say if he should really be lumped in with the rhythm section. Jer tears into that first solo. You can really hear the trumpet influenced lines he's playing even without the MIDI. The interplay between Jerry and Bobby during the full-on jam is such a web of strings and inversions, they're blending into a two headed, 12 stringed southwestern psychedelic beast. Behind them the percussionists flow like a gurgling stream with Bent's synth weaving in and out of their groove. They just fall into the return melody without ever actually going into full unison, but rising toward it like sunshine into the cool desert air.

Ahhh, the Father Guido Sarducci and Ken Kesey countdown. I don't know how many time's I've heard this, but it still cracks me up to this day. "It's a representation of the U.S.S. Miramack!" "It's an enormous Perry Como!" "It's Rasputin, FDR, and Eric Clapton!" "That's not Eric Clapton." Poor Guido. "I'm outa here" lol.

I love Bobby's little Blues Brothers shtick during Midnight Hour, and he sounds genuinely hurt when Phil later welcomes the home audience when he's just done it twice!

I let Sugaree and Man Smart Woman Smarter go by as I was typing, but basically more good stuff

Ship of Fools seems like a tune that just doesn't get enough plays.

Compact Playin'. They seem to be stacking the set, but at the same time also keeping an eye on the clock for the broadcast, or something. The second of two hot Bobby jams that we just get a taste of. Was that a hint of guitar synth?

Certainly not complaining about this Terrapin getting plenty of room. They nail it. A nice, long drums/space jam follows on.

Bobby's in a talky mood, making rare comment about the ragged Truckin'.

Black Peter has a relatively brisk shuffle going on. I like this one best as a dirge, but they've got a lotta NFA and Throwin' Stones ahead of them, I guess. Nice interplay between Brent and Bobby's vocals. At some points it the two songs become pretty much indistinguishable.

My tape has Mississippi Half Step, and the "We want Phil" "You can't have him" Tom Thumb from 6/29/86 Alpine Valley as filler, and then Box of Rain from RFK 7/7/86 as filler. Talk about a couple of infamous heat wave gigs. These selections reveal nothing of the apparent travails.

"If you're looking to get silly, you came to the right place!" Indeed.

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In reply to by bluecrow

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Gave 12/31/85 a whirl while working yesterday. Unfortunately got a call during LIG, so I’ll need to hit that again.
Hell, really need to do the whole thing again...wasn’t this one on pay for view BITD?

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In reply to by Dennis

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After actually looking at 12/31/85, my tape is clearly labelled "FM", but that doesn't necessarily mean it's labelled correctly. ;) Bobby (and Phil) shout out to both the radio and TV audience at various times during the show, so it might have been PPV, or just on Bay Area public access maybe. lol.

Anybody up for 5/3/72 next? Did we already already do this last month while I wasn't paying attention?

Just got my Olympia Theater Record Store Day vinyl. Despite this being the Donna tripping under the piano show, I'm gonna get my exercise tonight gettin' up and down to flip the record. smh. lol. What can I say? I'm a vinyl junkie. Didn't even hafta order it from overseas. Wish I could post pics. It's a thing a beauty. The Euro72 box being made of unobtanium, this'll hafta do.

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Start with white walls , in a room not the tires. Eat 500 micrograms of LSD. It really works swell .
It also brings out the 3D.
This is strictly a joke. Micro-dosing is a buzz phrase for a reason.

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My last several posts on the DaP38 page have been blocked because I tried to post a ‘connection’ (the ‘L’ word has been banned) to the list of returned reels.

Then I come here and there are still posts that can be called that greasy red meat in a can from Hormel (I suspect that the actual word has also been banned).

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In reply to by bluecrow

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Still need to rehit 12/31/85. Think this is the year my buddy had a PPV party and we brought my big stereo over to his house so had like three or four rooms with TVs and some kind of sound going, with different vibes in different rooms.
Of course we hung out in the serious room, with the big system and full immersion lol, FREAKS!
Or was it 84?

Did hit up DaP 37 again, man I really dig that one. Really need to hear more of that spring tour...
Hit DaP 38 bonus disc on Wednesday. Played/enjoyed the actual disc and didn’t turn it up too much so not as distracted by the distortion noise...

Might try to read today so maybe no tunes : (
Jon Evison, my favorite “newer” author, and a cool dude (have had the pleasure of hanging with him a couple times), has a new book out: Legends of the North Cascades. New books by favorite authors is perhaps as good as new Dead releases!

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I bought my last tickets for my last Grateful Dead concerts (Salt Lake City , February 1995) from school teachers from Tuba City. Blue Crow, I know all those places you mentioned intimately. And Morrison must mean Red Rocks. Saw the Dead there six times, 1984 and 1985. We’ve probably crossed trails many times.
And I used to think spam was just a canned meat product.
I do love Canned Heat though. Alan (Blind Owl) Wilson, Bob (the Bear) Hite, Larry (the mole) Taylor, Henry Vestine, Harvey Mandel, and “Fito” de la Parra.
They were NOT just another band from L.A.

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In reply to by Strider 808808

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Strider - all towns i know and all share a name with a geological formation - some of the towns are type localities for the geology and some are not exactly so it seems. all have clays that can made into paint (or so i believe at least as to Moenkopi - we thought some nice pale yellow clay was from that formation.) And all beautiful as "painted earth" as exposed on the surface here and there in the west. There's the Painted Desert and a whole lot more painted desert. I had forgotten that the Morrison Formation, which locally is exposed just north of here (and big deal in terms of local geology and archaeology, a lithic and clay source) was named for Morrison, CO, all the way over on the front range and aka the home of Red Rocks! Saw the'87 shows there. You landed in the SW earlier than I but no doubt our paths have crossed. almost 25 in UT and work has had me spend a lot of time down in NM the last 10 years.
Fruit and nut update. All the peaches dropped, which was really sad especially since I thought it would be a bumper crop. guessing because we had some unusually cold mornings in mid-May, right at freezing and really late for those temps in spring. Funny thing though - I do have some apricots (just ripening now) and almonds (not quite yet), both of which bloom before peaches and are more susceptible to cold!! So yes some almonds, bro, this year. Ate a few raw the last time, good, and left the rest for my brothers the scrub jays. They loved them. They would pick out the nut, fly it to a nearby russian olive, and peck it open to get the seed. Stay cool down there.

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Two weeks ago the low temperature at dawn was 47 degrees, the high by early afternoon was 100 degrees. We only get 50 degree plus temperature changes in the same day a few days a year.
Something about red sandstone is really pleasing to the eyes. And soul. If you’re ever in Gallup area I designed, engineered and helped build the trail to the top of Pyramid Rock in Red Rock Park. The Garcia guitar metal sculpture “Rosebud” is also a must see.
Link Wray was from the Shawnee Tribe. If we don’t have to read about “whatever’s” OK.

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In reply to by Strider 808808

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that's your work? very very cool. hiked it a couple of times (Dec. 2012?) when i was spending part of each week in Gallup monitoring some of the water pipeline construction around town. normally I was 4 on and 3 off and back home but for some schedule reason had a day or 2, or maybe just part of days off and had to still be in Gallup and that's what came up as a nearby place to hike. i remember being surprised by an historic Navajo sweat that was literally just off trail, sort of hiding in plain sight. also wandered some of the foot paths that branched off from the main trail. at some point along the base of the whole thing poking around looking for rock art. there was some cool and unusual historic stuff there tucked back in shadowed rincons. maybe you saw "nice butt cutie"?

those 50 degree temperature swings are always something. lately we haven't been cooling off much, just hot. this morning was first below 70 in at least a week, but a couple weeks ago when this round first started the last truly cool morning I was amazed to see that it was 48 degrees soon to be at or near triple digits, maybe the same day as down there? seems that those big swings often show up in late August / early September as reminder that yes fall is coming.

that its the solstice got me thinking about a pair of shows that were a whole lot of fun and fell just days after.

6/23/90 and 6/24/90, Autzen Stadium, Eugene. My first shows in the NW. Little Feat opened both days. Huge 2nd sets each day. Peak excellence.

Bluecrow, 6/23/90, okay, sounds like we have a pick for today. Thanks!

Just finishing up Dave's 34. Very relaxing listen to this gem again. Love that Jam out of Seastones, Ship a Fools, Big River and the Black Peter!

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In reply to by DeadVikes

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DV - a gem indeed!! Been spinning Disc 3 in the ride last few days. that Spanish Jam may be my favorite and I love the US Blues that comes flying out of it.

Have fun in Eugene!

Hmmm, sounds good. Coming from ole BC I bet I’ll like it

This is such BULLSHIT, can’t even use an exclamation point?

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In reply to by Oroborous

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Nice smooth, sorta laid back west coaster, nice for a lazy afternoon!

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The film is so amazing, don’t miss it. Looks like the band and the few people there just couldn’t
“Stay off the Grass” that night. Private parties don’t get any better.

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In reply to by Strider 808808

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One of my favorite movie nights.. I don't believe the band owns or has possession of the film.. so there is some conflict on ever getting this released. Still, it's there.. big and beautiful. ..and really well recorded and I am guessing they have these master reels in the vault by now....

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In reply to by JimInMD

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thanks for seconding Doc's rec yesterday. that movie is something else. just a little gig in the back yard.

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Both film and complete audio were nothing less than extraordinary. “Keep off the grass” must have been countered with “Ignore Alien Orders”. One catchy phrase deserves another.

Yea.. we can't post goofy crap anymore. Like in-depth analysis of everybody's favorite fun show Lancelot Linq, Secret Chimp.

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Not true, there are a bunch on this page.
Must be grandfathered in.

dead net

forum

dead-related-sites

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14 years 10 months
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Been on the road and out of touch, so how about a little "Two From The Vault" for tomorrow? Unless it's been done, of course.

Assume everyone has received the box set email by now.

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I got it this morning! Wow,what a cool box set, completely unexpected!

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17 years 3 months

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....Boreal Ridge Box. Offered in soundboard, audience and matrix versions!
Just what the doctor ordered.
No vinyl option though. Boooooo.

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7 years 11 months

In reply to by icecrmcnkd

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Good show Bluecrow. Finished it up today. Recording is pretty good. Funny how they don't sound as polished as they did in March and April, but that was the story of the Dead. Nice Eyes to open the second set. Crazy fingers is a little clunky. Sweet Morning Dew. Solid show.
Okay, two from the vault for tomorrow it sounds like. 😀

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my box set email said i'd been randomly selected to try the concept of a build your own box set with a limit of 12 shows!! cherry picked some from Fall '72 and Fall '73, grabbed that Baltimore from March '73, Des Moines from May, the Roosevelt Stadium shows from summer of those years, and finished it off with Bob Fried memorial Boogie. tough narrowing it down. There were a few shows that were off limits like RFK w/ Allmans cause they had special plans for those.