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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Oroborous
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    Proper

    Proper!

  • JimInMD
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    excellent

    excellent

  • wilfredtjones
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    OK

    OK

  • 1stshow70878
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    On To Germany

    Starting Beat Club Bremen as I write. Is that Bob doing their own introduction?
    Some omissions in my Deadbase X in these first 6 shows I've done:
    4-11 list omits 2nd encore of One More Sat. Night.
    4-14 list omits a Ramble On Rose between Good Lovin' and NFA.
    4-16 list calls a Me & My Uncle "Uncle John" and omits the TOO jam before that song and after the Caution.
    And now I see Bremen does not list the duplicates omitted in the TV show airing? A studio recording session rather than a concert so it's interesting to hear the restarts and banter.
    This Deadbase was copyright 1997.
    Cheers
    Edit: And one more; 4-24 second set list is out of order and omits the great Jam between Me & My Uncle and Wharf Rat. Now I'm wondering if BITD the available tapes had these mistakes or were some from reordering to fit on CDs later.

  • daverock
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    Heads

    I thought that Jesse Jarnow book was excellent - one of the best books I've read on the subject.
    There were a few good books on Psychedelia that came out about 5 years ago. A British equivalent to "Heads" might be "Albion Dreaming" by Andy Roberts. "Psychedelia and Other Colours" by Rob Chapman is also excellent, covering both America and Britain.

  • Oroborous
    Joined:
    Yeah

    Can you imagine: not only playing for folks who have little or no idea what your about, but also many/most who don’t speak the language! Yet after almost every set and especially at the end, you can hear the crowds love it!
    The power of music, the real language, the real form of communication!
    Amazing!

    EDIT: Heads, is that book any good?
    I have it but haven’t read it yet?

  • JimInMD
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    Re:

    Oro.. good job, you must not sleep much.

    DRock, I'm sure you are right. Beyond the few Americans that ventured East for that tour.. most did not fully understand what their tickets brought them. SimonRob was at Bickershaw, not sure if he reads this thread though. I also wonder how prevalent the psychedelic scene was. Jessie Jarnaw speaks a bit about the travelling circus and when / how it evolved in his book, "Heads." Beyond the few that were exposed early on and could afford the travel with no work, it wasn't until a little self-sustaining economy emerged before it became widespread. By 81, a few, but 90 quite a few.. we probably all know one (Lemieux for starters.. still in college)

  • daverock
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    No Deadheads ?

    One thing about the European tour in 1972, was that they weren't, as far as I know, playing to Deadheads. I seem to remember one of band said in print that the Newcastle crowd was the coldest one they had ever played to. I would think that most of the people who saw then that night lived in, or fairly near Newcastle itself. Didn't the crowd at one of the shows head for the exit after the first set, assuming that the gig was over? That also suggest an unfamiliarity with The band and their way of doing things.
    If this is true - it certainly didn't harm the music. It may have affected the way they played - and for the better.
    Having said that, I don't know when the Deadhead culture started in America - by which I mean when people travelled the land to see them. Up to a certain point they must have been playing to new people in The States,too. People who had no pre conceived idea of what they were like, but just went along because it was a rock gig. By 1990 everyone at Wembley seemed to be a Deadhead. I can't remember 1981 being quite like that.

  • Oroborous
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    “Oh ooo, half way there,

    Oh ooo smell my underwear” 🎶

    Yep, just finishing 5/3 for the first time ever, and I still don’t have any damn time.
    So I’ve been listening, sometimes multiple times, in order, but I haven’t had time to keep track.
    Oh well, guess that would be more like actually being on tour.
    4/11 was a first time listen for me. Another great E72 outing but it felt like they let go of the stick a tad after perhaps grabbing it too tight at the Wembleys? I’m guessing back in 72 in some of these locations there wasn’t much media etc. But the bigger gigs, like the first ones at Wembley probably had a level of attention and possibly sales via that attention, that might have made them, aaa, not stressful, but, would definitely like to start right. Add to that the natural energy of itching to play etc, and yeah, can see how Wembley got the freight train and perhaps Newcastle received a more loose presentation? I definitely noticed more miscues, start offs like Jack Straw, Good Lovin, others. Now they all grooved past these brief moments, and delivered fine versions, but maybe they show a loosening that facilitated elsewhere?
    Like an unusual Truckin and jam that covered some cool ground including King Solomon’s teases/coincidences? and some free jazz like moments (think Phil might of been quoting some actual song too?).
    Another sweet suite, including a decent CAT, though I think the 4/26 is perhaps the bar? Nice to hear, especially as a change from the repetitiveness. Same with the even rarer Brokedown!
    4/14s a blur at this point, they start to expand out more I guess, in several ways…
    A nice DS, and a big pork fest ending. All good, but I find others more to my liking?

    4/16, yes, agree, always felt there was something just a little different about this one. Perhaps being such a small informal, perhaps totally away from the spotlight! A brief chance to vibe like the ole daze, perhaps?
    4/17 is just too much of a monster overall. Perhaps why I think this may be the first time I’ve done the whole show in one listen? I have the DVD, and Ive spent time with that 3rd set etc. So that was a treat to be sure! I’ll prolly go back and hit the dvd of there and Bremen after, but for now I want to go in order…
    First time Ive just listened to 4/21, though we saw the Shakedown stream. Actually hit this one a few times. Love the stop and restarts, another cool inside look.
    4/24 is another that feels a little more aaa, whatever the vibe I can’t name is, not stress, or pressure, their certainly having fun, but like Wembley, and the first non English speaking audience gig, that tenseness, yeah, that’s the ticket, tenseness, the good kind!
    I think Phil especially was emotionally invested a tad more in the German gigs, and man does he and the boys take care of bidness! There’s a reason this was the first complete show they released…
    And of course there’s a big reason they released parts of 4/26! Another freight train!
    But I had never down the whole show until now, and was rewarded with good versions obviously left off only due to space required for 2 disc chop job. So that was cool.
    4/29 I think I’ve heard the whole show at least once, I know I’ve heard the second set multiple times, though not the encores, until now! Another sick show and big DS, and a proper Caution Pork fest to close. I’ve really been enjoying the 2 Souls, Chinatowns, amazing Hurts Me Toos etc, but not so much the Good Lovin, Lovelights? Not dislike, just think that stuff doesn’t resonate the same to this old guy as it did the young one lol. Just burnout?
    All good, just really noticing the other goodness more. But the Cautions have always been a big draw for me on this tour, and this one’s a beast.
    5/3 was a first time for me, today. The whole damn show just sounds like the actual E72 album (streamed version)?
    Like the sound of it, it sounds like E72!
    The reverb etc. I’m sure having? 4 I think songs on the album from this show probably has something to do with it, but I kept chuckling about that reoccurring feeling. So many songs on this one could have been on the album. It’s a strong show, and by now you can feel the subtle morphing of band and songs into one that’s taking place over the tour.
    It would be cool to take all the versions of each song and listen to just them in order!
    None more so perhaps than He’s Gone! But that’s a task for another time, which I don’t have enough of to do this proper, let alone all that lol, but at least I’m finally getting to em all and enjoying the ride!
    ONWARD!

  • daverock
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    Aarhus

    1stshow - I was going to jump ahead to Paris this weekend - the shows, not the city - but I think maybe I should give Aarhus another spin after reading your comments. I can remember it's good, but I'm damned if I can remember why!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Dennis

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I guess I am the opposite. If I eat enough.. by the time I come down you can list the house as new. I get into details like that..

Stated another way, nobody likes housework, but if you have to do it.. it numbs the pain quite nicely. ...and it had to get done.

Dennis.. at the very least hit up the Let It Grow, and the second set. A fun show that I had never heard before. Also, I will shoot you some pictures tonight when I get back..

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In reply to by JimInMD

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Nice, but my vote for GREATEST LET IT GROW goes to 12/31/85, the NYE show, that Let it Grow is a monster. Jerry is on fire seems uncontainable. Bobby rhythms are front and center in my copy,,,, Brent's keys are anything but "plinky" to me and the drummers sound like they've taken a blackjack to the skins. GREATEST 4 Sure!!

But 83,,,, great year. A couple of weeks b4 at the Meadowlands (4/16/83) has the greatest LL Rain at about the 7 minute mark Jerry is on fire, I don't think he could squeeze anymore notes into a measure. Bobby vocals are right there. My fave!!!!

On the subject of Let it Grow since you are the canoe man,,,,, sorry kayaking man,,,, I always visualize Let it Grow as a great example of moving from running the rapids (at incredible speeds) and spilling into mirror smooth water. Do you find Let it Grow a great kayak song?

I will definitely check that one out.

Yes.. I have definitely listened to hot LIG's when hitting the harder stuff. Sometimes music helps me get into a groove, into the flow and helps with timing and muscle memory. ..but pick the wrong music and it can work against you. No more scary dark stars on really difficult stuff with consequences.. bad trip music can manifest itself into upside-downness in a hurry. Which is bad.

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In reply to by JimInMD

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Jim, I am a day late but I am going back to Dave's #35, 4/20/84. This show continues to get better to my ears after each listen, so I am looking forward to it.

Funny how I don't come 'round here no more. I'm a binge drinker personality, I suppose.

JimInMD:
I'm in for 12/31/85. One I've had on cassette for years. Unfortunately Let It Grow did not leave such an indelible mark on my memory... or well, never mind... Definitely looking forward to revisiting it based on Dennis' assessment. Interesting how things can just pass you by sometimes. My main memory of 12/31/85 is Ken Kesey on the FM, or wherever it was that my copy was dubbed from. Man, to me, this show is all about that Kesey intro. Gold.

DeadVikes:
I go back to the 4/20/85 show a lot, too. I'd never heard it until it came up as pick of the day earlier this year, but that was definitely a find for me. Thanks, everyone!

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In reply to by DeadVikes

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that Baltimore show from March '73 is super fantastic cool. release it dave.

that Shakedown opener from 4/26/83 is top shelf.

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12/31/85

Thanks for giving me an excuse to break out this old familiar that hasn't had a listen in a while.

Out of the gate like a rocket with Touch ...just a touch too fast.

Everybody takes a deep breath and, somewhat ironically, they take Tons of Steel at a much more sensible pace. Sounds like Brent's playing a DX-7. Bobby seems to give a little off-mic HAA! just before the guitar solo.

CC Rider keeps it on a slow boil until Brent stokes the flames with his B3 during the second round of solos. I love the guy to death, but I've never really been able to buy Bobby as a blues man, despite his apprenticeship to Pig, but this thing is really escalates into a resounding climax. Hot stuff.

Dupree's is a cool song to have back, but they probably should have thought about doing it in a different key 'cause it's totally out of Jerry's vocal range at this point.

Cassidy. Love this tune. Feels more like a Brent lead vocal as Bobby is almost rapping it, while Brent carries the melody. Jam feels good with the drummers going off as usual, but it feels more like a warm up, seeming to end rather quickly.

Brown Eyed Women, man, this is like all time hall-of-fame level piece of songwriting and it's criminal that this isn't well-known outside of Dead circles. I love the "drink down a bottle and you're ready to kill" line, but "the bottle was dusty but the liquor was clean"? just sheer brilliance. One vivid image after another.

Not sure if the rhythm section listened to Bobby's admonitions about getting too busy before Let It Grow. It's all full of 16s and marching rudiments. Phil's takin' it kinda easy, but it's hard to say if he should really be lumped in with the rhythm section. Jer tears into that first solo. You can really hear the trumpet influenced lines he's playing even without the MIDI. The interplay between Jerry and Bobby during the full-on jam is such a web of strings and inversions, they're blending into a two headed, 12 stringed southwestern psychedelic beast. Behind them the percussionists flow like a gurgling stream with Bent's synth weaving in and out of their groove. They just fall into the return melody without ever actually going into full unison, but rising toward it like sunshine into the cool desert air.

Ahhh, the Father Guido Sarducci and Ken Kesey countdown. I don't know how many time's I've heard this, but it still cracks me up to this day. "It's a representation of the U.S.S. Miramack!" "It's an enormous Perry Como!" "It's Rasputin, FDR, and Eric Clapton!" "That's not Eric Clapton." Poor Guido. "I'm outa here" lol.

I love Bobby's little Blues Brothers shtick during Midnight Hour, and he sounds genuinely hurt when Phil later welcomes the home audience when he's just done it twice!

I let Sugaree and Man Smart Woman Smarter go by as I was typing, but basically more good stuff

Ship of Fools seems like a tune that just doesn't get enough plays.

Compact Playin'. They seem to be stacking the set, but at the same time also keeping an eye on the clock for the broadcast, or something. The second of two hot Bobby jams that we just get a taste of. Was that a hint of guitar synth?

Certainly not complaining about this Terrapin getting plenty of room. They nail it. A nice, long drums/space jam follows on.

Bobby's in a talky mood, making rare comment about the ragged Truckin'.

Black Peter has a relatively brisk shuffle going on. I like this one best as a dirge, but they've got a lotta NFA and Throwin' Stones ahead of them, I guess. Nice interplay between Brent and Bobby's vocals. At some points it the two songs become pretty much indistinguishable.

My tape has Mississippi Half Step, and the "We want Phil" "You can't have him" Tom Thumb from 6/29/86 Alpine Valley as filler, and then Box of Rain from RFK 7/7/86 as filler. Talk about a couple of infamous heat wave gigs. These selections reveal nothing of the apparent travails.

"If you're looking to get silly, you came to the right place!" Indeed.

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In reply to by bluecrow

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Gave 12/31/85 a whirl while working yesterday. Unfortunately got a call during LIG, so I’ll need to hit that again.
Hell, really need to do the whole thing again...wasn’t this one on pay for view BITD?

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In reply to by Dennis

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After actually looking at 12/31/85, my tape is clearly labelled "FM", but that doesn't necessarily mean it's labelled correctly. ;) Bobby (and Phil) shout out to both the radio and TV audience at various times during the show, so it might have been PPV, or just on Bay Area public access maybe. lol.

Anybody up for 5/3/72 next? Did we already already do this last month while I wasn't paying attention?

Just got my Olympia Theater Record Store Day vinyl. Despite this being the Donna tripping under the piano show, I'm gonna get my exercise tonight gettin' up and down to flip the record. smh. lol. What can I say? I'm a vinyl junkie. Didn't even hafta order it from overseas. Wish I could post pics. It's a thing a beauty. The Euro72 box being made of unobtanium, this'll hafta do.

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Start with white walls , in a room not the tires. Eat 500 micrograms of LSD. It really works swell .
It also brings out the 3D.
This is strictly a joke. Micro-dosing is a buzz phrase for a reason.

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In reply to by bluecrow

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like my earth paints - Morrison, Chinle, Kayenta, Moenkopi

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In reply to by icecrmcnkd

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My last several posts on the DaP38 page have been blocked because I tried to post a ‘connection’ (the ‘L’ word has been banned) to the list of returned reels.

Then I come here and there are still posts that can be called that greasy red meat in a can from Hormel (I suspect that the actual word has also been banned).

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In reply to by bluecrow

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Still need to rehit 12/31/85. Think this is the year my buddy had a PPV party and we brought my big stereo over to his house so had like three or four rooms with TVs and some kind of sound going, with different vibes in different rooms.
Of course we hung out in the serious room, with the big system and full immersion lol, FREAKS!
Or was it 84?

Did hit up DaP 37 again, man I really dig that one. Really need to hear more of that spring tour...
Hit DaP 38 bonus disc on Wednesday. Played/enjoyed the actual disc and didn’t turn it up too much so not as distracted by the distortion noise...

Might try to read today so maybe no tunes : (
Jon Evison, my favorite “newer” author, and a cool dude (have had the pleasure of hanging with him a couple times), has a new book out: Legends of the North Cascades. New books by favorite authors is perhaps as good as new Dead releases!

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In reply to by bluecrow

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I bought my last tickets for my last Grateful Dead concerts (Salt Lake City , February 1995) from school teachers from Tuba City. Blue Crow, I know all those places you mentioned intimately. And Morrison must mean Red Rocks. Saw the Dead there six times, 1984 and 1985. We’ve probably crossed trails many times.
And I used to think spam was just a canned meat product.
I do love Canned Heat though. Alan (Blind Owl) Wilson, Bob (the Bear) Hite, Larry (the mole) Taylor, Henry Vestine, Harvey Mandel, and “Fito” de la Parra.
They were NOT just another band from L.A.

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In reply to by Strider 808808

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Strider - all towns i know and all share a name with a geological formation - some of the towns are type localities for the geology and some are not exactly so it seems. all have clays that can made into paint (or so i believe at least as to Moenkopi - we thought some nice pale yellow clay was from that formation.) And all beautiful as "painted earth" as exposed on the surface here and there in the west. There's the Painted Desert and a whole lot more painted desert. I had forgotten that the Morrison Formation, which locally is exposed just north of here (and big deal in terms of local geology and archaeology, a lithic and clay source) was named for Morrison, CO, all the way over on the front range and aka the home of Red Rocks! Saw the'87 shows there. You landed in the SW earlier than I but no doubt our paths have crossed. almost 25 in UT and work has had me spend a lot of time down in NM the last 10 years.
Fruit and nut update. All the peaches dropped, which was really sad especially since I thought it would be a bumper crop. guessing because we had some unusually cold mornings in mid-May, right at freezing and really late for those temps in spring. Funny thing though - I do have some apricots (just ripening now) and almonds (not quite yet), both of which bloom before peaches and are more susceptible to cold!! So yes some almonds, bro, this year. Ate a few raw the last time, good, and left the rest for my brothers the scrub jays. They loved them. They would pick out the nut, fly it to a nearby russian olive, and peck it open to get the seed. Stay cool down there.

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Two weeks ago the low temperature at dawn was 47 degrees, the high by early afternoon was 100 degrees. We only get 50 degree plus temperature changes in the same day a few days a year.
Something about red sandstone is really pleasing to the eyes. And soul. If you’re ever in Gallup area I designed, engineered and helped build the trail to the top of Pyramid Rock in Red Rock Park. The Garcia guitar metal sculpture “Rosebud” is also a must see.
Link Wray was from the Shawnee Tribe. If we don’t have to read about “whatever’s” OK.

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In reply to by Strider 808808

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that's your work? very very cool. hiked it a couple of times (Dec. 2012?) when i was spending part of each week in Gallup monitoring some of the water pipeline construction around town. normally I was 4 on and 3 off and back home but for some schedule reason had a day or 2, or maybe just part of days off and had to still be in Gallup and that's what came up as a nearby place to hike. i remember being surprised by an historic Navajo sweat that was literally just off trail, sort of hiding in plain sight. also wandered some of the foot paths that branched off from the main trail. at some point along the base of the whole thing poking around looking for rock art. there was some cool and unusual historic stuff there tucked back in shadowed rincons. maybe you saw "nice butt cutie"?

those 50 degree temperature swings are always something. lately we haven't been cooling off much, just hot. this morning was first below 70 in at least a week, but a couple weeks ago when this round first started the last truly cool morning I was amazed to see that it was 48 degrees soon to be at or near triple digits, maybe the same day as down there? seems that those big swings often show up in late August / early September as reminder that yes fall is coming.

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In reply to by bluecrow

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that its the solstice got me thinking about a pair of shows that were a whole lot of fun and fell just days after.

6/23/90 and 6/24/90, Autzen Stadium, Eugene. My first shows in the NW. Little Feat opened both days. Huge 2nd sets each day. Peak excellence.

Bluecrow, 6/23/90, okay, sounds like we have a pick for today. Thanks!

Just finishing up Dave's 34. Very relaxing listen to this gem again. Love that Jam out of Seastones, Ship a Fools, Big River and the Black Peter!

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In reply to by DeadVikes

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DV - a gem indeed!! Been spinning Disc 3 in the ride last few days. that Spanish Jam may be my favorite and I love the US Blues that comes flying out of it.

Have fun in Eugene!

Hmmm, sounds good. Coming from ole BC I bet I’ll like it

This is such BULLSHIT, can’t even use an exclamation point?

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In reply to by Oroborous

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Nice smooth, sorta laid back west coaster, nice for a lazy afternoon!

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The film is so amazing, don’t miss it. Looks like the band and the few people there just couldn’t
“Stay off the Grass” that night. Private parties don’t get any better.

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In reply to by Strider 808808

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One of my favorite movie nights.. I don't believe the band owns or has possession of the film.. so there is some conflict on ever getting this released. Still, it's there.. big and beautiful. ..and really well recorded and I am guessing they have these master reels in the vault by now....

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In reply to by JimInMD

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thanks for seconding Doc's rec yesterday. that movie is something else. just a little gig in the back yard.

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Both film and complete audio were nothing less than extraordinary. “Keep off the grass” must have been countered with “Ignore Alien Orders”. One catchy phrase deserves another.

Yea.. we can't post goofy crap anymore. Like in-depth analysis of everybody's favorite fun show Lancelot Linq, Secret Chimp.

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In reply to by JimInMD

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Not true, there are a bunch on this page.
Must be grandfathered in.

dead net

forum

dead-related-sites

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Been on the road and out of touch, so how about a little "Two From The Vault" for tomorrow? Unless it's been done, of course.

Assume everyone has received the box set email by now.

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I got it this morning! Wow,what a cool box set, completely unexpected!

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In reply to by billy the kid

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....Boreal Ridge Box. Offered in soundboard, audience and matrix versions!
Just what the doctor ordered.
No vinyl option though. Boooooo.

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In reply to by icecrmcnkd

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Good show Bluecrow. Finished it up today. Recording is pretty good. Funny how they don't sound as polished as they did in March and April, but that was the story of the Dead. Nice Eyes to open the second set. Crazy fingers is a little clunky. Sweet Morning Dew. Solid show.
Okay, two from the vault for tomorrow it sounds like. 😀

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In reply to by DeadVikes

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my box set email said i'd been randomly selected to try the concept of a build your own box set with a limit of 12 shows!! cherry picked some from Fall '72 and Fall '73, grabbed that Baltimore from March '73, Des Moines from May, the Roosevelt Stadium shows from summer of those years, and finished it off with Bob Fried memorial Boogie. tough narrowing it down. There were a few shows that were off limits like RFK w/ Allmans cause they had special plans for those.