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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Oroborous
    Joined:
    3/29/83

    Howsa bouta a little 83 energy for a Fri yea?

    6/16/90: good call DV! Haven’t heard this since the Shakedown Stream, man those were fun.
    Needed some kind of ritual at the time, even TOO watched and she ain’t really into the dead.

    Always dug a good Good Times Roll opener, usually a good sign. Fun Truckin if not mind blowing, solid Touch O,
    Nice FOTD, hot Cassidy, fun but perhaps trepid Big Boss, but fun non the less, and another slightly unusual and fun OMSN to close a fun set.
    Though the first might not of been thoroughly consistent, the second set gets going nice, good versions of most songs, and a nice China Doll in spite of Jerry struggling a bit. Rousing Mags and and always welcome sweet Baby Blue encore. But!…But, to me that whole sequence from Estimated, terrapin and all that awesome psychedelic goodness that follows is what makes this show stand out for moi.
    For a while I was thinking “this shows ok but..?, “ by half way through the second those thoughts were gone baby gone. It’s a shame JG didn’t fully nail the China as that would of really took it up a notch overall.
    Good show, even better in person, first trip to the promised land, hot 20 year old GF along, tripping the light fandango in the cool California night sea breeze. What a trip that was, sighhhh.
    Dems we’re da daze…

  • Oroborous
    Joined:
    It’s like

    That image that shows either two faces or a chalice depending on how you look at it.
    If I try to hear those anomalies I can, but if I just crank up some tunes and don’t try, then I only notice when it gets bad, if that makes sense. Another variable: plangent etc. Those old Road Trips and Dicks didn’t have the benefit of Plangent.
    Capitol 71 bonus disc did, AND, their multitrack so if say Bobby had some weird noise issues on his line, it couid isolated and messed with. Wood really love to hear some of that deconstruction tech they used on the Beatles…

    St Louie: going in I thought I was going to dig the 73 the most, and that one disc probably is my pick of the litter. I thought I’d dig the 71, but comparatively not as much as the other 2 years. But at first the 71s really stood out to me.
    I love when that happens!
    I think I recall thinking the music was great overall, but that there were some unfortunate anomalies.
    I guess to get full shows that’s going to happen sometimes especially in years that have been mined more extensively.
    To me when it comes down to it and your properly prepped and ready, once you settle in it’s all about the music!
    Like the band entraining, after a while it all becomes one…

    DV with a call for 6/16/90. That sounds good, just not sure if I should wait and watch it, or just fire it up now?
    Thinking I might dabble this WE with the Louie…still have some primal Doc to catch up on too.
    Finally getting a few extra days off, then one last push at this job swapping out net and installing new Cisco stacking tech. Owners are supposed to be gone so maaaayyybbbeee I can catch some tunes. I really need to get a portable personal rig but I’m such a snob that would get pricey and more importantly I don’t have time, err, if /when I do have time I’d rather just sit and listen to tunes!
    So 6/16/90, think that was my 86th show, weird/cool vibe, you had to be there, or maybe it was the roses ; )

  • JimInMD
    Joined:
    10/18

    For me there's a certain point where both the right brain and left brain agree that it's kick ass Grateful Dead I am listening to and recording anomalies fade into a blissfull background.

    Let it be known i am a recording snob.. so it hurts by my left and right to commit to great performance vs. great recording.

    I still think so highly of this run. Warts and all, it's classic Fall '72 GD.

  • DeadVikes
    Joined:
    72 St. Louis Shows

    Appreciate the insight Jim, BC and OB.
    I have found sometimes, for whatever reason I hear differently after the first go around with the Dave's and the Box sets. Most of the time, I think damn this sounds so good, once in a while I think, this sounds a little off. Sometimes I panic and think my speakers must be blown. I need to go out and replace them.
    Of course, yes, we are lucky they recorded almost all these shows. We all know there are all kinds of different results of the shows and recordings for various reasons. I would think there is no way Norman finished mastering 10/18/72 and texted Dave and said you can't believe how good this sounds. I could be wrong.
    I totally hear what you are saying on the 71 shows OB. Some of them definitely have a different sound to them, Dick's 35, RT#1.3. Great, but different. And then I compare them to the 71 Port Chester shows which sound incredible and are some of my alll time favorites.

    Jim, sorry to hear about the issues you are having, definitely hard stuff to deal with.

    Let me offer up Charlie Miller's 100th show for tomorrow, 6/16/90. There is a newer version from the man himself from 2019 and the version from VFTV III.

  • JimInMD
    Joined:
    Great.. just great

    So I saved.. squirrelled, pinched pennies for 45 years and finally dropped the dime on my dream system I have been planning for all these years. I went completely with Fender Amps on the recommendation of some guy named Hal and now I read this.

    What are these McIntosh items of which you speak?

  • DeadVikes
    Joined:
    That is Gold Jerry

    OB- Kenny Ban??. The Fatigues episode.

  • Oroborous
    Joined:
    Calling inspector Clouseau

    Man I wish I had time….for anything lol
    I’ll try to check some more of these audio anomalies out this WE.
    Hit me with examples if ya got em.

    Ive noticed this phenomenon with other recordings, think mostly 71-72s.
    Definitely could be tape degradation and/or perhaps a little oversaturated originally, but I think there’s amp distortion going on too? They were still mostly using dirty fender power at this stage. So like any real Rock and roller by the end of the night the amps are on 11 etc and with those old tube power sections/power supplies their easy to overdrive.
    By 73 they had pretty much fully switched to big McIntosh power amps, though they were still using the Fenders for pre amps. Like your pre amp at home though, you wouldn’t be pushing the pre amp that much (let the power amp do the heavy lifting). Think overworking a small car engine versus barely stepping on a big V8.
    Could be compromised cabling somewhere. Could be dirty and/or insufficient venue power too? That’s the problem with E lic tri city though, could be a number of things. Probably a bit of all the above…

    Yep BC, glad your digging the nice February weather. These days where it’s sunny and up in the 30s, “it’s gold Jerry, gold I tell ya! I should try to check out the ole St Louie, Louie, box, another I’ve barely been introduced too.
    Hoping 🤞I might be getting a little quality time off soon.

  • bluecrow
    Joined:
    10/18/72

    The '72 shows from the not quite the Fox Box have been in and out of the disc drive several times the past few weeks. All great for sure. I know first run through that it was the 10/19 jam that really kinda floored me. Yesterday listening to 10/18 again with the sound quality question in mind. One thing that struck me was that Keith sounded muddy and almost sort of kind of out of tune. I pay a lot of attention to Keith's playing, especially the "earlier days." Something was off and my guess was it was a SBD thing, how he was miked, and not Keith. (Edit - or as Jim suggests maybe some tape degradation.) Bobby's guitar also sounded a bit fuzzed in a recording artifact kind of way, though not unpleasant in any sense. But none of that stopped me from a thoroughly enjoyable listen. There was a point during the Dark Star where I was suddenly in a zone of complete wonder - a place that reminded me of my first deep "now I understand" listen to the Rotterdam Dark Star (on my weird balance SBD many many years before the box.) A really very cool place to be inside the music. So yes, that Disc 2 is some serious magic. One thing struck me as funny is Donna's yell in the Playing Reprise. I have no issues with her singing in those early days, truly dig it. And that Donna Playing ROAR was maybe the most primal vocalization I've ever heard from her. She was feeling the "Holy Spirit" big time!! Loved her quick soft little "Thank you Thank you Thank you" after it was all said and done. Another truly epic jam sequence.
    Listening to 10/19 Disc 1 right now this morning. Keith is hard right - i think he was slightly left of center 10/18. A little lower in the mix, tone sounds better to my ear. I'd have to do a hard A / B to be sure that my thoughts are correct on that. Now on Sugaree and Keith's piano and Jerry's vocals have now moved to center of the sound stage. I think Keith sounds a little better than 10/18 but still a tiny bit muffled? Maybe its my brain, who knows.
    Thanks DV for suggesting 10/18 awhile ago. I feel like these are my first really good deep listens to the '72 shows from that box. Like you said, great stuff. I ran through '73 a week or so ago and need to revisit that. At the time I remember thinking that the '72 resonated with me more and given that '73 is generally a big fat sweet spot for me I know that my head may have been ever so slightly out of alignment.
    To echo KeithFan over on the 45 thread - I'm really really digging Dave's 45. Spectacular sound. Great playing. Boy are we some lucky Deadheads. It was 10/1 Set II that really got me first run through. The Black Peter is so freaking gorgeous. And then the "random current" of that CB or whatever for a couple seconds and its like oh my freaking goodness. I can only laugh. Really, Universe? I first heard 1/31 NOLA last year while exploring a little around the 2/6/70 Fox (personal favorite.) I remember being very pleasantly surprised to find that they played that acoustic set. I think every single acoustic set they have in the vault needs to be released. Gave 1/31 acoustic another run through Sunday morning. Woke up from a short nap late Sunday afternoon and had Sawmill chorus running through my head again and again. I"m like "What is this song? where do I know it from? Oh Yeah, Bobby sings it on 1/31!" Talk about a poor boy, talk about a poor boy, let me have a dollar bill.
    Nice Poster Oro!! Your first show! Glad that the Almanac shone a light on your post - hadn't seen it. Another beautiful day here in paradise. Always loved this time of year in the high desierto. Onward!!

  • JimInMD
    Joined:
    10/18

    I have to revisit this.. but I think I recalled thinking something similar and attributed it to someone spinning the master reel a couple times too many before they locked it away. All three nights are good, but 10/18 is probably my favorite of the bunch, it would not surprise me a bit that someone on the inside thought so too. That and the BCT shows a month and a half earlier are both special runs from a special year.

    For kicks and giggles.. check out the Morning Dew from 5/26/72 at the Lyceum from the E72 box and then listen to it from the version on Europe 72. There is static on the box set version where the original sounds crystal clear. The masters degrade especially when people with two left thumbs (like me) handle them. A lot of the early shows suffer from this, listen to 4/18/70 (the Mountain Girl returned reels) sound and frankly a lot of 69.

    Well, at least someone remembered to hit record. Didn't Sony or one of the other music houses have their entire archive burn down a decade or so ago? Image the horror if GD masters were lost in a fire.🔥🔥🔥😭

    Been gone a bit lately.. spending quality time in the hospital with my aging parents. They seem to be on the mend though, which puts me back home and in good spirits. I hope to participate more as I get back on line with work and fun.

    Thanks for keeping the train a rollin' guys.

  • DeadVikes
    Joined:
    Listen to the River 72

    Thanks for looking into it OB.
    I have noticed it on all three CDs from 10/18. I don't hear it on 10/17 or 10/19, which I think are both smoking!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Dennis

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I guess I am the opposite. If I eat enough.. by the time I come down you can list the house as new. I get into details like that..

Stated another way, nobody likes housework, but if you have to do it.. it numbs the pain quite nicely. ...and it had to get done.

Dennis.. at the very least hit up the Let It Grow, and the second set. A fun show that I had never heard before. Also, I will shoot you some pictures tonight when I get back..

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Nice, but my vote for GREATEST LET IT GROW goes to 12/31/85, the NYE show, that Let it Grow is a monster. Jerry is on fire seems uncontainable. Bobby rhythms are front and center in my copy,,,, Brent's keys are anything but "plinky" to me and the drummers sound like they've taken a blackjack to the skins. GREATEST 4 Sure!!

But 83,,,, great year. A couple of weeks b4 at the Meadowlands (4/16/83) has the greatest LL Rain at about the 7 minute mark Jerry is on fire, I don't think he could squeeze anymore notes into a measure. Bobby vocals are right there. My fave!!!!

On the subject of Let it Grow since you are the canoe man,,,,, sorry kayaking man,,,, I always visualize Let it Grow as a great example of moving from running the rapids (at incredible speeds) and spilling into mirror smooth water. Do you find Let it Grow a great kayak song?

I will definitely check that one out.

Yes.. I have definitely listened to hot LIG's when hitting the harder stuff. Sometimes music helps me get into a groove, into the flow and helps with timing and muscle memory. ..but pick the wrong music and it can work against you. No more scary dark stars on really difficult stuff with consequences.. bad trip music can manifest itself into upside-downness in a hurry. Which is bad.

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In reply to by JimInMD

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Jim, I am a day late but I am going back to Dave's #35, 4/20/84. This show continues to get better to my ears after each listen, so I am looking forward to it.

Funny how I don't come 'round here no more. I'm a binge drinker personality, I suppose.

JimInMD:
I'm in for 12/31/85. One I've had on cassette for years. Unfortunately Let It Grow did not leave such an indelible mark on my memory... or well, never mind... Definitely looking forward to revisiting it based on Dennis' assessment. Interesting how things can just pass you by sometimes. My main memory of 12/31/85 is Ken Kesey on the FM, or wherever it was that my copy was dubbed from. Man, to me, this show is all about that Kesey intro. Gold.

DeadVikes:
I go back to the 4/20/85 show a lot, too. I'd never heard it until it came up as pick of the day earlier this year, but that was definitely a find for me. Thanks, everyone!

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In reply to by DeadVikes

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that Baltimore show from March '73 is super fantastic cool. release it dave.

that Shakedown opener from 4/26/83 is top shelf.

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12/31/85

Thanks for giving me an excuse to break out this old familiar that hasn't had a listen in a while.

Out of the gate like a rocket with Touch ...just a touch too fast.

Everybody takes a deep breath and, somewhat ironically, they take Tons of Steel at a much more sensible pace. Sounds like Brent's playing a DX-7. Bobby seems to give a little off-mic HAA! just before the guitar solo.

CC Rider keeps it on a slow boil until Brent stokes the flames with his B3 during the second round of solos. I love the guy to death, but I've never really been able to buy Bobby as a blues man, despite his apprenticeship to Pig, but this thing is really escalates into a resounding climax. Hot stuff.

Dupree's is a cool song to have back, but they probably should have thought about doing it in a different key 'cause it's totally out of Jerry's vocal range at this point.

Cassidy. Love this tune. Feels more like a Brent lead vocal as Bobby is almost rapping it, while Brent carries the melody. Jam feels good with the drummers going off as usual, but it feels more like a warm up, seeming to end rather quickly.

Brown Eyed Women, man, this is like all time hall-of-fame level piece of songwriting and it's criminal that this isn't well-known outside of Dead circles. I love the "drink down a bottle and you're ready to kill" line, but "the bottle was dusty but the liquor was clean"? just sheer brilliance. One vivid image after another.

Not sure if the rhythm section listened to Bobby's admonitions about getting too busy before Let It Grow. It's all full of 16s and marching rudiments. Phil's takin' it kinda easy, but it's hard to say if he should really be lumped in with the rhythm section. Jer tears into that first solo. You can really hear the trumpet influenced lines he's playing even without the MIDI. The interplay between Jerry and Bobby during the full-on jam is such a web of strings and inversions, they're blending into a two headed, 12 stringed southwestern psychedelic beast. Behind them the percussionists flow like a gurgling stream with Bent's synth weaving in and out of their groove. They just fall into the return melody without ever actually going into full unison, but rising toward it like sunshine into the cool desert air.

Ahhh, the Father Guido Sarducci and Ken Kesey countdown. I don't know how many time's I've heard this, but it still cracks me up to this day. "It's a representation of the U.S.S. Miramack!" "It's an enormous Perry Como!" "It's Rasputin, FDR, and Eric Clapton!" "That's not Eric Clapton." Poor Guido. "I'm outa here" lol.

I love Bobby's little Blues Brothers shtick during Midnight Hour, and he sounds genuinely hurt when Phil later welcomes the home audience when he's just done it twice!

I let Sugaree and Man Smart Woman Smarter go by as I was typing, but basically more good stuff

Ship of Fools seems like a tune that just doesn't get enough plays.

Compact Playin'. They seem to be stacking the set, but at the same time also keeping an eye on the clock for the broadcast, or something. The second of two hot Bobby jams that we just get a taste of. Was that a hint of guitar synth?

Certainly not complaining about this Terrapin getting plenty of room. They nail it. A nice, long drums/space jam follows on.

Bobby's in a talky mood, making rare comment about the ragged Truckin'.

Black Peter has a relatively brisk shuffle going on. I like this one best as a dirge, but they've got a lotta NFA and Throwin' Stones ahead of them, I guess. Nice interplay between Brent and Bobby's vocals. At some points it the two songs become pretty much indistinguishable.

My tape has Mississippi Half Step, and the "We want Phil" "You can't have him" Tom Thumb from 6/29/86 Alpine Valley as filler, and then Box of Rain from RFK 7/7/86 as filler. Talk about a couple of infamous heat wave gigs. These selections reveal nothing of the apparent travails.

"If you're looking to get silly, you came to the right place!" Indeed.

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In reply to by bluecrow

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Gave 12/31/85 a whirl while working yesterday. Unfortunately got a call during LIG, so I’ll need to hit that again.
Hell, really need to do the whole thing again...wasn’t this one on pay for view BITD?

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In reply to by Dennis

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After actually looking at 12/31/85, my tape is clearly labelled "FM", but that doesn't necessarily mean it's labelled correctly. ;) Bobby (and Phil) shout out to both the radio and TV audience at various times during the show, so it might have been PPV, or just on Bay Area public access maybe. lol.

Anybody up for 5/3/72 next? Did we already already do this last month while I wasn't paying attention?

Just got my Olympia Theater Record Store Day vinyl. Despite this being the Donna tripping under the piano show, I'm gonna get my exercise tonight gettin' up and down to flip the record. smh. lol. What can I say? I'm a vinyl junkie. Didn't even hafta order it from overseas. Wish I could post pics. It's a thing a beauty. The Euro72 box being made of unobtanium, this'll hafta do.

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Start with white walls , in a room not the tires. Eat 500 micrograms of LSD. It really works swell .
It also brings out the 3D.
This is strictly a joke. Micro-dosing is a buzz phrase for a reason.

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In reply to by bluecrow

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like my earth paints - Morrison, Chinle, Kayenta, Moenkopi

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In reply to by icecrmcnkd

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My last several posts on the DaP38 page have been blocked because I tried to post a ‘connection’ (the ‘L’ word has been banned) to the list of returned reels.

Then I come here and there are still posts that can be called that greasy red meat in a can from Hormel (I suspect that the actual word has also been banned).

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In reply to by bluecrow

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Still need to rehit 12/31/85. Think this is the year my buddy had a PPV party and we brought my big stereo over to his house so had like three or four rooms with TVs and some kind of sound going, with different vibes in different rooms.
Of course we hung out in the serious room, with the big system and full immersion lol, FREAKS!
Or was it 84?

Did hit up DaP 37 again, man I really dig that one. Really need to hear more of that spring tour...
Hit DaP 38 bonus disc on Wednesday. Played/enjoyed the actual disc and didn’t turn it up too much so not as distracted by the distortion noise...

Might try to read today so maybe no tunes : (
Jon Evison, my favorite “newer” author, and a cool dude (have had the pleasure of hanging with him a couple times), has a new book out: Legends of the North Cascades. New books by favorite authors is perhaps as good as new Dead releases!

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I bought my last tickets for my last Grateful Dead concerts (Salt Lake City , February 1995) from school teachers from Tuba City. Blue Crow, I know all those places you mentioned intimately. And Morrison must mean Red Rocks. Saw the Dead there six times, 1984 and 1985. We’ve probably crossed trails many times.
And I used to think spam was just a canned meat product.
I do love Canned Heat though. Alan (Blind Owl) Wilson, Bob (the Bear) Hite, Larry (the mole) Taylor, Henry Vestine, Harvey Mandel, and “Fito” de la Parra.
They were NOT just another band from L.A.

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In reply to by Strider 808808

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Strider - all towns i know and all share a name with a geological formation - some of the towns are type localities for the geology and some are not exactly so it seems. all have clays that can made into paint (or so i believe at least as to Moenkopi - we thought some nice pale yellow clay was from that formation.) And all beautiful as "painted earth" as exposed on the surface here and there in the west. There's the Painted Desert and a whole lot more painted desert. I had forgotten that the Morrison Formation, which locally is exposed just north of here (and big deal in terms of local geology and archaeology, a lithic and clay source) was named for Morrison, CO, all the way over on the front range and aka the home of Red Rocks! Saw the'87 shows there. You landed in the SW earlier than I but no doubt our paths have crossed. almost 25 in UT and work has had me spend a lot of time down in NM the last 10 years.
Fruit and nut update. All the peaches dropped, which was really sad especially since I thought it would be a bumper crop. guessing because we had some unusually cold mornings in mid-May, right at freezing and really late for those temps in spring. Funny thing though - I do have some apricots (just ripening now) and almonds (not quite yet), both of which bloom before peaches and are more susceptible to cold!! So yes some almonds, bro, this year. Ate a few raw the last time, good, and left the rest for my brothers the scrub jays. They loved them. They would pick out the nut, fly it to a nearby russian olive, and peck it open to get the seed. Stay cool down there.

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Two weeks ago the low temperature at dawn was 47 degrees, the high by early afternoon was 100 degrees. We only get 50 degree plus temperature changes in the same day a few days a year.
Something about red sandstone is really pleasing to the eyes. And soul. If you’re ever in Gallup area I designed, engineered and helped build the trail to the top of Pyramid Rock in Red Rock Park. The Garcia guitar metal sculpture “Rosebud” is also a must see.
Link Wray was from the Shawnee Tribe. If we don’t have to read about “whatever’s” OK.

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that's your work? very very cool. hiked it a couple of times (Dec. 2012?) when i was spending part of each week in Gallup monitoring some of the water pipeline construction around town. normally I was 4 on and 3 off and back home but for some schedule reason had a day or 2, or maybe just part of days off and had to still be in Gallup and that's what came up as a nearby place to hike. i remember being surprised by an historic Navajo sweat that was literally just off trail, sort of hiding in plain sight. also wandered some of the foot paths that branched off from the main trail. at some point along the base of the whole thing poking around looking for rock art. there was some cool and unusual historic stuff there tucked back in shadowed rincons. maybe you saw "nice butt cutie"?

those 50 degree temperature swings are always something. lately we haven't been cooling off much, just hot. this morning was first below 70 in at least a week, but a couple weeks ago when this round first started the last truly cool morning I was amazed to see that it was 48 degrees soon to be at or near triple digits, maybe the same day as down there? seems that those big swings often show up in late August / early September as reminder that yes fall is coming.

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that its the solstice got me thinking about a pair of shows that were a whole lot of fun and fell just days after.

6/23/90 and 6/24/90, Autzen Stadium, Eugene. My first shows in the NW. Little Feat opened both days. Huge 2nd sets each day. Peak excellence.

Bluecrow, 6/23/90, okay, sounds like we have a pick for today. Thanks!

Just finishing up Dave's 34. Very relaxing listen to this gem again. Love that Jam out of Seastones, Ship a Fools, Big River and the Black Peter!

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DV - a gem indeed!! Been spinning Disc 3 in the ride last few days. that Spanish Jam may be my favorite and I love the US Blues that comes flying out of it.

Have fun in Eugene!

Hmmm, sounds good. Coming from ole BC I bet I’ll like it

This is such BULLSHIT, can’t even use an exclamation point?

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In reply to by Oroborous

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Nice smooth, sorta laid back west coaster, nice for a lazy afternoon!

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The film is so amazing, don’t miss it. Looks like the band and the few people there just couldn’t
“Stay off the Grass” that night. Private parties don’t get any better.

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In reply to by Strider 808808

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One of my favorite movie nights.. I don't believe the band owns or has possession of the film.. so there is some conflict on ever getting this released. Still, it's there.. big and beautiful. ..and really well recorded and I am guessing they have these master reels in the vault by now....

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In reply to by JimInMD

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thanks for seconding Doc's rec yesterday. that movie is something else. just a little gig in the back yard.

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Both film and complete audio were nothing less than extraordinary. “Keep off the grass” must have been countered with “Ignore Alien Orders”. One catchy phrase deserves another.

Yea.. we can't post goofy crap anymore. Like in-depth analysis of everybody's favorite fun show Lancelot Linq, Secret Chimp.

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Not true, there are a bunch on this page.
Must be grandfathered in.

dead net

forum

dead-related-sites

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Been on the road and out of touch, so how about a little "Two From The Vault" for tomorrow? Unless it's been done, of course.

Assume everyone has received the box set email by now.

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I got it this morning! Wow,what a cool box set, completely unexpected!

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In reply to by billy the kid

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....Boreal Ridge Box. Offered in soundboard, audience and matrix versions!
Just what the doctor ordered.
No vinyl option though. Boooooo.

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8 years

In reply to by icecrmcnkd

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Good show Bluecrow. Finished it up today. Recording is pretty good. Funny how they don't sound as polished as they did in March and April, but that was the story of the Dead. Nice Eyes to open the second set. Crazy fingers is a little clunky. Sweet Morning Dew. Solid show.
Okay, two from the vault for tomorrow it sounds like. 😀

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Member for

9 years 1 month

In reply to by DeadVikes

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my box set email said i'd been randomly selected to try the concept of a build your own box set with a limit of 12 shows!! cherry picked some from Fall '72 and Fall '73, grabbed that Baltimore from March '73, Des Moines from May, the Roosevelt Stadium shows from summer of those years, and finished it off with Bob Fried memorial Boogie. tough narrowing it down. There were a few shows that were off limits like RFK w/ Allmans cause they had special plans for those.