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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
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    I'll Play

    5/10/91 if for no other reason than I like the recording. Maybe a bit saturated at times, but it's pretty clear and balanced. Besides Phil was on a tear during this period and it must have been hard to keep his bass in check when he amped things up.

    I think tossed this show out on this forum in the beginning. I like the Cal Expo shows too, but no Bruce for those three shows.

  • DeadVikes
    Joined:
    Official Releases

    Yes, absolutely. Always welcome.

    Can't say enough good things about that hot summer 82 Tour. The Zoo in Oklahoma was another good one. Love these China Riders from this summer. Agree, they are smoking Jim. Nice Playing, Iko Iko, Lost Sailor, SOC. The wheel out of space is always good. Great US Blues encore.

    The 71 Port Chester shows are some of my favorites. Listen to them often. 2/18, is probably my favorite right now, but my favorites fluctuate.

    So for #44, I am thinking we will see a 91 release. Any predictions?
    Enjoy the weekend out there.

  • Dennis
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    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • JimInMD
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    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Just checking in... Haven't been on in a while... Travel for work has started back up for me..... Hope everyone is well....Just wanted to say hi.... Bob t

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bluecrow, my email said 6 shows from different years. I went with 7/28/82 (matrix), 8/1/73, 6/20/74, 10/15/76, 3/9 and 10-81 and What about Gainesville?

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Good to hear from you Bob t. You better send us a pick soon.

Box set, to be honest, since it has been so long, I am starting to loose interest. No clue what this operation is doing.
Here is the Barton Fink to the latest Betty Boards recovered and in the Vault from the ABCD transaction. Enjoy!

Looking at 10/26/71, download series #3 for today. Sounding fantastic so far. First listen to this show for me.

Anybody catch the Shakedown Stream last night?

Anyone expecting box news was unfortunately left in the cold again.

Shoot, we should have another Dave's Picks by the end of next month and no clue what it is.

I find myself going back to that box all the time. Past couple days I traversed through 3/5's of it. Kept me company while working outside. Imagine the trajectory of that box had summerfest not been cancelled on the 2nd. The box woulda been even more smokin' imo if that's possible.

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Tell me it wasn't so!!!!

So we are doing 10/26/71 and July 78. Fantastic.. Just give us a few days.

Sorry for being away, not on purpose. Welcome back Bob!!

10/26/71 - It's got a Cumberland (and the third Comes a Time). What could possibly go wrong?

Okay, who has a pick for tomorrow to start the week?
Break the drought. Do it, it feels go.

Any interest in good old 11/24/78?

Dave's #39 is on the horizon. I am thinking we get another 80's release. What are you all thinking?

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I didn't make 11/24 today.. so tomorrow then.

As for #39, if there's one thing Dave is, it's predictably unpredictable. Another 80's wouldn't surprise me a bit, but we are more due for a late 60's show too.

I'm going to try to fit in July 78 too.. somehow.

Any clues Bolo?

Hey Jim,

My guess is you have heard 11/24/78 at some point?

Fantastic show and it has a Shakedown.

Will join you with at least 7/1/78 and 7/3/78 at the St. Paul Civic Center.

The Willie Nelson Picnic. That was a huge deal for Willie. I recently saw a documentary on Willie and they talked about his big picnic shows he put on. Cool stuff, but they didn't mention the Dead playing at it in 78. That must have been something for those fans.

Dave could always throw out the first 90s show for #39? Who knows.

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This one is new to me.. Just finished the first set, a nice little post Egypt show. Looks like an Hamza El Din influenced second set including a stand-alone Fire near the end of the show..

Nice pick.

Wow.. checking out the weather in the PNW. Talk about Fire on the Mountain.. smoldering heat. Stay cool all.

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Can’t believe you never heard this one. Back in the day it was everywhere since it had been TV and radio broadcast.
Great multi/pro camera versions are available...
One if not the first show I ever saw on video. JG is outta his mind but on fire! Ya really need to see him!
Probably the most Bob jokes and MC lines of any show I can think of: “hello princess”, “ I wish they’d get these elephants of the stage” “don’t think about it, just do it, lean over...”” ladies and gentlemen we’d like to start the next segment...” etc etc, he’s like Letterman out there lol.
A MUST listen/viewing for any DH!

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Video is a must-see. Jerry was sick as a dog, voice was shot (they had to cancel the next show), but he played like his hair was on fire this night. A pro stepping up when the spotlight was on even though he felt crappy.

Great moment just before going into Shakedown when Bobby is trying to figure out where Jerry's going. He mouths, "What's he doing?" to the other guys. Priceless!

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I will start the second set via video then, later tonight. Thanks guys.

I am completely in the dark on this show.

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Never heard this one either! Sweet show! Thank you!11

Also, YDIGDH 6/30/74 is a stunner!

Peace

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One of my favorite modern era releases.

....and speaking of box sets.. so a priest, a rabbi and an atheist walk into a bar..

You might ask what does this have to do with sasquatch hunting and box set announcements? Exactly my point.

Onward.. lights are dimmed, it's concert time.

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6/30/85 Merriweather Post Pavilion: Hessberg Sennheiser ME-80s, Miller Transfer and Management Company.

This upload actually has all of the ID tags embedded, so I didn't have to do a half hour of data entry before listening to the show! Hooray for that! Sorry, did I just plug something?

Anyway, I'm sure you've all been to this show and have heard it a million times, but I've nowhere else to post these impressions, so use that scroll bar. I already had a copy of a different pull on hand, but hadn't paid much attention to the show until I started listening to this one that I downloaded yesterday before realizing I already had the show, but not this recording.

Solid. Tight. Focused. Most of the first set was on in the background. At that point I was, like, yeah, decent show; not sure what all the fuss is about. Keep on Growing was a nice surprise, but needed a couple more run-throughs, perhaps, if it ever got any. Then after switching to headphones at the end of LLR the show really started coming alive. That Shakedown jam... man... so dang funky. Got me movin', then... love that synth part Brent brings in. Samson is always a reliable rave up, and, again, I think the key words here are solid, tight, focused. One of the great things is that Bobby is really clear in the mix, and all that little Bobby stuff that he tosses in all over the place, just at the right moment, is all making these ever so slight course corrections in the direction of each tune. Gimmie Some Lovin', man they are taking no prisoners on the dance floor. Bobby's got some kinda auto-filter/flanger thing goin' on during this show that adding a really cool atmosphere. Would not have expected that during He's Gone, but there it is, and it's almost like he's adding little after-effects to Jerry's guitar. That's where I am now, but that Shakedown, which I'm sure you're all well aware of, really woke up my typing fingers. This AUD is actually crankable. Nice work, Mr. Hessberg!

7/1/78: YES! Love this one. Thanks for the reminder.

Yes.. a great show. Old Jer doesn't quite have the pipes to pull off the cryptical lyrics, but it's cool nonetheless. But hey, this show is all about that monumental, wonderfully funky Shakedown Street. Worth the price of admission for that performance alone.

Missed that anniversary.. Duooh.

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After an almost double listen to 7/1/78 and part of St. Paul, two days later.. I had some free time and a teeny tiny buzz so I hit the reaming portion of 11/24/78 but finished the show ala YouTube. I agree with Bolo that Jerry was a man on a mission. But what the heck happened to Keith? He was MIA and it was not the mix. Bobby, both drummers, of course Jerry and Phil, but Keith is out to lunch on this one. You almost wouldn't notice it but the there is the video. Depressing because I love Keith but there is somewhere else he would rather be this night.

It's no wonder Jerry felt the need to shred this night, because without him there would have been no energy.

Still good show and something I had not heard (or seen) before. Then again, as much as I love the rest of the band.. Jerry was the main attraction. So please do not view this post as a complaint.. just my two cents on how good this might have been if Keith showed up to work a full day.

Edit: One other add... in this video you really get to see Wolf in it's full glory. The Quilted or Zebra Stripped Maple is full-on electric dayglow under these lights. I have always had a soft spot for wildly figured maple and wildly figured wood in general. Sorry for the sidebar.. perhaps there's a carpenter or wood person out there that agrees.

That is all.. as you were.. Hand me my old guitar, pass the whiskey round.

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JimInMD:

Yeah, my impression, and that's all it is cuz wtf do I know, is that Bobby pulled a prank and forced that Cryptical, but Jer wasn't ready for it. It starts out pretty good, but the tail end of the lyrics escape him. He fights through it pretty good, and it's no worse than the run-through of Getting Better in the first set, :P but yeah poor Jer's lungs are not in great shape. The struggle adds an extra bit of emotion and vibrato. Sometimes the spontaneity bites'em but they gave it a good go. The drum duo and Other One that follow absolutely keep the second set flowing, though. Cryptical's short enough, but also rare enough that it doesn't really impede forward progress, 'cause they've got some momentum built up, for sure. That's as far as I got. It's Friday night here, so time to crank some vinyl and get lost. It's been one of those weeks. I will definitely be coming back to 6/30.... The Willie Nelson gig is on deck. Was listening to that a ton last year or the year before. You can kinda feel they might be feeding off the different vibe of the Willie audience. They mostly play it pretty straight, but can't fight the weirdness too long. Lookin' forward to revisiting that.

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First ran across this one when i was trading tapes because I really loved that Scarlet>Touch>Fire combo from 7/13/84.... 58 and rainy here today in R.I.!!! Summer tour of 1990 kicked off 31 years ago tomorrow in the same vicinity as this show, Bonner Springs... 100 degrees when the show started, what a tour!!! Enjoy your weekend everyone... Bob t

Loved 7/1/78 again last week. You wonder what the audience thought when they broke out Terrapin?
7/3/78 at the St. Paul Civic Center is a great show. Great Scarlet Fire, Dancing in the Streets. One of my favorite versions of Werewolves in London.

Missed 7/31/84, will have to check it out. Thanks Bob t

Was thinking about 7/21/72 for today. Download Series #10. This show with bonus tracks is outstanding. If you have never listened to it check it out. Summer 72 is hot.

Stay well. Dave's Picks #39 by the end of the month? Can't wait.

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I just so happened to start that in the car yesterday and made it through Casey Jones (listen for the brief WRS at the end of that track).
Will resume the show tomorrow going to work.

Think I’ll play the 7-22 filler tonight.

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a freaky coincidence.

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You said well

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Not pillow talk again.

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The other day when that show came up, I happened to be listening too. There's a lot to like with that show. In fact, worth a relisten. I may go for it this weekend when I road trip. I am headed down towards bong, but not quite that far. I'm stopping at a different joint. :-)

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Okay, how does 2/26/77 sound to you all? This thing is on life support.

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Yes guys!

There is something about this show that still delivers. Must be the first Terrapin with no back up vocals and the Eyes!

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One of my favorite 77 shows for sure. I prefer it to dekalb, but at a certain point it's all subjective.

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1973? Written on the back, “if you can’t swing / then don’t hang”

“It don’t mean a thing
if it ain’t got that swing”

Composition by Duke Ellington
Lyrics by Irving Mills
Written in 1931

The list of musicians that have recorded it is impressive.

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It’s a 76/77 hybrid. Has elements from both years.

Think I’ll do the 2-27-77% filler that came with it.

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Great choice for opening the first set - Terrapin Station. I always hear it more as a song, than a jamming vehicle, and as such it seems better placed to me to start the first set than to pitch up half way through the second. Obviously the band didn't seem to agree.

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Who has a pick for today?

It has been 17 months since the last box announcement and eight months since they announced Dave's 38.
We need some news on what they have planned for the rest of the year soon.

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Okay, this one is for Oroborous. 12/13/1980 unless someone else has a pick?

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. . . and that's before i realized Flora Purim and Airto Moriera are sitting in during the drumz!!

which re-minds me of The Other Side Of This, a way-out-there album by Airto (produced by Mickey). highly recd. I'd linq if i could.

thanks DV for this POTD!!

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so more than a few days late on this. watched Set II video of 11/24/78 a cupula weeks ago- complete to-atl (total) John Deere time machine. Damn. So cool. So had a 2LP boot from ca. '82 and a grainy VHS from ca. 1996 yet it had probably been an easy 10+ since a visit. notes still carved in stone. love those early Shakedowns and this is where it started for me. and Hamza El Din w/ Mickey??!! Into Fire on the Mountain??!!

Bobby asking "what's he doing?" is freaking funny as heck!!

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Heard a snippet of "I Know You Rider" going out of the top of the 7th.

If Joe Buck wasn't so enamored with the sound of his own voice, I might have been able to pinpoint the show, or at least the era. Sounded pretty hot.

Oh, now out of the bottom of the 7th, Althea. I'll have to go back and listen if they did this every inning

that the misfits have become mainstream (or at least normalized).

....but it's way better than the alternative when we were unwelcomed (or imprisoned).

Progress.. perhaps, I'll take the win.

Good to see you Bolo.

First.. I am severely biased... because my alma mater is the Terrapin.

I love the Swing, start to finish, so it's hard to argue against a Terrapin opener. I love it as an encore too. But my favorite place for this song is well into the second set and it makes an excellent vehicle into the great unknown. Since we can no longer post linques.. might I reference 3/24/90. The Playin' In The Band>Uncle John's Band>Terrapin Station>Mind Left Body is other worldly. It really is.. excellent second set material.

I don't believe I am disagreeing in any way, just respectfully expressing the same thought from a different point of view, that being the slippery slope that is the beginning of the second set..

Love deep second set Terrapins. To me, it replaces a lot of the deeper space stuff prior to 74 from a post 75 point of view.

That’s where Terrapin rightfully belongs.
But you wouldn’t expect it to be there the first time played.

And then there’s that 3-18-77 Terrapin>Alhambra…..

Winterland March 77 Box anyone?