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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • alvarhanso
    Joined:
    Who Summer '72 boots, Miami '74, etc.

    I have several liberated bootlegs of The Who in Summer '72, of course not clean SBDs like we have with the Dead stuff, but most are quite listenable. (A variable term for sure, depends on one's experience listening to hissy audience tapes, but there are definitely decent ones to be found.) And I like collecting them to get those sort of tunes that they played with Moon for very brief periods. Who boots will vary from awful to great, you just gotta poke around.

    If I had a Mt Rushmore of Dead shows, 6/23/74 just about makes it on mine. Maybe not the best show from the Wall of Sound era, but to my ears, it is by far the best sounding tape of that era. Jerry's picks are all a little odder than usual, but all are perfectly chosen. The Ship of Fools (and it's intro Jam) is a fantastic way to get back from the weirdness of Seastones. And that Dark Star> Spanish Jam> US Blues is just magnificent.

    And to the post about the actual Mt Rushmore and FDR over Teddy: we wouldn't have had any sort of President like FDR without TR. We'd likely still be a smallish country with no great impact on the world without Teddy. Similarly, one could say the same of Cornell or Veneta or 2/14/70, because for a lot of people the tapes of legendary shows introduced them to the wonderful music and led to the discovery of the bounties awaiting the collector of more tapes. Those shows may not endure as favorites, but they are still signposts to a new space, to steal a title from a Jerry interview/book. And if I were to switch out a face on Mt Rushmore, it would def be Jefferson for Madison. (In keeping with ones who had served by the end of construction.)

    If I have to choose 4:
    11/8/70 (so wish there was a SBD of this one)
    5/7/72 (just bc Dark Star & The Other One)
    6/23/74
    5/8/77 (my George Washington, where it started for me)

  • Forensicdoceleven
    Joined:
    I've always had an eye for the oddities in life.....

    Yo! Rockers!!

    “We’re tuning up a little bit for you folks, make it sound better cuz nothing’s too good for you………”

    12/2/71, it's a bit of an oddity. One of only two 71 shows with both Brokedown Palace and Black Peter. The only 71 show with both a Smokestack Lightning and a Lovelight. And unusual for 71 in that it didn't have a Truckin', Good Lovin', The Other One, or Dark Star........

    Back in the very early years of my crazy tape trading daze this was one of the first “local Dead show recordings” I had, so it has a special place in my Grateful Dead heart of hearts. It never seemed like the greatest Dead show ever, yet I still treasured it then---AND now.

    Think I'll listen to it on my way to work.......

    Rock on, my friends!

    Doc
    Odd how the creative power at once brings the whole universe to order......

  • Vguy72
    Joined:
    I went with the '74 Miami show.....

    ....you know. The one with the best segue from Dark Star into US Blues I have ever heard.
    Majestic....
    I learned to duck

  • KeithFan2112
    Joined:
    72 Who and 12/2/71 Dead

    Gratefulgerd - I looked up the set list for your 8/11/72 Who show. That must have been incredible - I would love to hear Relay and Long Live Rock with the gang in their live prime. Those two songs were freshly written at the time, and then quickly dropped from the set list. I doubt any relreasable tapes exist of the '72 tour you saw, but I found a decent YouTube show from later in the month with the same set list. Good stuff.

    Proudfoot - I checked out your 12/2/71 recommendation. Some hot spots in there. I like those late '71 Smokestack Lightnings with Keith in the mix. The piano suits that song. Brokedown Palace is nice - they nail the vocals at the end, which is always the icing on the cake. Also like this UJB. Solid version and Phil really nails the backing vocal on the "crow told me" verse. He used to sing some cool parts in those early days.

    Also checking out other December 1971 shows after Doc's 12/14 recommendation. Currently listening to DaP 22 at the Felt 12/7. After Tennessee Jed someone in the crowd hollers out "St. Fucking Stephen!" and Jerry impatiently responds with "Aw, Fuck your own St. Stephen!" So glad they leave the stage banter in these releases. These guys sounded like they had a LOT of fun at work. What a way to spend your life.

  • proudfoot
    Joined:
    12 2 71

    :)))

  • daverock
    Joined:
    Dicks 23 and 36

    Keithfan - yes, thanks, I'll bear your comments in mind next time I listen. I will try the two El Paso's, and look out for the contrast.
    I should say that my immersion in Dicks 36-9/21/72 - has been stimulated by its release on vinyl, and that's the version I listen to now. It sounds amazing to my battle worn ears-but I haven't compared it to the cd version. Price it cost, I'm a bit scared to!

  • KeithFan2112
    Joined:
    Daverock

    Hi Daverock. Yeah, that was a tough choice, DP 23 over DP 36. They have very similar set lists. If I had to choose between one or the other to bring as the only Dead CD to the desert island with the coconut rum and bikini women, I would go with DP 36, based on the Dark Star, Wharf Rat, and Morning Dew. I'm not sure which Bird Song I prefer; maybe I'll put that to the test later. But anyway,
    I like the performances and the recording of DP 23 more. Jerry is consistently loud throughout DP 23. On DP 36 he's certainly not low, but he tends to get washed out a bit when the whole band is playing and he's not swinging away at chords. You can hear what I mean for example with El Paso. If you compare the first minute of DP 23 to DP 36, you can hear Jerry loud and clear on 23 when he's doing all of that cool picking; meanwhile he gets buried by the band on 36. I also hear more flashes of brilliant playing from Jerry on 23. Another thing about DP 23 is the backing vocals sound better to me in a lot of places, like they're "blended" together more evenly. And then there's the monster 40 minute Other One - lots of great jamming here, and they almost jam out The Eleven at one point (Jerry starts it but nobody hops onboard).

  • BigDeadFan
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    anybody home?
    5 day sale…

    anybody home?

    5 day sale sign is still on web after a week?

    no box set announcement? No dave's picks announcement?

    is anyone there?

  • Gary Farseer
    Joined:
    Heavy Metal

    Did it, done it, occasionally revisit for nostalgia. I worked at the movie theater when Heavy Metal came out. Never watched the whole thing thru but saw all of the scenes in pieces. I have the Movie recorded on my DVR. Maybe today will be the day I revisit it. May try to watch twice before I erase it. If memory serves there were some other rock bands I uncertainly wouldn't call heavy metal. Let's see, Journey and Donald Fagan and others on there should never been associated with heavy metal.

    So I started thinking about it. I had written the first paragraph about 5 hours ago. Thinking about metal and some concerts I saw, when I started thinking about Judas Priest. I remember wow it was 1981 when I first saw them. Then it hit me that it was in summer July or August. I have the ticket but chose not to go digging through stuff. I check and 40 years ago right now, this music freak was preparing to go see Judas Priest, with Whitesnake opening and then Iron Maiden, at the Fox theater in Atlanta. Drove into town and heard the concert announcement on the rock radio station the night before. During afternoon next day went down the Fox Box Office and scored tics. Went back to room to chill out. Headed down to the show. All three of the bands were completely known to us. I had copies of British Steele and Point of Entry by Priest. I also had Iron Maiden Killers, and this was on the Killers tour, as well as their first album. Hard to believe 40 years went by like that. It was a true heavy metal concert. Well Whitesnake at this point was a heavier blues unit in the Zep and Purple line of hard rock. But damn did both Maiden and Priest drive that place hard. BTW, Maiden was the original maiden before Dickinson and the second drummer.

    Any way within 12 months I was clearly leaving metal behind and casting my gaze elsewhere.

  • gratefulgerd
    Joined:
    The Who

    saw them in Frankfurt, August 11, 1972.
    Wow, the loudest band I've ever heard in concert, indoor Festhalle Frankfurt.
    I mean extreme loud!!!!
    My biggest mistake in '72: I could've seen the Dead in April, 26, Jahrhunderthalle.
    But I didn't. Why?
    Too young and to far away from what was really going on in the international music scene.
    Simply said, I didn't know GD.
    On May 2nd in 1972 I saw John Mayall, at the same location, Jahrhunderthalle Frankfurt.
    Great show, wouldn't mind to trade it for a show a week earlier.
    Life happens

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3 years 6 months

"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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In reply to by Gary Farseer

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.... I would never kid about a Partridge family offer!!

How can you NOT have their greatest hits in your collection. Wasn't available for years,,,, I had the rope around the beam ready to check out, when GOD himself informed me the album was dropping and I should wait. Well I did and was sonically rewarded, I woke up in love that morning, so come get happy. Nirvana awaits!!

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In reply to by daverock

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.. You cut me to the quick when you said you sold your albums :-(

That has to hurt to this day. I regret I broke my little yellow kids 78's when I was about 7 ( I had outgrown them)

But thankfully I have EVERYTHING else I ever bought. Love my K-Tel records :-)

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Their inspiration were the very talented family band and sunshine popsters, The Cowsills.
Check out The Rain, The Park and Other Things, some nice ear cotton-candy.

I have the cowsills greatest hits also. Apparently one of the few albums in my wife's house growing up,,,, so I got it for "her". It's actually the Cowsills IN Concert!!! Why would you NOT want them LIVE!!!

Good Vibrations -> Sunshine of Your Love -> Paperback Writer -> Reach Out, I'll be There!!!

What a suite of songs!!!

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"Screwed the pooch..."

Double bonus points as this comment referred to a Who album.

"Screwed the pooch" versus "over-egged the pudding"! Clash of the titans....

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4 years 3 months

In reply to by proudfoot

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Found my old copy of Guitar player magazine with Jerry on the cover from 1978 or 79. I used the cover for decor and is now somewhere.

I remember when that arrived at our home in wisconsin. Jerry definitely had charisma...I had heard of the GD peripherally and on radio and SNL...I wanted to read that article (and did of course).

Fo sho!
Pops used to say shit like “screw the pooch” all the time, but eggin’ the pudding...brilliant!
Love new ones....

Disturbing images, thinking Randy Marsh in China with Mickey...

PF, Sweeet, I have that Guitar player mag, plus a few others from back then. Unfortunately don’t have the one with Phil from a year or 2 before. I should re-read that...

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I must have a defense mechanism that allows me to enjoy a twisted phrase, but without actually VISUALIZING it.

So, thanks for the visual on "screw the pooch." They were just WORDS until you chimed in............

That said, I do live in the West, where men are men and, so it's said, the sheep run scared.

Okay, time for Dave's video on DP # 39! Once again I've inadvertently led the race to the bottom. Oh wait, there's another phrase that I never thought through!

Yeah on the Bonus Disk to the "All the years combine" dvd box, on the second grouping is Justin Kreutzmann documentary from 1992 titled "Backstage Pass." The first segment or chapter is a nice Pig Hard to Handle, then the second chapter is a Drums segment with Billy and Mickey alone in a studio. They did the custom drums for this documentary, so you will hear at first like beads hitting each other and then Mickey and Billy hitting these two long vertical drums and it is off and running. Lots of grate footage through out Backstage Pass. But during this drums you will see the train, will not say more though, as it is intense. It also has these Dead motif walking puppets that are a trip. Maybe someone can pinpoint where this footage is from. Hope that helps, sorry for the delay.

G

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9 years 3 months

In reply to by Dennis

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and "come on, get happy!"

I think Bear helped with their sound system.

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4 years 11 months
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1 Best of Muddy Waters, 2. Workingman 's Dead expanded version, 3. Charlie Musslewhite, Louisiana Fog, 4. Anthem of the Sun expanded version, 5 Best of Little Walter. Last 5 beers.. Plin y the Elder. x 5.

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In reply to by billy the kid

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Listening right now

When you need a palette cleanser, L@L is a good one.

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Last 5: CSNY-Deja Vu box-disc 3
CSNY-Deja Vu box-disc 2
Lemon Pipers-Best Of
Cream-Royal Albert Hall-disc 2
Yes-Close To The Edge-Steven Wilson mix

Dennis, you continue to be my brother from another mother. I have Partridge Family Best Of, a 2-disc Cowsills, one of which is Best Of. Not to mention ABBA’s Greatest Hits, 5th Dimension-Gold, and at least a dozen more that most people wouldn’t admit to owning, much less enjoying.
Music is the Best!!

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I didn't need another copy of Skullf#@% but I'm interested for the 7/2 tracks. I agree that Pigpen on organ was exactly what the Dead needed in 1971-1972. Sure he may have hit a bad note now and then, but they all did. Pigpen had a great presence of mind to play exactly when needed.

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"And now for something completely different..."

- Monty Python

For years now I've been writing the Foo Fighters off as populist soccer mom rock, and Dave Grohl as an over exposed puppy dog. I cannot believe how much I love the new record, Medicine At Midnight.

Very stylistically diverse and just a beautiful, fun, warm rock record. Amazing. I could not gush more.

And now back to your regularly scheaduled programming...

My wife used to watch top 20 video countdown

FF "LEARNIN TO WALK AGAIN!!!"

and

"THE BEST THE BEST THE BEST THE BEST!!!"

no hate or disrespect

Just facts

I was lucky enough to see Nirvana in '92

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In reply to by proudfoot

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Not a huge fan of his music, but he is a cool dude. Sound City is an outstanding documentary.

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Just scored a Ella Fitzgerald collection (the complete songbook series)

Talk about Ella came up last night at work and came home to check my Ella stuff. I have several of the "song books" collections. Never knew the was a "complete" box set. Guess it out of print. Amazon had big dollar pricing. Found a copy on a site called Mercari,,,, 83 bucks!!! 16 cd box!

From wiki -

They are considered a cornerstone of 20th century recorded popular music, and as a whole, represent some of the finest interpretations of the greater part of the musical canon known as the Great American Songbook.

The New York Times columnist Frank Rich was moved to write a few days after Fitzgerald's death that in the Song Book series, she "performed a cultural transaction as extraordinary as Elvis's contemporaneous integration of white and African-American soul."

Here was a black woman popularizing urban songs often written by immigrant Jews to a national audience of predominantly white Christians. As Ira Gershwin said, in the line quoted in every obituary: "I never knew how good our songs were until I heard Ella Fitzgerald sing them." Most of the rest of us didn't know, either. By the time she had gone through the entire canon, songs that had been pigeonholed as show tunes or jazz novelties or faded relics of Tin Pan Alley had become American classical music, the property and pride of everyone."[3]

Sorry for the non sequitur,,, I just had to share my good fortune.

Oh,,,,, don't tell the wife!!

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In reply to by Dennis

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I can't help but remember Mr. Ones catch phrase, Music is the Best.

There's always something going on around here and certainly not restricted to the Grateful Dead.

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Flashback to ~1975... I'm 17... We get tickets for Ella Fitzgerald with the Count Basie Orchestra (the Count was conducting, I believe) and we head to the Westchester Premier Theater (now closed).

Picture 4-5 teenagers with long hair, flannel shirts and jeans, probably stinking of pot, possibly with "white walls" around our nostrils (we got into blow that year), entering the theater, where everyone was dressed in their New York City best. Just after the show began. The ushers wouldn't seat us in our ticketed seats down front -- understandable now, but not then. But they seated us somewhere. Ella and the band played a remarkable set and Phil Woods -- one of the greatest clarinetists ever -- played a solo that I still remember absolutely devastated us. Then the band took requests. The process was amazing! A well-heeled jazz fan in the audience would yell out a tune. The Count would confer with his band. Always, a player would say something like, 'Oh yeah, that's a bouncy thing in G#m" and band heads would nod in agreement, Ella would say yay or nay on her knowing the lyrics -- or she'd scat/fake 'em -- and off they'd go. So polished, you wouldn't know they'd never played it before. During intermission, we did get seated in our seventh row center ticketed seats, standing out like a pocket of hoodlums in a coiffed crowd. Amazing night.

We caught all kinds of uptown jazz and swing acts in those days because my buddy's dad had been a drummer for the fabled Savoy record label in Neward, NJ, and when he heard us listening to the Band of Gypsys (Hendrix of course), he went to his record collection, pulled out 15 LPs, handed them over and said, 'Okay, if you're gonna listen to Hendrix and the Dead etc., you also have to learn where everything came from. Dig this!' And he thrust the well-played platters into my hands. That opened me up to the music of the 1940s, '50s and early '60s. Of course, over the years, I pushed back to the '30s and '20s -- Robert Johnson and Co., Lonnie Johnson, etc., which was a legacy of my friend's dad lifting the veil on popular music.

So, I may be HF, but I got schooled by that LP collection and dozens of killer shows in NYC while I lived in the area. Good times. Big ears. Ask about our Oscar Petersen 'experience' sometime.

That is all...

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10 years 7 months

In reply to by Dennis

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The 5th Dimension are figured prominently in the Summer of Soul documentary on Hulu. Good flick. Seeing Mavis Staples singing with Mahalia Jackson may not make you a believer, but it will sure make you happy.

Would love to meet Mavis someday. Woman has the power of a thousand suns.

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Caught her with Amy Helm and another great singer at Chautauqua in Boulder a few years back. Then again opening for Dylan, when she promised to literally kick the ass of the Mango Mussolini -- cracked up the crowd. Boy, think of the Pay-for-View revenue from that televised event..............

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But I'll spin DP 36 again this week, as I feel an announcement coming on 39 -- perhaps this Friday, if the pattern holds?

Huh, I never used to be like this -- impatient for a release, when there's more to life than DPs...

Okay, who the f*** am I kidding??

I can't believe I am saying this.. but it does look like we will get an update on 39 before the box set reveal.

The third release of the year can be the real wildcard of the subscription. I am guessing 82 or 91, but would be stoked with a 69 dropped into this years lineup. In any case.. it seems it will compete with the box set reveal to an extent.

In other words.. Dave, if you're listening, we need another release.

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In reply to by JimInMD

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It'll be a bit of a shock to log on here and see news of an upcoming release.

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I've been grooving to a lot of JGB lately (GL 16 is very nice), and have been wishing for some JGB releases from the early 80s. I looked into some good bootlegs online, then came across old news about how 6/26/81 was "released" officially many years ago, but only as a download, only for one week, and perhaps only as an incentive to purchase a t-shirt? No wonder I didn't get it, and I get everything.

Does anyone have the official download? And are you willing to share, please? If it were available for sale then I wouldn't ask.

Thanks!

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Okay, so now the conventional wisdom is that DP 39 gets announced and, three weeks later, arrives, meaninig a box set announcement in the dog days of August?

Either that pushes the box news to post-Labor Day -- hey, I'm in no hurry to get there at this point, summer in the Rockies is so freakin' short -- or the TPTB simply ignore all rules of retail and count on the news spreading like wildfire, even if some folks have disappeared into the mountains in August...

Then there's the sense I got that beyond the DP series and the box, there's one other release getting teed up.

So, the mystery is probably not that mysterious: why no news, when last year the '76 box came somewhat early? I'm thinking that either the tapes, the box design or other production issue has hit a glitch and they're not announcing until and unless the path to a sales or preorder date is smoothed out.

What's the other release? I'd love to think it's an "early" Wake of the Flood -- a favorite of mine as I heard so much of it in concert prior to the LP's release. But here are a couple other thoughts: they skipped anything to do with the 50th of Live/Dead/Fillmore West because they've done the limited edition as well as a nice compilation for losers like me (who convinced myself at the time of release that I "didn't have the money"... Idiot!!) The coupling of WD and AB with '71 shows was simply that they have few '70 shows to spare and had already mixed the Capitol '71 run so those shows were handy. But doing a 50th of Skull & Roses, coupled with only a single disc of 7-2-71, threw my theories a curveball. I can't see anything clearly in this cloudy crystal ball. What if they release a DVD of one of the Euro '72 shows next year and WotF in 2023?? Just trying to think outside the black hole...

They're obviously not going to wait until 2039 to release a 50th Built to Last, as Dave clearly stated, so when does the acceleration begin? They've surely got enough '73 left in the can to do a full show with WotF, but that year's shows were nearly always 3 discs' worth. Except, um, the Watkins Glen soundcheck....(Yet the Compendium lists the soundcheck at 90 minutes, which would require a 10-minute trim job. Ugh.)

Okay, obviously running out of original ideas and now just circling back to my usual 2020-2021 harangue over a '72 box and a '73 WotF w/ Watkins bonus "idea." Just rambling now........

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After this: so I went back to Dave's seaside chat from 23 Oct 2020 and, skipping over "this version is amazing" and "you'll love the way the band does blah blah blah" and Dave says "we're doing preliminary work on the 2021 box, which we'll talk more about in a few months, I'm sure..."

Well, that clears up .......... NOTHING!

I plan to at long last experience a VFTV show on August 1

7 8 90? Nah.
6 16 90? Maybe.
6 14 91? Could easily be.
87? Uhhh....
GD movie? Nuh.
12 31 78? Hey.....

Hey! I have a copy of Essen 81!

THAT ONE!

I remember hearing/watching 6 14 91 and seeing Jerry morph into a lion.

That was cool.

We can have the party without them. Perhaps they will toss us a Shakedown Stream for good measure.

I love a good sense of humor.. I was reading this discovery of Neanderthal's ability to create art from deer bones 51,000 years ago in a cave in Germany, "the Unicorn Cave" to be exact.. (if I could attach the lenk to the article I would).. and at the article ended with the following line:

"The Neanderthal who turned a deer bone into art could not be reached for comment."

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cd and propeller vinyl came today. The prop effect was neat, should look good spinning. Unlike the picture on the site that made it look white, it was clear vinyl with black prop.

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17 years 4 months

In reply to by Dennis

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....that I won't be shamed for sharing the news that Britney Spears is retiring from recording.
Guilty pleasure. I know I've posted my appreciation for here before. I like beats. Her dad is a Pos.
Anywho. Also itching for a box set. Still waiting. I'm still waiting.
It's going to be Fall 72.

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I want to thank you for all the great music I have been able to download from you. Thanks so very much for sharing your stash. If I had the world to give.......

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In reply to by Vguy72

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Not a fan or non fan, but I love the lyrics to "Piece of Me". What a great song for the double entendre. I think I'd bet a dollar a doughnut she didn't write it, but the truth of the lyrics is astounding!

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....... there's just TOO much music available in the world!

I have a very sprawling collection of music and can still be caught off guard.

Buddy showed up yesterday and asked if I ever heard Dr. Lonnie Smith. I never had AND I had none in the collection.

Quick youtube check showed I needed some of this guy. ( I like the cover of Sunshine Superman with Iggy Pop)

Anyone got a nice collection they like to share,,, maybe I can offer some Jimmy Smith in return?

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7 years 3 months
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How right you are. There is so much music that my wife thinks that I have ENOUGH music right now. I keep telling her that's not possible, but she does not understand. A lot of people confuse Dr. Lonnie Smith with Lonnie Liston Smith. Easy to do because they both play the organ, but in fact, 2 different people. I have a bunch of Lonnie Liston Smith, but the only Dr. Lonnie Smith I have is called Afrodesia. I'd be happy to send you a burn copy, if you want to PM me. Music just might break up this ole marriage O'mine!!

Keep listening, because Music is the Best!!

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I'm guessing there is a very real possibility that Garcia's family is up to their old tricks and started another legal battle. The second box from 2020 never came, now we're over a year out since the last one. Reminds me of 2007, we got one release that year, Spirit of 76. Later we found out it was because Koons had gone to court to take a bigger cut. Not sayin', just sayin'.

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4 years 3 months

In reply to by itsburnsy

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The GD organization and its beneficiaries are...not destitute. Mo' money?

Hopefully the delay is just a "hey man, I had to make sure it was 'just exactly perfect'" thing

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4 years 3 months

In reply to by proudfoot

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(humans and animals/insects/etc. coexist in a society where the animals have human bodies but animal/insect heads...just go with it...)

In an episode last night, a stagehand with a goat's head is wearing a goat skull steal your face Tshirt that reads "Goatful Dead"

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Guilty as charged. I saw Seastones performed at Ally Pally in London, September 1974. They played three nights and I think Seastones was performed at the second and last shows. I have no idea which of those two nights was graced with my presence but I did witness Ned and Phil in action between sets. I was totally unimpressed by their electronic noodling. A compilation of the three shows was released as Dick's Picks Volume Seven. I have previously documented my subsequent efforts to get home after the show on here so I won't return to that now. I blame the space cakes.

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I was on the road in '74 and had to leave San Francisco in the 2nd week of Sept '74 to get home for school. So I missed Seatones shows and, yes, the "last 5 nights." So close, but no cigar. And, based on the tapes I've heard, I did not miss out when it came to Seastones. The '74 version of "Eyes"? Yes. But not Seastones.

Perhaps an acquired taste, like Ouzo? (Got a story there.....)

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12 years

In reply to by Mr. Ones

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Mr. 1's =

sent pm

funny about album you mentioned Martin Denny has a album called afro-desia.

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